Tag Archives: catalonia

CFP: Imago & Mirabilia (Barcelona, 18-20 Oct 2018)

Extended deadline!

The Ways of Wonder in the Medieval Mediterranean

18-20 October 2018 | Museu Nacional d’Art de Cataluyna

The ways of wonder in the middle Ages were shaped by a variety of places, stories and beliefs with ancient sources reworked by the Christian tradition. Activated by the opening of the Mediterranean, religious, commercial and military travels spread Christian worship, accounts and prized objects throughout Christianity. The real and the imaginary adventures confronted their protagonists with fabulous characters and places. The cult of Eastern saints found anchor points in the Western world where they sometimes developed as strongly or even more, proving, therefore, their polycentric nature.

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Conference Programme: Minority Influences in Medieval Society, St Catharine’s College, Cambridge, November 25-26, 2016

tumblr_mpkos7mo2o1ssmm02o1_1280Conference Programme: Minority Influences in Medieval Society, St Catharine’s College, Cambridge, November 25-26, 2016.

Friday 25 November

9.45 Welcome (Nora Berend)

Session 1. 10-11.15

Nikolas Jaspert (Heidelberg) Influences of mudejar spirituality on majority Christian religious life

Teresa Shawcross (Princeton) Ethno-religious Minorities and the Shaping of Byzantine Society during the Crusades

COFFEE

Session 2. 11.30-12.45

Annette Kehnel (Mannheim) Minority language, minority culture, minority tradition: Who exactly cares?

Amira Bennison (Cambridge) The Berber imprint on the medieval Maghrib

LUNCH

Session 3.  14.15-15.30

Ana Echevarría (Madrid) Reinventing law codes under foreign conditions: influence, adaptation or endurance in the Iberian peninsula

Eduard Mühle (Münster)  Real and perceived influence of minority groups in medieval Poland (12th-13th c)

COFFEE

Session 4. 16-18 Eva Haverkamp (München) Jews in the high medieval economy: how to evaluate their role

István Petrovics (Szeged) The Role of “Latin”  Guests in the Economic Life and Urban Development of Medieval Hungary

James Barrett (Cambridge) Northern Peoples and Medieval European Trade: Locating Agency

 

Saturday 26 November

Session 1. 9.30-10.45

Przemysław Wiszewski (Wrocław) Cultural turn in 12th-14th c. Silesia: how the German-speaking minority became the cultural majority

Luciano Gallinari (Cagliari) Catalans in Sardinia and the transformation of Sardinians into a political minority

COFFEE

Session 2. 11.15-12.30

Matthias Hardt (Leipzig) Western immigrants in High Medieval Bohemia

Katalin Szende (Budapest) Iure Theutonico? German settlers, local rulers, and legal frameworks for immigration to medieval East Central Europe  LUNCH

Supported by the DAAD Cambridge Research Hub with funds from the German
Federal Foreign Office (FFO)

How to register: To register for the conference, please email Dr Nora Berend, nb213@cam.ac.uk and send a cheque for £ 7 (or the appropriate cost for one day; an optional charge for lunch can also be added, see below) to her to St Catharine’s College, Cambridge CB2 1RL. Cheques must be made payable to St Catharine’s College. Places are limited and will be allocated on a first come, first served basis.

Registration is £4 for Friday and £3 for Saturday; this is to cover the cost of refreshments during the day. Coffe, tea and biscuits will be available.

Lunch will ONLY be provided for those who order and pay £12 by 10 November, but it will be possible instead to leave during the lunch break to get some food in town.

 

Conference: II INTERNATIONAL MEETING MAGISTRI CATALONIAE: Art and Ceremony in the Latin West and the Byzantine East, Universitat Autònoma of Barcelona, 27 April 2016

granmagistricataloniae4Conference: II INTERNATIONAL MEETING MAGISTRI CATALONIAEArt and Ceremony in the Latin West and the Byzantine East, Universitat Autònoma of Barcelona, 27 April 2016.

The II INTERNATIONAL MEETING MAGISTRI CATALONIAE will be held next 27 April 2016 at the Facultat de Filosofia i Lletres of the Universitat Autònoma de Barcelona (UAB). This meeting has been organized by the Research Group (GdR UAB) MAGISTRI CATALONIAE and the Research Project “Mobility and Artistic Transfer in Medieval Mediterranean (1187-1388): artists, objects and models-MAGISTRI MEDITERRANEI”, in collaboration with Facultat de Filosofia i Lletres (UAB).

Scientific Coordinators: Manuel Castiñeiras and Verónica Abenza

The aim of the II INTERNATIONAL MEETING MAGISTRI CATALONIAE: “Art and Ceremony in the Latin West and the Byzantine East”, is to explore the relationship between civil and religious ceremonies and the art and architecture of both Western and Byzantine traditions over the long centuries since the earliest Christian worship to the Late Middle Ages.

Further to the main purposes of this meeting, papers will address two diverse issues: the reinforcement of ritual practices through imagery and the way how drastic reformations of liturgy and civil observances as well as fashion changes often resulted in the modification of architectural arrangements and ceremonial furnishings.

Programme:
Presentation
Manuel Castiñeiras, Universitat Autònoma de Barcelona.

The Byzantine Imperial Coronation Depicted in Art and a New Interpretation of the Assembly of the Archangels inside a Secular Context
Anastasios Papadopoulos, Aristotle University of Thessaloniki.

Court ceremonies and rituals of power in Sicily (1187-1222)
Verónica Abenza, Universitat Autònoma de Barcelona.

Bishop Bernward and St. Michael of Hildesheim – A Donator and his Inscription-bearing Artworks
Wilfried Keil, Universität Heidelberg.

Jerusalén en procesión
Avital Heyman, Independent Scholar.

La imagen del profeta Daniel en las ceremonias de coronación. El caso de San Michele de Pavía
Juan Antonio Olañeta, Universitat de Barcelona.

 

Edinburgh College of Art Trecento seminar, Artist and Authorship (6 May 2016)

Scultore, Firenze, Museo Bardini3 (1)6th May 2016
10:00 – 17:00
Hunter Lecture Theatre, Edinburgh College of Art, 74, Lauriston Place , Edinburgh

Convened by Claudia Bolgia and Luca Palozzi from the School of History of Art

This one-day international research seminar on ‘Artist and Authorship’ is designed to take stock of the field, showcase award-winning, original research and discuss different methodologies, thus charting new avenues for future research. While the research seminar’s main focus of attention is the Italian Trecento, contributions reach well beyond it to investigate different geographical areas – both East and West (Portugal, France, Spain, Byzantium) – across a broader timespan, including contemporary perspectives on the topic.

FREE AND OPEN TO ALL.

BOOK YOUR FREE TICKET(S) HERE. LIMITED CAPACITY

Programme

10.00 – 10.15 Luca Palozzi (Edinburgh College of Art), Introduction

Session 1: Visual Networks and Artistic Flows

Chair: Luca Palozzi (Edinburgh College of Art)

10.15 – 10.40 Emanuele Lugli (University of York), ‘Inventing the Network: Linking Figures and Connecting Knowledge in Trecento Italy’

10.40 – 11.05 Carla Varela Fernandes (Universidade Nova de Lisboa, Portugal), ‘France-Catalonia-Portugal: artistic flows in the Trecento. Some examples from the Digital Index of Magistri Cataloniae’

11.05 – 11.20 Q&A

11.20 – 11.40 Coffee break

Session 2: Authorship and Self-Representation: East and West

Chair: Claudia Bolgia (Edinburgh College of Art)

11.40 – 12.05 Maria Lidova (British Museum, University of Oxford), ‘Manifestations of Authorship: Artists’ Signatures in Byzantium’

12.05 – 12.30 Giampaolo Ermini (Scuola Normale Superiore, Italy), ‘The Opere firmate nell’arte italiana / Medioevo Project : some notes on Sienese metalworkers’ signatures: goldsmiths, locksmiths, bell makers’

12.30 – 12.55 Donal Cooper (University of Cambridge), ‘The Authorship and Audience of the Meditations of the Life of Christ’

12.55 – 13.10 Q&A

13.10 – 14.00 Lunch

Session 3: Self-awareness and Reception

Chair: Claudia Bolgia (Edinburgh College of Art)

14.00 – 14.25 Luca Palozzi (Edinburgh College of Art), ‘Before the Paragone: Trecento Visual Intelligence and the Critical Misfortune of Sculptors’

14.25 – 14.50 Corin Sworn (Artist and Lecturer, Ruskin School of Art, Oxford), ‘The Mobile Screen and the Early Modern Stage: A contemporary artist’s take on borrowing from the past’

14.50 – 15.00 Q&A

15.00 – 15.20 Coffee break

Session 4: Postgraduate Research Showcase, Discussion and Conclusions

Chairs: Claudia Bolgia (Edinburgh College of Art), Robert Gibbs (University of Glasgow), John Richards (University of Glasgow), Luca Palozzi (Edinburgh College of Art)

15.20 – 15.50 Research Showcase with History of Art PhD candidates at the University of Edinburgh

Maria Gordusenko, ‘Magester Ursus and his self-representation in the church of Santi Pietro e Paolo in Ferentillo’
Amelia Hope-Jones, ‘The Elusive Artist: A Thirteenth-Century Tabernacle in the National Gallery of Scotland’
Fabian Bojkovsky, ‘A Jewish Convert as Artist: The Shrine of San Vicente, Sabina and Cristeta at the Intersection between Legend, Historicity and Propaganda’
15.50 – 16.20 Discussion

16.20 Claudia Bolgia (Edinburgh College of Art), Conclusions

For all enquiries, please email: luca.palozzi@ed.ac.uk.

Call for Applications: Cathedral Cities. Planning and Building a Medieval Utopia – II TEMPLA Summer School

catedralvistaaereaCall for Applications: Cathedral Cities. Planning and Building a Medieval Utopia –
II TEMPLA Summer School,
“Nicolau d’Olwer i Pere i Joan Coromines” room,
Institut d’Estudis Catalans, Carrer del Carme 47,  08001 Barcelona, July 14th-16th 2016
Deadline: May 29, 2016

TEMPLA, a permanent workshop of Medieval Studies composed of specialists from universities, museums and archives from different parts of Spain, Europe and in particular Catalonia, seeks applications for its second Summer School, Cathedral Cities. Planning and Building a Medieval Utopia. National and international researchers into medieval art history and related disciplines are invited to to debate the concept and expression of “Cathedral Cities”, which have boosted in European episcopal sees during the medieval period. The studies of Cathedral City Landscapes could reveal the historical and living memory they  contain.
This call aims to understand how the fragile historical centers of cathedral cities have become the bearers of European’s identity, memory and their complex and plural intangible heritage. The medieval cathedral is widely seen as one of the most important contributions to European and global cultural history. Besides they often are the largest and oldest of all monuments in a city or town, cathedrals and their functioning influenced the way the city evolved. They are therefore essential to our understanding of local and regional history. Alongside their urban influence cathedrals are places for people – social congregation for secular and religious occurrence, where the memories of people and events were made and are now stored, where history and “invented traditions” intertwine.
The progress about knowledge of this European heritage is a necessary measure to protect its visibility and understanding as well as to justify the survival and sustainability of their uses. This living heritage, condenser and referential framework of social and cultural pan-European principles, is at risk of depletion and irrelevance. Therefore the results of the II TSS will be transferred to the academic community, but also to policy makers and citizens in general.

The School’s aims are:

1. To analyse the confluence of diverse resources and actors (institutional, economic, topographic, architectural…) activated to planning and building the place of cathedrals inside medieval cities and development of medieval cities around their cathedrals.
2. To propose new forms of contextualising historical building of European bishoprics in order to explain the results of artistic promotion underlining extra-artistic factors: e.g. liturgical, devotional, circulatory, … as well as convergence of actions by ecclesiastical and civil policies. For proper understanding of this issue it is necessary to emphasize the corresponding “framework for action”.
3- To evidence that the urban and architectural heritage of medieval cathedral cities is bearer of axiological meaning and transmitter of European identity, the validity of the collective memory and also builder of real and imaginary urban landscape.
4- To establish, on the basis of the results of the two previous objectives, new approaches and multidisciplinary research in the urban and social environments of European Cathedral Cities.

Organised by: Gerardo Boto, Marta Serrano, Vincent Debiais; TEMPLA. Institut de Recerca Històrica, Universidad de Girona.

How to Apply:  This scientific meeting is intended for a small number of participants; the application procedure allows for 10 researchers to be invited to present their research. Participants will be expected to take an active role in the debates that will follow each presentation. Every researcher must benefit from the contributions of the other specialists. The presentations and debates may take place in Spanish, French, Italian or English.
Format: The debates will take place on the first two days. On the third day there will be a visit to a Catalan Cathedral City to highlight in situ its particular specificities regarding episcopal and civil urbanism.
The workshop is principally aimed at young pre- and postdoctoral researchers in the areas of history of art, history and liturgical studies. Those who are interested in participating in the TEMPLA Summer School 2016 must submit:
• A letter of motivation that includes a description their current research,
• A CV (maximum one page)
• A presentation proposal (maximum 300 words).
These documents may be in Spanish, French, Italian or English.

The deadline for submitting this documentation is May 29 2016. It must be sent to (both): gerardo.boto@udg.edu and marta.serrano@urv.cat
Applicants will receive a response before June 13 2016. The successful candidates must provide the organizers with a description of the ideas they wish to present, any images relating to their presentation and a brief bibliography by June 26 2016. This documentation will be used to create a dossier a hand-out for the other attendees. The aim of this initiative is to encourage participants to submit proposals of direct interest to the planned debates.

Expenses for accomodation, lunch and other activities will be covered by the organisers. Participants must pay their travel expenses to the workshop.