This panel seeks to consider how local identity was shaped by such global networks. Potential questions include: Are artistic or architectural styles connected to specific places for specific reasons? Were medieval artists conscious about their own regional styles and the social, political, and religious impact they had?
 Venice, Materiality, and the Byzantine World  De-Centering the Romanesque  Creative Modes of Activating the Early Medieval Manuscript  Creative Strategies of Intellectual Engagement with Tradition and the Auctores  “Manuscripts in the Curriculum”: New Perspectives on Using Medieval Manuscripts in the Undergraduate Classroom from Special Collection Librarians, Faculty, and Booksellers (A Roundtable)Continue reading “6 CfP for ICMS Kalamazoo 2018”
Kalamazoo, Michigan Deadline: Apr 21, 2017 Call for Session Proposals: International Congress on Medieval Studies 2018 (Kalamazoo, 10-13 May 2018) The Italian Art Society seeks session proposals for the annual meeting of the International Congress on Medieval Studies (ICMS). The Congress is an annual gathering of more than 3,000 scholars interested in Medieval Studies, broadly defined. It features moreContinue reading “CFP: Italian Art Society at ICMS (Kalamazoo, 10-13 May 2018)”
Call for Papers: Various Sessions @Kalamazoo, Michigan, USA, May 11 – 14, 2017 Deadline: Sep 15, 2016 Reminder: – The Stones Cry Out: Modes of Citation in Medieval Architecture – Light and Darkness in Medieval Art, 1200-1450. ICMA sponsored session Other Sessions: Obscured by the Alps: Medieval Italian Architecture and the European Canon Organizer: ErikContinue reading “CFP: Various Sessions @Kalamazoo, Michigan, USA, May 11 – 14, 2017”
This session invites papers that pursue these kinds of questions as they pertain to the diverse building cultures of the Middle Ages, West and East, between c.300 to c.1500. Highly encouraged are contributions that investigate the stimuli for citation, the media that make it possible, and the agents that make it productive.