The Marco Institute for Medieval and Renaissance Studies at the University of Tennessee, Knoxville, invites you to join their annual manuscript workshop. The 2021 workshop will take place online via Zoom. This year’s workshop will consider some of the recent challenges that researchers have faced with the suspension of travel, the closing of libraries andContinue reading “Workshop: 16th Annual Marco Manuscript Workshop, 5-6 February, 2021”
Materiality and Conversion: The Role of Material and Visual Cultures in the Christianization of the Latin West November 30 – December 1, 2020 The Center for Early Medieval Studies at Masaryk University invites you to submit to their call for papers on material and visual culture in the early medieval Mediterranean. Please submit your proposalsContinue reading “CFP: Materiality and Conversion”
The MARGIN (Medieval and Renaissance Graduate Interdisciplinary Network) team at New York University cordially invite you to attend their first-ever virtual symposium!
Ovid’s aphorism “Materiam superabat opus”, evoked throughout the Middle Ages and beyond, reveals the special consideration given to skill, technique and craft in the artistic creation processes. Thus, ingenuity and mastery have been privileged qualities in our approach to works of art, according to a restricted vision assumed by Art History as a discipline. However,Continue reading “CFP: (In)materiality in Medieval Art, Deadline: 15 May 2020”
Following on last year’s theme Out of Place / Out of Time, the Medieval and Renaissance Graduate Student Interdisciplinary Network (MARGIN) is proud to announce the theme of our 2020 MARGIN Symposium: Materiality and the Virtual. The Symposium will take place virtually via Zoom on May 1. A link for the symposium will be sentContinue reading “CFP: On Materiality and the Virtual (a virtual symposium), NYU University, deadline April 15, 2020”
This panel aims to engage with materials and techniques in transit, as well as the (trans)regionality of their meanings and significations, by asking: are we still able to trace the ‘origin’ and ‘originality’ of certain materials, techniques, and their meanings?
This one day conference brings together the next generation of art history scholars to present and discuss their ongoing research. Papers will predominately focus on Italian and Northern Renaissance Art (c. 1400–1600) and will encompass diverse media including tapestry, painting, engraving and stained glass. The conference will comprise five sessions. In the first four, twoContinue reading “Conference: New Dialogues in Art History, The Warburg Institute, London, September 26, 2018”
CFP for International Medieval Congress 2019 at the University of Leeds, July 1-4 2019 The session proposes a fresh look at carpet pages in manuscript books across the medieval world including examples from Jewish, Muslim, and Christian contexts. We seek papers examining the sources for and functions of particular carpet pages as well as papersContinue reading “Call for Papers: ‘Rethinking the Carpet Page: Meaning, Materiality, and Historiography’, IMC 2019 (Deadline: 10 September 2018)”
CFP: Venice, Materiality, and the Byzantine World, Sponsored by the Italian Art Society, 53rd International Congress on Medieval Studies, May 10-13, 2018, Western Michigan University Deadline: 15 September 2017 The Dumbarton Oaks Byzantine Symposium leading to the 2010 publication of San Marco, Byzantium, and the Myths of Venice introduced new perspectives on Byzantine and VenetianContinue reading “CFP: Venice, Materiality, and the Byzantine World, Sponsored by the Italian Art Society, 53rd International Congress on Medieval Studies, May 10-13, 2018, Western Michigan University”
Call for Papers: Pictor/Miniator: Working across media, 1250–1500, Schoenberg Institute for Manuscript Studies Sponsored Session at the 53rd International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 10-13, 2018 Deadline: 20 September 2017 The multimedia fluidity of artists and artisans in the later Middle Ages is an area ripe for investigation. Across diverse regions inContinue reading “CFP: Pictor/Miniator: Working across media, 1250–1500, 53rd International Congress on Medieval Studies, Kalamazoo, May 10-13, 2018”