Conferences

Upcoming Conferences

Call for Papers: The Potential of Prosopography for Historical and Art Historical Studies on the Charterhouses and the Carthusian Order, Ljubljana on August 23-25, 2023. (Deadline: 30 September 2022)

The Research Centre of the Slovenian Academy of Sciences and Arts (France Stele Institute of Art History), the University of Vienna and the University Jean-Monnet in Saint-Étienne cordially invite you to submit your proposals for the international conference “The Potential of Prosopography for Historical and Art Historical Studies on the Charterhouses and the Carthusian Order”.Continue reading “Call for Papers: The Potential of Prosopography for Historical and Art Historical Studies on the Charterhouses and the Carthusian Order, Ljubljana on August 23-25, 2023. (Deadline: 30 September 2022)”

Conference: Worked in Stone: Early Medieval Sculpture in its International Context, Durham University, 31st Aug to 4th Sep 2022

elebrating the long-running project, the Corpus of Anglo-Saxon Stone Sculpture, this conference provides an in-depth comparative investigation of the development and deployment of sculptural work in stone as a European-wide phenomenon, situating these monuments and their production within their local, regional, national and international contexts.

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Recorded Conferences

Conference recording: Secret Spaces: Medieval Sacristies, Vestries, Treasure Rooms and their Contents, Society of Antiquaries of London, 25 February 2019

On the 25th February 2019, the Society of Antiquaries of London hosted a one-day conference on Secret Spaces: Medieval Sacristies, Vestries, Treasure Rooms and their Contents. The aim of this conference is to introduce the subject of ecclesiastical treasure houses to both the academic world and the wider public. You can now watch the entire conference from your very own sofa – scroll down for all the recordings.

Conference Call for Papers

CFP:  ‘Art Binds Communities in Medieval Europe’, IMC Leeds 2023, deadline 22 September 2022

“L’opera non sta mai da sola, è sempre un rapporto” (The artwork never stays alone, it is always a relationship). This enlightening sentence by the Italian art historian Roberto Longhi (1950) emphasizes how every artwork is embedded in a network of relationships with other artworks and the social context where it is placed. Since JoachimContinue reading “CFP:  ‘Art Binds Communities in Medieval Europe’, IMC Leeds 2023, deadline 22 September 2022”

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