Tag Archives: New Publication

This new publication by Paul Williamson is the first monograph dedicated to the Judgement Porch of Lincoln Cathedral, one of the greatest buildings of medieval Europe.

This new book by Justin Kroesen offers the first visual account of the wealth of medieval art works surviving in Lutheran churches in Germany.

The first volume of ‘Tomb Monuments in Medieval Europe’, features twenty-one authors exploring diverse aspects of medieval tomb monuments across Europe, combining scholarly insights with visual richness, and sets the stage for two subsequent volumes.

This new publication volume explores the complexities of working with fragmented medieval materials through seven essays that highlight their interpretive challenges and significance in understanding medieval culture.

“The Social Lives of Medieval Rings,” edited by Jitske Jasperse, explores the intricate roles of medieval rings as social artifacts that connect people, places, and cultural practices from 1100 to 1500 across Europe, revealing their significance in historical and contemporary contexts.

This new book explores the digital medieval manuscript as a unique cultural artifact, not just a copy of its physical counterpart.

AVISTA are excited to announce the publication of the 18th volume in our Brill series, AVISTA Studies in the History of Medieval Technology, Science, and Art, with American Gothic: Reflections on Gothic Scholarship in America 1925–2025, edited by Robert Bork.

In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia.

A new study traces the longue durée of the Berry region from Celtic antiquity to modern memory, but it is the figure of Jean, Duke of Berry (1340–1416), who commands particular attention.

Robert Couzin’s Unrepresented: The Suppression of Images in the Middle Ages is a unique study of figures and attributes left out of the picture.