Author Archives: thegrailquest

About thegrailquest

Anastasija Ropa holds a doctoral degree from Bangor University (North Wales), for a study in medieval and modern Arthurian literature. She has published a number of articles on medieval and modern Arthurian literature, focusing on its historical and artistic aspects. She is currently employed as guest lecturer at the Latvian Academy of Sport Education. Anastasija’s most recent research explores medieval equestrianism in English and French literary art and literature, and she is also engaged as part-time volunteer horse-trainer. In a nutshell: Lecturer at the Latvian Academy of Sport Education Graduate of the School of English, University of Wales, Bangor. Graduate of the University of Latvia Passionate about history, particularly the Middle Ages A horse-lover and horse-owner

Call for papers for session papers on medieval equestrian history at IMC Leeds 2019

Your horse won’t eat any oats, nor will he be bled until I get my revenge’ threatens his lady Orgeuilleux de la Lande, making his displeasure evident by abusing the lady’s horse. Horses were vital agents in daily life throughout the medieval period, but with the advent of technology in the twentieth century, they have been somehow marginalized in academic studies. Recently, interest in equine history has surged, but there are still many issues waiting to be tackled by scholars.

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In this fourth year of thematic horse sessions at the International Medieval Congress, Leeds, we invite papers on the following themes:

  • Breeding, training, feeding and curing horses
  • Osteological study of horse remains
  • Equipment for ridden and working horses
  • Horse-related buildings and infrastructure (stables, roads, hyppodromes, markets, etc.)
  • Horses in the East and West – regional peculiarities
  • Imaginary, fantastic and magical horses and equids, including unicorns, centaurs and grotesques, and their relation to real horses
  • Other equids and ridden animals (donkeys, mules, zebras, etc.)

If you would like to propose a theme that does not fit in the above categories, please contact the organizers.

Paper abstracts (up to 500 words) and short biographies (up to 100 words) are to be sent to Dr Anastasija Ropa (Anastasija.Ropa@lspa.lv) and Dr Timothy Dawson (levantia@hotmail.com) by 31 August 2018.

Publication of selected papers is planned.

If you would like to be involved in organizing the sessions or editing or reviewing the publication, please contact the organizers (Anastasija.Ropa@lspa.lv, levantia@hotmail.com).chretien's perceval.png

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CFP: Re-defining the Monster

poster_monster_01.jpgCall for Papers for Special Session at the

International Congress on Medieval Studies (ICMS 2019)

May 9 to 12, 2019

Western Michigan University

The proposed session will discuss and debate on the various definitions of the concept of the “monster.” Defining the monster is a challenge. Monsters and monstrosity-related aspects have been topics of academic research either connected to identity or cross-cultural encounters, explored as ‘others’ in the context of voyages (real-imagined), as heritage from Antiquity, as races reflected in travellers’ reports inserted into Western art, philosophy, and theology.

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CFP: Visualizing Women in the Apocrypha

poster_apocrypha_01.jpg

Call for Papers for Special Session at the

International Congress on Medieval Studies (ICMS 2019)

May 9 to 12, 2019

Western Michigan University

The proposed session is devoted to the construction and visualization of women as reflected in apocryphal sources with the aim of bringing into attention this generally neglected topic/sources which seem to be underrepresented. The existent literature, in the general field of apocrypha, indicates that there is space for debate on issues connected to gender in these sources.

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Publication – Rose-Marie Ferré, « L’iconographie du Livre du Cœur d’amour épris de René d’Anjou »

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Informations pratiques :

Rose-Marie Ferré, L’iconographie du Livre du Cœur d’amour épris de René d’Anjou, Turnhout, Brepols, 2018 (Répertoire Iconographique de la Littérature du Moyen Age, 6).

145 p., 70 colour ill., 156 x 234 mm, 2018
ISBN: 978-2-503-58002-9

Prix: EUR 60, 00

Le cycle iconographique quasiment complet du Livre du Cœeur d’amour épris est ici envisagé de concert avec le texte, en révèlant ainsi toute sa richesse et sa singularité.

Ce volume est consacré à l’une des œuvres majeures de René d’Anjou conservée aujourd’hui dans le manuscrit français 24399 de la Bibliothèque nationale de France. En un songe allégorique qui est aussi quête chevaleresque, le Cœur personnifié veut rejoindre l’aimée. Les enluminures, par une mise en image efficace et dynamique du texte, rendent surtout la profonde mélancolie, en cette fin du Moyen Âge, d’un sentiment amoureux qui affronte de multiples épreuves.

Comme dans le Mortifiement de Vaine Plaisance, composé deux ans plus tôt et premier volet de ce diptyque littéraire, le cœur (organe supplicié pour le Mortifiement ou Chevalier dépité dans le roman de 1457) n’aura d’autre choix que le renoncement final et la douleur. À cet égard, animé d’un vrai souci spirituel, René d’Anjou fait édifier à la même époque, aux Cordeliers d’Angers, une chapelle dédiée à saint Bernardin de Sienne (1453), pensée comme tombeau pour son cœur. Les sujets évoqués dans le traité de théologie morale ou dans les péripéties sentimentales du chevalier Cœur ne sont pas ainsi sans rappeler les sujets exprimés et représentés dans le petit sanctuaire, échos d’une réflexion sur la Passion du Christ, la rédemption, la Vaine Gloire et le salut de l’âme.

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CFP: Rutgers Art Review Volume 36

Rutgers, The State University of New Jersey
Deadline: Sep 15, 2018
RU_SHIELD_SIG_SAS
Call for Papers and Digital Projects

Rutgers Art Review, a journal of graduate research in art history, hereby invites all current graduate students, as well as professionals who have completed their doctoral degree within the past year, to submit papers for its 36th edition.

Papers may address all topics and historical periods within the history of art and architecture, visual and material culture, art theory and criticism, aesthetics, film, and photography. Interdisciplinary studies concerning art and architecture written by students in other fields are also welcome. To be considered for publication, submissions must present original contributions to existing scholarship and conform to our submission guidelines. We encourage authors to ask a faculty member to review their paper before submission.
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JOB: Dissertant/in, Kunst des hohen Mittelalters, Universitaet Salzburg

Application deadline: Jul 11, 2018

GZ A 0105/1-2018
Am  Fachbereich  Kunst-,  Musik-  und  Tanzwissenschaft,  Abteilung  Kunstgeschichte der UNI Salzburg gelangt  die  Stelle  eines/r  wissenschaftlichen  Mitarbeiters/in  im  Forschungs-  und  Lehrbetrieb  gemäß  UG  und  Angestelltengesetz  mit einem/r  Universitätsassistenten/in  gem.  §  26  Kollektivvertrag der  Universitäten
(Dissertant/in) zur Besetzung. (Verwendungsgruppe B1; das monatliche Mindestentgelt für  diese  Verwendung  beträgt  €  2.096,00  brutto  (14×  jährlich)  und  kann  sich  eventuell  auf  Basis  der kollektivvertraglichen Vorschriften durch die Anrechnung tätigkeitsspezifischer Vorerfahrungen erhöhen.)
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