Author Archives: costanzabeltrami

CFP: Following the Paper Trail? Complexities, Implications and Problems in Interpreting Primary Sources for Artistic Production, Renaissance Sociey of America, 22 to 24 March 2018, New Orleans

tumblr_oqexa0oz8t1syzcjgo1_500CFP: Following the Paper Trail? Complexities, Implications and Problems in Interpreting Primary Sources for Artistic Production, Renaissance Society of America, 22 to 24 March 2018, New Orleans

Organised by: Maggie Crosland, Saida Bondini and Costanza Beltrami, PhD Candidates, The Courtauld Institute of Art

As (art) historians we often use documents as evidence. Indeed, what could offer us more direct information about an object, artwork or building than the records of the material used to construct it, or the payments for its labour?

And yet, the mechanisms through which uniquely useful documents such as inventories, contracts and payment accounts are produced are not always transparent. In fact, these are formulaic documents written within tight conventions, for specific economic or legal ends. In this session, we aim to investigate how these records came to be, how they relate to the objects they purportedly explain and how they influence our perception, analysis and conclusions on the past and its relics.

In proposing this session, we are interested in uncovering what documents hide. For example, a contract must often be the final product of a long and multiple discussion. As such, this document reduces the interaction of several people — masters, family members, advisors, apprentices etc. to the legal agreement between just two, effacing all the other voices as well as the temporal dimension of reflection, creation, and changes of mind.

A goal of this session is to provide a platform through which scholars of different media and geographic location can discuss the complexities and implications of relying on and using primary documents. As such, we are interested in paper proposals that engage with such documents from a range of standpoints.

Suggested topics include:

– The temporal and plural vision of the past as hidden or revealed through documents

– Establishing patron-artist networks through primary sources

– Implications of agency and patronage

– The bureaucratic nature of artist contracts and payment accounts

– Missing conversations – how to look beyond the one-to-one relationship suggested by contracts and payment accounts

–  Reconstructing the lost/missing archive

– Early modern and modern historiography on the use of primary sources

– What information remains hidden in the archive, and what is published and promoted instead? What does this tell us about our changing perception and efforts to shape the past?

To be considered for our panel, please email costanza.beltrami@courtauld.ac.uk with:

-The title of your proposed paper (15-word maximum)
– Abstract (150-word maximum)
– 5 keywords
– A very brief curriculum vitae (300-word maximum), formatted to the RSA’s standards.
Please note that the deadline for applications is June 4, 2017.

Summer School: University and Diversity (Bologna, 6-14 Oct 17)

700px-bologna_panoramaSummer School: University and Diversity, Bologna, October 6 – 14, 2017
Deadline: May 1, 2017

University and Diversity: The Bolognese Experience (1088-2017)
Studienkurs of the Kunsthistorisches Institut in Florenz –Max-Planck-Institut

In 2013, the Municipality of Bologna set up a competition to find a
logo that represents ‘at a local, national and international level’ all
the ‘features and elements that make up the face of the city’. The
winning project ‘è Bologna’ provides a visual translation of the
endless perceptions of the city, linking letters to geometrical forms
inspired by archetypical Bolognese images, such as the city walls and
the brick mosaic of Santo Stefano. By typing a script, these forms are
superimposed with fixed proportions and chromatic relationships. Thus,
written words generate different but related signs that render the
‘multiplicity of elements which describe Bologna’.

The 2017 Summer School (Studienkurs) of the KHI focuses on
‘universitas’ and ‘diversitas’, concepts that are emblematic of Bologna
from the medieval to the modern period. The idea that the sum of all
things comprises a whole entity (‘universum’) provides a starting point
for exploring the city, whose urban fabric is characterized by its
former canals, medieval towers and porticoes. Bologna’s university, the
‘Alma Mater Studiorum’, considered to be founded in 1088, encapsulates
the city’s manifest identities through its original organization as a
conglomeration of loose societies called ‘nations’; the teaching of
canon and civil law and medicine; and the training of personages such
as Petrarch, Leon Battista Alberti and Copernicus. Bologna as a
cosmopolitan city is shaped further by its relationship to religious
institutions (the Dominicans and the Papacy, for example); by persons
acting on an ‘international’ scale, such as the Bentivoglio, Gabriele
Paleotti, Ugo Buoncompagni (Pope Gregory  XIII), Pier Paolo Pasolini;
and by the artworks within the city of Nicola Pisano, Giotto, Raphael,
Giambologna or the Carracci. Carlo Cesare Malvasia, writing in the
seventeenth century, described Bologna as the ‘metropolis of a kingdom’
due to its role as the capital of ancient Etruria and as the ‘school of
the universe’ for having taught philosophy, letters and religion before
all other cities. The images of the city as an important geographical
crossroad linking central and northern Italy to the rest of Europe and
as hub of learning, culture and avant-garde thinking pervades into
modern times. They impacted, for example, the tragic bombing of the
city during World War II or the Neo-Fascist attack at the Central
Station in 1980, a site that in recent years witnessed the construction
of the Alta ‘velocità’ railway, with its projected architectural
complex by Isozaki-Maffei.

The seemingly disparate histories of Bologna will be explored through
notions of ‘universitas’ and ‘diversitas’ in an attempt to better
understand the common links that, just as in the dynamic logo, comprise
the character of the city and will allow the Summer School to engage,
more generally, with the mechanisms that contribute to the cultural
constructions of multi-faceted urban centres and their relationship to
surrounding and interconnected environments. Shifting between
synchronic and diachronic approaches, topics to be explored, through
individual presentations and discussions, include: Santo Stefano and
its artistic and religious connections to the Eastern Mediterranean;
Bolognese manuscript illumination and its ‘international’ impact; the
open-air tombs of professors of law and medicine; ‘foreign’ cults
within the city, such as the Madonna di San Luca and the Madonna of
Guadalupe; spaces as places for display and as sites of alterity:
relics, bodies and burials of saints (e.g., St Dominic and St Caterina
Vigri), anatomical waxes, collections of natural objects and artefacts
with transcultural trajectories, especially to the New World and the
Ottoman Empire, and their role in the history of science and scientific
knowledge (Ulisse Aldrovandi and Ferdinando Cospi); as well as the
writing of artistic traditions and the so-called Bolognese School of
Painting. How does the city space and the civic cultures embodied
within it participate in connecting the local with the universal? How
can shifting notions of university/universality and diversity be
described and analyzed within the interplay of individuals and groups
that together make up the experience of the city?

The KHI Summer School invites applications from the fields of Art
History and related disciplines, from graduate students, doctoral
candidates and scholars who are embarking on post-doctoral research.
The number of participants is restricted to fifteen. Each participant
is expected to contribute to the success of the course not only with a
presentation, but also by actively engaging in the discussions. To
allow for active participation in the discussion, good passive
knowledge of Italian and German is required. The Institute will bear
the cost of accommodation and will reimburse half of the incurred
travelling expenses; in addition, participants will receive a daily
allowance.

Applications should include: a letter of interest comprising a research
statement, a one-page Curriculum vitae and a presentation proposal (ca.
300 words). These materials can be written in English, Italian or
German.

Please send your documents by 1 May 2017 in a single PDF file (max. 2
MB), referencing ‘Studienkurs 2017’, to the attention of Prof. Dr.
Gerhard Wolf (dirwolf@khi.fi.it).

Concept and organization: Annette Hoffmann, Marco Musillo, Jessica N.
Richardson and Gerhard Wolf

CFP: The Art of Ornament. Meaning, Archetypes, Forms and Uses, Lisboa, November 23 – 25, 2017

199354720975162159ekrxrxpmcConference: The Art of Ornament. Meaning, Archetypes, Forms and Uses, Fundação Calouste Gulbenkian, Lisboa, November 23 – 25, 2017

Deadline for abstract submission: 30 April 2017
Notification of acceptance of abstract: 31 May 2017
Provisional Programme: 30 June  2017
Deadline for registration: 31 August 2017

The topics suggested for proposals for participating in this Conference
are generically the following, although others may be considered if they are deemed pertinent and relevant:

1.    Contemplating the ornament our days: meaning, tendencies and
paths.
2.    Ornament and portuguese decorative arts;
3.    Revivalism, exoticism and ornament
4.    Ornamentalists and engravers: creation, reception and
dissemination;
5.    Ornament and architecture: historiography, theory and present
times;
6.    Mobility and transcontinentality: the migration of forms;
7.    Between the sacred and the profane: appropriations, reinventions
and coexistence;
8.    Intersection, union and dissonance: literature, music and visual
arts.

Abstracts (of no more than 500 words), accompanied by a short bio (250
words), in English or Portuguese, should be sent to the members of the
organizing committee, at iha.ornament2017@gmail.com by April 30, 2016.
Participants will be notified by the end of May, and the conference
program will be published in June. The languages of the conference are
English, Portuguese, Spanish and French.

A selection of papers from the conference will be published in Revista
de História da Arte – Série W, an annual peer-reviewed digital  journal.

For all questions regarding administration and practical matters, as
well as the payment of the conference inscription, please send an email
to  iha.ornament2017@gmail.com

Conference: The Art of the Network: Visualising Social Relationships, ca. 1400- 1600 (The Annual Renaissance Postgraduate Student Symposium), The Courtauld Institute of Art, 28 April 2017

ghirlandaio20-20calling20of20the20apostles20detail-201481-20fresco-20sistine20chapel20vatican-31-600x600Conference: The Art of the Network: Visualising Social Relationships, ca. 1400 – 1600, (The Annual Renaissance Postgraduate Student Symposium) Courtauld Institute of Art, London, April 28, 2017

In recent years, the analysis of social networks has generated a
fruitful field of scholarly enquiry. Research addressing the dynamics
that govern personal relationships within and without communities of
various kinds has permeated through historical, anthropological, and
sociological studies. These investigations have traced the ways in
which societies structured according to gender, family bonds, and
neighbourhood ties as well as political, professional, and religious
associations regulated social interaction. However, the role of art and
architecture in cultivating these interpersonal relationships has not
been explored comprehensively. Even art historical approaches have
frequently given preference to textual rather than visual evidence in
elucidating these social networks.

This conference seeks to shed light on the ways in which social
networks have been represented visually. Such an approach has great
potential to deepen the discussion surrounding the commission,
production, and reception of art and architecture between 1400 and 1600.

This conference is generously sponsored by the Sackler Research Forum,
Courtauld Institute of Art, the CHASE AHRC Doctoral Training
Partnership Cohort Development Fund, and the Society for Renaissance
Studies.

‘The Art of the Network’ is free and open to the public. Advanced
registration is strongly encouraged:
http://courtauld.ac.uk/event/the-art-of-the-network

PROGRAMME

9.00 – 9.30
Registration

9.30 – 9.45
Welcome: Alexander J. Noelle (The Courtauld Institute of Art)

9.45 – 11.10
Session 1: Materialising Allegiance
Chaired by Suzanne Duff (Brown University)

Ann Adams (The Courtauld Institute of Art)
Perpetual Membership: The Fifteenth-Century Tombs of the Knights of the
Order of the Golden Fleece

Sara Frier (Yale University)
So sah ich als Soldat aus (‘This is how I looked as a soldier’): The
Mercenary-Artists of Renaissance Switzerland

Anna Merlini (The Courtauld Institute of Art)
A Journey through the Labyrinth of Symbols: Retracing a Social Network
across Achille Bocchi’s Symbolicae Quaestiones (1555)

Discussion

11.10 – 11.35
Tea / Coffee Break

11.35 – 13.00
Session 2: Civic Art
Chaired by Imogen Tedbury (The Courtauld Institute of Art)

Maria Harvey (The University of Cambridge)
‘ + E?????? ????? ? ???????? ?[??] … ?[????] K??[??????]’: Art and
Community in Fifteenth-Century Salento

Saida Bondini (The Courtauld Institute of Art)
A History of Families: Networks of Private Patronage in Late
Fifteenth-Century Bologna

Maria Matarazzo (Scuola Normale Superiore di Pisa)
The Plinian Monuments in Como: Classical Antiquity as Municipal Identity

Discussion

13.00 – 14.00
Lunch Break

14.00 – 15.25
Session 3: Artist(ic) Identity
Chaired by Lydia Goodson (The Warburg Institute)

Elizabeth Bernick (John Hopkins University)
Mapping Cesare da Sesto: A Placeless Style

Wouter Wagemakers (University of Amsterdam)
Visualising Patterns of Patronage in Sixteenth-Century Verona: Michele
Sanmicheli and the Roman Connection

Luca Baroni (Scuola Normale Superiore di Pisa)
Urbino to Europe: Federico Barocci’s Artistic and Diplomatic Network as
Visualised in His Paintings

Discussion

15.25 – 15.50
Tea / Coffee Break

15.50 – 17.15
Session 4: Visualising Dynasties
Chaired by Bart van Eekelen (Utrecht University)

Anastazja Grudnicka (University College London)
The (Un)Making of the Habsburg Dynasty: Visual Representations of
Matthias Habsburg in the Dutch Provinces (1577-1581)

Rebekah Helen Lee (University of York)
By the Book: Dynastic and Corporal Network Building in the Arenberg
Family Portrait Album circa 1600

Marina Porri (Universities of Florence, Siena, and Pisa)
Marriage Portraits as Political Networking: The Medici Court at the End
of the Sixteenth Century

Discussion

17.15 – 17.30
Comfort Break

17.30 – 17.45
Closing Remarks: Alexander Röstel (The Courtauld Institute of Art)

17:45 – 18:45
Keynote Address
Prof. John Padgett (University of Chicago)
Networks in Renaissance Florence

18.45 – 20:00
Reception

Job: 2 Research Assistant positions, Technische Universität Berlin

43953b1e445c551addb67d5d974a0e6fJob: 2 positions – Research Assistant (Postdoc), Berliner Hochschulen, Technische Universität Berlin (Faculty I, Institute for Art History and Historical Urban Studies/Chair for Modern Art History)
Part-time employment may be possible
Length of contract: 01/09/17 until 31/08/2020
Reference number: I-79/17
Salary grade E13 TV-L
Closing date for applications: 21/04/17

The research cluster “Translocations” at the Institute for Art History
and Historical Urban Studies at the Technische Universität Berlin is
seeking to hire two postdoctoral researchers for its team. The project
is funded through the Gottfried Wilhelm Leibniz-Prize of the DFG,
awarded to Prof. Dr. Bénédicte Savoy in 2016. The research cluster will
study large-scale displacements of cultural assets from antiquity to
the 20th century such as: art theft and spoliation organized by the
state in times of war and occupation, seizure of cultural goods during
colonialism, displacements as a result of a partition of excavation
discoveries or research expeditions, material diaspora of entire
civilizations expedited by the art trade, and confiscations justified
through ideology, nationalization, or en masse disposal of private
property. The key objective of “Translocations” is to compile a
comprehensive selection of historical findings in order to deliver
orientation and direction for dealing with the challenges posed by this
topic now and in the future. For further information on the research
cluster see www.kuk.tu-berlin.de/menue/translocations/parameter/en.

Working field: The candidate will have the opportunity to pursue his or
her own research interests within the context of an interdisciplinary
team and the overall research goals of the project cluster. This
includes the development and execution of both independent and
team-based studies. The candidate will independently produce work for
academic publication and work within the team on the four foundational
projects of the research cluster (a digital atlas, a virtual library, a
glossary, and an image repertory). The candidate will also be involved
in the organization of academic events and the management of the
project cluster. For further information about the position, please
contact Prof. Dr. Bénédicte Savoy (via Eyke Vonderau:
vonderau@tuberlin.de).

Requirements: Candidates must have completed a university degree
(Diplom, Master, or equivalent) as well as a completed doctoral degree
(or expectedly completed until 01/09/17), in a discipline related to
the project (art history, history, archeology, area studies,
literature, cultural studies, or ethnology; depending on research
focus, candidates from the legal sciences, sociology, or other related
fields will also be considered); Research interest and academic
experience related to the topic of the project cluster; Historical
knowledge of at least one of the relevant regions and periods; Very
good English and German language skills. Proficiency in at least one
other language relevant to the project is a plus (e.g. Arabic, Chinese,
Greek, Russian, Turkish). Candidates should preferably have experience
and be comfortable working in an interdisciplinary team, and possess
excellent collaboration and communication skills.

The application materials (including an outline of 250-300 words for a
case study in the project, a cover letter, the CV, and copies of
certificates) should be sent in a single PDF file to
annick.trellu@tu-berlin.de. Please mark all application materials with
the reference number above. Applications by email are strongly
preferred; however, applications may also be sent per mail to
Technische Universität Berlin – Der Präsident -, Fakultät I, Institut
für Kunstwissenschaft und Historische Urbanistik, FG Kunstgeschichte,
Frau Prof. Dr. Savoy, Sekr. A 56, Straße des 17. Juni 150/152, 10623
Berlin.

To ensure equal opportunities between women and men, applications by
women with the required qualifications are explicitly desired.
Qualified individuals with disabilities will be favored.

Please send copies only. Original documents will not be returned.

The vacancy is also available on the internet at
https://stellenticket.de/33306/?lang=en

CFP: Final Conference of the BMBF Project “Portals as Places of Transformation” Bamberg, January 11 – 14, 2018

dp300044CFP: Final Conference of the BMBF Project “Portals as Places of Transformation” Bamberg, January 11 – 14, 2018
Deadline: 15 June 2017.

The medieval church portal is in many respects a place of
transformation. At the threshold of a church, various spheres converge
and meet: secular – ecclesiastic, corporeal – spiritual, earthly –
divine. Iconography and formal design offer ample evidence of this
unique situation. At the same time, church portals themselves are
objects of change: their appearances are constantly shifting due to
modification, chromatic reworking and restorative endeavours. After
all, modernism declared portals works of art, and this change of status
was accompanied by a further metamorphosis: The medieval portal became
an aesthetic object and thereby an exhibit with alternative forms of
presentation.

The international final conference of the BMBF Project “Portals as
Places of Transformation” (University of Bamberg, Chair in Medieval Art
History, Professorship in Building Preservation Sciences, Professorship
in Building History and Building Archaeology) will provide various
conference sections focusing on central issues of continuity and change
as they pertain to medieval portals:

Section 1: Conceptual design of medieval portals. The interplay of
architecture and sculpture (building design, design methods,
proportions, room arrangement)

Section 2: Construction of medieval portals. Structural analyses for
the documentation of transformation processes (footing, interlinking of
constructive units, masonry technique, types of stone, structural
analysis, construction process)

Section 3: Iconographic programmes. The portal as a place of spiritual
transformation in the Middle Ages (Iconography, text and image,
eschatological themes, cosmos/cardinal directions)

Section 4: Medieval bronze and wood doors (doors, hinges, mountings,
closing and latching mechanisms)

Section 5: Changing portals. Secular and liturgical use (medieval
procession liturgies, user hierarchy, liturgical dramas and legal acts)

Section 6: Adaptations, alterations and modifications of portals
(restoration layers, renovation measures, surface treatments,
maintenance, supplementation using copies, copying techniques in stone,
plaster und synthetic materials)

Section 7: The portal as a work of art (museum displays, illuminations,
repurposing, virtual presentations and representations)

The conference languages are German, English and French. Please send
your abstract (max. 1500-2000 characters, including spaces) to
Katja.Schroeck@uni-bamberg.de no later than 15 June 2017.

Conference: Mendicant Orders in the Eastern Mediterranean: Art, Architecture and Material Culture (13th-16th c.), Nafplion, Wednesday 19th-Sunday 23rd April 2017

751308413_origConference: Mendicant Orders in the Eastern Mediterranean: Art, Architecture and Material Culture (13th-16th c.), Nafplion, Wednesday 19th-Sunday 23rd April 2017
Free, booking required: http://mendicants.weebly.com/registration.html
Conference website: http://mendicants.weebly.com/

Programme:
Wednesday, 19 April 2017

9:30 – 10:00      Registration

10:00 – 10:30    Welcoming Addresses

10:30 – 11:00    Ioanna Christoforaki (Academy of Athens)
Mendicant Orders in the Eastern Mediterranean: Reviewing the Evidence

11:00 – 11:30     Coffee Break

One Step Beyond: The Mendicants in Constantinople and Dalmatia

11:30 – 11:50     Şebnem Dönbekci (Koç University)
Revisiting the Vita Cycle of Saint Francis in Constantinople: Power and Ideology in the Medieval Mediterranean

11:50 – 12:10      Silvia Pedone (Sapienza Università di Roma) and Nicholas Melvani (Koç University)
Constantinople and the Dominicans: History, Topography, and Monuments on Both Shores of the Golden Horn

12:10 – 12:30     Rafał Quirini-Popławski (Jagiellonian University of Kraków)
Mendicant Art and Architecture in the Black Sea: Pera and Caffa

12:30 – 12:50    Discussion

12:50 – 15:00    Lunch

15:00 – 15:20     Josip Belamarić (Cvito Fisković Centre and University of Split)
Franciscans and Art on the Croatian Coast in the Thirteenth Century

15:20 – 15:40    Zoraida Demori Staničić (Croatian Conservation Institute)
Franciscan Convents in Hvar: Between Cult and Politics

15:40 – 16:00    Nina Kudiš (University of Rijeka)
Venetian Seicento Painters in Franciscan and Dominican Churches of Dalmatia: Some Important Examples

16:00 – 16:20    Ivana Prijatelj Pavičić (University of Split),
Anti-Ottoman Narratives on the Altarpieces of Our Lady of the Rosary and Our Lady of Carmel in the Dominican and Franciscan Churches of Dalmatia

16:20 – 16:40    Discussion

16:40 – 17:00    Coffee Break

17:00 – 17:45     Keynote Lecture
Sophia Kalopissi-Verti (National and Kapodistrian University of Athens)
Byzantium ‘Challenged’  after 1204:  Reactions, Responses and their Reflections in Iconography

17:45 – 18:00    Discussion

19:30 – 21:30    Cocktail reception at Nafplia Palace Hotel (speakers only)

Thursday, 20 April 2017

Franciscans and Dominicans in Latin Romania

9:00 – 9:20      Michalis Olympios (University of Cyprus)
Eloquent Marginalia: Figural Sculpture at the Dominican Church in Negroponte (Chalkis, Euboea)

9:20 – 9:40       Demetris Athanasoulis (Ephorate of Antiquities of the Cyclades)
The Church of Saint Francis in Glarentza (Clarence)

9:40 – 10:00    Eleni Barmparitsa (Ephorate of Antiquities of Messenia)
Settlement and Activities of the Mendicant Orders in the Peloponnese during the Late Middle Ages

10:00 – 10:20   Discussion

10:20 – 10:50   Coffee Break

10:50 – 11:10      Panayota Volti (Université Paris-Nanterre)
Some Decorative Elements of the Church of the Virgin in Merbaka, Argolis: A Visual Exegesis of  Dominican History and Spirituality?

11:10 – 11:30       Guy D. R. Sanders (American School of Classical Studies at Athens, Corinth Excavations)
The Archaeology of the Poor at Corinth in the Time of William of Moerbeke OP, Translator of Aristotle, Archimedes, Hero and Galen and Dominican Bishop of Corinth (1278-85)

11:30 – 11:50      Vicky Foskolou (University of Crete)
Reflections of Mendicant Religiosity in the Monumental Painting of the Latin Southern Greek Mainland and the Islands (13th-15th c.)

11:50 – 12:10     Discussion

12:10 – 12:30     Daphne Chronaki (Ephorate of Antiquities of Lassithi)
Παρατηρήσεις στη χωροθέτηση και στις χαράξεις ναών των επαιτικών ταγμάτων στην Κρήτη
[Observations on the planning and proportions of mendicant churches on Crete]

12:30 – 12:50    Eleni Kanaki, Daphne Chronaki and Chara Bilmezi (Ephorates of Antiquities of Herakleion and Lassithi)
Ο ναός του Αγίου Πέτρου των Δομηνικανών στο Ηράκλειο
[The church of Saint Peter of the Dominicans in Herakleion]

12:50 – 13:10     Periandros Epitropakis (Hellenic Ministry of Culture and Sports)
Το χρονικό της ανασκαφής της μονής του Αγίου Φραγκίσκου Ηρακλείου μέσα από τον τύπο της εποχής
[The chronicle of the excavation of Saint Francis monastery in Heraklion through contemporary press]

13:10 – 13:30     Discussion

13:30 – 15:00   Lunch break

15:00 – 15:20   Olga Gratziou (University of Crete)
The Friars and their Impact on Crete: Material and Visual Evidence

15:20 – 15:40    Kostas Giapitsoglou (Ephorate of Antiquities of Rethymnon)
Tο καθολικό της μονής της Αγίας Μαρίας Μαγδαληνής των Δομηνικανών στο Ρέθυμνο
[The katholikon of the monastery of Saint Mary Madgalene of the Dominicans in Rehtymnon]

15:40 – 16:00   Maria Borboudaki (Byzantine and Christian Museum of Athens)
Evidence of Dominican Presence in the Cretan Countryside: A Fresco of Saint Peter of Verona in the Church of Saint George in the Village of Apostoloi Pediados (Herakleion)

16:00 – 16:20   Discussion

16:20 – 16:40    Coffee Break

16:40 – 17:00   Maria Constantoudaki-Kitromilides (National and Kapodistrian University of Athens)
Saint Francis and Private Devotion in Venetian Crete: Visual and Archival Evidence

17:10 – 17:30      Chryssa Ranoutsaki (Ludwig-Maximilians-Universität München)
Saint Francis and Saint Catherine: Two Eminent Model Saints of the Mendicant Orders in Medieval Crete

17:30 – 17:50    Nickiphoros Tsougarakis (Edge Hill University)
Re-examining the Franciscan Library of Candia

18:10 – 18:30     Discussion

18:30 – 19:15    Keynote Lecture
Donal Cooper (University of Cambridge)
The Mendicant Orders as Patrons of Art and Architecture in Venetian Herakleion

19:15 – 19:30   Discussion

20:00 – 22:00   Conference Dinner (speakers only)

Friday, 21 April 2017

Mendicant Presence in the Crusader Levant

9:30 – 9:50     Margit Mersch (Ruhr-Universität Bochum)
The Development of Local and Trans-Regional Mendicant Architecture: A Comparative Glance on Franciscan Churches on Cyprus and Crete (13th-14th c.)

9:50 – 10:10     Thomas Kaffenberger (Université de Fribourg)
Saint Clare or Saint Dominic? New Observations on the ‘Hagia Fotou’ Ruins in Famagusta

10:10 – 10:30   Maria Paschali (Independent Scholar)
An Image with Our Lady of Carmel in Famagusta and the Interplay of Sanctity, Piety and Power

10:30 – 10:50  Discussion

10:50 – 11:10    Coffee break

11:10 – 11:30      Rehav Rubin and Milka Levy-Rubin (Hebrew University of Jerusalem)
How did the Franciscans Choose to Portray Jerusalem?

11:30 – 11:50     Fanny Vitto (Israel Antiquities Authority)
The Cradle of the Carmelites in the Holy Land before Becoming a Mendicant Order

11:50 – 12:10     Barbara Drake Boehm and Melanie Holcomb (The Metropolitan Museum of Art)
Facing the Forbidden:  Felix Fabri in Medieval Jerusalem

12:10 – 12:30    Discussion

12:30 – 14:30   Lunch break

14:30 – 14:50   Jaroslav Folda (University of North Carolina at Chapel Hill)
Artistic Commissions related to the Mendicant Orders in the Thirteenth Century Crusader Levant

14:50 – 15:10     Lucy-Anne Hunt (Manchester Metropolitan University)
Centres and Peripheries: A Perspective on Mendicants and Christian Art in the Crusader States and Muslim Egypt

15:10 – 15:30     Prodromos Papanikolaou (King’s College London)
Artistic Traces of  Franciscan Piety in Hospitaller Rhodes: The Marble Icons of the Virgin and St. John the Evangelist

15:30 – 15:50   Discussion

15:50 – 16:10    Coffee Break

16:10 – 16:30    Amy Neff (University of Tennessee)
Sinai in the Franciscan Visual Imagination

16:30 – 16:50   Manuel Castiñeiras (Universitat Autònoma de Barcelona)
From Catalonia to Sinai: A Two-Way Journey. Revisiting the Legend of King Abgar in the Saint Francis Altarpiece of Santa Clara in Vic (1414-1415)

16:50 – 17:10    Discussion

17:10 – 17:30    Coffee break

17:30 – 18:15    Keynote Lecture
Michele Bacci (Université de Fribourg)
The Franciscans as Promoters of New Holy Sites

18:15 – 18:30    Discussion

19:30 – 21:30   Conference Dinner (speakers only)

Saturday, 22 April 2017

Mendicant Art between East and West
9:30 – 9:50      Jean-Pierre Caillet (Université Paris-Nanterre) and Fabienne Joubert (Université Paris-Sorbonne)
Byzantine Sources of the Crucifixion in Italy: Revisiting the Role of the Mendicants

9:50 – 10:10    Emily Guerry (University of Kent)
A Path Prepared for Them by the Lord: Saint Louis, Dominican Diplomacy, and the Odyssey of Jacques and André of Longjumeau

10:10 – 10:30   Krisztina Ilko (University of Cambridge)
Augustinian Friars in the East

10:30 – 10:50  Discussion

10:50 – 11:10    Coffee Break

11:10 – 11:30      Helen Evans (The Metropolitan Museum of Art)
The Franciscans among the Armenians

11:30 – 11:50     Ioanna Rapti (École Pratique des Hautes Études)
Armenian Αrt and the Μendicant Οrders in the East: Εncounters and Ιnteractions

11:50 – 12:10     Lauren Arnold (University of San Francisco)
Armenian Carpets in Early Renaissance Paintings: The Mendicant Orders and their Role in Facilitating a Migration of Eastern Christians to Italy (1250-1500)

12:10 – 12:30    Discussion

12:30 – 14:30   Lunch break

Round Table Discussion
14:30 – 17:00
Harvard Center for Hellenic Studies
(conference speakers only)

Welcoming Address: Dr Christos Giannopoulos (Center for Hellenic Studies)

Coordinator:  Ioanna Christoforaki (Academy of Athens)

Louise Bourdua (University of Warwick)
Anne Derbes (Hood College)
Julian Gardner (University of Warwick)
Maria Georgopoulou (The Gennadeios Library, ASCSA)
Maria Vassilaki (University of Thessaly)
Gerhard Wolf (Kunsthistorisches Institut in Florenz – Max Planck Institut)

17:00 – 17:30   Afternoon Coffee

19:30 – 21:30   Conference Dinner (speakers only)

Sunday, 23 April 2017
(conference speakers only)

Excursion to medieval monuments in the Argolis (Agia Moni in Nafplion and Church of the Virgin in Merbaka) in the morning. Visit to the new Byzantine Museum in Argos, followed by a guided tour of the Corinth excavations by Guy Sanders in the afternoon.