Illuminierte Urkunden. Beiträge aus Diplomatik, Kunstgeschichte und Digital Humanities/Illuminated Charters. Essays from Diplomatic, Art History and Digital Humanities
Edited by: Gabriele Bartz und Markus Gneiß
2018, Ca. 520 S.
116 s/w- und 75 farb. Abb.
23.5 x 15.5 cm Preis: ca. € 70.00 [D] | ca. € 70.00 [A] 978-3-412-51108-1
Illuminierte Urkunden sind lange Zeit als Stiefkinder der Forschung behandelt worden. Nicht zuletzt durch den Einsatz digitaler Hilfsmittel sind sie im vergangenen Jahrzehnt zunehmend in das Licht der Öffentlichkeit getreten. Das neu geweckte Forschungsinteresse konzentriert sich auf die veränderte Performativität von Urkunden durch den Zusatz von Schmuckelementen. Der reich bebilderte Band präsentiert Aufsätze von Forscherinnen und Forschern aus elf Ländern, die illuminierte Urkunden aus den unterschiedlichen Blickwinkeln ihrer Disziplinen untersuchen.
The book is an interdisciplinary work in diplomatics and art history, focusing on the form and function of illumination in historical documents, notably charters. The contributions in German and English are based on the conference papers delivered at the international conference on Illuminated Charters as part of the Illuminierte Urkunden project conducted at the University of Graz.
The BAA invites proposals by postgraduates and early career researchers in the field of medieval history of art, architecture, and archaeology.
Papers can be on any aspect of the medieval period, from antiquity to the later Middle Ages, across all geographical regions.
The BAA postgraduate conference offers an opportunity for postgraduate students and early career researchers at all levels from universities across the UK and abroad to present and discuss their research, and exchange ideas.
Proposals of around 250 words for a 20-minute paper, along with a CV, should be sent by 6th May 2019 to email@example.com
The next meeting of the Maius Workshop will take place tomorrow, 26 March, 4:30–5:30pm, in room Law G3 at QMUL (335 Mile End Rd, London E1 4FQ). Click here for a map of the Campus.
Jessica Barker, Lecturer in Medieval History at the Courtauld Institute of Art, will lead a seminar entitled Inscribing Colonialism in Fifteenth-Century Portugal. The session will consider inscriptions, readability and visibility in funerary monuments, and their intersections with early Portuguese explorations in West Africa.
Maius is a friendly platform for informal dialogue and collaborative research. Our sessions are open to all, and research in early stages of development is especially welcome. We look forward to seeing you at this event, and please feel free to email us with ideas and suggestions for future meetings.
Image: Detail of inscription on the north side of the monument to João I and Philippa of Lancaster, 1426–34. Founder’s Chapel, monastery of Santa Maria da Vitória, Batalha. Photo: Jessica Barker.
The British Archaeological Association will hold the sixth in its series of biennial International Romanesque conferences in association with the Dommuseum in Hildesheim on 14-16 April, 2020. The theme is Romanesque and the Year 1000, and the aim is to examine transformation in art and architecture in the years to either side of the millennium.
Despite the complex political situation in late-10th-century Europe, a period marked by chaos in some areas and effective authority in others, the last quarter of the century saw an apparent upsurge in artistic production in the Empire, southern Britain, Lombardy and the Mediterranean. The decades after the millennium have left a larger residue of work, notably in France, but were the 1020s artistically more dynamic than the 980s? How might we describe the cultural climate of the Latin West between c.970 and c.1030? Proposals for papers concerned with the above are welcome, as are those that review individual patrons, particularly in establishing workshops and developing expertise. The period sees remarkable developments in iconography and stylistic expression. It sees portable monumental and devotional statues come into being, along with the application of novel, or at least re-understood, architectural forms. Does the interest in architectural ‘articulation’ initiate a new understanding of the expressive potential of architecture? How good is the evidence for monumental wall painting, what is the state of knowledge on scriptoria as centres of artistic production c.1000, what conditions gave rise to the proliferation of ‘First Romanesque’ architecture, how important was Rome, what was the impact of objects from the Carolingian past or Byzantine present, and what are we to make of the apparent disparities between artistically ‘active’ areas and artistically ‘inactive’ areas? The period also sees a boom in the production of three-dimensional objects, with the revival of bronze-casting, the re-emergence of architectural relief sculpture and he production of monumental sculpture. The conference is geographically international, though the date brackets of c.970-c.1030 will be strictly applied.
The Conference will take place at the Dommuseum in Hildesheim from 14-16 April. There will also be an opportunity to stay on for two days of visits to buildings in the surrounding area on the 17 and 18 April.
Proposals for papers of up to 30 minutes in length should be sent to the convenors, John McNeill and Gerhard Lutz, on firstname.lastname@example.org by 15 May, 2019.
The Society for Court Studies is launching biannual research and publication bursaries worth £250 each. The bursaries are available to all postgraduate and early career (within six years of PhD award) researchers working in the field of court studies. The deadline for applying is Friday 15 March. To apply for an award please send a statement of up to 250 words outlining your research, and the use to which you would put the award, to Joanna Tinworth (email@example.com). For more information, please click here.
Student Scholarships available for the British Archeological Association’s Shrewsbury Conference, 15-19 July, 2019
The 2019 BAA Conference will explore the art, architecture and archaeology of medieval Shrewsbury and north Shropshire. Lectures will include papers on subjects as varied as late Roman Shropshire, Shrewsbury’s medieval topography, the patronage, art, architecture and archaeology of medieval churches in and around Shrewsbury, stone sculpture, alabasters, roof bosses, seals, and nineteenth-century antiquarianism.
Site visits will include St Mary’s, St Alkmund, Bear Steps, the Town Walls and Shrewsbury Abbey, while there will be two coach excursions (one full & one half-day) outside Shrewsbury. These will encompass Acton Burnell (church and castle), Wenlock Priory, Buildwas Abbey, Haughmond Abbey, Atcham, Shifnal, and Tong.