Tag Archives: Italy

Conference: La pierre et l’image. Les disciplines en synergie pour mieux dater les édifices du Moyen Âge (XIIe-XVe s.), Université de Lausanne, October 25–27, 2018

irregular-medieval-stone-wallDepuis quelques décennies l’archéométrie et l’archéologie du bâti connaissent un développement conjoint remarquable. Appliquées aux édifices médiévaux, ces disciplines aident de manière substantielle à leur compréhension : si l’étude des élévations permet de restituer la progression, l’économie et l’organisation du chantier, les méthodes de l’archéométrie permettent, lorsque les matériaux chronologiquement significatifs sont conservés, d’obtenir une datation absolue.
Dans les efforts déployés pour la compréhension de l’édifice et l’établissement de datations scientifiquement argumentées, l’apport de l’image tend à être sous-estimé, voire négligé: de nature interprétative, le style et l’iconographie apparaissent parfois comme des indices de moindre valeur objective. Forts de l’idée que les « savoir-faire » et les « vouloir-dire » sont tout autant révélateurs de l’histoire des édifices, nous nous proposons ici de démontrer que sa pleine et juste compréhension ne peut être obtenue que par le croisement des indices, dans une approche multi- et pluri-disciplinaire.
Dans le cadre de ce colloque les différents acteurs de la recherche sur le monument sont appelés à partager leurs expériences, acquises autour d’un ensemble de monuments ou d’un cas particulier dont la complexité rend nécessaire le croisement des regards. L’intervention concertée des historiens de l’art et de l’architecture, archéologues du bâti, épigraphistes, spécialistes des techniques et des matériaux démontrera la nécessité d’une synergie des disciplines pour mieux comprendre les monuments et obtenir des datations fiables, contribuant ainsi au renouvellement de la recherche dans notre domaine.

Université de Lausanne, bâtiment Extranef, salle 125

Jeudi 25 octobre 2018

Introduction

9h00-9h30
Accueil des participants

Président de séances: Mathieu Piavaux

9h30-10h15
Nicolas Reveyron: introduction et historiographie / le cas de Cluny III

10h15-11h00
Jean Wirth : Pour une approche multidisciplinaire du monument

11h00-11h30
Pause café (salle 221)

11h30-12h00
Barbara Franzé : Saint-Gilles-du-Gard

12h00-12h30
Discussion sur les présentations de la matinée

12h30-14h00
Déjeûner

Après-midi

Président de séances: Nicolas Reveyron

14h00-15h00
Lei Huang et Térence Le Deschault de Monredon : Sainte-Foy de Conques

15h00-15h30
Elodie Leschot: la façade sculptée de Charlieu

15h30-16h00
Pause café

16h00-17h30
La cathédrale de Strasbourg (bras sud du transept) et le passage du roman au gothique
Marc C. Schurr et Ilona Dudzinski

17h30-18h30
Discussions sur les présentations de l’après-midi

Vendredi 26 octobre

Matin. Présidence de séances: Marc C. Schurr

09h00-11h00
Pour un croisement des regards. La datation des collégiales du diocèse de Liège (XIIe-XVe s.)
Equipe dirigée par Mathieu Piavaux (Namur)
Antoine Baudry, Frans Doperé, Patrick Hoffsummer, Aline Wilmet

11.00-11h30: Pause café

11h30-13.00
Approches pluridisciplinaires des monastères aquitains
Equipe dirigée par Christian Gensbeitel
Philippe Lanos, Jean-Baptiste Javel

13h00-15h00 Pause de midi
.
Après-midi. Président de séance: Barbara Franzé

15.00-15.30
La tour-porche de Saint-Savin-sur-Gartempe
Laura Acosta Jacob

15.30-17.00
Dal sepolcro alla basilica : culti e monumenti nell’Abruzzo medievale
Equipe dirigée par Gaetano Curzi
Maria Carla Somma, Carlo Tedeschi.

17.00-17.30 Pause café

17.30-18.30
Discussion sur la session de l’après-midi/de la journée

Samedi 27 octobre

9h30-12h00
Table ronde
Avec la participation de Laurence Terrier Aliferis, Jacques Bujard et Michel Fuchs.

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CFP: Illustrating Love: From Myth to Manual, Athens, GA, March 22–23, 2019

Apollonio di Giovanni di Tomaso and Workshop. Panel from a Marriage Chest with Story of an Assault on a Maritime City, ca. 1460. Museo Stibbert, Florence

Deadline: Nov 30, 2018

Call For Papers
Illustrating Love: From Myth to Manual
UGA Emerging Scholars Symposium—March 22-23rd, 2019
Keynote Speaker: Dr. Paul Barolsky

Submissions Due: November 30, 2018

The Association of Graduate Art Students (AGAS) at the University of Georgia, in partnership with the Georgia Museum of Art, invites emerging scholars to submit proposals for papers that contribute to a discussion of love in the visual arts. The symposium will be held in conjunction with the exhibition Life, Love, and Marriage Chests in Renaissance Florence, on view at the Georgia Museum of Art March 9—May 26, 2019.

Our symposium will expand the scope of the exhibition by addressing attempts to articulate love throughout the history of visual and material culture. Expressing the many facets of this complex emotion has been a preoccupation in the arts for generations, with artists across genres and media vying to capture the elusive sentiment. Through myth, allegory, and even religion, depictions of love mark cultures’ interpersonal values, both in public and in private. The arts of love reveal society’s most intimate desires, depicting narratives that codify their ideals. From beauty, sexuality, and family to status, agency, and identity, our symposium seeks submissions that exemplify the myriad archetypes related to love.

Submissions that discuss specific works of art or themes related to Life, Love, and Marriage Chests in Renaissance Florence are encouraged. Other relevant topics include but are not limited to:

•    Courtly love
•    Allegories of love and marriage
•    Gender roles in the domestic space
•    Eroticism and the nude
•    Love poetry and the visual arts

Current graduate students and other emerging scholars should submit abstracts (maximum 300 words) and an up-to-date CV to uga.symposium@gmail.com by November 30, 2018. Applicants will be notified of the committee’s decision by December 31, 2018.

Life, Love, and Marriage Chests in Renaissance Florence and related educational programs are made possible by the W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art.

Conf.: The Palace Unveiled The Royal Palace in Palermo and other centres of power in the medieval Mediterranean

Assamblea regionale siciliana and Fondazione Federico II announce
International Conference
The Palace Unveiled
The Royal Palace in Palermo and other centres of power in the medieval Mediterranean

 
 and the
Arabo-Norman Cultural Week
 Palermo, Palazzo Reale
 
26 June – 1 July 2018
 
 Maria Andaloro Jeremy Johns Ruggero Longo William Tronzo

CONF: An Abbey Between Two Worlds San Nicolò in San Gemini and the Dislocation of Monumental Artworks in the first Half of the 20th Century (8-9 June 2018)

San Nicolo doorway

To mark the 50th anniversary of the Abbey’s restoration (1967-2017), the conference will address the phenomenon of legal exportation and reinstallation of monumental

complexes and oversized artworks in the first half of the 20th century. The Abbey’s portal, which arrived in the United States in 1936 and stands today at the entrance of the medieval collection of the Metropolitan Museum of Art in New York, will serve as the starting point to examine the circumstances around the exportation of works from Italy until the Second World War.

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Call for Papers: Negotiation the Past. Islamic Heritage in Italy and Spain – Venice 1-2/02/2019 (Deadline 30/04/2018)

9200000033698488.jpgThe conference will focus on the discussion about the Islamic heritage in Italy and Spain and its later reception in the post-Islamic context. Sharing an Islamic past, both countries display this heritage in different ways through art and architecture. As cultural contact zones, Italy and Spain had a rich Islamic tradition, which has been adopted in the medieval Norman and Mudéjar artistic production.

These exchange processes are currently subject to ongoing international discussions. Furthermore, the observed medieval transfer mechanisms may be applied to the modern reception of the Italian and Spanish Islamic heritage. Which differences may be detected between the medieval edifices of Palermo or Seville and the neo-Islamic interiors in Sammezzano or Aranjuez? Has the reception behaviour of the 19th and 20th centuries changed compared to that of the Middle Age? How have the Islamic standards been assumed in the modern architectural vocabulary? Who were the possible promotors of this pro-Islamic art trend? What part did the medieval clients and their architects play? How relevant are the travellers, private collectors, arabists or art historians of the 19th century for the valorisation of the Islamic heritage? What was the role of Islamic heritage for the construction of identity and ideologies in both countries?

The current contributions shall be presented in four sections with the following thematic focus:

– Islamic heritage in Italy and Spain
– Cross-cultural exchange in the Middle Age
– Re-appropriating the Islamic past in 19th and 20th centuries art and architecture
– Ideologies and identity building

Papers will have a duration of 20 min. Conference languages will be English, Italian and Spanish. Abstracts of no more than 300 words, together with a short CV, should be sent until 30 April 2018 to: conference@transculturalstudies.ch

Organizers: Prof. Dr. Guido Zucconi (IUAV) / Prof. Dr. Francine Giese (UZH) / Prof. Dr. Juan Calatrava (UGR) / Dr. Ariane Varela Braga (UZH)

Keynotes: Antonio Almagro Gorbea (Escuela de Estudios Árabes CSIC) / Ezio Godoli (UniFl)

Università Iuav di Venezia, 1-2 February 2019
Deadline: Apr 30, 2018

Publication: ‘San Michele in Monte Laureto a Putignano. La grotta dell’Angelo e la cultura pittorica angioina nel meridione barese’ by Marcello Mignozzi

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A new book on the theme of Angevin Art in Southern Italy has just been published.
In San Michele in Monte Laureto a Putignano. La grotta dell’Angelo e la cultura pittorica angioina nel meridione barese, Marcello Mignozzi reconstructs the history of the rupestrian church of Saint Michael in Monte Laureto in Putignano (Apulia), Italy, investigating its historiographical, historical, and artistic aspects. The cross analysis of archival and artistic data allows the author to understand the value of an almost forgotten Medieval Sanctuary. The magnificent fourteenth-century fresco with the Crucifixion, made by two artists from Apulia influenced by Neapolitan art, is finally included in the pictorial context of the Angevin region. In this regard a lot of space is dedicated not only to examine the theme of the Crucifixion in the painting of the entire region, but also to frescoes, many of them unpublished, in Polignano, Mola di Bari, Monopoli, Noci, Conversano, Rutigliano, Capurso, Triggiano. Part of the work is then dedicated to the events of the rock church in the Modern Age, to the sculptures of Stefano da Putignano, and to the Contemporary Age. Finally, the study of road networks during the Middle Ages allows the reconstruction of the complex system of pilgrimages, but also of political and artistic relations between Putignano and the Angevin Principality of Taranto.

For more information on this publication, see https://www.ibs.it/san-michele-in-monte-laureto-libro-marcello-mignozzi/e/9788899224301.

JOB: Academic Assistant (Postdoc), KHI Florence

KunsthistInstFlorenz.max-1200x1200Florence, 01.09.2018
Application deadline: Feb 28, 2018

The Kunsthistorisches Institut in Florenz – Max-Planck-Institut – Department Alessandro Nova – is pleased to announce a call for applications for the position of Academic Assistant (Postdoc)

Starting in September 2018, the position is offered for three years. We are looking for an excellent candidate who has successfully completed his or her PhD (or will have by the inception of the contract), with passive German language skills and a current research project that corresponds thematically and methodologically to the research projects of the department (http://www.khi.fi.it/Abteilung_Nova).
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