Includes a CD with a compilation of representative fifteenth-century musical pieces performed on reconstructed versions of the instruments shown in Memling’s panels. Hans Memling’s God the Father with Singing and Music-making Angels formed the upper register of an enormous polyptych painted for the Benedictine monastery of Santa Maria la Real in Nájera, Spain. The three large panelContinue reading “New Publication: Harmony in Bright Colors. Memling’s God the Father with Singing and Music-Making Angels Restored”
Written by: G. Steyaert, M. Postec, J. Sanyova, H. Dubois With observations, research and documents by:Painting Conservators-Restorers: K. Froyen, N. Laquière, L. Mortiaux, F. Rosier, B. Devolder, C. de BoulardChemical Research Scientists: G. Van der Snickt, F. Mederos-Henry, C. Glaude, F. Vanmeert, S. De Meyer, S. Legrand, A. Coudray, S. Kuckova, K. JanssensSpecialists in Scientific Imagery and Photography:Continue reading “New Publication: The Ghent Altarpiece, ￼Research and Conservation of the Interior: The Lower Register”
To what extent are the dead truly dead? In medieval society, corpses were assigned special functions and meanings in several different ways. They were still present in the daily life of the family of the deceased, and could even play active roles in the life of the community. Taking the materiality of death as aContinue reading “New Publication: The Corpse in the Middle Ages: Embalming, Cremating, and the Cultural Construction of the Dead Body by Romedio Schmitz-Esser￼”
By the late Middle Ages, manifestations of Marian devotion had become multifaceted andcovered all aspects of religious, private and personal life. Mary becomes a universal presencethat accompanies the faithful on pilgrimage, in dreams, as holy visions, and as pictorialrepresentations in church space and domestic interiors. The first part of the volume traces thedevelopment of MarianContinue reading “New Publication: Marian Devotion in the Late Middle Ages. Image and Performance, Edited By Andrea-Bianka Znorovszky, and Gerhard Jaritz”
The knowledge of movement is of crucial importance in carrying out cultural and intellectual processes: it is not only a physical action but also a factor of communication and exchange which facilitates dialogue and interaction between different territories and cultures. The main objective of the essays in this volume is to analyse the phenomena ofContinue reading “New Publication: “Medieval Europe in Motion 3. The Circulation of Jurists, Legal Manuscripts and Artistic, Cultural and Legal Practices in Medieval Europe (13th-15th centuries)”. Introduction by M.J. Branco; Conclusions by M. Ascheri, Palermo, Officina di Studi Medievali, 2021″
Art and liturgy in the Dominican female monasteries in Castile. From the beginnings to the Observant reform (1218-1506) In 1218, Saint Dominic founded in Madrid the second female monastery (after Prouilhe) of the Order of Preachers, and the first in the Iberian Peninsula. Coinciding with the 800th anniversary of the founder’s death in 1221, this longContinue reading “New Publication: Arte y liturgia en los monasterios de dominicas en Castilla. Desde los orígenes hasta la reforma observante (1218-1506) by Mercedes Pérez Vidal”
Honoring the scholarship of Richard K. Emmerson, this collection interrogates the concept of interdisciplinarity through a set of essays that traverse the traditional boundaries of various fields in medieval studies.
Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same.
This multi-disciplinary book presents chapters by prominent scholars on the powerful commune that birthed a pope, sheltered saints, built banking institutions that have thrived for nearly 1000 years, and nurtured vibrant communities of artists and intellectuals.
The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages.