In light of our current global crisis, most of us are facing drastic changes to every area of our lives—including how we study art and interact with teachers, students, and colleagues. The International Center of Medieval Art (ICMA) has pulled together a fantastic master list of online resources for art history academics and enthusiasts. BrowseContinue reading “Online Resources: Teaching Art History”
Tag Archives: art history
CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, deadline 10 Jan 2020
CALL FOR PAPERS -10 Jan 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects and ideas from France and the LowContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, deadline 10 Jan 2020”
IX COLOQUIO ARS MEDIAEVALIS: Belleza, persuasión y retórica en el arte medieval (Aguilar de Campoo, Spain, 10 al 12 de mayo de 2019)
Click here for more information En las últimas décadas, los estudios de historia del arte medieval han pasado de estudiar el significado de las obras a analizar su materialidad. Más recientemente, Mary Carruthers, Paul Binski y otros académicos han renovado el estudio sobre la experiencia estética medieval. Para desentrañar y razonar las nociones sobre bellezaContinue reading “IX COLOQUIO ARS MEDIAEVALIS: Belleza, persuasión y retórica en el arte medieval (Aguilar de Campoo, Spain, 10 al 12 de mayo de 2019)”
23rd Annual Medieval Postgraduate Student Colloquium: Collecting (in) the Middle Ages, The Courtauld Institute of Art, 16 February 2018
23rd Annual Medieval Postgraduate Student Colloquium: Collecting (in) the Middle Ages, The Courtauld Institute of Art, 16 February 2018 Free, booking required The Courtauld Institute of Art’s 23rd Annual Medieval Postgraduate Colloquium invites speakers to consider the nature of medieval collections, the context of their creation and fruition, and their legacy – or disappearance –Continue reading “23rd Annual Medieval Postgraduate Student Colloquium: Collecting (in) the Middle Ages, The Courtauld Institute of Art, 16 February 2018”
CFP: Bad Reception: Negative Reactions to Italian Renaissance Art, Graduate Conference, Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, November 15 – 16, 2018
Call for Papers: Bad Reception: Negative Reactions to Italian Renaissance Art, Graduate Conference, Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, November 15 – 16, 2018 Deadline: January 31, 2018. Advanced students currently enrolled in a Doctoral (Ph.D.) program are invited to submit a proposal for a paper to be presented at “Bad Reception: Negative Reactions to Italian Renaissance Art;”Continue reading “CFP: Bad Reception: Negative Reactions to Italian Renaissance Art, Graduate Conference, Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, November 15 – 16, 2018”
Funding: Shohet Scholars Grant Program 2018/19, International Catacomb Society
Funding: Shohet Scholars Grant Program 2018/19, International Catacomb Society Various Locations, July 01, 2018 Application deadline: January 15, 2018 The Shohet Scholars Grant Program of the International Catacomb Society is now accepting applications to the Shohet Scholars cohort of 2018-2019. Submission deadline is January 15, 2018. This annual grant program funds research on the AncientContinue reading “Funding: Shohet Scholars Grant Program 2018/19, International Catacomb Society”
Exclusively Medieval, Online & Open Access: 2017 special issue of British Art Studies
The latest issue of British Art Studies (an open access, online Art History journal published by the Paul Mellon Centre for Studies in British Art), is entirely devoted to Medieval Britain. The content is derived from a conference held at the British Museum in 2014: Invention and Imagination in British Art & Architecture, 600-1500. It opensContinue reading “Exclusively Medieval, Online & Open Access: 2017 special issue of British Art Studies”
6 CfP for ICMS Kalamazoo 2018
[1] Venice, Materiality, and the Byzantine World [2] De-Centering the Romanesque [3] Creative Modes of Activating the Early Medieval Manuscript [4] Creative Strategies of Intellectual Engagement with Tradition and the Auctores [5] “Manuscripts in the Curriculum”: New Perspectives on Using Medieval Manuscripts in the Undergraduate Classroom from Special Collection Librarians, Faculty, and Booksellers (A Roundtable)Continue reading “6 CfP for ICMS Kalamazoo 2018”
CfP: Memory and Lineage in Medieval Romance, Leeds IMC 2018
The 25th Leeds International Medieval Congress has a special thematic strand of ‘memory’. Medieval romance lends itself to thinking about memory, in many ways, and not least because of its preoccupation with lineage. We invite proposals for 20-minute papers on any aspect of memory and/or lineage in medieval romance. The brief is deliberately broad, so pleaseContinue reading “CfP: Memory and Lineage in Medieval Romance, Leeds IMC 2018”
CFP For the sessions on THE MEDIEVAL HORSE at the International Medieval Congress 2018 at Leeds, 2-5 July 2018
Palfreys and rounceys, hackneys and packhorses, warhorses and coursers, not to mention the mysterious ‘dung mare’ – they were all part of everyday life in the Middle Ages. Every cleric and monk, no matter how immersed in his devotional routine and books he would be, every nun, no matter how reclusive her life, every peasant,Continue reading “CFP For the sessions on THE MEDIEVAL HORSE at the International Medieval Congress 2018 at Leeds, 2-5 July 2018”
