- Byzantine spiritual heritage in the history of Ukraine-Rus’ and Eastern churches of the Kievan tradition
- the role and influence of the Byzantine Empire in the formation of Ukrainian national identity
- spiritual culture
- publishing and literature
- theological and philosophical thought
- religious traditions
 Venice, Materiality, and the Byzantine World
 De-Centering the Romanesque
 Creative Modes of Activating the Early Medieval Manuscript
 Creative Strategies of Intellectual Engagement with Tradition and the Auctores
 “Manuscripts in the Curriculum”: New Perspectives on Using Medieval Manuscripts in the Undergraduate Classroom from Special Collection Librarians, Faculty, and Booksellers (A Roundtable)
 Moving People, Shifting Frontiers: Re-contextualising the Thirteenth Century in the Wider Mediterranean
Venice, Materiality, and the Byzantine World
Sponsored by the Italian Art Society,
Deadline: Sep 15, 2017
The Dumbarton Oaks Byzantine Symposium leading to the 2010 publication of San Marco, Byzantium, and the Myths of Venice introduced new perspectives on Byzantine and Venetian visual and material culture that extended Otto Demus’s survey of Saint Mark’s basilica. The authors’ application of more recent approaches—such as the social function of spolia, the act of display, the construction of identity, and cultural hybridity—brought fresh analyses to a complex and richly decorated monument. This panel seeks to expand this methodological discourse by taking into account questions related to materials, materiality, and intermediality between Venice and Byzantium. The arrival of material culture from the Byzantine world to Venice as gifts, spoils, or ephemera during the centuries surrounding the Fourth Crusade allowed for both appropriation and conceptual transformation of material culture. In light of the renewal in interest of Venice’s Byzantine heritage, this panel seeks to reflect on the interaction of material culture between la Serenissima and the Byzantine world, especially during the eleventh through fifteenth centuries. Topics may be wide-ranging, including, but not limited to: issues of reception and cultural translation; changing concepts of preciousness; different valuation of materials between Venice and Byzantium; the fluctuating simulation of material visual effects; the transformation of Byzantine objects incorporated into Venetian frames; intermedial dialogue between Byzantine and Venetian art; and the process and technique of manufacture of works between Byzantium and Venice. Some points of departure may include: the building of San Marco itself; Byzantine objects in the Treasury; Byzantine manuscripts included as part of the Cardinal Bessarion gift to the Republic; the monuments on Torcello; or issues raised as a result of recent conservation projects. New cross-cultural methodologies from art historical, anthropological, or sociological fields are welcome.
Please submit a 300-word abstract and a completed Participant
Information Form (http://www.wmich.edu/medievalcongress/submissions) by
September 15 to the session organizers:
Brad Hostetler, Kenyon College, firstname.lastname@example.org, Joseph Kopta, Pratt Institute, email@example.com
In addition to the travel awards available to all Congress participants (http://www.wmich.edu/medievalcongress/awards), the Italian Art Society offers competitive travel grants: http://italianartsociety.org/grants-opportunities/travel-grant-information/
De-Centering the Romanesque
Dommuseum Hildesheim & The J. Paul Getty Museum
The canonical emphasis of Romanesque studies on regional centers and monuments has overshadowed aspects of transregional exchange that defined the art and culture of medieval western Europe circa 1000-1250. One of the key characteristics of this period is movement — of peoples, ideas, and materials. This session will explore the themes of portability and exchange, with possible topics addressing Mediterranean and Baltic trade networks, transcultural objects in the western treasuries, pseudo-scripts and their varied meanings, and hoards versus monuments. Participants are encouraged to address the concept of nexus versus center and the pedagogical implications for presenting a de-centered and global Romanesque, with papers that either challenge or affirm the Romanesque frame for teaching medieval art, both in the classroom and in the museum.
Please send your proposal of up to one page with your Participant Information Form (PIF) http://wmich.edu/medieval/congress/submissions/index.html#PIF to the organizers: Kristen Collins, J. Paul Getty Museum, KCollins@getty.edu or Gerhard Lutz, Dommuseum Hildesheim, firstname.lastname@example.org
 and 
Deadline: Sep 1, 2017
Two sessions for, “Identifying Creative Impulses in Early Medieval Art and Culture,” will convene at the 53rd International Congress on Medieval Studies (May 10-13, 2018) in Kalamazoo, MI.
Papers are solicited that encourage novel—even experimental—approaches, to the exploration and identification of various conceptions of early medieval, creative cultural activity.
The first panel seeks to engage with the actual haptic and experiential practice of manufacturing, reading and studying the early medieval book.
The second panel focuses upon culturally apposite forms of interpretative and compositional fashioning that can be discerned in manuscripts belonging to the liberal arts traditions of the Early Middle Ages.
Abstracts and paper proposals of not more than 250 words can be submitted via email on or before September 1, 2017 to the session organizers: Eric Ramírez-Weaver (email@example.com) and Lynley Anne Herbert (firstname.lastname@example.org). Please copy both co-organizers when submitting a proposal, posing a question, or requesting additional information via email.
Complete panel descriptions follow. We particularly encourage inventive strategies promising new approaches to the investigation of early medieval creativity.
Identifying Creative Impulses in Early Medieval Art and Culture
Special Sessions organized by Eric Ramírez-Weaver (email@example.com) and Lynley Anne Herbert (firstname.lastname@example.org)
I. Creative Modes of Activating the Early Medieval Manuscript
The way a manuscript behaves when used “in the flesh,” so to speak, can at times reveal layers of creativity built into them, which must be actively experienced rather than passively seen. Often as modern scholars we work from digitized images of individual folios, or at best openings, and “page flipping” technologies (such as the Walters’s “Ex Libris” platform or the British Library’s “Turning the Pages” program) provide a false sense that we are experiencing the physical book. Evidence of the performative qualities of a manuscript can at times be rediscovered, not just in the sense of how a reader might perform the text written in the book, but how the user activated the book as an object during use. Does an image show through a page and become part of the visual experience on the other side, and was there intentionality there? Do images interact across an opening? Does imagery function together from recto to verso? How is the artist creating an experience for the user, or conversely, how did the user alter the book to create a personal experience? This session seeks papers that explore creative approaches that open up new possibilities regarding how early medieval manuscripts functioned as objects.
II. Creative Strategies of Intellectual Engagement with Tradition and the Auctores
Recent scholarship (consider Benjamin Anderson, Lynda Coon, Paul Edward Dutton, Rosamond McKitterick, Lawrence Nees, Eric Ramírez-Weaver, and Immo Warntjes), has increasingly emphasized the creative strategies for intervention and manufacture of meaning that were acutely linked to early medieval eastern and western engagements with various aspects of the liberal art traditions. From star pictures to poetic acrostics, devotion to erudition and pious personal reform transformed the possibilities for innovation that proliferated during the Carolingian period. Interlocking networks of artists, chroniclers, historians, and poets communicated their translations, textual redactions, and visual records of classical tradition and contemporary study with one another, engaged in debate or collaboration, but advancing science. This session seeks papers willing to reconsider methodologically apposite ways to reinterpret the various brands of early medieval creativity manifest in texts pertaining (as broadly as possible) to the seven liberal arts, including texts of astronomical, computistical, rhetorical, geometric, arithmetic, musical, lyrical, philosophical, diagrammatic, or historical significance.
“Manuscripts in the Curriculum”: New Perspectives on Using Medieval Manuscripts in the Undergraduate Classroom from Special Collection Librarians, Faculty, and Booksellers (A Roundtable)
Deadline: Sep 10, 2017
Integrating medieval manuscripts into an undergraduate curriculum changes the game. Students are transformed from passive learners to active scholars; observing objects and seeking to understand and interpret their context teaches critical thinking. Implementing programs to give students this opportunity requires the cooperation of special collection librarians and faculty, two disciplines that speak slightly different languages. Inspired by Les Enluminures’s new program Manuscripts in the Curriculum<http://www.textmanuscripts.com/curatorial-services/manuscripts>, this session will also introduce a third perspective and explore the practical issues of how to build collections for teaching.
The session organizers wish to bring people together from these communities to share their experiences, to discuss successful results, to analyze problems, and to envision future directions. We invite papers that explore efforts to bring manuscripts into the classroom, and the challenges of implementing these programs at specific institutions from the perspectives of librarians, faculty, and booksellers. The session will be structured as a roundtable with a series of short ten- and fifteen-minute papers (the number and duration to be determined depending on response), with ample time for discussion.
Please send abstracts of no more than a page, along with a current CV and the Participation Information Form (available on the Medieval Congress Submissions page: http://wmich.edu/medievalcongress/submissions) to email@example.com<mailto:firstname.lastname@example.org> by September 10, and sooner if possible.
Emily Runde, Text Manuscripts Specialist
Moving People, Shifting Frontiers: Re-contextualising the Thirteenth Century in the Wider Mediterranean
Deadline: Sep 10, 2017
(Courtauld Institute of Art) and Katerina Ragkou (University of Cologne). Deadline: 10 September 2017
Every day we witness people moving, with them objects and skills, knowledge and experience; either forcibly or willingly; for work or for pleasure. The communities living along the shores of the Mediterranean and the hinterlands of the Balkans during the thirteenth century share many of the characteristics of our contemporary world: military campaigns and religious wars; the intensification of pilgrimage and the relocation of refugees; the shifting of frontiers and the transformation of socio-political orders.
The transformations of the thirteenth century span from east to west, from northern Europe to the Byzantine Empire and from the Balkans to the Levant. The geographic breadth is paralleled by crucial events including the fourth crusade, the fall of Acre, the empowerment of the Serbian Kingdom and the Republic of Venice, the loss and following restoration of the Byzantine Empire, and the creation of new political entities, such as the Kingdom of Naples and that of Cyprus, the Empire of Trebizond, and the Principality of Achaia. Eclectic scholarly tradition has either focused geographically or thematically, losing sight of the pan-Mediterranean perspective. These societies had multifaceted interactions, and comprised a variety of scales, from the small world of regional and inter-regional communities to the broader Mediterranean dynamics.
This session aims to address questions such as which are the various processes through which military campaigns and religious wars affected the urban landscape of these regions and their material production? Is there a difference in economic and artistic trends between “town” and “countryside” in the thirteenth-century wider Mediterranean? What observations can we make in regards to trade, diplomatic missions, artistic interaction and exchange of the regional, interregional and international contacts? How did these shape and transform cultural identities? How did different social, political and religious groups interact with each other?
This session welcomes papers focused on, but not limited to: the role played by economic activity and political power in thirteenth-century artistic production and the shaping of local and interregional identities; the production and consumption of artefacts and their meaning; the transformation of urban and rural landscapes; religious and domestic architecture and the relationship between the private and public use of space.
Proposals for 20 min papers should include an abstract (max.250 words) and brief CV. Proposals should be submitted by 10 September 2017 to the session organizers: Katerina Ragkou (email@example.com) and Maria Alessia Rossi (firstname.lastname@example.org).
Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA-sponsored sessions up to a maximum of $600 ($1200 for transatlantic travel). If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. For more information visit: http://www.medievalart.org/kress-travel-grant/
Conference: Reconsidering the Concept of Decline and the Arts of the Palaiologan Era
University of Birmingham
24-25 February 2017
This one day and a half conference combines a symposium and a workshop. The aim is to examine and contextualise the artistic and cultural production of the geopolitical centres that were controlled by or in contact with the late Byzantine Empire. This conference will explore the many intellectual implications that are encoded in the innovative artistic production of the Palaiologan Era often simplified by a rigid understanding of what is Byzantine and what is not.
24 Feb 2017 – 1st day
14.00-14.10 – Opening remarks: prof Leslie Brubaker, University of Birmingham
14.10-15.00 First Keynote lecture and discussion: Dr Cecily Hilsdale, McGill University, Title TBC
15.00-16.00 First panel – Chair Dr Ruth Macrides, University of Birmingham
Ivana Jevtic: Late Byzantine Painting Reconsidered: Art in Decline or Art in the Age of Decline?
Andrew Griebeler: The Greek Botanical Albums in Late Byzantine and Early Ottoman Constantinople
Maria Alessia Rossi: Political ruin or spiritual renewal? Early Palaiologan art in context
16.30-16.50 Coffee break
17.00-17.50 Second Keynote lecture and discussion: prof Niels Gaul, University of Edinburgh: Palaiologan Byzantium(s): East Rome’s Final Two Centuries in Recent Research
25 Feb 2017 – 2nd day
9.00-9.50 Opening keynote lecture and discussion: Dr Angeliki Lymberopoulou, Open University, Palaiologan art from regional Crete: artistic decline or social progress?
10.00 -10.40 Second panel – Chair Dr Daniel Reynolds, University of Birmingham Anđela Gavrilović: The Stylistic Features of the Frescoes of the Church of the Mother of God Hodegetria in the Patriarchate of Peć (c. 1335-1337)
Ludovic Bender: Mistra and its countryside: The transformation of the late Byzantine religious landscape of Laconia
11.00-11.20 Coffee break
11.30-12.30 Third Panel – Chair Dr Francesca Dell’Acqua, University of Birmingham Andrea Mattiello: Who’s that man? The perception of Byzantium in 15th century Italy
Tatiana Bardashova: Palaiologan Influence on the Visual Representation of the Grand Komnenoi in the Empire of Trebizond (1204-1461)
Lilyana Yordanova: The Issues of Visual Narrative, Literary Patronage and Display of Virtues of a Bulgarian Tsar in the Fourteenth century
13.00-14.00 Lunch break
14.10-14.50 Two 10-mins presentations by MA students and 20-mins discussion
14.50-15.30 Two 10-mins presentations by MA students and 20-mins discussion
15.40-16.00 Coffee break
16.10-16.50 Two 10-mins presentations by MA students and 20-mins discussion
16.50-17.00 Closing remarks: Andrea Mattiello/Maria Alessia Rossi
The Center for Eastern Mediterranean Studies (CEMS) at Central European
University and its junior members are proud to announce the forthcoming
Fifth International Graduate Conference on Building, Bending, and
Breaking Boundaries in the Eastern Mediterranean World.
This three-day conference invites graduate students of Late Antique, Islamic, Jewish,
Byzantine, Medieval, Ottoman studies, and related disciplines, to present their research on the manifold and complex processes of constructing, negotiating, transgressing, and subverting social, political, cultural, or confessional boundaries in the eastern Mediterranean from Antiquity to the Early Modern period.
What is a border? What are the sites and strategies of
boundary-construction and who are its agents? Boundaries shape and
forge categories by enforcement and reinforcement of power ingrained
within a built environment, conceptual or physical. Thus, they do not
necessarily indicate territorial margins, but can also embrace
theoretical, temporal, and metaphorical borders. They can be natural or
artificial, sharp or blurry; they can be understood in positive and/or
negative terms as means of protection or as instruments of exclusion;
and they can mark conceptual territories, such as “the human,” “the
holy,” “the family,” or “the natural world.” Triggered by new waves of
immigration, the meaningfulness of state borders and the necessity of
their control have been subject to debate, alongside questions
concerning the boundaries surrounding identities, cultures or
religions. Moving beyond the border of nation-states and the “clash of
civilizations” paradigm, the main objective of this conference is to
explore the historically contingent, fluid, and dynamic nature of
borders by shedding light on the intricate mechanisms through which
boundaries were erected, maintained, crossed, and transgressed
throughout the eastern Mediterranean world.
Possible paper topics might include, but are not limited to:
Border ontologies and epistemologies
Negotiating, contesting, and appropriating spaces – sites of cultural,
religious, social, political, economic, artistic encounters,
transformations, and exchange
The dynamics of borders and identities – the role of different sensory
mechanisms in (re)articulating communal boundaries and identities,
multiple identities and cultural mobility
Practices of representation – multisensory engagement with various
aspects of daily life, the anthropology of smells and sounds, sumptuary
restrictions on food
Bordering the body – the politicization of bodily images and the
genderization of conflicts
Geopolitics, power practices, sovereignty
Politics of translation as means of enforcement, representation, and/or
Please submit by January 31, 2017 a short paper proposal (no more than
250 words, together with a brief biography and contact information) to
the following address: email@example.com
Verena Krebs (Hebrew University of Jerusalem)
David Thomas (University of Birmingham)
Greg Woolf (Institute of Classical Studies, London)
Accommodation and Travel Grants
All participants will be offered accommodation for the full duration of
the conference (3 nights) at the CEU Residence Center. In order to
encourage the participation of individuals with limited institutional
support a small number of partial travel grants will be available to
cover travel expenses. Those who wish to be considered for the grant
should include an additional justification alongside their paper
proposals. Please note that there is no conference fee. For further
information, do not hesitate to contact the organizers at
Call for Communications: Global Byzantium: 50th Spring Symposium of Byzantine Studies
Centre for Byzantine, Ottoman and Modern Greek Studies
University of Birmingham
25-27 March 2017
For its 50th anniversary, the Spring Symposium of Byzantine Studies returns to the University of Birmingham, where it began in 1967. On this anniversary of the discipline we ask what the language of globalism has to offer to Byzantine studies, and Byzantine studies to global narratives. How global was Byzantium? Our understanding of the links which Byzantium had to far-flung parts of the world, and of its connections with near neighbours, continues to develop but the significance of these connections to Byzantium and its interlocutors remains keenly debated. Comparisons from or to Byzantium may also help in thinking about globalism, modern and historical. How, for example, might Byzantine legal structures, visual culture or military practice contribute to debates about the role of the medieval state or the relationship between modern cultural and national identities? Finally, Byzantine studies has always been an international discipline, marked by the interaction of its different national, regional and linguistic traditions of scholarship, as well as its highly interdisciplinary nature. How has this manifested in the interpretation of Byzantine history and how might practices of global scholarship be pursued in the future? The 50th Spring Symposium invites contributions for communications on any of these themes and warmly invites abstracts from scholars outside the UK and in fields linked to Byzantine studies.
The call for communications is now open. If you would like to offer a 10-minute communication on the theme of the symposium, please send an abstract of no more than 250 words to Daniel Reynolds at firstname.lastname@example.org by 1 September 2016.
Successful submissions will be informed no later than 1 October 2016. Some bursaries will be available to selected speakers, especially to attendees from outside the UK. If you would like to be considered for a bursary please indicate this on your abstract and we will send you further information about the application process if appropriate.
For more information, see: http://www.byzantium.ac.uk/events/spring-symposium-2017.html
Marian Iconography East and West
The Tenth International Conference of Iconographic Studies will be held in Rijeka, Croatia 2-3 June 2016.
Full details of the programme can be found below:
Inscribing Texts in Byzantium: Continuities & Transformations
Society for the Promotion of Byzantine Studies
Exeter College, Oxford, 18–20 March 2016
In spite of the striking abundance of extant primary material – over 4000 Greek texts produced in the period between the sixth and fifteenth centuries – Byzantine Epigraphy remains largely uncharted territory, with a reputation for being elusive and esoteric that obstinately persists. References to inscriptions in our texts show how ubiquitous and deeply engrained the epigraphic habit was in Byzantine society, and underscore the significance of epigraphy as an auxiliary discipline. The SPBS Symposium 2016 has invited specialists in the field to examine diverse epigraphic material in order to trace individual epigraphic habits, and outline overall inscriptional traditions. In addition to the customary format of panel papers and shorter communications, the Symposium will organize a round table, whose participants will lead a debate on the topics presented in the panel papers, and discuss the methodological questions of collection, presentation and interpretation of Byzantine inscriptional material.
Registration and Booking:
Early registration available until 1 March 2016.
Please book using the University of Oxford’s online booking form.
Friday 18 March:
10:00: Registration, Coffee
11:00: OPENING ADDRESS: Cyril Mango
11:30: PANEL ONE: Collecting and Reading Inscriptions in Byzantium
Marc Lauxtermann: Collecting Inscriptions in Byzantium
Foteini Spingou: Reading Inscriptions in Byzantium
14:00: PANEL TWO: Traditions and Transitions
Anne McCabe: Traditions and Transitions in Early Byzantine Constantinopolitan Material
Sylvain Destephen: The Process of ‘Byzantinization’ in Late Antique Anatolian Epigraphy
Sean Leatherbury: Reading, Viewing and Inscribing Faith: Christian Epigraphy in the Early Umayyad Levant
16:30: PANEL THREE: Seventh-century Epigraphy Three Ways
Ida Toth: Epigraphy and Byzantine Writing Culture
Ine Jacobs: Epigraphy and Archaeology
Marek Jankowiak: Epigraphy and History
09:00: COMMUNICATIONS 1 (download abstracts for all communications here)
Fabian Stroth: Space Oddity: The Sts. Sergios and Bakchos Epigram Read Through its Manufacturing Process
Pamela Armstrong: Dipinto Inscriptions on Architectural Ceramics
Jim Crow: Lost and Found. Two inscriptions from Eastern Thrace from the District of Karacaköy
Paschalis Androudis: Byzantine Inscriptions on the Marble Cornices of the Church of Profitis Ilias in Thessaloniki
10:30: PANEL FOUR: Place, Placement, Paratextuality
Andreas Rhoby: Inscriptions and the Byzantine Beholder: The Question of the Perception of Script
Niels Gaul: Epigraphic Majuscules and Marginalia: Paratextual ‘Inscriptions’ in Byzantine Manuscripts
Brad Hostetler: Towards a Typology for the Placement of Names on Works of Art
13:30: PANEL FIVE: The (In)formality of the Inscribed Word
Maria Xenaki: The (In)formality of the Inscribed Word at the Parthenon: Script, Content and Legibility
Nicholas Melvani: State, Strategy, and Ideology in Monumental Imperial Inscription
Alexandra Vassiliou-Seibt: The Evaluation of the Inscribed Word on Seals
16:00: PANEL SIX: The Material Turn
Georgios Pallis: The House of Inscriptions. The Epigraphic World of the Middle Byzantine Church and its Significance
Ivan Drpic: Short Texts on Small Objects: The Poetics of the Byzantine Enkolpion
18:30-19:30: SPBS Exec meeting
09:00: COMMUNICATIONS 2
Sukanya Raisharma: Reading Early Texts and Codices as Epigraphical Evidence
Arkadii Avdokhin: Inscriptions Imagined and Narrated – Textual Evidence for the Perspective of the Viewer on Early Byzantine Epigraphy
Antonio Felle: Some Examples of Funerary Non-exposed Writings (Italy and Byzantium between VI and IX centuries)
Eileen Rubery: Making and Meaning in the Inscriptions Found in the Frescoes in the Church of Santa Maria Antiqua in the Roman Forum (600-800 AD)
Maria Lidova: Word of Image: Textual Frames of Early Byzantine Icons
Emmanuel Moutafov: Epigraphy and Art: Corpora of Byzantine and Post-Byzantine Monumental Painting in Bulgaria. Is Epigraphy an Auxiliary Discipline?
09:00: COMMUNICATIONS 3
Georgios Deligiannakis: Epigraphy and Early Monasticism
Pawel Nowakowski: The Cult of Saints Database as an Instrument of Study for the Cult of Saints in Anatolia
Efthymios Rizos: The Emperor and the Great Shrines of the Empire: The Testimony of Inscribed Imperial Pronouncements
Mirela Ivanova: Krum’s Triumphal Inscriptions and the Community in Early Medieval Bulgaria (c. 803-14)
Archie Dunn: Institutions, Socio-economic Groups, and Urban Change in the Sigillographic Inscriptions of Byzantine Corinth
Christos Stavrakos: Epigraphy as a Source for Rare Iconography and the Society of Lakedaimon in the Late Byzantine period
10:30: Coffee and SPBS Annual General Meeting
11:30: ROUND TABLE: SPBS Debate on Byzantine Epigraphy (Chair: Elizabeth Jeffreys)
For more information see: http://www.byzantium.ac.uk/events/spring-symposium-2016.html