Tag Archives: Italy

Call for Papers: Negotiation the Past. Islamic Heritage in Italy and Spain – Venice 1-2/02/2019 (Deadline 30/04/2018)

9200000033698488.jpgThe conference will focus on the discussion about the Islamic heritage in Italy and Spain and its later reception in the post-Islamic context. Sharing an Islamic past, both countries display this heritage in different ways through art and architecture. As cultural contact zones, Italy and Spain had a rich Islamic tradition, which has been adopted in the medieval Norman and Mudéjar artistic production.

These exchange processes are currently subject to ongoing international discussions. Furthermore, the observed medieval transfer mechanisms may be applied to the modern reception of the Italian and Spanish Islamic heritage. Which differences may be detected between the medieval edifices of Palermo or Seville and the neo-Islamic interiors in Sammezzano or Aranjuez? Has the reception behaviour of the 19th and 20th centuries changed compared to that of the Middle Age? How have the Islamic standards been assumed in the modern architectural vocabulary? Who were the possible promotors of this pro-Islamic art trend? What part did the medieval clients and their architects play? How relevant are the travellers, private collectors, arabists or art historians of the 19th century for the valorisation of the Islamic heritage? What was the role of Islamic heritage for the construction of identity and ideologies in both countries?

The current contributions shall be presented in four sections with the following thematic focus:

– Islamic heritage in Italy and Spain
– Cross-cultural exchange in the Middle Age
– Re-appropriating the Islamic past in 19th and 20th centuries art and architecture
– Ideologies and identity building

Papers will have a duration of 20 min. Conference languages will be English, Italian and Spanish. Abstracts of no more than 300 words, together with a short CV, should be sent until 30 April 2018 to: conference@transculturalstudies.ch

Organizers: Prof. Dr. Guido Zucconi (IUAV) / Prof. Dr. Francine Giese (UZH) / Prof. Dr. Juan Calatrava (UGR) / Dr. Ariane Varela Braga (UZH)

Keynotes: Antonio Almagro Gorbea (Escuela de Estudios Árabes CSIC) / Ezio Godoli (UniFl)

Università Iuav di Venezia, 1-2 February 2019
Deadline: Apr 30, 2018

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Publication: ‘San Michele in Monte Laureto a Putignano. La grotta dell’Angelo e la cultura pittorica angioina nel meridione barese’ by Marcello Mignozzi

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A new book on the theme of Angevin Art in Southern Italy has just been published.
In San Michele in Monte Laureto a Putignano. La grotta dell’Angelo e la cultura pittorica angioina nel meridione barese, Marcello Mignozzi reconstructs the history of the rupestrian church of Saint Michael in Monte Laureto in Putignano (Apulia), Italy, investigating its historiographical, historical, and artistic aspects. The cross analysis of archival and artistic data allows the author to understand the value of an almost forgotten Medieval Sanctuary. The magnificent fourteenth-century fresco with the Crucifixion, made by two artists from Apulia influenced by Neapolitan art, is finally included in the pictorial context of the Angevin region. In this regard a lot of space is dedicated not only to examine the theme of the Crucifixion in the painting of the entire region, but also to frescoes, many of them unpublished, in Polignano, Mola di Bari, Monopoli, Noci, Conversano, Rutigliano, Capurso, Triggiano. Part of the work is then dedicated to the events of the rock church in the Modern Age, to the sculptures of Stefano da Putignano, and to the Contemporary Age. Finally, the study of road networks during the Middle Ages allows the reconstruction of the complex system of pilgrimages, but also of political and artistic relations between Putignano and the Angevin Principality of Taranto.

For more information on this publication, see https://www.ibs.it/san-michele-in-monte-laureto-libro-marcello-mignozzi/e/9788899224301.

JOB: Academic Assistant (Postdoc), KHI Florence

KunsthistInstFlorenz.max-1200x1200Florence, 01.09.2018
Application deadline: Feb 28, 2018

The Kunsthistorisches Institut in Florenz – Max-Planck-Institut – Department Alessandro Nova – is pleased to announce a call for applications for the position of Academic Assistant (Postdoc)

Starting in September 2018, the position is offered for three years. We are looking for an excellent candidate who has successfully completed his or her PhD (or will have by the inception of the contract), with passive German language skills and a current research project that corresponds thematically and methodologically to the research projects of the department (http://www.khi.fi.it/Abteilung_Nova).
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Call for papers: Italia e Francia, Francia e Italia: Scambi culturali, 2018

Deadline: Jan 15, 2018
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A dicembre 2018 RELIEF (www.revue-relief.org) e INCONTRI (www.rivista-incontri.nl), due riviste internazionali e peer reviewed che si occupano rispettivamente di cultura francese e italiana, pubblicheranno giuntamente due numeri collegati dallo stesso tema: gli scambi culturali tra l’Italia e la Francia dal Medioevo fino ad oggi. La religione, la politica, le scienze e le arti hanno gettato le basi per una relazione proficua e molto stretta tra i due paesi. Ci sono stati dei periodi di intensificazione di tali rapporti transnazionali tra le due lingue e culture: si pensi all’influenza della lirica dei trovatori provenzali alla corte siciliana nel Duecento, o al traffico intenso messo in moto dai regnanti amanti dell’arte nelle città-stato italiane durante il Rinascimento invitando artisti e musicisti francesi alle loro corti. Altri esempi di questi incontri culturali sono il ‘grand tour’ che portò gli aristocrati francesi a visitare il Bel Paese nel Settecento, il cosmopolitismo dell’Ottocento, le avanguardie, tra cui quelle italiane, concentratesi nella Parigi dell’inizio del Novecento. Non si dimentichino poi le ondate di migrazioni politiche, economiche e culturali e la crescente globalizzazione dei rapporti culturali a partire dal 1950.
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CFP: 5th Annual Jane Fortune Conference: The Colors of Paradise. Painting Miniatures in Italian Convents, ca. 1300-1700, The Library of San Marco, Florence, October 11 – 12, 2018

gradual1Call for Papers: 5th Annual Jane Fortune Conference: The Colors of Paradise. Painting Miniatures in Italian Convents, ca. 1300-1700, The Library of San Marco, Florence, October 11 – 12, 2018T
Deadline: 15 January, 2018

5th Annual Jane Fortune Conference

The Colors of Paradise. Painting Miniatures in Italian Convents, ca. 1300-1700

This conference is co-organized by The Medici Archive Project and the Museo Nazionale di San Marco.

Since the late Medieval period, members of female religious communities have engaged in the making of small-scale paintings, or miniatures, on a wide variety of supports. Many of these miniatures were produced to ornament liturgical and devotional books; others graced objects such as candles and altar frontals. While nuns’ activity in this realm has been documented quite extensively in northern Europe, the Italian production of miniatures is less understood, aside from case studies of a few individuals such as Eufrasia Burlamacchi (1482 –1548). It is hoped that this conference will not only consolidate what is known about the production of miniatures by Italian nuns, but also catalyze new research. To encourage reflection upon the continuity of technical practices and models across arbitrary period divisions, the time frame of this conference has been extended broadly. Insight obtained through technical examination or the material analysis of nuns’ artworks will be especially welcome.

Papers may be given in Italian or English.

Suggested Paper Topics:

-Technical studies identifying pigments, binding media, or supports for miniatures produced in or for Italian convents
-New attributions of miniatures to Italian nun artists
-Biographical studies on Italian nuns who made miniatures
-Analyses of the visual or textual sources of the iconography of Italian nuns’ miniatures
-Miniature painting considered within the context of liturgy, devotional practices, and the organization of the conventual life of Italian nuns.
-The commissioning, gifting, and circulation of works containing Italian nuns’ miniatures
-Comparitive studies of miniatures and Italian nuns’ work in other media such as embroidery
-Considerations of the technical know-how and workshop materials available to Italian nuns, as well as their collaborations with artisans outside the convent
-Reflections on problematic issues in the current historiography on the topic, and on methodology

The conference will take place on both the afternoon of Thursday, October 11, and the morning of Friday, October 12, 2018, and it will be held in the Biblioteca di San Marco in Florence.

To apply: please send a CV and a brief abstract of your paper, in English or Italian, to: barker@medici.org by January 15, 2018. Decisions will be announced within three weeks. Limited funding may be available for travel and lodging.

CFP: NUME, Research Group on the Latin Middle Ages, 4th Cycle, Florence, 3-7th June 2018

logoconscritta_1537385121_2306Call for Papers: NUME, Research Group on the Latin Middle Ages, 4th Cycle, June 2018

NUME, Research Group on the Latin Middle Ages, organizes the IV Cycle of Medieval Studies, June 2018.

The goal is to offer a broad overview of the current situation of Italian and international medievalist studies. Issues which are related to many different aspects of the medieval period (V-XV century) can be addressed: history, philosophy, politics, literature, art, archeology, material culture, new technologies applied to medieval studies and so on;
Contributions with two or more speakers are accepted;
Contributions will be structured in specific panels.

The conference will be held from 3rd to 7th June 2018 at the Auditorium Ente Cassa di Risparmio di Firenze, via Folco Portinari, 5 (Florence, Italy).

How to apply” Participation proposals must have abstract format, in Italian or English, not exceeding 300 words. They will have to be sent, along with a CV, by January 15, 2018 at the following e-mail address:
info@nuovomedioevo.it

Proposals will be evaluated by the Review Board on the basis of quality, interest and originality. The judgment of the Commission will be unquestionable.

The Commission will notify the convocation for the speakers considered suitable by February 1, 2018.

The selected speakers will be asked to prepare an oral intervention, accompanied by any images or videos, not exceeding 15 minutes (+5’ discussion time). Contextually, they will be asked to send a paper of their contribution for the Conference Proceedings by April 1, 2018.

Speakers will be required a participation fee of 100€, which, in addition to supporting the activities of the NUME Research Group, will entitle to 2 free copies of the Conference Proceedings.

The Conference program will be published by April 30, 2018.

The deadlines set out in this notice must be strictly observed, otherwise the contribution will be excluded from the call.

Further info at: www.nuovomedioevo.it

Conference: La chiesa e la parrocchia di San Giacomo dall’Orio, Venice, 9-10 November 2017

san-giacomo-dall-orioConference: La chiesa e la parrocchia di San Giacomo dall’Orio, Venice, 9-10 Nov 2017, Ca’ Foscari University, Venice, November 9 – 10, 2017

“La chiesa e la parrocchia di San Giacomo dall’Orio: una trama millenaria di arte e fede” (Chiese di Venezia, Nuove prospettive di ricerca, 6), cur. by Massimo Bisson, Isabella Cecchini and Deborah Howard

Like every Venetian parish church, the evolution of San Giacomo dall’Orio has been closely interconnected with the development of the surrounding area. Its free-standing site, however, remains unusual, shared only by the church of Santa Maria Formosa; like the latter, its facade addresses the canal while the apses project into the campo.
Over the centuries the parish became progressively marginalised: the area within the original parish boundaries is now landlocked, with access to the Grand Canal only possible by means of a network of small canals.  The availability of land and the spread of modest, functional housing blocks for artisans and workers — combined with the distance from the centre (which became dominated by the San Marco-Rialto axis) — led to the development of the area around San Giacomo dall’Orio as an industrial zone, dedicated in particular to wool manufacture.
Although the area became primarily a popular quarter, it still preserves several palaces erected by noble families, among them that of the diarist Marin Sanudo.  In addition, the city’s first anatomy theatre was located in the present Corte dell’Anatomia, while in 1671, thanks to an initiative of the Loredan family, the College of Surgeons was founded on the south side of the church.
This conference, therefore, aims to address the more general social and urban characteristics of the parish, and to contextualise the church within the varied daily life of the campo.  This space hosted a range of activities: ludic (remaining unpaved until the eighteenth century, it was used as a football field, even by players from noble families); religious (it was the scene of numerous confraternity processions); and socio-economic (including the practice of crafts).
The church of San Giacomo dall’Orio was probably founded towards the end of the tenth century, even if its documented status as a parish only dates back to 1130.  Rebuilt in 1225, the church acquired its main elements thanks to radical restorations after the earthquake of 1345: the aisled transepts and the present ship’s-keel roof probably date from this time.
Between the end of the Quattrocento and the mid Cinquecento the church was subject to various renovations in the presbytery, nave and aisles, leading to its present configuration.  In particular, following the removal of the rood screen at the entrance to the presbytery, the stalls were transferred to the apse.  The organ was relocated to a wooden organ loft over the main entrance portal — one of the oldest surviving examples of this arrangement.
After the mid Cinquecento, various alterations mainly concerned the interior, which houses works by such celebrated artists as Veronese and Palma Giovane.  Moreover, the parish became the setting for the altars and ritual activities of numerous confraternities, including the important Scuola del Sacramento, whose members came from a wide social range.
Interventions since the middle of the Settecento include the addition of partition walls in the transepts (later removed), the construction of a new sacristy during a programme of structural and decorative repairs at the start of the twentieth century, and, fifty years ago, a complete refurbishment of the presbytery.
Spoils and precious marbles – such as the flecked black marble Ionic column and the unusual polylobed holy water stoop – remained long after these had passed out of fashion.  The beautiful marble pulpit is unique in the city.  At the same time, the almost complete absence of wall-tombs and the relative lack of family chapels serve to underline that this was a popular quarter with few elite families.  One of the most important patrons was the parish priest Giovanni Maria da Ponte, who commissioned a cycle of paintings for the Old Sacristy.  The eucharistic symbol in the centre of the ceiling by Palma il Giovane, not to mention the Sacrament Chapel itself, indicate the growing devotion to the Holy Sacrament.  Even if the apostolic visitations of the late sixteenth-century mention certain deficiencies, the programme of artistic renewal during the Counter Reformation reflects the parish’s serious response to post-Tridentine reforms.
The remarkable spatial and artistic coherence that characterises the whole building is not easily explained by the usual practices of art-historical and architectural analysis.  It is now recognised, of course, that an appreciation of the ceremonial, liturgical and devotional practices, especially those connected with the life and character of the parish, constitute an essential element in the understanding of a sacred building and its many individual details.  The proposed conference therefore seeks to interpret this historic church within its broader historical and geographical context.
The dissemination of knowledge of Venetian churches, to audiences of experts and non-specialists alike, is a characteristic of the conferences organized by the project “Chiese di Venezia. Nuove prospettive di ricerca”. The wide participation of the public (at the sessions and guided tours) in the five conferences organized annually since 2011 has demonstrated the effectiveness of this type of gathering.
Visits to the church will be organised as part of the programme.

Program
9, November
– Ca’ Dolfin, 10.00-13.00
10.00-10.15 Registration
10.15-10.30 Welcome. Martina Frank (Università Ca’ Foscari), Gianmario Guidarelli (Università degli Studi di Padova)
10.30-10.45 Introduction. Massimo Bisson, Isabella Cecchini, Deborah Howard
Session “Il contesto urbano”, chair: Deborah Howard (University of Cambridge)
10.45-11.15, Michela Agazzi (Università Ca’ Foscari), “San Giacomo dall’Orio, il contesto”

11.15-11.30 Coffee break

11.30-12.00 Edoardo Demo (Università degli Studi di Verona), “Società e vita industriale”
12.00 -12.30 Jane Stevens Crawshaw (Oxford Brookes University), “Life, death and the Anatomy Theatre in early modern Venice”
12.30-13.00 Discussion
13.00-14.30 Lunch

-Ca’ Dolfin, 14.30-18.15
Session “La vita della parrocchia”, chair Massimo Bisson (Università degli Studi di Padova)
14.30-15.00 Pascal Vuillemin (Université Savoie Mont Blanc, “Una parrocchia tra due sedi: San Giacomo dall’Orio nel Medioevo (XII-XV secc.)”
15.00-15.45 Isabella Cecchini (Università Ca’ Foscari) and Jean-François Chauvard (Université de Lyon 2), “Appunti sugli stati delle anime a San Giacomo a fine Cinquecento”
15.45-16.15 Discussion
16.15-16.45 Coffee break

16.45-17.15 Francesco Trentini (Università Ca’ Foscari), “L’apostolo, il matamoros, il pellegrino. Le molteplici connotazioni del titolo di San Giacomo dall’Orio (secoli X-XVI)”
17.15-1745 Elena Quaranta(Università Ca’ Foscari), “Musica e musicisti a San Giacomo dall’Orio: un’indagine archivistica”
17.45-18.15 Discussion

novembre, 10th
Ca’ Dolfin, 9.30-12.45
-Session “Conservazione e trasformazione”, chair Isabella Cecchini (Università Ca’ Foscari)
9.30-10.00 Massimo Bisson (Università degli Studi di Padova), “Il complesso dell’organo: trasformazioni architettoniche e funzionalità liturgica”
10.00-10.30 Adriano Amendola (Università degli Studi di Salerno), “Tra Oriente e Occidente: i marmi policromi della chiesa di San Giacomo dall’Orio”
10.30-11.00 Discussion
11.00-11.15 Coffee break

11.15-11.45 Marie-Louise Lillywhite (University of Warwick), “The Decorative Programme after the Council of Trent”
11.45-12.15 Thomas Worthen (Drake University), Altars and other furnishings for the Scuola del SS. Sacramento in San Giacomo dall’Orio
12.15-12.45 Discussion
12.45-15.00 lunch

15.00-17.00 Church of di San Giacomo dall’Orio, Session “in situ”, Massimo Bisson, Isabella Cecchini, Gianmario Guidarelli, Deborah Howard.

Reference / Quellennachweis:
CONF: La chiesa e la parrocchia di San Giacomo dall’Orio (Venice, 9-10 Nov 17). In: ArtHist.net, Oct 19, 2017. <https://arthist.net/archive/16534>.