CRSBI lecture at Cardiff Archaeological Society, 19 October 2017 | CRSBI Training Session, Llandlaff Cathedral, 20 October 2017

Lecture: The Corpus of Romanesque Sculpture in Britain and Ireland: Achievements and Aspirations, Dr Ron Baxter FSA and Dr David Robinson FSA, Main Building, Cardiff University, Park Place, Cardiff CF10 3AT, Thursday 19 October 2017, 7.15pm

This lecture will review CRSBI’s achievements to date, and outline aspirations for Wales, looking at Romanesque sculpture from across the country.

Training Session: The following Friday, 20 October, Ron Baxter and David Robinson will be running a training session at Llandlaff Cathedral, from 10.00am to 3.00pm. The day is open to all who may be interested in becoming a fieldworker for the Corpus, or in simply finding out more about our work.

Dr Ron Baxter is the Research Director of CRSBI

Dr David Robinson is an independent historian and writer

 

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Conference: Art and Economy in France and Italy in the 14th century: new research

giottotodeleteConference: Art et économie en France et en Italie au XIVe siècle. Nouvelles enquêtes,Art et économie en France et en Italie au XIVe siècle. Nouvelles enquêtes, Université de Lausanne, 19-20 October 2017

 

 

Programme:

Jeudi 19 octobre 2017

Nicolas Bock, Michele Tomasi
Introduction

14h30 L’Italie au Trecento et au Quattrocento : da Giotto alla morte !

Damien Cerutti
Giotto & Cie. Réflexions sur le marché pictural florentin dans le deuxième quart du Trecento

Katalin Prajda
Finanze e attività imprenditoriale nelle industrie pittoriche, orafe e di carpenteria nella Firenze del primo Rinascimento. Come la seta divenne una specialità fiorentina

Fabio Marcelli
Arte, civiltà comunale ed economia nell’Appennino umbro-marchigiano

Giampaolo Ermini
Il cantiere del coro trecentesco del duomo di Orvieto: manovalanza, materiali, costi e finanziamenti

Paola Vitolo
Spese della morte: investimenti per l’aldilà (e per l’al di qua) e pratica artistica (Italia, XIII-XIV secolo)

 

Vendredi 20 octobre 2017

9h00 Les arts de luxe

Chiara Maggioni
Orfèvreries à Mantoue au XIVe siècle : frais, évaluations, valeurs de marché

Andrea Cravero
Vetri dorati e graffiti del basso medioevo: economia di una bottega assisiate e mercato fiorentino

Giampaolo Distefano
Le occasioni del mercato artistico parigino del Trecento e la carriera dell’orafo Jean le Braelier

11h30  Entre l’Italie et la France

Teodoro De Giorgio
La riorganizzazione del sistema fiscale della corte pontificia avignonese sotto Giovanni XXII (1316-1334) e il nuovo volto del mecenatismo artistico papale

Alain Salamagne
L’usage du bois précieux dans le château en France et en Bourgogne (1350-1450)

14h00 Perspectives méditerranéennes

Doron Bauer
Economic Fluctuations and Artistic Production in The Kingdom of Majorca

Francesco Ruvolo
Prima di Antonello. Nuovi culti, spazio sacro e potere economico, nella Messina tra Due e Trecento

15h00  En ouvrant encore les horizons

Étienne Anheim
L’économie du travail artistique au XIVe siècle en France et en Italie

Wim Blockmans
La spécificité du secteur de l’art dans l’économie du bas Moyen Âge
Conclusions

 

Conference: Intertwined Worlds: 10th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age

Conference: Intertwined Worlds: 10th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age, Free Library of Philadelphia/University of Pennsylvania Libraries, November 2-4, 2017

In partnership with the Rare Book Department of the Free Library of Philadelphia, the Schoenberg Institute of Manuscript Studies (SIMS) at the University of Pennsylvania Libraries is pleased to announce the 10th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age.

Despite the linguistic and cultural complexity of many regions of the premodern world, religion supplies the basis of a strong material and textual cohesion that both crosses and intertwines boundaries between communities. This symposium will highlight the confluence of expressions of belief, ritual, and social engagement emerging in technologies and traditions of the world’s manuscript cultures, often beyond a single religious context. It will consider common themes and practices of textual, artistic, literary, and iconographic production in religious life across time and geography, from ancient precedents to modern reception and dissemination in the digital age.

The program will begin Thursday evening at 5:00 pm on November 2nd, 2017, at the Free Library of Philadelphia, Parkway Central Library, with a keynote lecture by Phyllis Granoff, Yale University. The symposium will continue November 3rd-4th at the Kislak Center of Special Collections, Rare Books, and Manuscripts at the University of Pennsylvania Libraries.

Speakers include:

  • Iqbal Akhtar, Florida International University
  • Paul Dilley, University of Iowa
  • Ellen Gough, Emory University
  • Thibaud d’Hubert, University of Chicago
  • Zsuzsanna Gulácsi, Northern Arizona University
  • Ayesha Irani, University of Massachusetts, Boston
  • Shazia Jagot, University of Surrey
  • Samantha Kelly, Rutgers University
  • Jinah Kim, Harvard University
  • Gila Prebor, Bar-Ilan University
  • Michael Pregill, Boston University
  • Michael Stanley-Baker, Max Planck Institute for the History of Science
  • Columba Stewart, Hill Museum & Monastic Library and Saint John’s University
  • Justine Walden, University of Toronto
  • Tyler Williams, University of Chicago
  • Saymon Zakaria, Bangla Academy, Dhaka
  • Maayan Zhitomirsky-Geffet, Bar-Ilan University

Click here for program and abstracts.


Registration fee will be $35 ($10 for students with valid student ID). Registration open now until Nov 3, 2017. Click here to register. Walk-in registrations will be accepted for a fee of $45 ($15 for students with valid student ID) to be paid in cash.

The symposium is made possible with the generous support of the Center for Ancient Studies at the University of Pennsylvania.

For more information on the Schoenberg Symposium Series, click here.

Research Group: Research Network of Interdisciplinary Medieval Studies

logo_rede_estudos_medievaisThe Red de Estudios Medievales Interdisciplinares is the result of a collaboration between scholars researching Medieval Art at various departments of the University of Compostela, other Galician and Portuguese universities and the Instituto de Estudos Gallegos “Padre Sarmiento” del CSIC (Consejo Superior de Investigaciones Científicas).

The group welcomes scholars in Spain and abroad, and runs various research activities, for example: cultural and formative site visits, training courses, events leading to multidisciplinary publications, website articles, European research projects.

To learn more and get involved in their research activities, visit their website. 

Scholarship: Francis Haskell Memorial Fund/The Burlington Magazine Foundation 2017 Scholarships

HaskellScholarship: Francis Haskell Memorial Fund/The Burlington Magazine Foundation 2017 Scholarships
Deadline: 6th October 2017

Grants of up to £2000 will be awarded from the Francis Haskell Memorial Fund this year to enable scholars to spend time in libraries or archives carrying out advanced research in the history of western art. Preference may be given to candidates in the early stages of their careers; to subjects related to the commissioning, collecting or interpretation of works of art made before 1914; and to research carried out outside the applicant’s country of residence. Scholars from any country may apply. An additional award may be made by the Trustees of The Burlington Magazine Foundation in conjunction with the Francis Haskell Trustees.

How to apply: Applications, including a two-page proposal, a C.V. and a budget, should be sent by email to caroline.m.elam@gmail.com by 6th October 2017 – please label all attachments with surname of applicant. There is no application form. Applicants should ask two referees to write separately to the same email address by the same deadline in support of their proposals.
Awards will be made by 8th December 2017.

Job: Post-Graduate Fellow, Art of the Islamic Worlds, Museum of Fine Arts, Houston, USA

782d789e-a8f1-42c6-b71f-3400b47c1f83Job: Post-Graduate Fellow, Art of the Islamic Worlds, MFAH, Houston
Deadline: 19 November 2017
Title: Post-Graduate Fellow, Art of the Islamic Worlds
Reports To: Curator, Art of the Islamic Worlds
Pay Type: Full-Time, Regular, Exempt, 35 hrs/week
Salary: Commensurate with Experience and Education
Benefits: Group Medical and Dental Insurance, Life and Long Term Disability Insurance, Retirement Plan, Flexible Spending Plans, Paid Time Off, Reserve Time Off, Holiday Pay, Museum Membership and Discounts
Work Schedule: MondayFriday, 9am – 5pm; This Fellowship is from September 2017- July, 1 2018
Work Location: Beck Building, a non-smoking facility
Responsibilities:
∙ Provides curatorial assistance to Curator, Art of the Islamic Worlds
∙ Collection management: on-going collection research; research of new acquisition proposals; creation and maintenance of collection files; label writing
∙ Exhibition and catalogue projects: research and documentation; creation and maintenance of checklists
∙ Performs other duties as necessary to support the curator with reports, scholarly articles, lectures, catalogue manuscripts, collection-based support and general office responsibilities
∙ Library: checks out books from Library for curator
Skills, Knowledge and Abilities:
∙ Broad knowledge of art history, particularly of Islamic art
∙ Sophisticated research and writing skills essential
∙ Writing sample required
∙ Excellent organizational and computer skills, including Microsoft Office, TMS (The Museum System)
∙ Strong verbal and written communication skills
∙ Foreign language skills: Persian, preferred, or Arabic
Education and Experience:
∙ Minimum of BA in Art History required
∙ MA or PhD in Art History with emphasis on Islamic Art, preferred
∙ Some museum experience and a demonstrated interest in developing a career in museum work
How to Apply:
Send resume to Human Resources, Job-18-041CUR, P.O. Box 6826, Houston TX 77265-6826; Fax 713-639-7508 or email:jobs@mfah.org.

CFP: ‘The Italian South: Transcultural Perspectives 400-1500,’ CONVIVIUM journal

Call for Contributions: ‘The Italian South: Transcultural Perspectives 400-1500,’ CONVIVIUM. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean, special issue edited by Elisabetta Scirocco (Bibliotheca Hertziana – MPI) and Gerhard Wolf (Kunsthistorisches Institut in Florenz – MPI), published March 2018
Deadline for proposals: 20 September 2017
Deadline for article submission: 30 November 2017

tavola_strozzi_-_napoli
This thematic issue of the journal Convivium is dedicated to the Italian South from the 5th to the 15th century. It seeks papers that engage with the specific transcultural dynamics of a geographical and historical area containing highly diverse political, social, and religious entities, as well as with the multi-layered connectivities that can be traced in the Italian South, across the Mediterranean, and beyond.

We invite contributions from Art History, Archaeology, History, Anthropology, Paleography, and related disciplines that deal with the cultural diversity of Late Antique and medieval Southern Italy with special attention to sites, monuments, landscapes, images, and objects, as well as to the visual and aesthetic spheres in general. We are primarily interested in exploring horizontal and vertical dynamics, in terms of time (synchronicity/diachronicity) and space (global/Mediterranean/local scales). Papers with a theoretical and historiographical approach are particularly welcome.

Main topics to be addressed might include:

-Artistic contacts and interactions in the Italian South, in a transregional and global perspective
-Centripetal and centrifugal paths of exchange, transmission, and appropriation
-Cross-cultural migration of objects, images, and techniques among spaces, contexts, and media: practices of reuse, appropriation, and interpretation
-Sites, places, and spaces of cultural interactions, such as cities and courts
-Religious interactions in sacred space and rituals
-Local persistence and reinterpretation of the (antique) past in different political and/or cultural scenarios
-The fascination of the (medieval) Italian South, from the 18th century to the present day
-The notion of “Southern Italian”, as it relates to the study of medieval art, and its historiographical consequences

Proposals of max. 1 page should be sent by 20​ ​September 2017 to the editors: escirocco@gmail.com and dirwolf@khi.fi.it. The deadline for the submission of articles is 30 November 2017.

Convivium V/1 will be published in March 2018.

Articles Submission:
Contributions (30,000-40,000 characters including spaces, and up to 15 full-color illustrations) must be sent by 30 November 2017 to Karolina Foletti, executive editor of the journal: karolina.foletti@gmail.com.
Languages accepted: English, French, German, Italian.
Each article will be evaluated through a double-blind peer-review process.

For the Style Guide, please see: http://www.earlymedievalstudies.com/convivium.html