Ca’ Foscari invites applications for a non-tenured position for an Assistant Professor in the area of Christian and medieval archaeology. Ca’ Foscari is a research intensive institution committed to competing for international scientific excellence through the recruitment of the best academic talents worldwide. Talented young researchers and experienced senior professors make Ca’ Foscari a stimulating
Continue reading “Job: Assistant Professor (fixed term), Christian and Medieval Archaeology, Ca’ Foscari, Venice, deadline 2 March 2020”
Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia.
Alfonso X ‘the Learned’ of Castile (1252–1284) was praised in his lifetime as a king who devoted himself to discovering all worldly and divine knowledge. He commissioned chronicles and law codes and composed poems to the Virgin Mary, he gathered together Jewish scholars to translate works of Arab astrology and astronomy, and he founded a
Continue reading “New Publication: Alfonso X of Castile-León: Royal Patronage, Self-Promotion and Manuscripts in Thirteenth-century Spain, by Kirstin Kennedy”
An interdisciplinary conference exploring the sensory experience of pilgrimage throughout history and across cultures.
The next meeting of the Maius Workshop will take place on 26 March, 4:30–5:30pm, in room Law G3 at QMUL (335 Mile End Rd, London E1 4FQ). Click here for a map of the Campus. Jessica Barker, Lecturer in Medieval History at the Courtauld Institute of Art, will lead a seminar entitled Inscribing Colonialism in Fifteenth-Century
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Size mattered in medieval art. Whether building a grand gothic cathedral or carving a minute boxwood prayer bead, precisely how big to make it was a principal concern for medieval artists, their patrons, and audiences.
Deadline: Feb 28, 2019 9th Bern Research Camp for the Applied Arts 16 May–18 May 2019, University of Bern, Institute of Art History, Department History of Textile Arts From the 18th century onwards, the concept of the genius and a preference for the “autonomous” art work led to a separation of the so-called fine arts
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Many statues and works of sculpture made in the late Gothic and Renaissance period are represented with mouth open, as if caught in a mid-utterance. These ‘speaking sculptures’ have received remarkably little comment from art historians. What are these speaking statues meant to be saying? And what, as viewers, are we meant to ‘hear’ and
Continue reading “Seminar and Book Launch: Speaking Sculptures, Research Forum, The Courtauld Institute of Art (Vernon Square), Wednesday 23 January 2019, 5:00 pm–6:00 pm”