Online Lecture: Imagining the Medieval City (Saturday 25 Feb 2023)

Join the London Medieval Society as we explore cities in the Middle Ages. The programme of the day is as follows: The event will take place over Zoom; tickets to the event can be booked here or by visiting EventBrite. Please note you will be sent an email with the Zoom link on the morningContinue reading “Online Lecture: Imagining the Medieval City (Saturday 25 Feb 2023)”

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CFP: ‘Recovering the Ritual Object in Medieval and Early Modern Art,’ AAH Conference, Brighton, 4–6 Apr 2019

Deadline: Nov 5, 2018 “Recovering the Ritual Object in Medieval and Early Modern Art” Session Convenors: Dr Catriona Murray, University of Edinburgh, c.a.murray@ed.ac.uk; Dr Halle O’Neal, University of Edinburgh, halle.o’neal@ed.ac.uk In the medieval and early modern worlds, ritual served as a legitimising process, a dynamic mechanism for mediating a transference or transformation of status. ObjectsContinue reading “CFP: ‘Recovering the Ritual Object in Medieval and Early Modern Art,’ AAH Conference, Brighton, 4–6 Apr 2019”

CFP: Imago & Mirabilia (Barcelona, 18-20 Oct 2018)

Extended deadline! The Ways of Wonder in the Medieval Mediterranean 18-20 October 2018 | Museu Nacional d’Art de Cataluyna The ways of wonder in the middle Ages were shaped by a variety of places, stories and beliefs with ancient sources reworked by the Christian tradition. Activated by the opening of the Mediterranean, religious, commercial andContinue reading “CFP: Imago & Mirabilia (Barcelona, 18-20 Oct 2018)”

Exclusively Medieval, Online & Open Access: 2017 special issue of British Art Studies

The latest issue of British Art Studies (an open access, online Art History journal published by the Paul Mellon Centre for Studies in British Art), is entirely devoted to Medieval Britain. The content is derived from a conference held at the British Museum in 2014: Invention and Imagination in British Art & Architecture, 600-1500. It opensContinue reading “Exclusively Medieval, Online & Open Access: 2017 special issue of British Art Studies”