What are your experiences?
What are your experiences?
Why would you want to insert penworked letters, gold-leaf and illuminations on your legal document: company statues, a contract, a grant of land or even an indulgence? This may seem like a waste of time in the modern business context, but in the medieval culture visuals carried their own significance. The messages could be multiple. Look, it’s important, because whoever ordered or produced this document put extra time and materials into it! This document won’t get thrown away, because it’s so beautiful! It’s so rich, it must be authentic. Not to mention the visual shorthand the illuminations would generate for the document’s content. All of which, of course, could be highly misleading, because a forgery can get illuminated just as easily as an original, which I learned through my study of medieval Livonian charters.
The Society for Court Studies is launching biannual research and publication bursaries worth £250 each. The bursaries are available to all postgraduate and early career (within six years of PhD award) researchers working in the field of court studies. The deadline for applying is Friday 15 March. To apply for an award please send a statement of up to 250 words outlining your research, and the use to which you would put the award, to Joanna Tinworth (firstname.lastname@example.org). For more information, please click here.
Cut in Alabaster is the first comprehensive study of alabaster sculpture in Western Europe during the late Middle Ages and Renaissance.
While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. Cut in Alabaster charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.
Kim Woods is a senior lecturer in Art History at the Open University, and a specialist in northern European late Gothic sculpture. She combines an object-based approach with an interest in materials and cultural exchange. Her single-authored book, Imported Images (Donington, 2007), focussed on wood sculpture. Since then she has been working on alabaster. Her Open University distance learning materials include the Renaissance Art Reconsidered volumes (Yale, 2007) and Medieval to Renaissance (Tate publishing, 2012).
Artibus et Historiae no. 77 (XXXIX)
232 x 252 mm
Price : 90.00 EUR
Ambre Vilain, Imago urbis. Les sceaux de villes au Moyen Âge, Paris, Comité des travaux historiques et scientifiques, 2018 (L’Art et l’essai, 18). 360 p. | 16,5 × 22 cm | ill. | br. ISBN : ISBN 978-2-7355-0860-0. Prix : 38 euros.
Lorsque, dans la seconde moitié du XIIe siècle, les villes d’Europe septentrionale acquièrent un statut juridique, elles se dotent d’un sceau et doivent choisir une image pour définir leur identité. Parmi les nombreuses représentations auxquelles les villes ont recours, l’architecture tient une place majeure. Le vocabulaire formel utilisé remonte parfois à l’Antiquité, mais dans certains cas les graveurs sont capables de mettre au point des portraits urbains singuliers répondant efficacement à un programme. Ce dernier met en images des concepts comme l’identité collective, les rapports d’autorité ou même la liberté communale. L’auteur entreprend ici de replacer le sceau de ville dans le contexte de sa création, qu’il soit politique, artistique ou sociologique.
Scholars representing various disciplines are kindly encouraged to submit paper proposals focusing on litanies and their forms and representations in different spheres of culture, including liturgy, literature, music, the visual arts, spirituality, and philosophy. The book Litany in the Arts and Culture edited by Witold Sadowski (University of Warsaw) and Francesco Marsciani (University of Bologna) and composed of selected best papers will be proposed for publication to the editorial board of the Brepols series: Studia Traditionis Theologiae Explorations in Early and Medieval Theology.