Category Archives: Call for Papers

CFP: “Rethinking the Canon: Models, Categories and Prestige in Spanish Medieval Art”, 23–25 October 2019, Universidad Complutense, Madrid

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CFP: BAA Post-Graduate Conference, Saturday 23rd November 2019 (Deadline: 6th May 2019)

The BAA invites proposals by postgraduates and early career researchers in the field of medieval history of art, architecture, and archaeology.

Papers can be on any aspect of the medieval period, from antiquity to the later Middle Ages, across all geographical regions.

The BAA postgraduate conference offers an opportunity for postgraduate students and early career researchers at all levels from universities across the UK and abroad to present and discuss their research, and exchange ideas.

Proposals of around 250 words for a 20-minute paper, along with a CV, should be sent by 6th May 2019 to postgradconf@thebaa.org

 

BAA call for papers

CFP: BAA, International Romanesque Conference (14-16 April 2020) Deadline: 15 May, 2019

The British Archaeological Association will hold the sixth in its series of biennial International Romanesque conferences in association with the Dommuseum in Hildesheim on 14-16 April, 2020. The theme is Romanesque and the Year 1000, and the aim is to examine transformation in art and architecture in the years to either side of the millennium.

Despite the complex political situation in late-10th-century Europe, a period marked by chaos in some areas and effective authority in others, the last quarter of the century saw an apparent upsurge in artistic production in the Empire, southern Britain, Lombardy and the Mediterranean. The decades after the millennium have left a larger residue of work, notably in France, but were the 1020s artistically more dynamic than the 980s? How might we describe the cultural climate of the Latin West between c.970 and c.1030? Proposals for papers concerned with the above are welcome, as are those that review individual patrons, particularly in establishing workshops and developing expertise. The period sees remarkable developments in iconography and stylistic expression. It sees portable monumental and devotional statues come into being, along with the application of novel, or at least re-understood, architectural forms. Does the interest in architectural ‘articulation’ initiate a new understanding of the expressive potential of architecture? How good is the evidence for monumental wall painting, what is the state of knowledge on scriptoria as centres of artistic production c.1000, what conditions gave rise to the proliferation of ‘First Romanesque’ architecture, how important was Rome, what was the impact of objects from the Carolingian past or Byzantine present, and what are we to make of the apparent disparities between artistically ‘active’ areas and artistically ‘inactive’ areas? The period also sees a boom in the production of three-dimensional objects, with the revival of bronze-casting, the re-emergence of architectural relief sculpture and he production of monumental sculpture. The conference is geographically international, though the date brackets of c.970-c.1030 will be strictly applied.

The Conference will take place at the Dommuseum in Hildesheim from 14-16 April. There will also be an opportunity to stay on for two days of visits to buildings in the surrounding area on the 17 and 18 April.

Proposals for papers of up to 30 minutes in length should be sent to the convenors, John McNeill and Gerhard Lutz, on romanesque2020@thebaa.org by 15 May, 2019.

Papers should be in English.

Decisions on acceptance will be made by 31 May.

CFP: St Andrews Institute of Medieval Studies Graduate Conference (6-8 June, 2019)

St Andrews Institute of Medieval Studies Graduate Conference

6 – 8 June, 2019

Deadline: 31 March, 2019

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The British Library, Egerton 2899, Psalter of the Gallican Version, Scotland, 15th century, f. 30, detail.

We are announcing a call for papers for the second St Andrews Institute of Medieval Studies (SAIMS) Graduate Conference. This three-day conference is aimed at graduate students and early career researchers in any area of Medieval Studies. The second day of the conference will be devoted to the theme Politics and Political Thought and we would particularly welcome abstracts related to this topic from scholars working in any of the fields mentioned below. We aim to encompass a range of historical perspectives, from art to archeology, law to literature.

The keynote addresses will be delivered by Professor Carole Hillenbrand (Edinburg & St Andrews) and Dr Charles West (Sheffield).

Proposals relating to the following fields of research are especially welcome:

  • Eastern Mediterranean studies
  • Art and architecture
  • The church and religious life
  • Crusading
  • Late Antiquity
  • Latin poetry
  • Law
  • Middle Eastern studies
  • Philosophy
  • Rulership and lordship
  • Scottish history
  • Texts and manuscripts

It is anticipated that there shall be no registration free and that some travel bursaries will be available. Papers should be a maximum of 20 minutes in length.

Please email 250-word abstracts to saimsgraduateconference@gmail.com by 31st March 2019.

Workshop: Manipulating the Sun (Wuppertal, 21-23 Aug 19)

Manipulating the Sun: Picturing Astronomical Miracles from the Bible in the Early Modern Era

Bergische Universität Wuppertal, Interdisciplinary Centre for Science and Technology Studies

August 21 – 23, 2019

Deadline: Mar 17, 2019

Royal 20 B.XX, f.3

The British Library, Royal 20 B XX, f. 3,  c. 1420, “Astronomy and Geometry”

The workshop is being organized by the research project Iconography of the Imagery on Early Modern Scientific Instruments (funded by the German Research Foundation, DFG).

One of the aspects being analysed in the project is biblical imagery that could be related to astronomy. Of particular interest is imagery that was used to argue against the Copernican system from the mid-16th century such as the miracles of the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahas) and the Sun standing still in Joshua 10:12.

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CFP: Revolution and Revolutions in Art (Ljubljana, 12-14 Sep 19)

5th International Conference for PhD Students and Recent PhD Graduates: “Revolution and Revolutions in Art”

Deadline: Apr 15, 2019

The University of Ljubljana, The Center for Iconographic Studies, The University of Belgrade, and The University of Split, introduce their 5th International Conference for PhD students and Recent PhD graduates, Revolution and Revolutions in Art. Challenging PhD students, young researchers and scholars from different fields of humanities and social sciences, the conference seeks to address a multitude of questions, dilemmas, perspectives and problems related to the idea of revolution in art. We welcome theoretical, empirical and methodological papers addressing the theme. We also encourage different aspects and approaches and especially invite submissions that address the following topics:

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IX COLOQUIO ARS MEDIAEVALIS: Belleza, persuasión y retórica en el arte medieval (Aguilar de Campoo, Spain, 10 al 12 de mayo de 2019)

fmslr_cartel_arsmedievalis2019Click here for more information

En las últimas décadas, los estudios de historia del arte medieval han pasado de estudiar el significado de las obras a analizar su materialidad. Más recientemente, Mary Carruthers, Paul Binski y otros académicos han renovado el estudio sobre la experiencia estética medieval. Para desentrañar y razonar las nociones sobre belleza y fealdad durante la Edad Media, estos autores han tomado textos dispersos en Agustín, Guido de Arezzo, Alain de Lille, Pedro de Celle, Bonaventura, Robert Grosseteste, Tomás de Aquino… con los que han compensado la ausencia de un corpus documental y una filosofía articulada. ¿De qué modo se entendía que los artefactos generaban deleite, disgusto, miedo y otras emociones? El estudio de esta cuestión capital ha puesto el foco sobre cuestiones como estilo, humor, artificio, dificultad y engaño. Este giro analítico ha acarreado una provechosa consecuencia: el placer derivado de la contemplación del ornamento superficial merece tanta atención como la exégesis de las imágenes bíblicas. La reconciliación de sensaciones diversas llega a ser tan importante como la iconografía de la materia. Las imágenes se distribuían, también, para aliviar el aburrimiento y esta cuestión debe considerarse junto con la especulación teológica. Dicho de otro modo: los falsos mármoles merecen tanta atención como la piedra real, incluso tal vez más.

Basándose en trabajos recientes, y conforme a las investigaciones desarrolladas en el coloquio Ars Mediaevalisde 2018 en torno al papel de los sentidos y la memoria, este noveno coloquio considerará el poder del arte medieval en dos planos complementarios: persuadir y construir conocimiento. El objetivo del coloquio Belleza, persuasión y retórica en el arte medieval no es rechazar ni cuestionar la importancia de las ambiciones intelectuales del arte medieval. Se examinarán los modos en que ornamentos y efectos de superficie, orden y variedad, imágenes curiosas o repulsivas, el humor y el ilusionismo, los efectos armónicos y discordantes, y los sistemas de retórica visual activaron las emociones y se emplearon para fines diversos.

PROGRAMA

 

Dirección:

Gerardo Boto Varela (Universidad de Gerona) – Alejandro García Avilés (Universidad de Murcia) – Herbert L. Kessler (Johns Hopkins University)

TEMPLA – GERM Estudios Visuales – Red ARSMED

PROGRAMA

Viernes, 10 de mayo (Sede Fundación Sta. Mª la Real)

Presidencia de sesión: Javier MARTÍNEZ DE AGUIRRE / Universidad Complutense de Madrid

09.15 h.: Recepción de participantes y entrega del material

09.45 h.: Presentación e inauguración del Coloquio

10.00 h.: Mary CARRUTHERS / New York University

Ordinary Beauty and Human Sensibility*

10.45 h.: Comunicación

11.00 h.: Debate

11.20 h.: Pausa-café

11.45 h.: Paul BINSKI / University of Cambridge

Aesthetic Attitudes in Gothic Art: thoughts on Girona Cathedral*

12.30 h: Comunicaciones

13.00 h: Debate

Sesión de tarde

Presidencia de sesión: Mª Dolores TEIJEIRA PABLOS / Universidad de León

16.00 h.: Francisco PRADO VILAR / Real Colegio Complutense, Harvard

El despertar de Endimión: Belleza, tiempo y eternidad en la escultura románica y su devenir fotográfico

16.45 h.: José Miguel PUERTA VILCHEZ / Universidad de Granada

Fantasía, placer y existencia en la estética árabe clásica

17.30 h.: Debate

17.45 h.: Descanso

18.00 h.: Vincent DEBIAIS / CNRS-EHESS

El color como camino de abstracción. Aproximación lexical e iconográfica*

18.45 h.: Debate

19.00 h.: Mesa redonda: Ante la belleza en la Edad Media: persuadidos y antagonistas

Sábado, 11 de mayo (Palencia. Diputación Provincial)

Presidencia de sesión: Fernando GUTIÉRREZ BAÑOS / Universidad de Valladolid

09.45 h.: Aden KUMLER / Chicago University

Periculum and peritia: aesthetics and affects in the medievalars market”*

10.30 h.: Descanso

11.00 h.: Joan MOLINA / Universidad de Gerona

Belleza y memoria en los contextos de Alfonso V

11.45 h.: Rocío SÁNCHEZ AMEIJEIRAS / Universidad de Santiago de Compostela

Lo sublime en la poética de lo visionario

12.30 h.: Debate

16.30 h.: Visita al monasterio de Santa María la Real de las Huelgas, Burgos. Gerardo BOTO / Universitad de Gerona

Domingo, 12 de mayo (Monasterio Sta. María la Real)

Presidencia de Sesión: Alejandro GARCÍA AVILÉS / Universidad de Murcia

09.30 h.: Herbert L. KESSLER / Johns Hopkins University

Eagle or Bear: Beauty as Restorative Sunlight or Spiritual Eclipse*

10.15 h..: Comunicaciones

10.45 h.: Debate

11.00 h.: Descanso

11.30 h.: Comunicación

11.45 h.: Jeffrey HAMBURGUER / Harvard University

Medieval Ut picture poesis: Beauty, Rhetoric and Monstrosity in a Twelfth-Century Illustrated Horace*

12:30 h.: Debate

13.00 h: Conclusiones y perspectivas

13.15 h.: Clausura y entrega de certificados a los asistentes

(*) Las conferencias serán impartidas en el idioma con el que se expresa su título. De las que se expongan en inglés se entregará a los asistentes el texto traducido al castellano

COMUNICACIONES

Este coloquio constituye una convocatoria abierta a aquellos investigadores que deseen presentar los resultados de sus análisis en esta materia. Los interesados deberán enviar un resumen del contenido de su comunicación, con una extensión máxima de 2 páginas DIN A4, a espacio sencillo (letra Times New Roman, de 12 puntos), además de una breve selección de las referencias bibliográficas fundamentales en las que se apoyará su discurso. Todo ello se enviará a la siguiente dirección de correo electrónico: plhuerta@santamarialareal.org

El plazo para la recepción de los resúmenes finalizará el 20 de marzo y se informará sobre la aceptación o no de la comunicación antes del 30 de marzo. En el caso de las admitidas se hará saber, igualmente, el tiempo disponible para su exposición en público (trámite obligatorio), la extensión requerida para su publicación en las actas y las normas de edición.