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CFP: Misericordia International Colloquium 2018: Choir Stalls & Their Patrons, Rijeka (Croatia), 13-16 September 2018

cdi16-32-15Call for Papers: Misericordia International Colloquium 2018: Choir Stalls & Their Patrons, Rijeka (Croatia), 13-16 September 2018
Deadline: Feb 15, 2018
Notification of  paper acceptance: March 15, 2018

Misericordia International is an internationally active multidisciplinary network dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages and to the dissemination of results. The intensive exchange with researchers from neighboring disciplines reveals interfaces between disciplines and subjects of research and provides new impulses for the study of choir stalls. The platform for scholarly exchange is the international conference organized  every two years.

The next colloquium will be held in Rijeka (Croatia) in September 2018. The conference seeks to explore and discuss the relation between choir stalls and their patrons. It aims to present original research in this field as well as to establish productive dialogue between scholars with a particular research interest in choir stalls. Artworks and their patrons have raised and continue to raise many research questions. While choir stalls have been studied extensively for the misericords with profane carvings, less research has been done on the commissions for this type of church furniture. In recent years the focus of choir stall research has moved toward makers and patrons, hence  the previous colloquium’s topic was dedicated to the craftsmen and their workshops. The 2018 conference will focus on problems of ecclesiastical and secular patrons and questions such as who were the patrons of choir stalls and to what extent were they responsible for the final result, or are there differences or similarities between choir stalls considering different patrons – members of chapters, parishes, female and male monastic communities, confraternities and private persons.

We welcome academic papers that will approach this subject in an interdisciplinary and methodologically diverse way.

Acceptable topics may include, but are not limited to, the following:
– collaboration between patrons and craftsmen (carpenters, sculptors and painters)
– results of the archival research;
– inscriptions and used typography on choir stalls;
– migrations of craftsmen and migrations of stylistic features;
– center versus periphery;
– depiction of patrons on choir stalls.

Following the conference, a two-day excursion – visit to selected choir stalls of the region – is planned.
The conference language is English. A publication of the proceedings of this conference is forseen.
Papers should not exceed anticipated maximum time of 20 minutes and will be followed by a 10-minute discussion.

A paper proposal should contain the title and abstract (500 words maximum). Each proposal should be accompanied by full contact information (home and office mailing addresses, e-mail address, and phone number) and a short CV.

Paper proposals should be submitted electronically to: choir_stalls2018@uniri.hr

There is NO registration fee. Administration and organizational costs, working materials, lunch and
coffee breaks during conference are covered by the organizers. Travel expenses and accomodation ARE NOT COVERED.

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CFP: 5th Annual Jane Fortune Conference: The Colors of Paradise. Painting Miniatures in Italian Convents, ca. 1300-1700, The Library of San Marco, Florence, October 11 – 12, 2018

gradual1Call for Papers: 5th Annual Jane Fortune Conference: The Colors of Paradise. Painting Miniatures in Italian Convents, ca. 1300-1700, The Library of San Marco, Florence, October 11 – 12, 2018T
Deadline: 15 January, 2018

5th Annual Jane Fortune Conference

The Colors of Paradise. Painting Miniatures in Italian Convents, ca. 1300-1700

This conference is co-organized by The Medici Archive Project and the Museo Nazionale di San Marco.

Since the late Medieval period, members of female religious communities have engaged in the making of small-scale paintings, or miniatures, on a wide variety of supports. Many of these miniatures were produced to ornament liturgical and devotional books; others graced objects such as candles and altar frontals. While nuns’ activity in this realm has been documented quite extensively in northern Europe, the Italian production of miniatures is less understood, aside from case studies of a few individuals such as Eufrasia Burlamacchi (1482 –1548). It is hoped that this conference will not only consolidate what is known about the production of miniatures by Italian nuns, but also catalyze new research. To encourage reflection upon the continuity of technical practices and models across arbitrary period divisions, the time frame of this conference has been extended broadly. Insight obtained through technical examination or the material analysis of nuns’ artworks will be especially welcome.

Papers may be given in Italian or English.

Suggested Paper Topics:

-Technical studies identifying pigments, binding media, or supports for miniatures produced in or for Italian convents
-New attributions of miniatures to Italian nun artists
-Biographical studies on Italian nuns who made miniatures
-Analyses of the visual or textual sources of the iconography of Italian nuns’ miniatures
-Miniature painting considered within the context of liturgy, devotional practices, and the organization of the conventual life of Italian nuns.
-The commissioning, gifting, and circulation of works containing Italian nuns’ miniatures
-Comparitive studies of miniatures and Italian nuns’ work in other media such as embroidery
-Considerations of the technical know-how and workshop materials available to Italian nuns, as well as their collaborations with artisans outside the convent
-Reflections on problematic issues in the current historiography on the topic, and on methodology

The conference will take place on both the afternoon of Thursday, October 11, and the morning of Friday, October 12, 2018, and it will be held in the Biblioteca di San Marco in Florence.

To apply: please send a CV and a brief abstract of your paper, in English or Italian, to: barker@medici.org by January 15, 2018. Decisions will be announced within three weeks. Limited funding may be available for travel and lodging.

CFP: Living in a Magical World: Inner Lives, 1300–1900, St Anne’s College, Oxford, 17–19 September 2018

conference_cfp_5Call for Papers: Living in a Magical World: Inner Lives, 1300–1900, St Anne’s College, Oxford, 17–19 September 2018
Deadline: Friday 12 January 2018

Historians have learned to regard the supernatural as integral to past lives. No longer are magical and occult beliefs anachronistically condescended to as mere ‘superstitions’, entertained only by a credulous minority and for the most part ancillary to temporal existence. Instead, the near-constant presence of unseen yet powerful forces – both benevolent and malign, and across domestic, communal, and cosmic environments – now seems central to a subtle and pervasive worldview held by sane, intelligent people whose outlook on the universe was no less sophisticated or coherent than our own. At the same time, supernatural beliefs were unstable, inconsistent, and contested.

Taking this insight as its starting point, this conference will explore the meanings, practices, and everyday consequences of living in a magical world, with special reference to its complex relationship to the inner lives of our forebears, from the late medieval to the modern period. We invite papers from all geographical contexts and disciplinary perspectives, and from researchers at all stages of their careers, that relate the history of magic, witchcraft, ghosts, and other supernatural phenomena to the following themes and research questions:

  • The history of selfhood, personal identity, phenomenology, and subjectivity;
  • The history of the emotions, and the significance of feeling states – insofar as we can ever recover them – for understanding and appreciating past experiences and interiorities;
  • And the extent to which interactions with occult realms and unseen worlds – which often engendered powerful feelings of anger, terror, and grief, but also of wonder, hope, and security – are privileged sites for understanding past emotional repertoires and experiences and, in turn, inner lives.

We hope that the assembled papers will shed new light on the role of the supernatural encounter in shaping the textures and meanings of lived experience over an unprecedentedly wide variety of time periods, national boundaries, and spatial and perceptual dimensions (from courtrooms, households, and urban and rural landscapes to dreamscapes, memory, and fantasy). Publication of an edited collection and/or journal special issue featuring a selection of the papers will be considered, while the conference will also incorporate a drinks reception at and private view of the project’s associated exhibition on the history of witchcraft and magic at the Ashmolean Museum. Provisionally entitled Spellbound: Thinking Magically, Past and Present, this will show from 6 September 2018 to 6 January 2019.

To propose a twenty-minute paper, please send a title and abstract of no more than 300 words, together with a short academic CV, to james.r.brown@uea.ac.uk by Friday 12 January 2018. Please also direct any queries to James in the first instance.

Call for Applications: The Rijksmuseum Fellowship Programme, 2018-19

rijks_2530290bCall for Applications: The Rijksmuseum Fellowship Programme, 2018-19
Deadline: 14 January 2018

We welcome international research proposals which open new perspectives on the Rijksmuseum’s collection, its history and activities. The purpose of the programme is to enable applicants to base part of their research at the Rijksmuseum and thus to strengthen the bonds between the museum and universities. The focus of research should relate to the Rijksmuseum’s collection and activities, and may encompass any of its varied holdings, including paintings, sculpture, decorative arts, prints, drawings, photography and historical artefacts. The programme offers students and academic scholars access to the museum’s collections, library, conservation laboratories and curatorial expertise. Furthermore, the museum facilitates opportunities for Fellows to engage in workshops and excursions to encourage the exchange of knowledge – both amongst themselves and the broader museum audience.

Application and procedure

Please review the eligibility, funding and application requirements by visiting the Rijksmuseum website. For the 2018-2019 academic year, candidates can apply for:

  • Andrew W. Mellon Fellowship for art historical research – Apply here
  • Johan Huizinga Fellowship for historical research – Apply here
  • Migelien Gerritzen Fellowship for conservation research – Apply here
  • Anton C.R. Dreesmann Fellowship for art historical research – Apply here

The closing date for all applications is 14 January 2018, at 6:00 p.m. (Amsterdam time/CET). No applications will be accepted after this deadline. All applications must be submitted online and in English. Applications or related materials delivered via email, postal mail, or in person will not be accepted.

Selection will be made by an international committee in February 2018. The committee consists of eminent scholars in the relevant fields of study from European universities and institutions, and members of the curatorial and conservation staff of the Rijksmuseum. Applicants will be notified by 1 March 2018. All Fellowships will start in September 2018.

Further information and application forms: www.rijksmuseum.nl/fellowships

For questions concerning the application procedure, contact Marije Spek, Coordinator of the Fellowship Programme (m.spek@rijksmuseum.nl), +31 (0)20-6747395.

 

 

CFP: 12th Conference of Iconographic Studies: Iconography of Pain, Rijeka (Croatia),  May 31 – June 01, 2018

Call for Papers: 12th Conference of Iconographic Studies: Iconography of Pain, Rijeka (Croatia),  May 31 – June 01, 2018
Deadline: 20 January 2018

The conference seeks to explore and discuss recent development in the dialogue between art history, history, theology, philosophy, cultural theory and other relevant disciplines concerning the representation and perception of pain (both physical and emotional) in history. Pain represents not only one of the very used subjects in art but also the strong creative force for many artists. It has been recently discussed as being a transformative force in cultural production but also beyond the cultural and temporal boundaries. It can be also perceived within specific methodological paradigm of the Warburg’s Pathosformel as well as within the broader theoretical contexts. We welcome academic papers that will approach these subjects in interdisciplinary and methodologically diverse angles. The themes and subjects include, but are not limited to the following:

  • pain as art form
  • torture, punishment and penal iconography
  • spectacle(s) of pain
  • violence in visual culture
  • martyrs and martyrdoms
  • passion iconography
  • dealing with pain – images of medical and other treatments in history
  • pain as creative impulse in art
  • (in)expressibility of physical pain

Paper proposals should be submitted electronically to cis@ffri.hr

A paper proposal should contain:

  1. full name, institution, affiliation, address, phone number(s), e-mail address
  2. title
  3. abstract (maximum 2 pages – 500 words)

Deadline: January 20, 2018

Invitations to participate will be sent out by email before February 20, 2018

There is NO registration fee

Administration and organizational costs, working materials, lunch and coffee breaks during conference, closing dinner as well as all organized visits are covered by the organizers.

All presented papers will be published in the thematic issue of the IKON journal in May 2019.

CFP: SAH Annual Conference, Providence, Rhode Island, USA, 24-28 April 2019

aaeaaqaaaaaaaaxzaaaajdk2yjhizwy3ltljzjytndvhoc05otjklwi2n2u5mtkwmtkwoqCall for Session Proposals: SAH Annual Conference, Providence, Rhode Island, USA, 24-28 April 2019

Deadline: Tuesday, January 16, 2018, at 5:00 pm CST

Conference Chair
: Victoria Young, University of St. Thomas
Local Co-Chairs: Dietrich Neumann, Brown University, and Itohan Osayimwese, Brown University

The Society of Architectural Historians will offer a total of 36 paper sessions at its 2019 Annual International Conference in Providence, Rhode Island. The Society invites its members, including graduate students and independent scholars, representatives of SAH chapters and partner organisations, to chair a session at the conference. As SAH membership is required to chair or present research at the annual conference, non-members who wish to chair a session will be required to join SAH next August 2018 when conference registration opens for Session Chairs and Speakers.

Since the principal purpose of the SAH annual conference is to inform attendees of the general state of research in architectural history and related disciplines, session proposals covering every time period and all aspects of the built environment, including landscape and urban history, are encouraged.

Sessions may be theoretical, methodological, thematic, interdisciplinary, pedagogical, revisionist or documentary in premise and ambition and have broadly conceived or more narrowly focused subjects. Sessions that embrace cross-cultural, transnational and/or non-Western topics are particularly welcome. In every case, the subject should be clearly defined in critical and historical terms.

Proposals will be selected on the basis of merit and the need to create a well-balanced program. Topics exploring the architecture of Providence and the greater region are encouraged.

Since late submissions cannot be considered, it is recommended that proposals be submitted well before the deadline. Last-minute submissions that fail posting in the online portal or are sent in error via email cannot be considered.

Click here for more information.

Postdoc and PhD Scholarships, Novo Nordisk Foundation Denmark

novo-nordisk-fondenPostdoc and PhD Scholarships, Novo Nordisk Foundation Denmark
Application deadline
: Jan 18, 2018

Call for applications for postdoc and Ph.D. scholarships in art history

The Novo Nordisk Foundation in Denmark calls for applications for Mads Øvlisen Postdoctoral Fellowships and Mads Øvlisen PhD Scholarships within art history, practice-based artistic research and art & natural sciences.

Four postdoc fellowships in total are available for funding. Applicants must be anchored at a university, museum or other knowledge institution in Denmark during the grant period. The fellowships run for two years and amount to DKK 1.5 million covering salary, operational costs and administrative fee.

Five PhD scholarships in total are available for funding. Applicants must be enrolled at a university in Denmark and anchored at a host institution in Denmark. The scholarships run for three years and amount to DKK 2 million covering salary, operational costs and administrative fee,.

Applications must be completed and submitted using the foundation’s application system, which can be accessed via the foundation’s website.

More information, guidelines for the application process and eligibility can be found on the foundation’s website:
http://novonordiskfonden.dk/en/content/investigator-grant-art-history-research
http://novonordiskfonden.dk/en/content/project-grants-art-history-research