Tag Archives: Call for Paper

CFP: ‘Hurt and healing: people, texts, and material culture in the Eastern Mediterranean’ – 19th Postgraduate Colloquium of the Centre for Byzantine, Ottoman and Modern Greek Studies (University of Birmingham) (deadline 21st April 2018)

Hurt and Healing: people, texts, and material culture in the Eastern Mediterranean’.

The 19th Annual CBOMGS Postgraduate Colloquium

2nd June 2018

The Committee is pleased to announce the Call for Papers for the 19th Postgraduate Colloquium of the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham, UK.

The concepts of hurt, trauma and healing cross between the different disciplines that deal with Eastern Mediterranean. The colloquium aims to explore transformations and multifarious dimensions of the notions of trauma and wreckage, and their opposition, healing, from the Late Antiquity to the Present.

Whilst serving as antitheses to one another they are also complementary. After destruction and breakage, comes the need for repair. However, when a broken textile’s ripped edges are joined again, the visible seam signifies the damage that has happened. Trauma and healing are key concepts in medicine, psychology, and sociology. However, political ideology has constantly used them in order to justify the rising and the existence of authoritarian regimes. In the past, medicine, saints, and magic offered different ways for healing the body and the soul. The current aim of restoration practices is to heal remnants of cultural heritage after damage and to prevent damage with appropriate conservation strategies.

Suggested topics include, but are not limited to:

  • Healing power of saints and healing people in society;
  • Medicine and magic;
  • Cultural heritage and material culture: restoration and preservation practices, as well as preventive actions for the preservation;
  • The individual aspects of trauma, especially in relation to the politics of gender, sexuality, class, race, and identity (sexual abuse, domestic violence, shame and fear, death and mourning or melancholia);
  • Collective experiences of trauma (war, genocide, terrorism, victims and perpetrators, practices of memory and oblivion);
  • Migration from the Late Antiquity to the current migration crisis and harrowing events in refugee camps;
  • Public health and medical, therapeutic approaches to illnesses and trauma;
  • Texts and images related to medical practices

Papers of approximately 20 minutes related to any of the fields covered by Byzantine, Ottoman and Modern Greek Studies are welcome. Please submit abstracts of no more than 250 words no later than Saturday 21st April 2018 to 2018cbomgscolloquium@gmail.com.  Applicants will be notified of selection by 28th April 2018.

 

For more information click here: https://cbomgs2018colloquium.wordpress.com/

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CFP: ‘Yours, Mine, Ours: Multi-Use Spaces in the Middle Ages’ for Society of Architectural Historians: 72nd Annual International Conference (deadline for abstracts 5th June 2018)

Yours, Mine, Ours: Multi-Use Spaces in the Middle Ages

Medieval buildings and spaces were not always used for a single purpose: very often they were used for multiple activities or by diverse stakeholders. Sometimes this sharing of space was successful and mutually beneficial. Alternatively, the use of a space in multiple ways or by different groups could be frustrating at best and deeply antagonistic at worst. This panel is dedicated to these mixed-use spaces, from the smallest vernacular dwellings to the largest castles and cathedrals.

The benefits and challenges of sharing space were perhaps most acute in smaller structures, such as parish churches or minor monasteries. For example, a monastic church might accommodate local laity if a convenient parish church was not available. Such sharing allowed lay and monastic worshipers to pool architectural and clerical resources in an economical fashion. Monumental buildings and complexes could also be called upon to serve the needs of the larger community, even as they maintained a daily routine for their primary constituents. For example, a castle precinct could serve both a residential population and members of the public—with clearly enforced rules of access. Shared space raises questions of power, privilege, diplomacy, and financial responsibility.

This session invites proposals which analyze the multiple uses of religious, civic, and / or private structures and spaces throughout medieval Europe. Particular consideration will be given to presentations which address the participation of non-elites in otherwise elite spaces; clues to their presence may be discovered in the textual record, landscape, or the building fabric itself. In acknowledging the participation of multiple communities within specific structures, we invite presenters to complicate accepted interpretations of the medieval built environment.

Session Chairs: Meg Bernstein, UCLA, and Dr. Catherine E. Hundley, Architectural Historian.

Deadline for Abstracts: 5th June 2018

Abstracts to be submitted here:
Society of Architectural Historians: 72nd Annual International Conference
April 24-28, 2019 | Providence, Rhode Island

The Society of Architectural Historians will host its 72nd Annual International Conference in Providence, Rhode Island, April 24-28, 2019. Architectural historians, art historians, architects, museum professionals, and preservationists from around the world will convene to present new research on the history of the built environment and explore the architecture and landscape of Providence and nearby areas. The conference will include 37 paper sessions, roundtable and panel discussions, architecture tours, workshops, networking receptions, special events, and more.

More information here: http://www.sah.org/conferences-and-programs/2019-conference—providence?utm_source=CFP&utm_medium=email&utm_campaign=SAH2019

6 CfP for ICMS Kalamazoo 2018

[1] Venice, Materiality, and the Byzantine World

[2] De-Centering the Romanesque

[3] Creative Modes of Activating the Early Medieval Manuscript

[4] Creative Strategies of Intellectual Engagement with Tradition and the Auctores

[5] “Manuscripts in the Curriculum”: New Perspectives on Using Medieval Manuscripts in the Undergraduate Classroom from Special Collection Librarians, Faculty, and Booksellers (A Roundtable)

[6] Moving People, Shifting Frontiers: Re-contextualising the Thirteenth Century in the Wider Mediterranean

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[1]

Venice, Materiality, and the Byzantine World

Sponsored by the Italian Art Society, 

Deadline: Sep 15, 2017

The Dumbarton Oaks Byzantine Symposium leading to the 2010 publication of San Marco, Byzantium, and the Myths of Venice introduced new perspectives on Byzantine and Venetian visual and material culture that extended Otto Demus’s survey of Saint Mark’s basilica. The authors’ application of more recent approaches—such as the social function of spolia, the act of display, the construction of identity, and cultural hybridity—brought fresh analyses to a complex and richly decorated monument. This panel seeks to expand this methodological discourse by taking into account questions related to materials, materiality, and intermediality between Venice and Byzantium. The arrival of material culture from the Byzantine world to Venice as gifts, spoils, or ephemera during the centuries surrounding the Fourth Crusade allowed for both appropriation and conceptual transformation of material culture. In light of the renewal in interest of Venice’s Byzantine heritage, this panel seeks to reflect on the interaction of material culture between la Serenissima and the Byzantine world, especially during the eleventh through fifteenth centuries. Topics may be wide-ranging, including, but not limited to: issues of reception and cultural translation; changing concepts of preciousness; different valuation of materials between Venice and Byzantium; the fluctuating simulation of material visual effects; the transformation of Byzantine objects incorporated into Venetian frames; intermedial dialogue between Byzantine and Venetian art; and the process and technique of manufacture of works between Byzantium and Venice. Some points of departure may include: the building of San Marco itself; Byzantine objects in the Treasury; Byzantine manuscripts included as part of the Cardinal Bessarion gift to the Republic; the monuments on Torcello; or issues raised as a result of recent conservation projects. New cross-cultural methodologies from art historical, anthropological, or sociological fields are welcome.
Please submit a 300-word abstract and a completed Participant 
Information Form (http://www.wmich.edu/medievalcongress/submissions) by 

September 15 to the session organizers:

Brad Hostetler, Kenyon College, hostetler1@kenyon.edu, Joseph Kopta, Pratt Institute, jkopta@pratt.edu
In addition to the travel awards available to all Congress participants (http://www.wmich.edu/medievalcongress/awards), the Italian Art Society offers competitive travel grants: http://italianartsociety.org/grants-opportunities/travel-grant-information/

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[2]

De-Centering the Romanesque

Dommuseum Hildesheim & The J. Paul Getty Museum

The canonical emphasis of Romanesque studies on regional centers and monuments has overshadowed aspects of transregional exchange that defined the art and culture of medieval western Europe circa 1000-1250. One of the key characteristics of this period is movement — of peoples, ideas, and materials. This session will explore the themes of portability and exchange, with possible topics addressing Mediterranean and Baltic trade networks, transcultural objects in the western treasuries, pseudo-scripts and their varied meanings, and hoards versus monuments. Participants are encouraged to address the concept of nexus versus center and the pedagogical implications for presenting a de-centered and global Romanesque, with papers that either challenge or affirm the Romanesque frame for teaching medieval art, both in the classroom and in the museum.

Please send your proposal of up to one page with your Participant Information Form (PIF) http://wmich.edu/medieval/congress/submissions/index.html#PIF to the organizers: Kristen Collins, J. Paul Getty Museum, KCollins@getty.edu or Gerhard Lutz, Dommuseum Hildesheim, gerhard.lutz@dommuseum-hildesheim.de

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[3] and [4]

Deadline: Sep 1, 2017

Two sessions for, “Identifying Creative Impulses in Early Medieval Art and Culture,” will convene at the 53rd International Congress on Medieval Studies (May 10-13, 2018) in Kalamazoo, MI.

Papers are solicited that encourage novel—even experimental—approaches, to the exploration and identification of various conceptions of early medieval, creative cultural activity. 

The first panel seeks to engage with the actual haptic and experiential practice of manufacturing, reading and studying the early medieval book.

The second panel focuses upon culturally apposite forms of interpretative and compositional fashioning that can be discerned in manuscripts belonging to the liberal arts traditions of the Early Middle Ages.

Abstracts and paper proposals of not more than 250 words can be submitted via email on or before September 1, 2017 to the session organizers: Eric Ramírez-Weaver (emr6m@virginia.edu) and Lynley Anne Herbert (lherbert@thewalters.org). Please copy both co-organizers when submitting a proposal, posing a question, or requesting additional information via email.

Complete panel descriptions follow. We particularly encourage inventive strategies promising new approaches to the investigation of early medieval creativity.

Identifying Creative Impulses in Early Medieval Art and Culture
Special Sessions organized by Eric Ramírez-Weaver (emr6m@virginia.edu) and Lynley Anne Herbert (lherbert@thewalters.org)

I. Creative Modes of Activating the Early Medieval Manuscript

The way a manuscript behaves when used “in the flesh,” so to speak, can at times reveal layers of creativity built into them, which must be actively experienced rather than passively seen. Often as modern scholars we work from digitized images of individual folios, or at best openings, and “page flipping” technologies (such as the Walters’s “Ex Libris” platform or the British Library’s “Turning the Pages” program) provide a false sense that we are experiencing the physical book. Evidence of the performative qualities of a manuscript can at times be rediscovered, not just in the sense of how a reader might perform the text written in the book, but how the user activated the book as an object during use. Does an image show through a page and become part of the visual experience on the other side, and was there intentionality there? Do images interact across an opening? Does imagery function together from recto to verso? How is the artist creating an experience for the user, or conversely, how did the user alter the book to create a personal experience? This session seeks papers that explore creative approaches that open up new possibilities regarding how early medieval manuscripts functioned as objects.
II. Creative Strategies of Intellectual Engagement with Tradition and the Auctores

Recent scholarship (consider Benjamin Anderson, Lynda Coon, Paul Edward Dutton, Rosamond McKitterick, Lawrence Nees, Eric Ramírez-Weaver, and Immo Warntjes), has increasingly emphasized the creative strategies for intervention and manufacture of meaning that were acutely linked to early medieval eastern and western engagements with various aspects of the liberal art traditions. From star pictures to poetic acrostics, devotion to erudition and pious personal reform transformed the possibilities for innovation that proliferated during the Carolingian period. Interlocking networks of artists, chroniclers, historians, and poets communicated their translations, textual redactions, and visual records of classical tradition and contemporary study with one another, engaged in debate or collaboration, but advancing science. This session seeks papers willing to reconsider methodologically apposite ways to reinterpret the various brands of early medieval creativity manifest in texts pertaining (as broadly as possible) to the seven liberal arts, including texts of astronomical, computistical, rhetorical, geometric, arithmetic, musical, lyrical, philosophical, diagrammatic, or historical significance.

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[5]

“Manuscripts in the Curriculum”: New Perspectives on Using Medieval Manuscripts in the Undergraduate Classroom from Special Collection Librarians, Faculty, and Booksellers (A Roundtable)

Deadline: Sep 10, 2017

Integrating medieval manuscripts into an undergraduate curriculum changes the game. Students are transformed from passive learners to active scholars; observing objects and seeking to understand and interpret their context teaches critical thinking. Implementing programs to give students this opportunity requires the cooperation of special collection librarians and faculty, two disciplines that speak slightly different languages. Inspired by Les Enluminures’s new program Manuscripts in the Curriculum<http://www.textmanuscripts.com/curatorial-services/manuscripts&gt;, this session will also introduce a third perspective and explore the practical issues of how to build collections for teaching.

The session organizers wish to bring people together from these communities to share their experiences, to discuss successful results, to analyze problems, and to envision future directions. We invite papers that explore efforts to bring manuscripts into the classroom, and the challenges of implementing these programs at specific institutions from the perspectives of librarians, faculty, and booksellers. The session will be structured as a roundtable with a series of short ten- and fifteen-minute papers (the number and duration to be determined depending on response), with ample time for discussion.

Please send abstracts of no more than a page, along with a current CV and the Participation Information Form (available on the Medieval Congress Submissions page: http://wmich.edu/medievalcongress/submissions) to lauralight@lesenluminures.com<mailto:lauralight@lesenluminures.com> by September 10, and sooner if possible.
Emily Runde, Text Manuscripts Specialist

Les Enluminures

http://www.lesenluminures.com&lt;http://www.lesenluminures.com&gt;

http://www.textmanuscripts.com&lt;http://www.textmanuscripts.com&gt;
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[6]

Moving People, Shifting Frontiers: Re-contextualising the Thirteenth Century in the Wider Mediterranean

Deadline: Sep 10, 2017

(Courtauld Institute of Art) and Katerina Ragkou (University of Cologne). Deadline: 10 September 2017

Every day we witness people moving, with them objects and skills, knowledge and experience; either forcibly or willingly; for work or for pleasure. The communities living along the shores of the Mediterranean and the hinterlands of the Balkans during the thirteenth century share many of the characteristics of our contemporary world: military campaigns and religious wars; the intensification of pilgrimage and the relocation of refugees; the shifting of frontiers and the transformation of socio-political orders.

The transformations of the thirteenth century span from east to west, from northern Europe to the Byzantine Empire and from the Balkans to the Levant. The geographic breadth is paralleled by crucial events including the fourth crusade, the fall of Acre, the empowerment of the Serbian Kingdom and the Republic of Venice, the loss and following restoration of the Byzantine Empire, and the creation of new political entities, such as the Kingdom of Naples and that of Cyprus, the Empire of Trebizond, and the Principality of Achaia. Eclectic scholarly tradition has either focused geographically or thematically, losing sight of the pan-Mediterranean perspective. These societies had multifaceted interactions, and comprised a variety of scales, from the small world of regional and inter-regional communities to the broader Mediterranean dynamics.

This session aims to address questions such as which are the various processes through which military campaigns and religious wars affected the urban landscape of these regions and their material production? Is there a difference in economic and artistic trends between “town” and “countryside” in the thirteenth-century wider Mediterranean? What observations can we make in regards to trade, diplomatic missions, artistic interaction and exchange of the regional, interregional and international contacts? How did these shape and transform cultural identities? How did different social, political and religious groups interact with each other?

This session welcomes papers focused on, but not limited to: the role played by economic activity and political power in thirteenth-century artistic production and the shaping of local and interregional identities; the production and consumption of artefacts and their meaning; the transformation of urban and rural landscapes; religious and domestic architecture and the relationship between the private and public use of space.

Proposals for 20 min papers should include an abstract (max.250 words) and brief CV. Proposals should be submitted by 10 September 2017 to the session organizers: Katerina Ragkou (katerina.ragkou@gmail.com) and Maria Alessia Rossi (m.alessiarossi@icloud.com).

Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA-sponsored sessions up to a maximum of $600 ($1200 for transatlantic travel). If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. For more information visit: http://www.medievalart.org/kress-travel-grant/

CFP: Art and Cross-Cultural Dialogue: Identity and Cultural Diversity

David Gareja Monastery, Georgia, 13-c. mural

The fourth international conference for PhD students and recent PhD graduates will take place in Tbilisi, 28-30 September 2017. The event will focus on cross-cultural dialogue, identity and cultural diversity in culture and art. The topic itself has been a part of our cultural identity, but has not been thoroughly researched due of its complexity.

From antiquity to the present, the history, culture and art of different countries and nations maintains the memory of relations and exchanges of ideas. The reasons for and forms of their relations were different. Whether a peaceful connection, or in some cases invasion and conflict, their coexistence was reflected in different fields of social life, culture and art. In this controversial process, politics, society and people played special roles.

The crossroads as a meeting point of many different states, people, religions and cultures was a very vibrant “place” where unique artistic phenomena were created, where the connections reflected societies, cultures, tastes and fashions. In this cultural diversity each element has a special role.

 At our gathering we would like to discuss this topic in a new way from the most interesting and imaginative angles. We invite proposals with new approaches and new perspectives, rethinking old knowledge in relation to cross-cultural relations, cultural diversity and identity.

 The topics of the conference include, but are not limited to:

 Crossroads as a meeting point of various cultures

  • Unexpected encounters: cross-cultural dialogue beyond space and time

  • Where is the border of identity and cultural diversity?

  • Geographical, epochal and cultural borders through the centuries: similarities and differences between them. Historical backgrounds, influences and cultural identity

 Art as one of the main expressions of identity

  • Coexistence and the process of synthesis through the prism of localcultural traditions

  • Artists beyond borders

  • Designed structures in open space as carries of cultural identities

  • Cross-roads as a melting point of ideas

 Memory and memorials

  • Memory, local traditions and foreign influences: idea, content and form

  • Places of shared memory. Sacred space and aspects of cultural and religious heritage and inter-faith dialogue

  • The role of individuals in the formation of the cultural process through history: rulers, clerics, missionaries, ambassadors and travellers

  • Religious diversity and cultural encounters

 What defines identity in the globalisation process?

  • Rules of attraction: uniting and dividing cultural principles between idealization and demonization

  • Global and local in work of art or at art exhibitions

  • Lost in translation: the limits of cross-cultural dialogue

Proposals should include name, contact information (address, phone number, e-mail), title of the paper, short CV(maximum 200 words) and an abstract (maximm 400 words); to be sent by email to conference.phd2017@gmail.com.

For more information, please visit the link: http://phdconference2014.wixsite.com/dmr-ljubljana/copy-of-cfp-2016

CFP: Horses in Art: The Familiar and the Alien Session at the International Medieval Congress, Leeds, 4 July 2017: 11.15-12.45

Gentile da Fabriano, 15c, detail

Gentile da Fabriano, 15c, detail

IMC 2017: Last minute call for papers

Below is a list of two-paper sessions which still require a third paper.If you would like to propose a paper for any of the sessions please send your paper to us via email noting the session you have applied for at the top of your message. If we have included contact details for the organiser, please contact them first to discuss your paper.

Session 603

Horses in Art: The Familiar and the Alien

Tuesday 4 July 2017: 11.15-12.45

Organiser: Edgar Rops, Faculty of Law, University of Latvia, Riga

Moderator: Anastasija Ropa, Department of Management & Communication Science, LASE, Riga (Anastasija.Ropa@lspa.lv)

Horses, omnipresent in the medieval life, make a frequent appearance in medieval art in a variety of forms and guises, referring the viewer to the familiar realities or carrying him or her to the realms of fantasy and alterity. Likewise, the connotations of equines and equestrians differs: from the metaphoric and symbolic to the purely practical, the interaction between horses and humans in visual media channels a variety of meanings. The papers presented in this thematic session on horses in medieval art study the representation of equines in various physical contexts: on tapestries and frescoes, as well as manuscripts.

 

For other sessions still seeking papers at IMC Leeds 2017, see the conference website.

CFP: Singular Acts (London, 16 Nov 17)

The Warburg Institute LibraryLondon, The Warburg Institute, November 16, 2017
Deadline: May 31, 2017

Singular Acts: The Role of the Individual in the Transformation of Collective Culture

The Warburg Institute will host its second Postgraduate Symposium on 16 November 2017. This year’s Symposium focuses on particular personalities who acted for or against historical and cultural change.

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