Category Archives: Publications

Artibus et Historiae, no. 77 (XXXIX), 2018

A+H_77_Tuebke.jpgArtibus et Historiae no. 77 (XXXIX)
2018
232 x 252 mm
ISSN 0391-9064
Price : 90.00 EUR

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Publication – Ambre Vilain, « Imago urbis. Les sceaux de villes au Moyen Âge »

sealsAmbre Vilain, Imago urbis. Les sceaux de villes au Moyen Âge, Paris, Comité des travaux historiques et scientifiques, 2018 (L’Art et l’essai, 18). 360 p. | 16,5 × 22 cm | ill. | br. ISBN : ISBN 978-2-7355-0860-0. Prix : 38 euros.

Lorsque, dans la seconde moitié du XIIe siècle, les villes d’Europe septentrionale acquièrent un statut juridique, elles se dotent d’un sceau et doivent choisir une image pour définir leur identité. Parmi les nombreuses représentations auxquelles les villes ont recours, l’architecture tient une place majeure. Le vocabulaire formel utilisé remonte parfois à l’Antiquité, mais dans certains cas les graveurs sont capables de mettre au point des portraits urbains singuliers répondant efficacement à un programme. Ce dernier met en images des concepts comme l’identité collective, les rapports d’autorité ou même la liberté communale. L’auteur entreprend ici de replacer le sceau de ville dans le contexte de sa création, qu’il soit politique, artistique ou sociologique.

CTHS – Imago urbis

CFP: Litany in the Arts and Culture, An Edited Volume

Scholars representing various disciplines are kindly encouraged to submit paper proposals focusing on litanies and their forms and representations in different spheres of culture, including liturgy, literature, music, the visual arts, spirituality, and philosophy. The book Litany in the Arts and Culture edited by Witold Sadowski (University of Warsaw) and Francesco Marsciani (University of Bologna) and composed of selected best papers will be proposed for publication to the editorial board of the Brepols series: Studia Traditionis Theologiae Explorations in Early and Medieval Theology.

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Publication: “The Idea of the Gothic Cathedral. Interdisciplinary Perspectives on the Meanings of the Medieval Edifice in the Modern Period” By Stephanie a. Glaser (ed.)

RITUS_9The essays in this book focus on various social, political, cultural, and aesthetic meanings ascribed to Gothic cathedrals in Europe in the post-medieval period.

Central to many medieval ritual traditions both sacred and secular, the Gothic cathedral holds a privileged place within the European cultural imagination and experience. Due to the burgeoning historical interest in the medieval past, in connection with the medieval revival in literature, visual arts, and architecture that began in the late seventeenth century and culminated in the nineteenth, the Gothic cathedral took centre stage in numerous ideological discourses. These discourses imposed contemporary political and aesthetic connotations upon the cathedral that were often far removed from its original meaning and ritual use.

This volume presents interdisciplinary perspectives on the resignification of the Gothic cathedral in the post-medieval period. Its contributors, literary scholars and historians of art and architecture, investigate the dynamics of national and cultural movements that turned Gothic cathedrals into symbols of the modern nation-state, highlight the political uses of the edifice in literature and the arts, and underscore the importance of subjectivity in literary and visual representations of Gothic architecture. Contributing to scholarship in historiography, cultural history, intermedial and interdisciplinary studies, as well as traditional disciplines, the volume resonates with wider perspectives, especially relating to the reuse of artefacts to serve particular ideological ends.

 

Table of Contents

Introduction: The Medieval Edifice in the Modern Period — STEPHANIE A. GLASER

Part I — The Cathedral and the Nation

The Moorish-Gothic Cathedral: Invention, Reality, or Weapon? — MATILDE MATEO

Acting Medieval, Thinking Modern, Feeling German — MICHAEL J. LEWIS

L’Histoire d’une cathédrale: Viollet-le-Duc’s Nationalist Pedagogy — ELIZABETH EMERY

The Gothic Cathedral and Historiographies of Space — KEVIN D. MURPHY

Part II — The Cathedral between Art and Politics

The Anarchist Cathedral — MAYLIS CURIE

L’Imaginaire de la cathédrale à l’épreuve de la Grande Guerre — JOËLLE PRUNGNAUD

Church, Nation, and ‘The Stones of France’ — RONALD R. BERNIER

Part III — The Cathedral in the Arts

Patterns of Behaviour  Architectural Representation in the Romantic Period — KLAUS NIEHR

Frozen Music and Symphonies in Stone. Gothic Architecture and the Musical Analogy: Intersecting Trajectories in German and French Thought from the Eighteenth through the Nineteenth Centuries — STEPHANIE A. GLASER

Délires opiomanes et gothicomanes de Thomas De Quincey à Wilfred Sätty — JEAN-MICHEL LENIAUD

The Cathedral as Time Machine: Art, Architecture, and Religion — RICHARD UTZ

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Index

Publication: ‘San Michele in Monte Laureto a Putignano. La grotta dell’Angelo e la cultura pittorica angioina nel meridione barese’ by Marcello Mignozzi

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A new book on the theme of Angevin Art in Southern Italy has just been published.
In San Michele in Monte Laureto a Putignano. La grotta dell’Angelo e la cultura pittorica angioina nel meridione barese, Marcello Mignozzi reconstructs the history of the rupestrian church of Saint Michael in Monte Laureto in Putignano (Apulia), Italy, investigating its historiographical, historical, and artistic aspects. The cross analysis of archival and artistic data allows the author to understand the value of an almost forgotten Medieval Sanctuary. The magnificent fourteenth-century fresco with the Crucifixion, made by two artists from Apulia influenced by Neapolitan art, is finally included in the pictorial context of the Angevin region. In this regard a lot of space is dedicated not only to examine the theme of the Crucifixion in the painting of the entire region, but also to frescoes, many of them unpublished, in Polignano, Mola di Bari, Monopoli, Noci, Conversano, Rutigliano, Capurso, Triggiano. Part of the work is then dedicated to the events of the rock church in the Modern Age, to the sculptures of Stefano da Putignano, and to the Contemporary Age. Finally, the study of road networks during the Middle Ages allows the reconstruction of the complex system of pilgrimages, but also of political and artistic relations between Putignano and the Angevin Principality of Taranto.

For more information on this publication, see https://www.ibs.it/san-michele-in-monte-laureto-libro-marcello-mignozzi/e/9788899224301.

Publication: Manuscripts in the Making Art and Science, vol. 1. Edited by Stella Panayotova & Paola Ricciardi

Schermafdruk 2018-03-15 19.20.32

Manuscripts in the Making
Art and Science, vol. 1
Edited by Stella Panayotova &  Paola Ricciardi

 ISBN 978-1-909400-10-8

More Info: http://bit.ly/2ywI3Si

 This ground-breaking publication presents  the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum’s acclaimed bicentenary exhibition “Colour: The Art and Science of Illuminated Manuscripts”.  It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques  of production of illuminated  manuscripts,  as well as the artists’ collaboration and their aesthetic objectives.  Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory tables and diagrams. 

Table of Contents

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Table of Contents: Journal of Historians of Netherlandish Art, Winter 18 issue

JHNA

Historians of Netherlandish Art announces the publication of the Winter 2018 issue (vol. 10:1) of the refereed, open-access Journal of Historians of Netherlandish Art (jhna.org).

Table of Contents:

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