Conference: The Warburg Institute, Woburn Square, London, WC1H 0AB, November 23 – 24, 2017
The Warburg Institute is holding a two-day conference on Mary Magdalen, a figure of great historical importance and cultural resonance. Coming together for this free event, the multidisciplinary speakers will present new research on the representation of her body and its discourses across time and space.
Thursday 23 November 2017
5.30pm Welcome and Introduction
Penny Jolly (Skidmore College)
“Addressing and Undressing the Female Body in the Magdalene Chapel at San Francesco, Assisi”
Supported by the Coffin Trust, University of London
Friday 24 November 2017
10am Registration and Coffee
10.30am Welcome and Introduction
Session 1: Chair – Zoe Opacic (Birkbeck)
Paper 1: Joan Taylor (KCL)
What did Mary Magdalen look like?
Paper 2: Joanne Anderson (WI)
Materialising the Body of the Saint: Pilgrimage Politics and Art
12.15-1.30pm Lunch (for speakers and chairs only)
Session 2: Chair – Rose Marie San Juan (UCL)
Paper 3: Diane Apostolos-Cappadona (Georgetown)
“An ‘athlete of God’ or simply naked?: The Magdalene in the Wilderness from Isenbrandt to Etty”
Paper 4: Francesco Ventrella (Sussex)
Morelli’s Magdalen and the Sexual Politics of Reading
Tea/Coffee – all delegates
Session 3: Chair – Rose Marie San Juan (UCL)
Paper 5: Lucy Bolton (QMUL)
Beautiful repentant whore: Mary Magdalen, Movie Star
Paper 6: Henrietta Simpson (Slade School of Art, UCL)
The Implications of Absence: Mary Magdalen and the Wilderness Landscape
5pm Roundtable chaired by Michelle O’Malley (WI)
Magdalena. A Portrait in Song of One of Christianity’s Most Beloved Sinners
Joglaresa. Director: Belinda Sykes
Supported by the Coffin Trust, University of London
The Warburg Institute Lecture Room. Refreshments provided
Call for Papers: Walking with saints, Ronse, Belgium, May 24 – 26, 2018
Deadline: Dec 10, 2017
Walking with saints: protection, devotion and civic identity. The role of the landscape.
Since the adoption of the UNESCO Convention for the Safeguarding of Intangible Cultural Heritage in 2003, the issue of cultural practices has increasingly gained the attention of heritage professionals, academics, decision makers and practitioners alike. Many practices, rituals, performances, social traditions, craftsmanship and more have since been put on the list of Intangible Cultural Heritage. However, despite the growing interest in the social dimensions of cultural heritage and the recognition of the importance of the intangible aspects of heritage, many issues still need further reflection. A crucial aspect is the interaction and relationship between intangible cultural heritage and its spatial contexts. This is part of a broader “spatial turn” in historiography and research.
For centuries people in Europa and elsewhere have walked the landscape carrying the relics of martyrs and saints. By doing so they gave meaning to and altered the significance of the land, be it urban or natural, in more ways than we imagine. One of these aspects is the way in which the landscape is transformed by walking it, thus setting paths, reinforcing boundaries, strengthening a community’s identity in relation to a certain landscape or setting the pace of life according to the repetition of the traditional acts in time.
“Walking with saints: protection, devotion and civic identity” focusses on the origin and evolution of procession rites with a strong link with the landscape. This conference, therefore, aims at studying the religious landscape, be it a specific spot or a larger territory, not as the mere spatial background for spiritual activities, but as an active agent in the shaping, transmission and transformation of the spiritual activity of human beings throughout time. Hence, we invite also reflections on developments in the 19th and 20th centuries when a rediscovering of the past, both within and outside the Christian churches, was en vogue and when new ways of looking at the natural landscape were moulded in the aftermath of the industrialisation of the economy.
Though the starting point is an activity that is typical for Europe, we are interested in broadening the perspective to non-Christian and non-Western traditions that have an important connection with the landscape in which they are performed. It is generally known, for example, that the landscape and natural phenomena play an important role in the traditions of indigenous cultures in Australia, the Americas and Africa. In Asia walking with the statues of gods is a common, though little understood, phenomenon. It is to be expected that these traditions can broaden our understanding of the role of the landscape in the development and sustainability of immaterial heritage.
Papers are invited that deal with the following themes of the conference:
• Sacralisation of the landscape: alteration, destruction and resistance
• Immaterial heritage: religion and landscape
• Perennial aspect of immaterial heritage
• Immaterial heritage and community building: identity, assimilation, integration
• Healing saints in their territorial context
• The influence of processions on the landscape and on the drawing of parochial and city boundaries
• Processions, pilgrimages and the senses
• Healing saints, magic and assimilation
The starting point for the conference and the reason why it is held in Ronse is the Fiertel Ommegang. This procession originates from around 1090 A.D. and is yearly held on Trinity Sunday. During a walk of 32, 6 km the inhabitants of Ronse circumscribe the territorial boundaries of the city carrying Saint Hermes’s relics for protection and cure. For ages, the Fiertel has been one of the most important religious activities in the region and it has to date remained a strong symbol of the inhabitant’s civic identity even in times of secularization.
This 3 day conference will be hosted by the city of Ronse and is part of an assessment of the local Fiertel procession as a possible candidate for recognition as UNESCO Intangible Cultural Heritage.
Please submit papers for individual sessions no later than December 10 2017.
Proposals should include
– A paper title of max. 10 words
– A paper abstract of max. 350 words
– A short C.V. of max. 1000 words including current current affiliation and full contact details
All documents should be merged into 1 single PDF file.
Proposals should be sent to email@example.com
Call for complete session proposals
While the sessions proposed by the conference organisers focus on the western European and Christian traditions we welcome complete session proposals on related themes covering non-Western and non-Christian traditions.
The aim of the conference is not only to study the Fiertel in its local context, but also to trace traditions and rituals which are cross-confessional and transcultural. We hope that this reflection and dialogue will help us to understand the origins of the Fiertel, as a ritual and spiritual quest outdating Christianity.
Full session proposal are to be submitted by December 10 2017.
Proposal should include:
– A session title of max. 10 words
– A session proposal of max. 350 words
– 3 individual paper proposals consisting out of a title of max. 10 words and an abstract of max. 350 words each.
– A CV of max. 1000 words for each: the session organizer and the session participants. The CV should include information on the current affiliation and full contact details.
All documents have to be merged into 1 PDF file.
Proposals should be sent to firstname.lastname@example.org
Call for Papers: 15th Annual Conference of the International Medieval Society-Paris (IMS), Truth and Fiction
Deadline: 24 November 2017.
In the wake of the US presidential election and the Brexit referendum, the Oxford English Dictionary chose the expression “post-truth” as its word of the year. This expression underlines the growing tendency to dismiss objective facts in favor of impulsive—and often prejudicial—feelings, frequently supported by “alternative facts.” The contentious relationship between the truth and lies, or truth and fiction, which is currently playing out in the public arena has, in fact, a long-standing legacy—one which can be traced back to the Middle Ages. For this reason, this year’s IMS conference seeks to investigate the variety of different approaches to truth and fiction that existed in the Middle Ages.
One possible avenue of inquiry concerns new ideas of Truth introduced by the Gregorian reforms. On a philosophical and doctrinal level, the idea of the infallibility of the Pope, the “Doctor of Truth,” was introduced by Gregory VII who, taking up the words of Christ, contended that he was the Truth (via, veritas, et vita). From a liturgical and sacramental point of view, on the other hand, we can study contemporary tenets of Eucharistic doctrine as a challenge to common sense as a mystery of human understanding—albeit articulated in rationalist terms. Papers thus might address the manner by which the Gregorian reforms placed the question of truth at the center of the demands of society: by constructing this “ideology of truth,” but also—and above all—by implementing mechanisms like preaching, which spread Truth to Christians, and confession, which introduced the obligation to speak the truth. We are particularly interested in the place and the role of Fictions in these devices (sermons, exempla, vita, etc.).
A second approach to this theme is through language, discourse and narrative forms that aimed to produce a supposed truth. We could examine the relationships between literature and history and their ambiguity with respect to the truth. For example, fictionalized historical narratives throughout the medieval period were frequently thought to be true because they provided a means of decrypting the social order. As John of Salisbury wrote, “even the lies of poets served the Truth.” Papers might explore relationships between truth and fiction through the lens of historical and literary genres (novels, epics, etc.) and the ‘truths’ they produced, placing special emphasis on the way that it was possible to believe the facts related in these works. The importance of these historico-literary fictions—what Paul Veyne called “doctrine in the face of facts”—might also be taken into account.
Law and rhetoric also construct notions of truth. Rhetoric permits the control of the relationship between the author and the audiences of a text and the establishment of the status of a text as veridic, among other things. It can even create direct links between music and words, using metaphor as a means of approaching the truth. Papers could consider, for instance, the virtuosity of the effects of Truth produced by the dictamen or even the quaestio scholastique as a method for establishing Truth with certitude, as well as the place of fiction within these new political languages.
Images throughout the medieval period play a fundamental role in the construction or undermining of truth(s). According to Augustine, the image is not truth, but rather a means of understanding Truth. For him, the work of art renders abstractions concrete using representations hat are both specific and individualized. What is the art object’s role in dispelling truth or decrying falsehoods? Through what formal and material means does it achieve either? Papers might consider the use and forms of medieval diagrams, the role of the art object in spiritual form, etc.
Finally, the conference aims to examine the origins and development of interrogative procedures in the medieval period, in that they illustrate relationships with the truth maintained by medieval societies. We are especially interested in the uses and status of fictive facts in inquisitorial trials, the manner that fictions were revealed during trials, or even how the participation of individuals in inquisitorial trials was viewed as an instrument of legitimization of power and as a way of acknowledging those individuals’ own truths and interpretations of facts.
This great diversity of themes opens participation to researchers working in a variety of different fields and coming from a variety of backgrounds: historians, art historians, musicologists, philosophers, literary scholars, specialists in auxiliary sciences (paleographers, epigraphists, codicologists, numismatists)… While we focus on medieval France, compelling submissions focused on other geographical areas that also fit the conference theme are welcomed. In bringing together such diverse proposals, the IMS conference seeks to take a new look at the notion of Truth, its articulations, and its relationship with Fiction in the medieval world.
Abstracts of no more than 300 words (in French or English) for a 20-minute paper should be sent to email@example.com. Each proposal should be accompanied by full contact information, a CV, and a list of the audio-visual equipment required for the presentation.
The deadline for abstracts is 24 November 2017.
Paper selections will be made by a scientific committee composed of Catherine Croizy-Naquet (Univ. Paris 3/CERAM), Marie Dejoux (Univ. Paris 1/LAMOP), Lindsey Hansen (IMS), Fanny Madeline (LAMOP/IMS), and Valerie Wilhite (Univ. of the Virgin Islands/IMS), as well as the members of the Board of Directors of the IMS.
Please be aware that the IMS-Paris submissions review process is highly competitive and is carried out on a strictly anonymous basis.
The selection committee will email applicants in mid-December to notify them of its decisions. Titles of accepted papers will be made available on the IMS-Paris website thereafter.
Authors of accepted papers will be responsible for their own travel costs and conference registration fees (35€ per person, 20€ for students, free for members of LAMOP and CERAM; 10€ membership dues for all participants).
The IMS-Paris is an interdisciplinary, bilingual (French/English) organization that fosters exchanges between French and foreign scholars. For more than a decade, the IMS has served as a center for medievalists who travel to France to conduct research, work or study. For more information about the IMS-Paris and for past symposium programs, please visit our websites: www.ims-paris.org and https://imsparis.hypotheses.org.
IMS-Paris Graduate Student Prize:
The IMS-Paris is pleased to offer one prize for the best paper proposal by a graduate student. Applications should consist of:
1) a symposium paper abstract
2) an outline of a current research project (PhD dissertation research)
3) the names and contact information of two academic referees
The prize-winner will be selected by the board and a committee of honorary members, and will be notified upon acceptance to the Symposium. An award of 350€ to support international travel/accommodation (within France, 150€) will be paid at the symposium.
Call for Papers: Medieval Eurabia: Religious Crosspollinations in Architecture, Art and Material Culture during the High and Late Middle Ages (1000-1600)
Deadline: November 1, 2017
The coexistence of Christianity and Islam in the Medieval Mediterranean led to a transfer of knowledge in architecture and material culture which went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques and the mobility of craftsmen are only some manifestations of this process. Although studies beginning with Avinoam Shalem’s Islam Christianized (1996), have dealt extensively with Islamic influence in the West and European influence in the Islamic Mediterranean, sacred objects, and material culture more generally, have been relatively neglected. From crosses found in Mosques, to European-Christian coins with pseudo/-shahada inscriptions, medieval material culture is rife with visual evidence of the two faiths co-existing in both individual objects and monuments.
This panel invites papers from scholars working on intercultural exchange in art, architecture and material culture. We particularly welcome contributions that focus on sacred objects that have been diverted or ‘converted’ to a new purpose, whether inside or outside an explicitly religious context.
Papers should present original research, which expands the boundaries of knowledge and which the scholars would like to be considered for publication. Abstracts should be no more than 250 words long. Panel organised by Sami De Giosa, Oxford University and Nikolaos Vryzidis, British School at Athens. Email: firstname.lastname@example.org
CFP: Art and Law: Objects and Spaces as Legal Actors
Deadline: November 6, 2017
Art history has long investigated the role of the law, from issues of visual evidence and legal aesthetics to ideas of artistic originality and authorship. But recent scholarship has increasingly drawn attention to the ways in which art can participate in the law’s actual operation. This session aims to broaden these investigations by tracing the long history of artistic intrusions into legal life, focusing on moments when the objects and spaces of art and architecture, broadly defined, have functioned as legal actors in their own right.
The session promises to explore these ideas through interdisciplinary and cross-chronological case studies from researchers, artists, and practitioners both in art history and in parallel fields such as law, journalism, and the social sciences. How have aesthetic objects past and present actively shaped the production and execution of the law as witnesses or juridical subjects in themselves? How have artists approached the courtroom as a site of artistic production and intervention? And in what ways has aesthetic production sought to short-circuit legal structures or forward alternative, even utopian, legal systems? Such questions have taken on new urgency in light of recent political and constitutional crises worldwide.
Papers might address, amongst other topics:
– historical and contemporary objects that dispense justice
– signs, emblems, or inscriptions that enforced legal boundaries or enacted legal codes
– artworks framed as legal victims, or which have been tried in absentia of criminals
– objects and theories of legal proof
– architectural actors as part of the fabric of legal drama
– art historical or theoretical texts investigating legal production and evidence-gathering and witnessing as forms of aesthetic production and research
Proposals of 250 words, accompanied by a short academic CV, should be sent to the two session organisers no later than 6 November 2017:
Dr Jack Hartnell (University of East Anglia, UK)
Dr Kevin Lotery (Sarah Lawrence College, USA)
Islamic Art Circle @ SOAS, London: Lecture Programme, 2017/2018
All lectures begin at 7.00 p.m. in the Khalili Lecture Theatre (Main School Lecture Theatre) – unless indicated otherwise – Philips Building, SOAS, Thornhaugh Street, Russell Square, London, WC1H 0XG
- 11 October 2017: The Palace of Pedro I in Seville, ‘very much like the residence of the Muslim kings,’ Dr Tom Nickson, Lecturer in Medieval Art and Architecture, The Courtauld Institute of Art, London
- 15 November 2017: Reviving Islamic Architecture in Khedivial Cairo, and Beyond: a Collector’s Passion, Dr Mercedes Volait, CRNS Research Professor at INHA, Paris
- 6 December 2017: Takht-e Soleyman/Iran – From Sasanian Fire Temple to Ilkhanid Summer Palace. New Evidence from Old Excavations, Dr Ute Franke, Deputy Director, Museum für Islamische Kunst, Berlin
- 10 January 2018: The Hadassah and Daniel Khalili Memorial Lecture in Islamic Art and Culture: The Calligrapher, the Painter, and the Patron: A New Perspective on the Freer Khusraw u Shirin, Dr Simon Rettig, Assistant Curator of Islamic Art, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.
- 21 February 2018: In the service of religion? The display of ‘science from the Islamic world’ in the museum, Dr Silke Ackermann, Director, Museum of the History of Science, Oxford
- 14 March 2018: The Seventh Bahari Foundation Lecture in Iranian Art and Culture: Decagonal and Quasicrystalline Geometry in the Architecture of Medieval Persia and Its Influence in the Greater Islamic World, Dr Peter J. Lu, Department of Physics and SEAS, Harvard University, USA
- 25 April 2018: Islamic Textiles from Iberia: Re-evaluating Their Role in the Mediterranean Context, Dr Ana Cabrera-Lafuente, Marie S.-Curie Fellow, Victoria and Albert Museum, London
- 9 May 2018: Ilse Sturkenboom
- 13 June 2018: Ahmet Ersoy
For further information please contact Rosalind Wade Haddon: 07714087480 or email@example.com