As a follow-up to the display Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the Victoria & Albert Museum, London (now extended to 26 June), a symposium will take place online on 7-8 July (pm). The Fragmented Illuminations Symposium will seek to make sense of these detached leaves, cut-out initials and other ornamented snippets. DayContinue reading “Symposium: Fragmented Illuminations, Victoria & Albert Museum, 7-8 July, 2022”
The symposium will explore how the medieval past is ‘curated’, that is, collected, interpreted, and communicated, across both professional and popular society. In addition, the symposium looks to question the ways in which medievalism impacts these acts of curatorship. Guided by the underlying principle that remembering and communicating the medieval past is a processContinue reading “Symposium: The Public Curatorship of the Medieval Past. University of Lincoln, 15th September 2022”
Registration is now open for NYU MARGIN’s 2022 Graduate Symposium.
This conference seeks to expand our current understanding of the wearable in the Middle Ages.
Almost every Medieval church had one or more sculptures of saints, many of which were placed on altars, in wall niches or in so-called tabernacle-altarpieces. This last category refers to three-dimensional, canopied structures, embellished with bright colours and equipped with movable wings that housed cult images of the Virgin and Child or saints. This early type of altarpieceContinue reading “CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019”
This free study day will act as an introduction to Ethiopian and Eritrean manuscripts dating from the 4th to 18th centuries. Context, production, and patronage will be discussed by leading experts from institutions such as The British Library and SOAS. See the detailed schedule and link to register below.
Please join us at our Summer Symposium on the theme of ‘Emotion and Devotion in Medieval Europe’. Thursday 21 June 2018, 09:00-18:00 Van Emden Lecture Theatre and G27L, Edith Morley, Whiteknights campus This symposium will explore the growing area of research into the study of male and female medieval lay piety, and is being runContinue reading “Symposium: Reading Annual GCMS Summer Symposium (21st June 2018”
Call for Papers: Excess, 34th Annual Boston University Graduate Symposium in the History of Art and Architecture, Boston University, 2-3 March 2018 Deadline: December 1, 2017 Excess conjures the idea of the extractable, left over, too much, or “extra.” Looking closely at perceptions of the extraneous reveals excess to be a historically constructed category that marks shifting notions ofContinue reading “CFP: ‘Excess,’ 34th Annual Boston University Graduate Symposium in the History of Art and Architecture, Boston University, Boston, MA, 2-3 March 2018”
Call for Papers: Sixth Annual Symposium on Medieval and Renaissance Studies, St Louis University, St Louis, Mo., USA, 18th-20th June, 2018 Deadline: December 31 The Annual Symposium on Medieval and Renaissance Studies provides a convenient summer venue in North America for scholars in all disciplines to present papers, organize sessions, participate in roundtables, and engage in interdisciplinaryContinue reading “CFP: Sixth Annual Symposium on Medieval and Renaissance Studies, St Louis University, St Louis, Mo., USA, 18th-20th June, 2018”
Das 18. Symposium findet unter dem Titel „Schaffen und Nachahmen. Kreative Prozesse im Mittelalter“ vom 17.-20. März 2019 in Tübingen statt. In der Gegenwart wird das Verhältnis von Schaffen und Nachahmen und deren Bedeutung für kreative Prozesse neu ausgehandelt: Die Postmoderne hat das Subjekt dezentriert und intensiv über den Tod des Autors diskutiert. Die Möglichkeiten, die erst dieContinue reading “CFP: Schaffen und Nachahmen (Tuebingen, 17-20 Mar 19)”