Tag Archives: Byzantine Studies

Call for Papers: 54th International Congress on Medieval Studies, May 9 – 12 2019 – Mary Jaharis Center sponsored panel (Deadline: 27 May 2018)

hb_63-178-2To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 54th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 9–12, 2019. We invite session proposals on any topic relevant to Byzantine studies.
Session proposals must be submitted through the Mary Jaharis Center website (https://maryjahariscenter.org/sponsored-sessions/54th-international-congress-on-medieval-studies). The deadline for submission is May 27, 2018. Proposals should include:
**Title
**Session abstract (300 words)
**Intellectual justification for the proposed session (300 words)
**Proposed list of session participants (presenters and session presider)
**CV
Successful applicants will be notified by May 30, 2018, if their proposal has been selected for submission to the International Medieval Congress. The Mary Jaharis Center will submit the session proposal to the Congress and will keep the potential organizer informed about the status of the proposal.
The session organizer may act as the presider or present a paper. The session organizer will be responsible for writing the Call for Papers. The CFP must be approved by the Mary Jaharis Center. Session participants will be chosen by the session organizer and the Mary Jaharis Center.
If the proposed session is approved, the Mary Jaharis Center will reimburse up to 5 session participants (presenters and presider) up to $600 maximum for North American residents and up to $1200 maximum for those coming abroad. Session organizers and co-organizers should plan to participate in the panel as either a participant or a presider. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions. Further information about the International Congress on Medieval Studies is available at https://wmich.edu/medievalcongress.
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CFP: Crossing Rivers in Byzantium and Beyond (Vienna, 2-3 Nov 18) (Deadline 1 June 18)

Crossing Rivers in Byzantium and Beyond

Department of Art History, University of Vienna, 02. – 03.11.2018
Deadline: Jun 1, 2018

“It is always dramatic to cross a frontier, even though the frontier is only a brook”
(V. S. Pritchett, Geographical Magazine, December, 1942)

This workshop is organized as part of the project “Byzantine Stone Bridges: Material Evidence and Cultural Meaning,” managed by Dr. Galina Fingarova at the Department of Art History of the University of Vienna. It is generously funded by the Austrian Science Fund (FWF), Elise-Richter-Program. For further information, see http://bridges.univie.ac.at/.

This project focuses on a long-overlooked aspect of architectural and cultural history – Byzantine stone bridges. It investigates the particularities of this type of architectural monuments built from the fourth to the fifteenth centuries on territories under imperial Byzantine rule. It addresses the following enquiries: 1) reconstructing the
significance of Byzantine stone bridges in the context of architectural history by analyzing the structural and technical innovations that are evident in the preserved monuments; and 2) understanding the importance of bridges as sources for a Byzantine cultural and social history, in particular, on a political, symbolic, and metaphorical level.

This workshop will expand on the project’s research questions and methodological approaches by placing these in a broader context. The workshop encourages an interdisciplinary discourse on the unique characteristic of rivers to define territories and boundaries and on their crossing as a means of connection in a real and figurative sense. It seeks to transcend both the territorial and chronological limits of the Byzantine Empire.

Confirmed Keynote: Professor Jim Crow (University of Edinburgh)

Scholars working in the fields of Roman, Late Antique, Byzantine, Medieval, Ottoman, and Middle Eastern Studies
are invited to submit proposals for 20-minute papers connected with but not limited to the following topics:
• Riverine landscapes;
• River crossings as political, social, military, or commercial events;
• Urban and rural communities on and along rivers;
• Architectural and engineering achievements in hydrology;
• Ford and ferry;
• Pontoon, wooden, and stone bridges;
• Related structures such as aqueducts, mills, etc.;
• Mythological and religious aspects of river crossings;
• Emotional experiences at or traversing rivers.

Please send proposals of no more than 300 words, including a title and an abstract, together with a short CV to Dr. Galina Fingarova (galina.fingarova@univie.ac.at) by June 1, 2018.

Funding and Scholarships: GABAM PhD and Project Grants in Byzantine Studies, Deadline 01/04/2018

Apse Mosiac Hagia SOphia

RESEARCH GRANTS FOR BYZANTINE STUDIES

Koç University Center for Late Antique and Byzantine Studies Center (GABAM) offers a limited number of grants to support scholars in projects about Archaeology and History of Art of the Byzantine civilization. Research grants of up to 20,000 euros are available. The amount awarded will be determined by GABAM according to the proposed project. The project for which funding is requested can be part of a wider research program but must be defined as a separate entity.

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Call for Participation Mediterranean Palimpsests: Connecting the Art and Architectural Histories of Medieval and Early Modern Cities Deadline 15/02/2018

Mediterranean Palimpsests

The Cyprus Institute, with support through the Getty Foundation’s Connecting Art Histories initiative, is launching a new research seminar project: Mediterranean Palimpsests: Connecting the Art and Architectural Histories of Medieval and Early Modern Cities. Interested scholars at a formative stage of their careers are encouraged to apply for participation in the project’s three planned workshops in Nicosia, Cordoba/Granada and Thessaloniki/Rhodes.

Directed by Nikolas Bakirtzis (The Cyprus Institute) and D. Fairchild Ruggles (University of Illinois at Urbana-Champaign), the project investigates the layered art histories of medieval Mediterranean cities as the basis for scholarly connections that challenge and move beyond the boundaries of modern historiographies, national narratives and contemporary socioeconomic realities. Set in a region where issues of cultural heritage and identity are currently highly contested, the project looks at the material past to understand its relevance for the present and future. The project’s focus expands on collaborative research on historic Mediterranean cities pursued by the Cyprus Institute’s Science and Technology in Archaeology Research Center (STARC) and the Illinois’ National Center for Supercomputing Applications (NCSA) and the Department of Landscape Architecture of the University of Illinois at Urbana-Champaign.

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CONF: Il Pallio di San Lorenzo (Florence, 1-2 Feb 18)

Florence, Opificio delle Pietre Dure / Kunsthistorisches Institut in Florenz – Max-Planck-Institut, February 1 – 02, 2018

Il Pallio di San Lorenzo: Dopo il restauro e prima del suo ritorno a Genova
Workshop

pallio.jpgThis workshop focuses on the so-called ‘Pallio di San Lorenzo’, a thirteenth-century Byzantine textile given to the Cathedral of San Lorenzo in Genoa within the framework of diplomatic relations between Genoa and the Byzantine court. The bright red samite embroidered with various coloured silk threads, as well threads in silver and gold, represents the Lives of St. Lawrence, St. Sixtus, and St. Hippolytus, accompanied by Latin inscriptions, and a depiction of Michael VIII Palaiologos visiting the cathedral of Genoa. The textile’s actual state of preservation after many years of meticulous restoration and the results of the recent analyses of the dye, the stitching technique, and the precious metal threads provides insight into  its unique materiality. Furthermore, its specific iconography, Latin paleography, and possible functions offer various points of departure for a comprehensive reconsideration of the Pallio. This work epitomizes the transcultural encounters in the Mediterranean. This interdisciplinary workshop, organized in collaboration with the textile restoration experts of the Opificio delle Pietre Dure and the Museo Sant’Agostino, Genoa, is an extraordinary occasion to discuss the results of the restoration of the ‘Pallio di San Lorenzo’ before its return to Genoa.

A collaboration between the Opificio delle Pietre Dure, Firenze, the Museo di Sant’Agostino, Genova and the Kunsthistorisches Institut in Florenz – Max-Planck-Institut
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JOB: Full/associate professor History of Byzantine Art, Venice

Ca’ Foscary University of Venice – Department of Philosophy and Cultural Heritage
Application deadline: Feb 15, 2018

The Department of of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice invites applications for a position in the field of History of Byzantine Art.
Ca' Foscary University of Venice.jpg
See the call at the following webpage:
http://intra.unive.it/plapps/bandi/common/file_bandi/28385.pdf

website: http://intra.unive.it/plapps/bandi/common/showbando?id=28350

To participate in the selection candidates must submit their application only using the procedure available on the web at:
http://static.unive.it/domandeconcorso-en/accesso/decreto003-2018

Call for Sessions: Mary Jaharis Center Sponsored Panel, 44th Annual Byzantine Studies Conference


mjc-logo-lrgAs part of its ongoing commitment to Byzantine studies, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 44th Annual Byzantine Studies Conference to be held in San Antonio, TX, October 4–7, 2018. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website (https://maryjahariscenter.org/sponsored-sessions/44th-annual-annual-byzantine-studies-conference). The deadline for submission is February 5, 2018. Proposals should include:
—Proposed session title
—CV of session organizer
—300-word session summary, which includes a summary of the overall topic, the format for the panel (such as a debate, papers followed by a discussion, or a traditional session of papers), and the reasons for covering the topic as a prearranged, whole session
—Session chair and academic affiliation. Please note: Session chairs cannot present a paper in the session.
—Information about the four papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 500-word abstract. Please note: Presenters must be members of BSANA in good standing.
Session organizers may present a paper in the session or chair the session. If a co-organzier is proposed for the session, the co-organizer must also give a paper in the session or chair the session.
Applicants will be notified by February 9, 2018. The organizer of the selected session is responsible for submitting the session to the BSC by February 15, 2018. Instructions for submitting the panel proposal are included in the BSC Call for Papers (http://www.bsana.net/conference/2018_BSANA_CFP.pdf).
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and chair, if the proposed chair is selected by the BSC program committee) up to $600 maximum for North American residents and up to $1200 maximum for those coming from abroad. Funding is through reimbursement only (check issued in US dollars or wire transfer); advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

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