Tag Archives: material culture

Conference: Mendicant Orders in the Eastern Mediterranean: Art, Architecture and Material Culture (13th-16th c.), Nafplion, Wednesday 19th-Sunday 23rd April 2017

751308413_origConference: Mendicant Orders in the Eastern Mediterranean: Art, Architecture and Material Culture (13th-16th c.), Nafplion, Wednesday 19th-Sunday 23rd April 2017
Free, booking required: http://mendicants.weebly.com/registration.html
Conference website: http://mendicants.weebly.com/

Programme:
Wednesday, 19 April 2017

9:30 – 10:00      Registration

10:00 – 10:30    Welcoming Addresses

10:30 – 11:00    Ioanna Christoforaki (Academy of Athens)
Mendicant Orders in the Eastern Mediterranean: Reviewing the Evidence

11:00 – 11:30     Coffee Break

One Step Beyond: The Mendicants in Constantinople and Dalmatia

11:30 – 11:50     Şebnem Dönbekci (Koç University)
Revisiting the Vita Cycle of Saint Francis in Constantinople: Power and Ideology in the Medieval Mediterranean

11:50 – 12:10      Silvia Pedone (Sapienza Università di Roma) and Nicholas Melvani (Koç University)
Constantinople and the Dominicans: History, Topography, and Monuments on Both Shores of the Golden Horn

12:10 – 12:30     Rafał Quirini-Popławski (Jagiellonian University of Kraków)
Mendicant Art and Architecture in the Black Sea: Pera and Caffa

12:30 – 12:50    Discussion

12:50 – 15:00    Lunch

15:00 – 15:20     Josip Belamarić (Cvito Fisković Centre and University of Split)
Franciscans and Art on the Croatian Coast in the Thirteenth Century

15:20 – 15:40    Zoraida Demori Staničić (Croatian Conservation Institute)
Franciscan Convents in Hvar: Between Cult and Politics

15:40 – 16:00    Nina Kudiš (University of Rijeka)
Venetian Seicento Painters in Franciscan and Dominican Churches of Dalmatia: Some Important Examples

16:00 – 16:20    Ivana Prijatelj Pavičić (University of Split),
Anti-Ottoman Narratives on the Altarpieces of Our Lady of the Rosary and Our Lady of Carmel in the Dominican and Franciscan Churches of Dalmatia

16:20 – 16:40    Discussion

16:40 – 17:00    Coffee Break

17:00 – 17:45     Keynote Lecture
Sophia Kalopissi-Verti (National and Kapodistrian University of Athens)
Byzantium ‘Challenged’  after 1204:  Reactions, Responses and their Reflections in Iconography

17:45 – 18:00    Discussion

19:30 – 21:30    Cocktail reception at Nafplia Palace Hotel (speakers only)

Thursday, 20 April 2017

Franciscans and Dominicans in Latin Romania

9:00 – 9:20      Michalis Olympios (University of Cyprus)
Eloquent Marginalia: Figural Sculpture at the Dominican Church in Negroponte (Chalkis, Euboea)

9:20 – 9:40       Demetris Athanasoulis (Ephorate of Antiquities of the Cyclades)
The Church of Saint Francis in Glarentza (Clarence)

9:40 – 10:00    Eleni Barmparitsa (Ephorate of Antiquities of Messenia)
Settlement and Activities of the Mendicant Orders in the Peloponnese during the Late Middle Ages

10:00 – 10:20   Discussion

10:20 – 10:50   Coffee Break

10:50 – 11:10      Panayota Volti (Université Paris-Nanterre)
Some Decorative Elements of the Church of the Virgin in Merbaka, Argolis: A Visual Exegesis of  Dominican History and Spirituality?

11:10 – 11:30       Guy D. R. Sanders (American School of Classical Studies at Athens, Corinth Excavations)
The Archaeology of the Poor at Corinth in the Time of William of Moerbeke OP, Translator of Aristotle, Archimedes, Hero and Galen and Dominican Bishop of Corinth (1278-85)

11:30 – 11:50      Vicky Foskolou (University of Crete)
Reflections of Mendicant Religiosity in the Monumental Painting of the Latin Southern Greek Mainland and the Islands (13th-15th c.)

11:50 – 12:10     Discussion

12:10 – 12:30     Daphne Chronaki (Ephorate of Antiquities of Lassithi)
Παρατηρήσεις στη χωροθέτηση και στις χαράξεις ναών των επαιτικών ταγμάτων στην Κρήτη
[Observations on the planning and proportions of mendicant churches on Crete]

12:30 – 12:50    Eleni Kanaki, Daphne Chronaki and Chara Bilmezi (Ephorates of Antiquities of Herakleion and Lassithi)
Ο ναός του Αγίου Πέτρου των Δομηνικανών στο Ηράκλειο
[The church of Saint Peter of the Dominicans in Herakleion]

12:50 – 13:10     Periandros Epitropakis (Hellenic Ministry of Culture and Sports)
Το χρονικό της ανασκαφής της μονής του Αγίου Φραγκίσκου Ηρακλείου μέσα από τον τύπο της εποχής
[The chronicle of the excavation of Saint Francis monastery in Heraklion through contemporary press]

13:10 – 13:30     Discussion

13:30 – 15:00   Lunch break

15:00 – 15:20   Olga Gratziou (University of Crete)
The Friars and their Impact on Crete: Material and Visual Evidence

15:20 – 15:40    Kostas Giapitsoglou (Ephorate of Antiquities of Rethymnon)
Tο καθολικό της μονής της Αγίας Μαρίας Μαγδαληνής των Δομηνικανών στο Ρέθυμνο
[The katholikon of the monastery of Saint Mary Madgalene of the Dominicans in Rehtymnon]

15:40 – 16:00   Maria Borboudaki (Byzantine and Christian Museum of Athens)
Evidence of Dominican Presence in the Cretan Countryside: A Fresco of Saint Peter of Verona in the Church of Saint George in the Village of Apostoloi Pediados (Herakleion)

16:00 – 16:20   Discussion

16:20 – 16:40    Coffee Break

16:40 – 17:00   Maria Constantoudaki-Kitromilides (National and Kapodistrian University of Athens)
Saint Francis and Private Devotion in Venetian Crete: Visual and Archival Evidence

17:10 – 17:30      Chryssa Ranoutsaki (Ludwig-Maximilians-Universität München)
Saint Francis and Saint Catherine: Two Eminent Model Saints of the Mendicant Orders in Medieval Crete

17:30 – 17:50    Nickiphoros Tsougarakis (Edge Hill University)
Re-examining the Franciscan Library of Candia

18:10 – 18:30     Discussion

18:30 – 19:15    Keynote Lecture
Donal Cooper (University of Cambridge)
The Mendicant Orders as Patrons of Art and Architecture in Venetian Herakleion

19:15 – 19:30   Discussion

20:00 – 22:00   Conference Dinner (speakers only)

Friday, 21 April 2017

Mendicant Presence in the Crusader Levant

9:30 – 9:50     Margit Mersch (Ruhr-Universität Bochum)
The Development of Local and Trans-Regional Mendicant Architecture: A Comparative Glance on Franciscan Churches on Cyprus and Crete (13th-14th c.)

9:50 – 10:10     Thomas Kaffenberger (Université de Fribourg)
Saint Clare or Saint Dominic? New Observations on the ‘Hagia Fotou’ Ruins in Famagusta

10:10 – 10:30   Maria Paschali (Independent Scholar)
An Image with Our Lady of Carmel in Famagusta and the Interplay of Sanctity, Piety and Power

10:30 – 10:50  Discussion

10:50 – 11:10    Coffee break

11:10 – 11:30      Rehav Rubin and Milka Levy-Rubin (Hebrew University of Jerusalem)
How did the Franciscans Choose to Portray Jerusalem?

11:30 – 11:50     Fanny Vitto (Israel Antiquities Authority)
The Cradle of the Carmelites in the Holy Land before Becoming a Mendicant Order

11:50 – 12:10     Barbara Drake Boehm and Melanie Holcomb (The Metropolitan Museum of Art)
Facing the Forbidden:  Felix Fabri in Medieval Jerusalem

12:10 – 12:30    Discussion

12:30 – 14:30   Lunch break

14:30 – 14:50   Jaroslav Folda (University of North Carolina at Chapel Hill)
Artistic Commissions related to the Mendicant Orders in the Thirteenth Century Crusader Levant

14:50 – 15:10     Lucy-Anne Hunt (Manchester Metropolitan University)
Centres and Peripheries: A Perspective on Mendicants and Christian Art in the Crusader States and Muslim Egypt

15:10 – 15:30     Prodromos Papanikolaou (King’s College London)
Artistic Traces of  Franciscan Piety in Hospitaller Rhodes: The Marble Icons of the Virgin and St. John the Evangelist

15:30 – 15:50   Discussion

15:50 – 16:10    Coffee Break

16:10 – 16:30    Amy Neff (University of Tennessee)
Sinai in the Franciscan Visual Imagination

16:30 – 16:50   Manuel Castiñeiras (Universitat Autònoma de Barcelona)
From Catalonia to Sinai: A Two-Way Journey. Revisiting the Legend of King Abgar in the Saint Francis Altarpiece of Santa Clara in Vic (1414-1415)

16:50 – 17:10    Discussion

17:10 – 17:30    Coffee break

17:30 – 18:15    Keynote Lecture
Michele Bacci (Université de Fribourg)
The Franciscans as Promoters of New Holy Sites

18:15 – 18:30    Discussion

19:30 – 21:30   Conference Dinner (speakers only)

Saturday, 22 April 2017

Mendicant Art between East and West
9:30 – 9:50      Jean-Pierre Caillet (Université Paris-Nanterre) and Fabienne Joubert (Université Paris-Sorbonne)
Byzantine Sources of the Crucifixion in Italy: Revisiting the Role of the Mendicants

9:50 – 10:10    Emily Guerry (University of Kent)
A Path Prepared for Them by the Lord: Saint Louis, Dominican Diplomacy, and the Odyssey of Jacques and André of Longjumeau

10:10 – 10:30   Krisztina Ilko (University of Cambridge)
Augustinian Friars in the East

10:30 – 10:50  Discussion

10:50 – 11:10    Coffee Break

11:10 – 11:30      Helen Evans (The Metropolitan Museum of Art)
The Franciscans among the Armenians

11:30 – 11:50     Ioanna Rapti (École Pratique des Hautes Études)
Armenian Αrt and the Μendicant Οrders in the East: Εncounters and Ιnteractions

11:50 – 12:10     Lauren Arnold (University of San Francisco)
Armenian Carpets in Early Renaissance Paintings: The Mendicant Orders and their Role in Facilitating a Migration of Eastern Christians to Italy (1250-1500)

12:10 – 12:30    Discussion

12:30 – 14:30   Lunch break

Round Table Discussion
14:30 – 17:00
Harvard Center for Hellenic Studies
(conference speakers only)

Welcoming Address: Dr Christos Giannopoulos (Center for Hellenic Studies)

Coordinator:  Ioanna Christoforaki (Academy of Athens)

Louise Bourdua (University of Warwick)
Anne Derbes (Hood College)
Julian Gardner (University of Warwick)
Maria Georgopoulou (The Gennadeios Library, ASCSA)
Maria Vassilaki (University of Thessaly)
Gerhard Wolf (Kunsthistorisches Institut in Florenz – Max Planck Institut)

17:00 – 17:30   Afternoon Coffee

19:30 – 21:30   Conference Dinner (speakers only)

Sunday, 23 April 2017
(conference speakers only)

Excursion to medieval monuments in the Argolis (Agia Moni in Nafplion and Church of the Virgin in Merbaka) in the morning. Visit to the new Byzantine Museum in Argos, followed by a guided tour of the Corinth excavations by Guy Sanders in the afternoon.

Jobs

medieval-argumentation
Lebanese American University – Visiting faculty, Islamic Art &
Architecture
Occidental College – ASSISTANT PROFESSOR IN THE HISTORY OF ART OF ASIA
University of California – Riverside – Assistant Professor in Art and
Material Culture of the Islamic World
Swarthmore College – Assistant Professor of Architectural History

Seminar: Medieval Textiles: Meaning and Materiality, 25th November 2016

jacobusBirkbeck Medieval Seminar: Medieval Textiles: Meaning and Materiality

On the occasion of the V&A Museum’s unprecedented exhibition of opus anglicanum, this one-day interdisciplinary conference brings together leading and emerging scholars working on questions of meaning and materiality in medieval textiles, both real and imaginary.

 

The conference is organised by Birkbeck Medieval Seminar and the History of Art Department with support of the Murray Bequest. The programme, and details of how to book can be found at: https://medtex.eventbrite.co.uk

Friday 25th November, 2016, 10.00am -5.00pm.

Birkbeck, University of London, Room 101, 30 Russell Square, London WC1B 5DT

New Publications: Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination

st_186Body-WorldsOpicinus de Canistris and the Medieval Cartographic Imagination 

Author: K. Whittington

Brepols Publishers

In 1334, an Italian priest named Opicinus de Canistris fell ill and experienced a divine vision of continents and oceans transformed into human figures, a vision which inspired numerous drawings. While they relate closely to contemporary maps and seacharts, religious iconography, medical illustration, and cosmological diagrams, Opicinus’s drawings cannot be assimilated to any of these categories. In their beautiful strangeness they complicate many of our assumptions about medieval visual culture, and spark lines of inquiry into the interplay of religion and science, the practice of experimentation, the operations of allegory in the fourteenth century, and ultimately into the status of representation itself.

Reviews

“Karl Whittington’s Body-Worlds brings Opicinus de Canistris’ idiosyncratic drawings out of the purely personal, mentally disturbed world to which they have generally been consigned into a more normative and accessible realm. To unlock their forms and meanings, Whittington persuasively compares the odd renderings to portolan charts used in marine navigation, which he sees as foundational to Opicinus’s project. And, building on the work of Michael Camille and Victoria Morse, he subjects the drawings to a sensitive analysis that never flattens these indisputably eccentric works but, in the end, enhances their innovative nature even while rendering it understandable.”

– Herbert L. Kessler, Johns Hopkins University

“Opicinus’s drawings contribute in new and unexpected ways to our understanding of the late medieval church, the history of vision and sensibilities, the body, the history of cartography, and Mediterranean studies. Karl Whittington is an intelligent reader of these very difficult works and a wonderful guide for readers encountering this material for the first time. His book will open up an important and under-utilized corpus for further study and should spark an on-going conversation about these intriguing manuscripts.”

– Victoria Morse, Carleton College

“In Body-Worlds, Karl Whittington has produced a magisterial study of the enigmatic drawings of Opicinus de Canistris. Focusing on a key grouping within the larger corpus of images, he examines some two dozen illustrations that superimpose human bodies on the form of the earth, its seas, and its continents. Two questions guide his task: why would this late medieval thinker adapt a diagrammatic form based on current understanding of cartography; and why turn this image into a system for analyzing broad theological and philosophical questions of the day? Although some scholars believe that Opicinus suffered from a form of physical and mental disorder, and that the drawings reflect a disturbed state of mind, Whittington’s complex study indicates otherwise. Whittington does justice to the rich multivalent nature of these drawings, showing us how Opicinus understood the relationship between the body and cosmos, as well as how sexuality and gender worked as important conceptual tools in his visionary system.”

– Catherine Harding, University of Victoria

Cambridge Medieval Art Seminar Series: Craft, Process, Techne

medieval-seminars-2016The University of Cambridge Senior Seminar in Medieval Art meets every other week during full term, attracting an impressive range of speakers from home and abroad.

The Department of the History of Art is pleased to announce the programme for the annual Medieval Art Seminar Series 2016-17. The seminars will explore ideas of craft and process in medieval art at practical and theoretical levels.

Papers (and in one case, a trip to the V&A) will be held on alternating Mondays during Michaelmas and Lent terms and the final two papers of our series will be held in Easter term. The venue for the seminars is Lecture Room 2 of the History of Art Department (1-5 Scroope Terrace, Cambridge CB2 1PX), beginning promptly at 5.30pm. Following questions, attendees are invited to stay and speak more informally with speakers over wine and light nibbles. Lectures are free and open to the public.

Organisers: Robert Hawkins, Amy Jeffs

Please email Robert Hawkins at rh540@cam.ac.uk with any queries.

Programme:

Monday 10th October

Zoe Boden (Victoria and Albert Museum & University of Glasgow)

Opus Anglicanum and the Steeple Aston Cope

Monday 24th October

Group visit to the Opus Anglicanum Exhibition, meet 1.45pm at the V&A

Monday 7th November

Dr George Younge (University of York)

Anglo-Saxon sources of the Theological Windows at Canterbury Cathedral

Monday 21st November

Prof Richard Sennett (LSE and NYU)

The Craftsman: a Discussion

Monday 23rd January

Dr Lucy Wrapson (University of Cambridge, HKI)

Thomas Gooch and Thomas Loveday, two Suffolk Carpenters and their Rood Screens

Monday 6th February

Anya Burgon (University of Cambridge)

The Mechanical Arts in Twelfth-Century School Poetry

Monday 20th February

Dr Peter Dent (University of Bristol)

‘Domine dio fece scolpire questa croce’: Carving the Crucifix in Late Medieval Italy

Monday 27th February

Prof Tim Ingold (University of Aberdeen)

The Craft of Spinning

Monday 6th March

Dr Tom Nickson (Courtauld Institute of Art)

Gothic Encounters? Architectural History, Phenomenology and the Gothic Church

Monday 1st May

Prof Susan Rankin (University of Cambridge)

Writing sound : Designing Notation : Carolingian Musical Techne

Monday 15th May

Agata Gomolka (University of East Anglia)

Carving Romanesque Chiaroscuro

 

Exhibition: A Feast for the Senses: Art and Experience in Medieval Europe

October 16, 2016 through January 8, 2017

Walters Presents A Feast for the Senses: Art and Experience in Medieval Europe

Features more than 100 objects from world-renowned collections

Baltimore, MD – The Walters Art Museum presents A Feast for the Senses: Art and Experience in Medieval Europe, a major international loan exhibition that brings together more than 100 works including stained glass, precious metals, ivories, tapestries, paintings, prints, and illuminated manuscripts from 25 public and private collections in the U.S. and abroad, including the Walters’ extraordinary medieval collection. On view from October 16, 2016 through January 8, 2017A Feast for the Senses explores how medieval works of art spoke to all the senses. Luminous stained glass windows, tapestries depicting fragrant gardens, chalices used in the Eucharist—these objects were not only seen, but were also, and at the same time, touched, smelled, tasted, and heard. The Walters is first of only two venues to host this extraordinary exhibition. Admission is free.

During the late medieval period—roughly the 12th to 15th centuries—religious and secular life mingled to the point that the boundaries between them become hard to distinguish: the delights of life and anticipation of heavenly reward were closely intertwined. The arts of the time reflect a new interest in human experience, the enjoyment of nature, and the pursuit of pleasure by evoking and celebrating beauty through all of the senses. While such pleasures were not directed exclusively toward spiritual enlightenment, religious practices were also defined by rich sensory experiences.

The exhibition evokes these not only through the works of art on view but also through specially designed sensory experiences, ranging from smells of roses and incense to the sounds of church bells and gardens, and the tactility of rosary beads.

“In many museums today, visitors experience the artworks by viewing them from afar in silent galleries. A Feast for the Senses will push the boundaries of the art museum by inviting visitors to encounter art with more than just their eyes,” says exhibition curator Martina Bagnoli (former Walters’ curator of medieval art, who is now executive director of the Gallerie Estensi in Modena, Italy).

Loans and Support 

More than 25 museums and collections in the United States and abroad are lending works to the exhibition, including the British Museum, London; the Musée du Louvre, Paris; the Bibliothèque nationale de France, Paris; the Rijksmuseum, Amsterdam; the Victoria and Albert Museum, London; the Metropolitan Museum of Art, New York; and the J. Paul Getty Museum, Los Angeles. The exhibition also includes masterpieces from the Walters’ renowned collection of medieval art, one of the most important in the United States

A Feast for the Senses has been organized by the Walters Art Museum, Baltimore, in partnership with the John and Mable Ringling Museum of Art, Sarasota, and will be on view at the Ringling February 4 through April 20, 2017.

The exhibition received major funding from the National Endowment for the Humanities: Exploring the human endeavor; the Institute of Museum and Library Services; the National Endowment for the Arts; and anonymous donors, with additional support from the Gary Vikan Exhibition Fund, Nanci and Ned Feltham, and the Helen Hughes Trust. The accompanying catalogue was made possible by an anonymous donor. Any views, findings, conclusions, or recommendations expressed do not necessarily represent those of the National Endowment for the Humanities, the Institute of Museum and Library Services, or the National Endowment for the Arts.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Accompanying Publication

A generously illustrated catalogue presents new research in the developing field of sensory perception within art history. It includes essays by leading scholars exploring the themes of the exhibition through representations of religious practices, royal rituals, feasts and celebrations, and music and literature. Edited by exhibition curator Martina Bagnoli, the catalogue is published by the Walters Art Museum and distributed by Yale University Press. It is available for sale in the Walters Art Museum Store and online ($65, hardcover) beginning in mid-October.

Opening Day Event

A public opening day talk Symposium on the Senses in Medieval Culture will be held Sunday, October 16 at 1:30 p.m. Exhibition curator Martina Bagnoli, Walters’ in-house curator Joaneath Spicer, and other scholars will explore aspects of the role played by sensory perception in medieval culture that are both surprising and completely familiar to us today. A reception and book signing follow. Tickets are $10, and free for Walters members.

 

CFP: In Search of Wisdom: Knowledge Spaces and Networks across the Mediterranean Sea  November 2nd, 3rd, and 4th 2016

Call_Diptico.pptxIn Search of Wisdom: Knowledge Spaces and Networks across the Mediterranean Sea

10th COMPLUTENSE CONFERENCE ON MEDIEVAL ART

NOVEMBER 2nd, 3rd, AND 4th  2016

RESEARCH PROJECT: “Al-Andalus, the Hispanic Kingdoms and Egypt: Art, Power and Knowledge in the Medieval Mediterranean. Exchange Networks and their impact on the Visual Culture”(HAR2013-45578-R)

The aim of this conference is to deepen into the various insights of the construction of spaces and the production of works of art linked to sciences and knowledge in the Middle Ages, throughout different geographical, cultural, and social realms within the Mediterranean area.

 CALL FOR PAPERS  

Paper proposals should include an abstract of the issue written in Spanish, English or French languages (a maximum of ca. 1,000 words), a bibliographical reference’s list on the subject (a maximum of 10 references), and a short Curriculum Vitae of the submitter (a maximum of ca. 500 words).  Proposals should be framed within one of the four indicated sessions by the submitter. Priority will be given to those innovative approaches, critical analyses or insights into the specific framework of the session topics, especially those linked to al-Andalus, Hispanic Kingdoms or Medieval Egypt. Proposals should be send to jcam@ucm.es before June, 15th 2016; once they have been selected by the scientific committee, their acceptance will be notified to authors before June, 30th 2016.

SESSIONS

  1. “Mirror of Princes: paideia, uirtus and adab” is focused on secular places of knowledge.
  2. “Science and its usages” deals with those spaces and networks where medieval science was developed.
  3. “Books and their spaces” is devoted to the production of Medieval manuscripts and the places for books.
  4. “Masters, sages, and patrons” analyzes the relationship between patrons, artisans, and knowledge producers, paying special attention to synergies of all those linked to scientific development.

 INVITED CONTRIBUTORS

Evelyne Berriot-Salvadore (Université Montpellier 3), Eduardo Carrero (UAB), Miquel Forcada (UB), Ángel Fuentes Domínguez (UAM), Emilio González Ferrín (Universidad de Sevilla), Alfonso Jiménez (Universidad de Sevilla), Miguel Marañón (Instituto Cervantes), Rafael Ramón Guerrero, María Jesús Viguera (UCM), Gerhard Wolf (Kuntshistorisches-Max Planck Institute, Florencia).

SCIENTIFIC AND ORGANISING COMMITTEE

Alexandra Uscatescu e Irene González Hernando (coordinadoras), Susana Calvo Capilla, Juan Carlos Ruiz Souza, Azucena Hernández Pérez, Víctor Rabasco García, Pilar Martínez Taboada, Herbert González Zymla, Noelia Silva Santa-Cruz, Javier Martínez de Aguirre, Marta Poza Yagüe, Óscar Monterreal, Elena Paulino, Manuel Parada y Laura Molina.