This multi-disciplinary book presents chapters by prominent scholars on the powerful commune that birthed a pope, sheltered saints, built banking institutions that have thrived for nearly 1000 years, and nurtured vibrant communities of artists and intellectuals.
The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages.
Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife.
The Merton library is rightly known for its antiquity, its beautiful medieval and early modern architecture and fittings and for its remarkable and important collection of manuscripts and rare books.
What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term “iconography” to describe such work?
This Festschrift honours the late Jerome Bertram of the Oxford Oratory and former Vice-President of the Monumental Brass Society, who admired, researched, lectured and wrote about monumental brasses and incised slabs for over fifty years.
This volume brings together contributions offering a new perspective on the medieval rood – understood in its widest sense, as any kind of cross – within the context of Britain and Ireland, over a wide period of time which saw significant political and cultural change.
This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ.
Join Fordham University for a conversation celebrating the publication of Nina Rowe’s new book, The Illuminated World Chronicle: Tales from the Late Medieval City (Yale UP, 2020).
Icons of Sound: Voice, Architecture and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, andContinue reading “New Publication: Icons of Sound: Voice, Architecture, and Imagination in Medieval Art, edited by Bissera V. Pentcheva”