Conference: Renaissance College: Corpus Christi College in Context, c.1450-1650, residential conference at Corpus Christi College, Oxford, 6-9 September 2017
Register by 3 September
Corpus Christi College, Oxford was founded on humanistic principles in 1517. Its fellows included specially-appointed lecturers in Latin literature, Greek and Theology and its new trilingual library featured works in Latin, Greek and Hebrew. Throughout the long sixteenth century, Corpus was a major centre of learning and religion: it played host to the Spanish humanist, Juan Luis Vives and the German astronomer and mathematician, Nicholas Kratzer; its fellows included the Catholic reformer Reginald Pole and the Protestant thinkers John Jewel and Richard Hooker; it played a prominent part in the production of the King James Bible. In the College’s 500th anniversary year, we are holding a conference to discuss the wider context and implications of this remarkable foundation, exploring the inter-connected worlds of learning and education, prelacy and public service, charity and communal life, religion, literature and the arts, in Oxford and beyond, during a two hundred-year period of Renaissance and Reformation.
The programme includes papers from Susan Brigden, Clive Burgess, Jeremy Catto, Paul Cavill, Alexandra Gajda, Anthony Grafton, Lucy Kaufman, Nicholas Hardy, Pamela King, Julian Reid, Richard Rex, Miri Rubin, David Rundle, Christopher Stray, Joanna Weinberg, Magnus Williamson, and William Whyte. A round table of Mordechai Feingold, Felicity Heal and Diarmaid MacCulloch, chaired by Keith Thomas, will bring proceedings to a close.
Details are available here: Conference Programme.
Booking is now open: please click here Renaissance College Conference.
CFP: Regionalism in Medieval Art and Architecture, International Congress on Medieval Studies, Kalamazoo, 10-13 May, 2018.
Deadline: 10 September 2017
Sponsored by the International Center of Medieval Art (ICMA) Student Committee
Organized by Mark H. Summers (University of Wisconsin, Madison) and Andrew Sears (University of California, Berkeley/University of Bern)
In 2001, Eva Hoffman introduced the concept of portability, suggesting a style that transcended traditional geographic, cultural, and religious boundaries. Since then, studies of traveling objects, trade networks, and pluralistic communities have created a veritable new field of the “Global Middle Ages,” which has helped us to better understand the interconnected medieval past as well as its role in shaping our sense of place today.
Our panel seeks to consider how local identity was shaped by such global networks. Potential questions include: Are artistic or architectural styles connected to specific places for specific reasons? Were medieval artists conscious about their own regional styles and the social, political, and religious impact they had? How was art positioned to both create communities and delineate boundaries? What about the rise of the “International Gothic” towards the end of the Middle Ages? Our concerns are also temporal, such as how the use of historicizing motifs and spolia helped medieval artists to communicate something about the here and now.
We welcome submissions for 20-minute papers from graduate student ICMA members. To propose a paper, please send a title, abstract of 300 words, CV, and completed Congress Information form to Mark H. Summers (email@example.com) and Andrew Sears (firstname.lastname@example.org) by 10 September 2017.
The Student Committee of the International Center for Medieval Art involves and advocates for all members of the ICMA with student status and facilitates communication and mentorship between student and non-student members.
- Byzantine spiritual heritage in the history of Ukraine-Rus’ and Eastern churches of the Kievan tradition
- the role and influence of the Byzantine Empire in the formation of Ukrainian national identity
- spiritual culture
- publishing and literature
- theological and philosophical thought
- religious traditions