Tag Archives: Spain

Post-doc: 3 positions at the University of Louvain, ‘The origin and early development of philosophy in tenth-century al-Andalus: the impact of ill-defined materials and channels of transmission’

photoPost-doc: 3 position, 3-year contracts, ERC Advanced project 740618: The origin and early development of philosophy in tenth-century al-Andalus: the impact of ill-defined materials and channels of transmission (2017-2022), Université catholique de Louvain, Belgium
Deadline: 10 November 2017

PhilAnd is a five-year Advanced ERC project to start in October 2017 at the Université catholique de Louvain (UCL) under the supervision of Prof. Godefroid de Callataÿ. The objective of PhilAnd is to conduct a large-scale exploration of how, and under which form, philosophy appeared for the first time in al-Andalus. At the crossroads of several major lines of enquiries in modern scholarship and in line with recent discoveries having important chronological implications, PhilAnd focuses on the 10th century, a period usually disregarded by historians on the assumption that philosophy as such was not cultivated in the Iberian Peninsula before the 11th-12th centuries. Its originality is also to put emphasis on ‘ill-defined’ materials and channels of transmission, a field which remains largely unexplored. PhilAnd will be conducted in partnership with the Warburg Institute (University of London).
As part of this project, three post-doc positions of three years each (to start from 2 January 2018) are offered at the UCL in relation with the three following sub-projects (SP):
1) the Ikhwān al-afā’: This SP will aim at producing a comprehensive survey of all the elements which are likely to inform us about the chronology of redaction and – where applicable – of introduction into al-Andalus of the three works that have commonly been ascribed in sources to this most influential group of thinkers known as Ikhwān al-Ṣafā’ (‘The Brethren of Purity’), namely: a) the Rasā’il (‘the Epistles’); b) the Risāla Jāmi‘a (‘The Comprehensive Epistle’) and, c) the Risāla Jāmi‘at al-Jāmi‘a (‘The Super-Comprehensive Epistle’). This chronology is currently far from clear.
2) Ibn Washiyya and the Nabatean Corpus: This SP aims to evaluate the impact of the Filāḥa Nabaṭiyya (‘The Nabatean Agriculture’), a complex and enigmatic Arabic treatise on agriculture written in the Orient, on the development of both Islamic and Jewish Neoplatonism in al-Andalus from the 10th to the 12th century. The focus will be on the reception of the ‘philosophical’ and bāṭinī (rather than agronomical) aspects of the work, with the aim of understanding why this notoriously esoteric work remained so influential even to Jewish thinkers like Judah Halevi and Maimonides.
3) Ibn Masarra: This SP will lead to the first monograph entirely devoted to Ibn Masarra’s Kitāb khawāṣṣ al-ḥurūf (‘The Book of the Properties of Letters’), consisting of an extensively annotated translation of this mystical treatise, together with an in-depth exploration of its place in the history of ‘ilm al-ḥurūf, the Islamic science of letters – including its links with the Jewish Kabbala – up to the time of Ibn ‘Arabī. This will fill an important gap and provide a valuable resource for the study of Islamic mysticism in al-Andalus.

The qualifications required for any of these sub-projects are:

  1. a PhD in Islamic Studies, in Middle Eastern Studies, or related fields;
  2. an excellent command of Classical Arabic (the knowledge of additional languages such as ancient Greek, Latin and in particular Hebrew is considered an advantage);
  3. a first-rate track record and research experience;
  4. publications of articles in peer-reviewed international journals or monographs with recognized academic publishers;
  5. academic writing and presentation skills in English (the working language of the project);
  6. the ability to work both individually and as part of a team.

These three post-doc positions are full-time equivalent. They are offered for a period of 12 months, renewable twice (three years in total) upon good performance. The post-docs retained will be required to reside in Belgium for the whole period of their fellowship. They will be asked to contribute to the intellectual life of the ERC project and of the UCL.


How to apply?

Applications should be made via pdf files and contain the following:

(1) a cover letter setting out the candidate’s qualifications and motivation for applying for one of the three positions offered (maximum 2 pages);

(2) a curriculum vitae (maximum 3 pages);

(3) a list of publications;

(4) two samples of published work (articles, chapters) in pdf (preferably in English);

(5) a transcript of grades and/or copy of the PhD certificate;

(6) the name (with title, affiliation and email) of four people who have accepted to be contacted as potential referees.
Applications should be made electronically and sent to the following address:

godefroid.decallatay@uclouvain.be

The application deadline is 10 November 2017
Interviews will be arranged between 4 and 6 December 2017.

Candidates selected for the interviews will be contacted by mid-November 2017, and asked to write a short research design on a topic to be announced at that moment.

Employment should become effective from 2 January 2018.

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Research Group: Research Network of Interdisciplinary Medieval Studies

logo_rede_estudos_medievaisThe Red de Estudios Medievales Interdisciplinares is the result of a collaboration between scholars researching Medieval Art at various departments of the University of Compostela, other Galician and Portuguese universities and the Instituto de Estudos Gallegos “Padre Sarmiento” del CSIC (Consejo Superior de Investigaciones Científicas).

The group welcomes scholars in Spain and abroad, and runs various research activities, for example: cultural and formative site visits, training courses, events leading to multidisciplinary publications, website articles, European research projects.

To learn more and get involved in their research activities, visit their website. 

CfP: CITIZEN CATHEDRALS IN THE MIDDLE AGES; Templa Winter School 2017

Please, see the call for papers of the Templa Winter School, “Citizen Cathedrals in the Middle Ages. Image, institutions, networks” (Girona, December 18th-19th 2017), organized by members of our Research Team (V. Debiais, X. Granero, A. Moreno, G. Boto).

It is addressed mainly to young researchers whose studies are focused on medieval Cathedrals related to their cities, and vice versa.

As with the Templa Summer School 2015 and 2016, the Templa Team will cover the expenses of all researchers whose papers have been accepted.

 

Conference: The Profane within the Sacred in Medieval Art, Aguilar de Campoo, Sept 29th – Oct 1st 2017 (VII Colloquium Ars Mediaevalis)

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Conference: The Profane within the Sacred in Medieval Art, Fundación Santa Maria la Real – Aguilar de Campo (SPAIN), Sept 29th – Oct 1st 2017.

CFP for 20-minute ‘free papers’ open until 30 June 2017
How to apply:
send an email with name, Academic institution, 1 page abstract and main bibliography to plhuerta@santamarialareal.org

How to enrol in the conference: email: plhuerta@santamarialareal.org
Price:
Regular 125 € Reduced 90 € Special (students) 60 €

In his The Elementary Forms of Religious Life, the sociologist Émile Durkheim formulated the idea that the division of the world into two domains is the distinctive feature of religious thought, one containing the sacred and the other all that is profane. Durkheim’s distinction cannot be applied to medieval art, however, in which the mixing of secular motifs in religious objects, images, and architecture was characteristic –at least not without complicating the theoretical notion. The senmurf on the eleventh-century reliquary of St. Matthew in SS. Cosma e Damiano in Rome, the figure copied from Orestes on the ancient Husillos sarcophagus above the altar at Fromista, a fragment of victory killing a barbarian from a consular diptych re-used on a 11th/12th century book cover, and the incorporation of diagrams and motifs from natural science in the “aula gotica” in SS. Quattro Coronati in Rome are among myriad examples that document why this is the case.

In one of the best-known texts related to medieval art, Bernard of Clairvaux railed against the imaginative variety of profane art displayed in twelfth-century Cluniac monasteries, which he considered to be a subversion of the moral order of monastic life. Bernard’s diatribe not only confirms the fact that linking the two realms was common but also raises the question of audience and hence also spatiality. As the anthropologist E. E. Evans-Pritchard postulated, sacredness (and therefore the profane) might be considered as situational, in a chronological as well as in a spatial sense. An object considered sacred in a given period may be considered profane or magical in a different time and/or space; decontextualization and reuse are thus also important issues related to the topic. Profane does not always imply anti-sacred. Indeed, given the fact that profanus means “in front of the consecrated enclosure,” the inclusion of secular elements within sacred domains suggests a dynamic interweaving that extends beyond the mere incorporation of motifs and objects. Sometimes the contacts between the two domains was regulated by rites that provided the conditions within which the relationship was made possible (i.e. consecration); other times, as when natural science was assimilated into the choice and manufacture of materials, the overlapping of sacred and profane underlies the processes of art.

In recent decades, historians have explored the uses of subversive elements in sacred art –from marginalia in illuminated manuscripts to coin-imagery and stamping incorporated in Eucharistic hosts. The conference Ars Mediaevalis 2017 sets out to assess the results of the advances made by the new art historiography and, more important, to open up still-unmapped paths for future study of the profane within the sacred during the Middle Ages.

Programme:

Friday, 29th September
Aguilar de Campoo

09.45h : Colloquium Ars Mediaevalis Opening
Chair: Francesca Español UB

10.00h Michele Bacci, Université de Fribourg – Intrusos en los iconos: perspectivas comparativas sobre los retratos individuales en la iconografia sagrada
10.45h Discussion

11.45h Philippe Cordez, Ludwig-Maximilians-Universität München – Le repentir d’un magicien ? Les camées de la statuette de David à la cathédrale de Bâle (vers 1320)
12.30h Free paper
12.50h Discussion

16.00h Fernado Villansenor, Universidad de Cantabria – Lo profano y sus espacios: discursos marginales en la Castilla tardogótica
16.45h Javier Docampo, Biblioteca Nacional de España – Las representaciones de los trabajos de los meses en libros de horas: la construcción de un imaginario social
17.15 Discussion

17.45 Round table. “Profano: perímetros espaciales, iconicos y semanticos en el arte medieval / Profane: spatial, iconic, and semantic edges in medieval art” Gerardo Boto.

18.45 Public presentation of the new editorial series “Ars Mediaevalis. Estudios de arte medieval”

Saturday, 30th September
Palencia

(Chair: Fernando Gutiérrez Baños UVA)

10.00h Kathrin Müller, Goethe-Universität, Frankfurt am Main Subversive – Devices: Cosmological Diagrams and the Problem of the Sacred
10.45h Free paper
11.05h Discussion

12.00h Beate Fricke, Universität Bern – Representing the Cosmos’ Origins, illuminating cosmological thoughts
12.45h Free paper
13.05h Discussion
16.00h Academic visit: Burgos: Santa María de las Huelgas Reales; Cartuja de Miraflores

Sunday, October 1st
Agilar de Campoo

(Chair: Javier Martínez Aguirre UCM)

09.15h Milagros Guardia, Universitat de Barcelona – Las pinturas murales de Sant Joan de Boi: de como contextualizar la iconografia profana
10.00h Free paper
10.20h Discussion
11.20h Free paper

11.40h Herbert L. Kessler, Johns Hopkins University / Masaryk University – From Vanitas to Veritas: the Profane as a Fifth Mode of Seeing
12.20h Discussion

13.00h Conclusions and perspectives
13.15h Closing ceremony

 

PhD scholarship in Spanish Art History at The Courtauld Institute, London

courtauld_institute-logo_teal-and-grey_gif-1Applications are invited for a fully funded doctoral scholarship in Spanish art-historical studies, commencing at The Courtauld Institute in London in the academic year 2018/19.

The scholarship has been created through the generosity of CEEH (Centro de Estudios Europa Hispánica), in association with ARTES, the Iberian & Latin American Visual Culture Group

The Courtauld Institute is one of the world’s leading centres for art-historical research, and the scholarship will cover The Courtauld’s Home/EU/International tuition fees for three years (or four if required), together with an annual stipend of £12,000 for living costs and travel.

 

HOW TO APPLYlogo-ceeh-bn-2

Applicants should apply to The Courtauld’s PhD programme, and then submit an application via the Courtauld Scholarship application form

Applicants must demonstrate that Spanish art, architecture or visual culture forms the focus of their proposed research topic, and are advised to contact prospective supervisors to discuss research proposals at least six weeks before the application deadline of 8 January 2018, but preferably earlier. As a minimum, by the time they begin their doctoral studies applicants are expected to hold a postgraduate qualification such as an MA or equivalent and should have at least reading knowledge in Spanish or Catalan. In the first instance applicants should send prospective supervisors a CV, sample of written work in English, and a 300 word proposal. In assessing applications the scholarship committee will consider the extent to which the research proposal falls under the supervisor’s areas of research expertise.
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Conference: Al-Murābiṭūn: Noveno centenario del esplendor de un Imperio, Granada, October 19-22, 2016

OLYMPUS DIGITAL CAMERAConference: Al-Murābiṭūn: Noveno centenario del esplendor de un Imperio, Granada, October 19-22, 2016
Inscription deadline: October 17, 2016.

The Universidad Internacional de Andalucía and the Escuela de la Alhambra present “Al-Murābiṭūn: Noveno centenario del esplendor de un Imperio,” a colloquium/ course in honor of the memory of Prof. Henri Terrasse, to he held 19-22 October 2017 at the Palace of Carlos V in the Alhambra (Granada).

2016 is the 900th anniversary of the conquest of the Balearic islands by the Almoravids (1116), an event which corresponded to the greatest territorial expansion of their empire and started the moment of its maximum splendor. With the occupation of the Islands, the empire obtained a vast territory extending from Mauritania to Zaragoza, as since the end of the 11th century they had been gaining power over the taifas of Al-Andalus, becoming the most important empire of Western Islam during the first half of the 12th century. They were the first to unite the two sides of the Strait of Gibraltar under the same political and religious power. This fact enabled a lively social, commercial and cultural exchange between Al-Andalus and North Africa, centered around the great capitals of the Empire, especially the North African Marrakech, and the peninsular Granada.

Moreover, this year marks 45 years since the death of Professor Henri Terrasse, a great scholar of the art of Morocco and Al-Andalus. Among his works are several publications dedicated to the art and arquitecture of Al-Andalus, necessary starting points for anyone interested in pursuing research in these fields.
During this international seminar, several specialists of the Almoravides will commemorate the 900th centernary of the apogee of the greater Western Islamic empire, with a special attention to the legacy of Henri Terrasse.

PROGRAMME
1a JORNADA: miércoles 19 de octubre
10:00 a 10:15 – Presentación
10:15 a 11:15 – Conferencia inaugural.
“Henri Terrasse y su contribución historiográfi ca”
D. Rafael LÓPEZ GUZMÁN (Universidad de Granada). 11:15 a 11:30 – Pausa-café

Sesión de mañana:
MESA 1.- Origen, génesis y evolución del Imperio almorávide
11:30 a 12:30
“Camelleros saharianos: la caracterización de los almorávides en las fuentes”
D.a Helena DE FELIPE (Universidad de Alcalá).
12:30 a 13:30
“El primer urbanismo de Marrakech”
D. Abdellatif MAROU (Conservador de la Inspección de Monumentos y Sitios Históricos de Marrakech, Ministerio de Cultura del Reino de Marruecos).
13:30 a 14:30
“El nacimiento del Califato almohade y el  fin de los almorávides. Introducción de un nuevo arte” D.a Dolores VILLALBA SOLA (IEM – FCSH/UNL, Lisboa).
14:30 a 17:00- Almuerzo

Sesión de tarde:
MESA 2.- El Imperio almorávide: organización económica, política y jurisdicción
17:00 a 18:00
“La evolución de la organización política y administrativa del emirato almorávide al imperio almohade”
D. Pascal BURESI (CNRS, Lyon).
18:00 a 18:30- Pausa-café
[MESA 1.- Origen, génesis y evolución del Imperio almorávide]
18:30 a 19:30
“Historia de los almorávides a través de las fuentes textuales”
D.a Ma Jesús VIGUERA MOLINS (Universidad Complutense de Madrid).
19:30 a 20:00- Debate sesión de tarde

2a JORNADA: jueves 20 de octubre
Sesión de mañana

MESA 2 (b).- El Imperio almorávide: organización económica, política y jurisdicción 10:00 a 11:00
“Cadíes y cadiazgo andalusí en época almorávide”
D. Rachid EL HOUR (Universidad de Salamanca).
11:00 a 12:00
“La economía de los almorávides saharianos en el Sur de al-Andalus según sus indicios” D. Eduardo ESCARTÍN GONZÁLEZ (Universidad de Sevilla).
12:00 a 12:30 – Pausa-café
MESA 3.- Trabajos arqueológicos, conservación y difusión de la cultura material almorávide
12:30 a 13:30
“El registro arqueológico almorávide en Šarq al-Andalus: arquitectura y producciones cerámicas”
D. Pedro JIMÉNEZ CASTILLO (Escuela de Estudios Árabes – CSIC, Granada) y Manuel PÉREZ ASENSIO (Arqueólogo).
13:30 a 14:00 Debate sesión de mañana 14:00 a 17:00 – Almuerzo

Sesión de tarde
17:00 a 17:30
“La colección almorávide del Museo de la Alhambra: inventario y catálogo”
D.a Paula SÁNCHEZ GÓMEZ (Arqueóloga – Arquemus Medievalia S. L.) y Eva MORENO LEÓN (Arqueóloga – Arquemus Medievalia S. L.).
17:30 a 18:30
Visita a la colección del Museo de la Alhambra
D.a Paula SÁNCHEZ GÓMEZ (Arqueóloga – Arquemus Medievalia S. L.) y Eva MORENO LEÓN (Arqueóloga – Arquemus Medievalia S. L.).
18:30 a 19:00- Pausa-café
19:00 a 20:00
“Otra forma de enseñar la Historia”
D. Juan CASTILLA BRAZALES (Escuela de Estudios Árabes – CSIC, Granada).

3a JORNADA: viernes 21 de octubre
Sesión de mañana

MESA 4.- El arte y la cultura en la época almorávide: arquitectura, artes suntuarias y pensamiento estético
10:00 a 11:00
“La estética andalusí en el siglo XII”
D. José Miguel PUERTA VÍLCHEZ (Universidad de Granada).
11:00 a 12:00
“¿Existe un arte almorávide? Contribuciones y nuevas perspectivas”
D.a María MARCOS COBALEDA (Instituto de Estudos Medievais – FCSH/UNL, Lisboa).
12:00 a 12:30 – Pausa-café
12:30 a 13:30
“El Panteón Real del monasterio cisterciense de las Huelgas de Burgos. Historiografía, arqueología artística y modelo de conservación”
D.a Concha HERRERO CARRETERO (Patrimonio Nacional).
13:30 a 14:00 Debate sesión de mañana
14:00 a 17:00 – Almuerzo

Sesión de tarde
MESA 5.- Las civilizaciones coetáneas a los almorávides
17:00 a 18:00
“Toledo en el siglo XII: de la casa al barrio”
D. Jean PASSINI (LaDéHiS – CRH – EHESS, Paris).
18:00 a 18:30 – Pausa-café
18:30 a 19:30
“Relaciones entre musulmanes, judíos y cristianos en el Mediterráneo del siglo XII”
D. Brian A. CATLOS (University of Colorado, Boulder (EEUU) / The Mediterranean Seminar). 19:30 a 20:00 Debate sesión de tarde y conclusiones  nales

4a JORNADA: sábado 22 de octubre (opcional)
10:00 a 14:00
Visita al Palacio de Dar al-Horra, las murallas de la Alhacaba y el Bañuelo (personal de Huerto Alegre).

Time and place
El Seminario se celebrará en el Conjunto Monumental de la Alhambra y Generalife, en el Palacio de Carlos V, Granada.
Las clases tendrán lugar los días 19 al 22 de octubre de 2016, en horario de mañana y tarde (excepto el sábado 22 que será sólo de mañana).

How to apply:
Número de plazas y condiciones de admisión
El número de plazas es limitado, por lo que las solicitudes se atenderán por riguroso orden de matriculación.
La Universidad comunicará expresamente la matriculación del solicitante.
El seminario va dirigido fundamentalmente a alumnado universitario de los grados de Filología Árabe y Hebrea, Historia del Arte e Historia; medievalistas, arabistas y otros investigadores; guías e intérpretes; profesores de Instituto.

El plazo de matrícula  finaliza el 17 de octubre de 2016.
El importe es de 8 € de apertura de expediente.
Número de horas: 25.
El pago de la apertura de expediente deberá efectuarse por transferencia bancaria libre de gastos o por ingreso a la cuenta de La Caixa, O cina Isla de la Cartuja (Sevilla) IBAN: ES78 21009166752200074348

Formalización de la matrícula
Deberá aportarse la siguiente documentación:
1- Solicitud en el impreso que facilita la Universidad Internacional de Andalucía.
2- Fotocopia del DNI.
3- Justificante de haber abonado los derechos correspondientes.

25th Colloquium of the Medieval Hispanic Research Seminar

Conference image 24 and 25 June

TWENTY-FIFTH COLLOQUIUM
MEDIEVAL HISPANIC RESEARCH SEMINAR
QUEEN MARY, UNIVERSITY OF LONDON

The Colloquium of the MHRS takes place biennially (annually in previous years) usually on the last Thursday and Friday of June. Having first taken place in 1989, it brings together scholars from the United Kingdom and further afield working on any aspect of the art, culture, language, literature, and history of the Iberian Peninsula in the Middle Ages.

 

10.30–11.15 Registration, tea and coffee (The Shield 2, Dawson Hall)

11.15–11.30 Welcome (Rotblat G.05)
ROSA VIDAL DOVAL

11.30–12.30 Plenary session (Rotblat G.05)
MARÍA MORRÁS, Queen Mary, University of London & Universitat
Pompeu Fabra
La querelle des femmes en su contexto histórico (Península Ibérica,
1390-1500)

13.45–15.30 Parallel sessions
Session 1a (Rotblat G.05)
JOSEP LLUÍS MARTOS, Universitat d’Alacant
La rima en Joan Rois de Corella
ANTONIO CHAS AGUIÓN, Universidade de Vigo
Linaje, armas y letras en los orígenes de la rama cordobesa de los
Guzmán: Juan [Alfonso] de Guzmán ‘el Póstumo’
GISÈLE EARLE
Gómez Manrique’s Planto for Santillana: More Than Just an Elegy?

Session 1b (Rotblat G.07)
FRANCISCO A. MARCOS-MARÍN, University of Texas at San Antonio
Romania submersa and the origins of Iberoromance
NICOLÁS ASENSIO JIMÉNEZ, Fundación Ramón Menéndez Pidal
El Romancero del Cid, una labor aun pendiente
MARTA MARFANY, Universitat Pompeu Fabra
Jordi de Sant Jordi y Ausiàs March en castellano: traducciones
modernas de clásicos medievales catalanes

16.00–17.45 Parallel sessions
Session 2a (Rotblat G.05)
AINOA CASTRO CORREA, King’s College London
Dating and placing Visigothic script manuscripts
MARÍA TERESA CHICOTE, Warburg Institute & ÁNGEL FUENTES, Universidad
Complutense de Madrid
El Rey Confirma: el valor de la imagen en el privilegio castellano
ESTHER DORADO LADERA, Universitat Politècnica de Catalunya
Arabic Epigraphy in Mudéjar Religious Architecture of Aragon: The
Church-fortresses on the Castilian Frontier

Session 2b (Rotblat G.07)
SILVIA C. MILLÁN GONZÁLEZ, Universitat de València
La amazona Pantasilea en el Silves de la Selva de Pedro de Luján: mito,
norma, desafío e integración
ALMUDENA IZQUIERDO ANDREU, UNIVERSIDAD COMPLUTENSE DE MADRID
Caballero, magia y sermón: pespuntes culturales en el prólogo del
Florisando
DANIEL GUTIÉRREZ TRÁPAGA, University of Cambridge
El fracaso de Montalvo: la transformación de Esplandián en el ciclo de
Amadís

SATURDAY 25 JUNE
LOCK KEEPER’S COTTAGE
(MILE END CAMPUS)

9.30–10.40 Session 3
MARGARITA DEL ROSARIO ANGLERÓ, University of Puerto Rico, Río Piedras
La ‘fabliella’ juanmanuelina y el deleite literario
RUTH MARTÍNEZ ALCORLO, Universidad Complutense de Madrid
‘Remedios para ferida tan entrañable’: literatura consolatoria para
Isabel, primogénita de los Reyes Católicos

11.15–12.25 Session 4
DANIELA SANTONOCITO, Universidad de Zaragoza
La difusión del Conde Lucanor en Reino Unido: la relación entre la
princeps y sus traducciones inglesas
MARÍA EUGENIA DÍAZ TENA, Semyr & CITCEM
Un gran momento histórico en un pequeño texto narrativo: Perkin
Warbeck en los milagros de Guadalupe

13.45–15.00 Session 5
MARINE ANSQUER, Ecole Normale Supérieure de Lyon
La Tragedia fantástica de la gitana Celestina de Alfonso Sastre (1978):
una desacralización del mito literario celestinesco
DOROTHY SEVERIN, University of Liverpool
Cruel Fathers, Weak Mothers in the Fifteenth-Century Castilian
Sentimental Romance, and Role Reversal in Celestina

15.00 Close

For more information, see the Colloquium website.