Tag Archives: Geometry

Islamic Art Circle @ SOAS: Lecture Programme, 2017/2018

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Islamic Art Circle @ SOAS, London: Lecture Programme, 2017/2018
All lectures begin at 7.00 p.m. in the Khalili Lecture Theatre (Main School Lecture Theatre) –  unless indicated otherwise – Philips Building, SOAS, Thornhaugh Street, Russell Square, London, WC1H 0XG

 

  • 11 October 2017: The Palace of Pedro I in Seville, ‘very much like the residence of the Muslim kings,’ Dr Tom Nickson, Lecturer in Medieval Art and Architecture, The Courtauld Institute of Art, London
  • 15 November 2017: Reviving Islamic Architecture in Khedivial Cairo, and Beyond: a Collector’s Passion, Dr Mercedes Volait, CRNS Research Professor at INHA, Paris
  • 6 December 2017: Takht-e Soleyman/Iran – From Sasanian Fire Temple to Ilkhanid Summer Palace. New Evidence from Old Excavations, Dr Ute Franke,                                       Deputy Director, Museum für Islamische Kunst, Berlin
  • 10 January 2018: The Hadassah and Daniel Khalili Memorial Lecture in Islamic Art and Culture: The Calligrapher, the Painter, and the Patron: A New Perspective on the Freer Khusraw u Shirin, Dr Simon Rettig, Assistant Curator of Islamic Art, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.
  • 21 February 2018: In the service of religion? The display of ‘science from the Islamic world’ in the museum, Dr Silke Ackermann, Director, Museum of the History of Science, Oxford
  • 14 March 2018: The Seventh Bahari Foundation Lecture in Iranian Art and Culture: Decagonal and Quasicrystalline Geometry in the Architecture of Medieval Persia and Its Influence in the Greater Islamic World, Dr Peter J. Lu, Department of Physics and SEAS, Harvard University, USA
  • 25 April 2018: Islamic Textiles from Iberia: Re-evaluating Their Role in the Mediterranean Context, Dr Ana Cabrera-Lafuente, Marie S.-Curie Fellow, Victoria and Albert Museum, London
  • 9 May 2018: Ilse Sturkenboom
  • 13 June 2018: Ahmet Ersoy

For further information please contact Rosalind Wade Haddon: 07714087480 or                 rosalindhaddon@gmail.com

 

 

 

Conference: Paper and Parchment: Medieval Music, Architectural Drawings, and Illuminated Books

pandp_0Conference: Paper and Parchment: Medieval Music, Architectural Drawings, and Illuminated Books, Kyle Morrow Room, 3rd Floor, Fondren Library, Rice University, Houston, Texas, April 6, 2016

 

Co-sponsored by the Minter Chair and the Department of Art History.
Free and open to the public.
Schedule:
9:30–9:45 a.m. Welcome
9:45–11:45 a.m. Session No. 1: New Directions in Architectural Drawings
Linda Neagley, “A New Medieval Architectural Drawing”
Rob
ert Bork, “The Regensburg Façade Drawings:
Reality, Fantasy and Geometry”
Discussant: Nancy Wu
Noon–1pm Lunch
1–2:30pm Session No. 2: Workers and Manuscripts
Jennifer Pendergrass Adams, “A Carpenter, a Nobleman, a Fisherman and a Pope: Representations of Class in the Libro dei miracoli”
Layla Seale,”Infernal Labor: Late Medieval Demons at Work”
2:30–4pm Session No. 3: Gender on Paper
and Parchment
Thom Kren, “Toward a Gendered Iconography of Patronage in Books of Hours”
Diane Wolfthal, “Illuminating Infanticide: History and Representation”
4–4:15pm Coffee break
4:15–6:30pm Medieval Music Manuscripts
Rebecca Maloy, “The Old Hispanic Offices of Holy Week”
Peter Loewen, “Singing William Herebert’s English Chant Contrafacta”
Jennifer Saltzstein, “Old French Song Reimagined and Recopied: Contrafacture and Modeling by the Thirteenth-Century Cleric, Trouvères”

For more information, please contact Diane Wolfthal at wolfthal@rice.edu

Lecture: Professor Robert Bork, “Drawings and the Transmission of Geometrical Knowledge across Time, Space, and Media”

Tuesday 24 November 20154:00 pm – 5:30 pm

The Sackler Research Forum Seminar Room, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R 0RN

Open to all, no booking required!image001-723x1024

In this talk Robert Bork will consider Gothic architectural drawings as vehicles for the transmission of geometrical information, placing their development in the context of a broader tradition of geometrical design that reaches with a surprising degree of continuity across the long Middle Ages.  After brief discussion of the geometrical toolkit used by the creators of early medieval manuscripts and jewelry, he will explore the flourishing of architectural drawing in the Gothic era and its impact on both design practice and the sharing of visual information across temporal and geographical boundaries.  He will devote particular attention to the analysis of a fantastic drawing produced in or near Regensburg around 1400 that shows a single-spired façade, whose close geometrical relationship to the thirteenth-century choir of Regensburg Cathedral has not formerly been recognized.  In conclusion, he will demonstrate that many of the same geometrical techniques used by Gothic church designers were also used not only by some northern fifteenth-century painters, but also by Italian painters active in the decades around 1500, including Piero di Cosimo and Piero della Francesca.

Conference: Medieval Architecture Outside the Lines (University of Georgia, USA, 24 October 2015)

Outside the LinesUniversity of Georgia

Lamar Dodd School of Art

Medieval Architecture Outside the Lines

October 24, 2015

Long-time and much loved professor Thomas E. Polk II (retired 2006) died in 2014. Using funds donated to the School in his memory, the art history area is organizing a one-day conference on medieval architecture. By honoring Professor Polk’s memory in this way we also hope to highlight the academic and intellectual importance of the study of the medieval world and its architecture. By venturing “outside the lines” we are presenting evidence for the wide intellectual, geographical, and chronological span of medievalism.

Schedule:

Saturday, October 24, 2015

8:00 AM coffee

8:30-9 Introductions

9-10AM

Lisa Reilly, University of Virginia

Normans In and Out of France

10-11AM

Robert Bork, University of Iowa

Drawing Lines and Crossing Lines: Adventures Pursuing the Gothic”

11-11:30 coffee

11:30-12:30

Alice Klima, University of Georgia

The Shape of Reform in Fourteenth-Century Bohemia; Mendicants, Parishes, and Canons

Lunch 12:30-2

2-3:30PM

Sheila Bonde, Brown University and Clark Maines, Wesleyan University

Seen one, seen ’em all?–What we learn from archaeological study of Carthusian Bourgfontaine

3:30-4:30

Kevin Murphy, Vanderbilt University

The Many Uses of the Gothic: From the Age of Historicism to the Rise of Modernism

4:30-5 Questions and Comments

Lecture Hall: Rm S150 Lamar Dodd School of Art

270 River Road on the East Campus of the University of Georgia, Athens, GA, 30602

Lunch is not provided but available in the Joe Frank Harris Commons (http://foodservice.uga.edu/locations/village-summit#info).

Travel to Athens via airplane is best done via Atlanta’s Hartsfield-Jackson International Airport. Travel from the airport to Athens is available via http://athens.groometransportation.com/athens-shuttle-schedule/. Sadly the stops are quite limited. You are better off using the Georgia Center stop (on the campus of UGA) than the West Shopping Center (it is nowhere near where you want to be).

No registration is required, but we would be happy to hear from you in advance if you are planning to attend.

For questions contact

Shelley E.  Zuraw
Lamar Dodd School of Art
University of Georgia
270 River Road
Athens, GA 30602
szuraw@uga.edu