Tag Archives: CFP

CFP: St Andrews Institute of Medieval Studies Graduate Conference (6-8 June, 2019)

St Andrews Institute of Medieval Studies Graduate Conference

6 – 8 June, 2019

Deadline: 31 March, 2019

K104208

The British Library, Egerton 2899, Psalter of the Gallican Version, Scotland, 15th century, f. 30, detail.

We are announcing a call for papers for the second St Andrews Institute of Medieval Studies (SAIMS) Graduate Conference. This three-day conference is aimed at graduate students and early career researchers in any area of Medieval Studies. The second day of the conference will be devoted to the theme Politics and Political Thought and we would particularly welcome abstracts related to this topic from scholars working in any of the fields mentioned below. We aim to encompass a range of historical perspectives, from art to archeology, law to literature.

The keynote addresses will be delivered by Professor Carole Hillenbrand (Edinburg & St Andrews) and Dr Charles West (Sheffield).

Proposals relating to the following fields of research are especially welcome:

  • Eastern Mediterranean studies
  • Art and architecture
  • The church and religious life
  • Crusading
  • Late Antiquity
  • Latin poetry
  • Law
  • Middle Eastern studies
  • Philosophy
  • Rulership and lordship
  • Scottish history
  • Texts and manuscripts

It is anticipated that there shall be no registration free and that some travel bursaries will be available. Papers should be a maximum of 20 minutes in length.

Please email 250-word abstracts to saimsgraduateconference@gmail.com by 31st March 2019.

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Workshop: Manipulating the Sun (Wuppertal, 21-23 Aug 19)

Manipulating the Sun: Picturing Astronomical Miracles from the Bible in the Early Modern Era

Bergische Universität Wuppertal, Interdisciplinary Centre for Science and Technology Studies

August 21 – 23, 2019

Deadline: Mar 17, 2019

Royal 20 B.XX, f.3

The British Library, Royal 20 B XX, f. 3,  c. 1420, “Astronomy and Geometry”

The workshop is being organized by the research project Iconography of the Imagery on Early Modern Scientific Instruments (funded by the German Research Foundation, DFG).

One of the aspects being analysed in the project is biblical imagery that could be related to astronomy. Of particular interest is imagery that was used to argue against the Copernican system from the mid-16th century such as the miracles of the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahas) and the Sun standing still in Joshua 10:12.

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CFP: Revolution and Revolutions in Art (Ljubljana, 12-14 Sep 19)

5th International Conference for PhD Students and Recent PhD Graduates: “Revolution and Revolutions in Art”

Deadline: Apr 15, 2019

The University of Ljubljana, The Center for Iconographic Studies, The University of Belgrade, and The University of Split, introduce their 5th International Conference for PhD students and Recent PhD graduates, Revolution and Revolutions in Art. Challenging PhD students, young researchers and scholars from different fields of humanities and social sciences, the conference seeks to address a multitude of questions, dilemmas, perspectives and problems related to the idea of revolution in art. We welcome theoretical, empirical and methodological papers addressing the theme. We also encourage different aspects and approaches and especially invite submissions that address the following topics:

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CFP: ‘Faking it: Forgery and Fabrication in Late Medieval and Early Modern Culture’, University of Gothenburg, 15-17 August 2019 (Deadline: 30 January 2019)

Schermafdruk 2018-10-11 13.54.49Faking it: Forgery and Fabrication in Late Medieval and Early Modern Culture

The University of Gothenburg, Sweden, 15-17th August 2019

What is real and what is fake? And why does it matter? As soon as objects, texts and utterances (be they pragmatic or artistic) become imbued with a sense of authority or authenticity, there is a potential to produce other objects, texts and utterances which mimic and attempt to siphon off that authority and authenticity. In late medieval and early modern European culture (1400–1750), this potential was realized in new and unprecedented ways. Social, technological, and intellectual developments forever altered many activities which fall under the remit of forgery and fabrication, spurring lively debate about truth and falsity. The printing press transformed the production, distribution and marketing of texts and images. Heightened interest in classical antiquity changed how scholars interacted with and assigned value to artefacts originating in past cultures. Legal developments altered how artworks and documents were policed, and how authorship and authenticity were instantiated.

The conference Faking it. Forgery and Fabrication in Late Medieval and Early Modern Culture, held in Gothenburg from the 15th to the 17th of August 2019, seeks to explore the many and varying ways in which legitimate forms of production spawned illegitimate ones in late medieval and early modern culture. The conference is hosted by The Early Modern Seminar at The University of Gothenburg. We welcome proposals on all types of cultural production stemming from all cultural ambits, provided that they are connected with the later medieval and early modern world.

Confirmed keynote speaker: Dr Patricia Pires Boulhosa (Department of Anglo-Saxon, Norse, and Celtic, University of Cambridge)

Topics may include, but are not limited to:

  • The terminology of spuriosity
  • Developments in criticism as a response to forgery
  • The fake as a foil to the authentic
  • Connections between literary forgery and forgery in the visual arts
  • The relationship between lying and forgery
  • Grey areas: where production becomes fabrication
  • Legal and economic perspectives on fabrication
  • Fakes and fabrications in arts and sciences
  • The personality cult of the forger

We invite abstracts of up to 250 words, accompanied by a title and a 50-word biographical statement, to be sent to forgeryconference@lir.gu.se. Note that presentations must last no more than 20 minutes. The deadline for submitting an abstract is the 30th of January, 2019. Enquiries may be sent to the same address or made directly to Matilda Amundsen Bergström (matilda.amundsen.bergstrom@lir.gu.se) or Philip Lavender (philip.lavender@lir.gu.se).

Website: http://lir.gu.se/forskning/forskningssamverkan/tidigmoderna-seminariet

 

CFP: 3 Sessions at ICMS, Kalamazoo 2019 (Deadline 15 September 2018)

The Restoration of the 14th-century Painted Ceiling of the Sala Magna in Palazzo Chiaromonte-Steri in Palermo, 3 linked sessions

Organizers: Licia Buttà (Universitat Rovira I Virgili, Tarragona) Costanza Conti (Università di Palermo) and Antonio Sorce (Università di Palermo)

Sponsored by the Italian Art Society

The restoration of the 14th-century wooden ceiling of the Sala Magna in PalazzoScreen Shot 2018-08-29 at 9.56.39 AM Chiaromonte—known as Steri—began in September 2017. The ceiling was crafted between 1377 and 1380, as attested by the inscription that runs along two sides of the ceiling between beams and lacunars, in which the name of the patron is also mentioned: the powerful and noble ruler of Palermo—Manfredi Chiaromonte (d. November 1391). The surface area of the wooden ceiling measures 23 x 8 meters. The iconography is displayed uninterrupted on the three sides of the 24 beams and on the 100 coffered lacunars. After the fall of the Chiaromonte family, the palace was first occupied by King Martin I, the Humane (29 July 1356 – 31 May 1410), then by the Viceroys of Aragon, and the House of Bourbon. Between 1601 and 1782 it became the Palace of the Inquisition and later the halls of the palace were used as the Court of Appeal. Today the building is home to the rectorate of the University of Palermo. The three linked sessions seek to be a fruitful occasion to study the ceiling of the Sala Magna in Palazzo Chiaromonte-Steri and medieval painted ceilings in the Mediterranean in general, in terms of conservation as well as visual culture through a multidisciplinary perspective.

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CFP: “A Global Trecento: Objects, Artist, and Ideas Across Europe, the Mediterranean, and Beyond,” IMC Leeds, 2019 (Deadline 15 September 2018)

Looking at the Trecento through the lens of current global paradigms and concerns inmarco polo historical and art historical studies might seem hazardous, or even paradoxical and provocative at best. Very few other labels have the power to evoke both the glories, achievements and limitations of traditional ‘Western’, and namely Eurocentric, art history. As a matter of fact, using the Italian word Trecento to mean the ‘Fourteenth Century’ in the visual arts, music and potentially any area of human endeavour adumbrates a clear hierarchy–with Italy at its top. It is meaningful, and perhaps no coincidence, that the term Trecento came into use in English in the same years that mark the tumultuous expansion of the new discipline of art history in the late nineteenth and early twentieth centuries and its usage has grown exponentially ever since. While much has been done in recent decades to broaden our understanding of the period both geographically and philosophically, the Trecento remains primarily the century of Giotto and of the great Tuscan painters and sculptors. At this time of building national ‘walls’, it seems particularly appropriate to think that the seminal and transformative character of the Trecento owes much to artistic and cultural exchanges, movement of artists and patrons, circulation of models and ideas across Italy, Europe, the Mediterranean and beyond. Our aim is to bring into conversation recent research on these issues.

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CFP: “In Search of the Desert: New Observations on the Late-Medieval Revival of the Eremitic Life,” ICMS 2019 (Deadline 15 October, 2018)

In Search of the Desert: New Observations on the Late-Medieval Revival of the Eremitic Life

54th International Congress on Medieval Studies, Kalamazoo, May 9 – 12, 2019
Deadline: Oct 15, 2018
Organizers: Denva Gallant (University of Delaware) and Amelia Hope-Jones (University of Edinburgh)

In the third and fourth centuries AD, the barren deserts of Egypt, Syria and Palestine P1000332witnessed the birth of Christian monastic life among saints who came to be known as the Desert Fathers. The heroic self-discipline and devoted ascetic endeavors of St Antony the Abbot, St Paul of Thebes and St Macarius, among others, became emblematic of an original and authentic form of the religious life. This eremitic tradition, transmitted to the west through hagiography and ascetic literature, exerted a profound influence over the formation of western monastic life in the fifth and sixth centuries, and continued to function as an ideological authority well into the late medieval period and beyond.

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