Tag Archives: Spain

CONF: Intercambios y conflictos (Tarragona, 17-19 July 2018)

Intercambios y conflictos en un Mediterráneo transcultural: redes, comercio y creación artística en la edad media y moderna
Universidad Nacional de Educación a Distancia and Museu d’Art Modern de la “Diputació de Tarragona”, Calle Santa Anna, 8 – 43003 Tarragona, July 17 – 19, 2018

cursos_verano-2018-web-UNEDEn este curso mostraremos la importancia del Mediterráneo como espacio de intercambios culturales y artísticos, así como de enfrentamientos y conflictos sociales durante la edad media y moderna. Mediante una visión multidisciplinar y diacrónica se estudiarán aspectos como la coexistencia de diversos credos o religiones y sus manifestaciones identitarias, el comercio como elemento de cohesión y difusión de modelos, así como las relaciones políticas y eclesiásticas entre las coronas de Castilla, Aragón, los territorios italianos y del sur de Francia mediante sus implicaciones artísticas. Esta visión diacrónica se verá completada con una actividad práctica que consistirá en una visita guiada a la ciudad de Tarragona donde se expondrá la importancia de esta urbe en el enclave mediterráneo.

Continue reading

Advertisements

CFP: Imago & Mirabilia (Barcelona, 18-20 Oct 2018)

Extended deadline!

The Ways of Wonder in the Medieval Mediterranean

18-20 October 2018 | Museu Nacional d’Art de Cataluyna

The ways of wonder in the middle Ages were shaped by a variety of places, stories and beliefs with ancient sources reworked by the Christian tradition. Activated by the opening of the Mediterranean, religious, commercial and military travels spread Christian worship, accounts and prized objects throughout Christianity. The real and the imaginary adventures confronted their protagonists with fabulous characters and places. The cult of Eastern saints found anchor points in the Western world where they sometimes developed as strongly or even more, proving, therefore, their polycentric nature.

Continue reading

Call for Papers: Negotiation the Past. Islamic Heritage in Italy and Spain – Venice 1-2/02/2019 (Deadline 30/04/2018)

9200000033698488.jpgThe conference will focus on the discussion about the Islamic heritage in Italy and Spain and its later reception in the post-Islamic context. Sharing an Islamic past, both countries display this heritage in different ways through art and architecture. As cultural contact zones, Italy and Spain had a rich Islamic tradition, which has been adopted in the medieval Norman and Mudéjar artistic production.

These exchange processes are currently subject to ongoing international discussions. Furthermore, the observed medieval transfer mechanisms may be applied to the modern reception of the Italian and Spanish Islamic heritage. Which differences may be detected between the medieval edifices of Palermo or Seville and the neo-Islamic interiors in Sammezzano or Aranjuez? Has the reception behaviour of the 19th and 20th centuries changed compared to that of the Middle Age? How have the Islamic standards been assumed in the modern architectural vocabulary? Who were the possible promotors of this pro-Islamic art trend? What part did the medieval clients and their architects play? How relevant are the travellers, private collectors, arabists or art historians of the 19th century for the valorisation of the Islamic heritage? What was the role of Islamic heritage for the construction of identity and ideologies in both countries?

The current contributions shall be presented in four sections with the following thematic focus:

– Islamic heritage in Italy and Spain
– Cross-cultural exchange in the Middle Age
– Re-appropriating the Islamic past in 19th and 20th centuries art and architecture
– Ideologies and identity building

Papers will have a duration of 20 min. Conference languages will be English, Italian and Spanish. Abstracts of no more than 300 words, together with a short CV, should be sent until 30 April 2018 to: conference@transculturalstudies.ch

Organizers: Prof. Dr. Guido Zucconi (IUAV) / Prof. Dr. Francine Giese (UZH) / Prof. Dr. Juan Calatrava (UGR) / Dr. Ariane Varela Braga (UZH)

Keynotes: Antonio Almagro Gorbea (Escuela de Estudios Árabes CSIC) / Ezio Godoli (UniFl)

Università Iuav di Venezia, 1-2 February 2019
Deadline: Apr 30, 2018

Call for Participation Mediterranean Palimpsests: Connecting the Art and Architectural Histories of Medieval and Early Modern Cities Deadline 15/02/2018

Mediterranean Palimpsests

The Cyprus Institute, with support through the Getty Foundation’s Connecting Art Histories initiative, is launching a new research seminar project: Mediterranean Palimpsests: Connecting the Art and Architectural Histories of Medieval and Early Modern Cities. Interested scholars at a formative stage of their careers are encouraged to apply for participation in the project’s three planned workshops in Nicosia, Cordoba/Granada and Thessaloniki/Rhodes.

Directed by Nikolas Bakirtzis (The Cyprus Institute) and D. Fairchild Ruggles (University of Illinois at Urbana-Champaign), the project investigates the layered art histories of medieval Mediterranean cities as the basis for scholarly connections that challenge and move beyond the boundaries of modern historiographies, national narratives and contemporary socioeconomic realities. Set in a region where issues of cultural heritage and identity are currently highly contested, the project looks at the material past to understand its relevance for the present and future. The project’s focus expands on collaborative research on historic Mediterranean cities pursued by the Cyprus Institute’s Science and Technology in Archaeology Research Center (STARC) and the Illinois’ National Center for Supercomputing Applications (NCSA) and the Department of Landscape Architecture of the University of Illinois at Urbana-Champaign.

Continue reading

Lecture: Felipe Pereda, ‘Images’ Oblivious Memory: Funerary Laments from Ancient Greece to El Greco’. Courtauld Institute of Art, London, 4pm, Thursday 25th January, 2018

Pereda

Felipe Pereda (Harvard), will give the inaugural lecture for the 2018-19 Coll & Cortes Medieval Spain Seminar Series at 4pm on Thursday 25th January in the Kenneth Clark Lecture Theatre of the Courtauld Institute of Art, London.

An old narrative tradition going back to Ancient Egypt but documented across the Mediterranean – from the Middle East to Greece — shows women attending funerals performing theatrical, but also highly ritualized gestures that express unbearable pain. This visual trope corresponds to a practice that was surveyed and prosecuted in this part of the world well before the arrival of Christianity. The practice continued in Iberia throughout the Middle Ages, producing from the 12th century onwards an extraordinary tradition of painting and monumental sculpture. This lecture will explore the persistence, survival and repression of this practice and discuss the contribution of the visual arts to the production of cultural memory.

 

Felipe Pereda is Fernando Zóbel de Ayala Professor of Spanish Art at Harvard University. Born in Madrid, he studied at the Universidad Complutense, and the Autónoma University where he received his PhD (1995) and taught until 2011. In more recent years, he has also taught at the Instituto de Investigaciones Estéticas (Universidad Autónoma de México), and Johns Hopkins University (2011-15). He has worked on Spanish late medieval and early modern art, art theory, image theory and history of architecture.

His books include, La arquitectura elocuente (1999), El atlas del Rey Planeta (3rd. ed. 2003), and Images of Discord. Poetics and Politics of the Sacred Image in 15th century Spain (Spanish ed. 2007; English translation, Harvey Miller, forthcoming). He has recently published on artists such as Luis de Morales, Ribera, or Zurbarán.

Post-doc: 3 positions at the University of Louvain, ‘The origin and early development of philosophy in tenth-century al-Andalus: the impact of ill-defined materials and channels of transmission’

photoPost-doc: 3 position, 3-year contracts, ERC Advanced project 740618: The origin and early development of philosophy in tenth-century al-Andalus: the impact of ill-defined materials and channels of transmission (2017-2022), Université catholique de Louvain, Belgium
Deadline: 10 November 2017

PhilAnd is a five-year Advanced ERC project to start in October 2017 at the Université catholique de Louvain (UCL) under the supervision of Prof. Godefroid de Callataÿ. The objective of PhilAnd is to conduct a large-scale exploration of how, and under which form, philosophy appeared for the first time in al-Andalus. At the crossroads of several major lines of enquiries in modern scholarship and in line with recent discoveries having important chronological implications, PhilAnd focuses on the 10th century, a period usually disregarded by historians on the assumption that philosophy as such was not cultivated in the Iberian Peninsula before the 11th-12th centuries. Its originality is also to put emphasis on ‘ill-defined’ materials and channels of transmission, a field which remains largely unexplored. PhilAnd will be conducted in partnership with the Warburg Institute (University of London).
As part of this project, three post-doc positions of three years each (to start from 2 January 2018) are offered at the UCL in relation with the three following sub-projects (SP):
1) the Ikhwān al-afā’: This SP will aim at producing a comprehensive survey of all the elements which are likely to inform us about the chronology of redaction and – where applicable – of introduction into al-Andalus of the three works that have commonly been ascribed in sources to this most influential group of thinkers known as Ikhwān al-Ṣafā’ (‘The Brethren of Purity’), namely: a) the Rasā’il (‘the Epistles’); b) the Risāla Jāmi‘a (‘The Comprehensive Epistle’) and, c) the Risāla Jāmi‘at al-Jāmi‘a (‘The Super-Comprehensive Epistle’). This chronology is currently far from clear.
2) Ibn Washiyya and the Nabatean Corpus: This SP aims to evaluate the impact of the Filāḥa Nabaṭiyya (‘The Nabatean Agriculture’), a complex and enigmatic Arabic treatise on agriculture written in the Orient, on the development of both Islamic and Jewish Neoplatonism in al-Andalus from the 10th to the 12th century. The focus will be on the reception of the ‘philosophical’ and bāṭinī (rather than agronomical) aspects of the work, with the aim of understanding why this notoriously esoteric work remained so influential even to Jewish thinkers like Judah Halevi and Maimonides.
3) Ibn Masarra: This SP will lead to the first monograph entirely devoted to Ibn Masarra’s Kitāb khawāṣṣ al-ḥurūf (‘The Book of the Properties of Letters’), consisting of an extensively annotated translation of this mystical treatise, together with an in-depth exploration of its place in the history of ‘ilm al-ḥurūf, the Islamic science of letters – including its links with the Jewish Kabbala – up to the time of Ibn ‘Arabī. This will fill an important gap and provide a valuable resource for the study of Islamic mysticism in al-Andalus.

The qualifications required for any of these sub-projects are:

  1. a PhD in Islamic Studies, in Middle Eastern Studies, or related fields;
  2. an excellent command of Classical Arabic (the knowledge of additional languages such as ancient Greek, Latin and in particular Hebrew is considered an advantage);
  3. a first-rate track record and research experience;
  4. publications of articles in peer-reviewed international journals or monographs with recognized academic publishers;
  5. academic writing and presentation skills in English (the working language of the project);
  6. the ability to work both individually and as part of a team.

These three post-doc positions are full-time equivalent. They are offered for a period of 12 months, renewable twice (three years in total) upon good performance. The post-docs retained will be required to reside in Belgium for the whole period of their fellowship. They will be asked to contribute to the intellectual life of the ERC project and of the UCL.


How to apply?

Applications should be made via pdf files and contain the following:

(1) a cover letter setting out the candidate’s qualifications and motivation for applying for one of the three positions offered (maximum 2 pages);

(2) a curriculum vitae (maximum 3 pages);

(3) a list of publications;

(4) two samples of published work (articles, chapters) in pdf (preferably in English);

(5) a transcript of grades and/or copy of the PhD certificate;

(6) the name (with title, affiliation and email) of four people who have accepted to be contacted as potential referees.
Applications should be made electronically and sent to the following address:

godefroid.decallatay@uclouvain.be

The application deadline is 10 November 2017
Interviews will be arranged between 4 and 6 December 2017.

Candidates selected for the interviews will be contacted by mid-November 2017, and asked to write a short research design on a topic to be announced at that moment.

Employment should become effective from 2 January 2018.

Research Group: Research Network of Interdisciplinary Medieval Studies

logo_rede_estudos_medievaisThe Red de Estudios Medievales Interdisciplinares is the result of a collaboration between scholars researching Medieval Art at various departments of the University of Compostela, other Galician and Portuguese universities and the Instituto de Estudos Gallegos “Padre Sarmiento” del CSIC (Consejo Superior de Investigaciones Científicas).

The group welcomes scholars in Spain and abroad, and runs various research activities, for example: cultural and formative site visits, training courses, events leading to multidisciplinary publications, website articles, European research projects.

To learn more and get involved in their research activities, visit their website.