Author Archives: tomnickson2013

Vacancy: Lecturer in Art History (pre 1750), University of St Andrews

St AndrewsLecturer in Art History – AC2042AC

University of St Andrews – School of Art History

Start Date: As soon as possible

We wish to appoint a Lecturer (Pre 1750) within the School of Art History. You will be a scholar with a growing international research reputation in art or architectural history or a related field and a commitment to delivering high quality teaching within the field of art history (broadly defined). The successful candidates will be expected to have a range of interests, to be active in research publication that strengthens or complements those in the School and to be capable of teaching the subject to undergraduate and taught postgraduate students from a wide range of backgrounds.

Candidates should hold a PhD in a cognate discipline. Excellent teaching skills and an interest in promoting knowledge exchange are essential. You should also have some familiarity with grant seeking processes in relation to research councils and other sources.

Informal enquiries can be directed to the Head of the School of Art History, Dr Julian Luxford (jml5@st-andrews.ac.uk)

The University of St Andrews is committed to promoting equality of opportunity for all, which is further demonstrated through its working on the Gender and Race Equality Charters and being awarded the Athena SWAN award for women in science, HR Excellence in Research Award and the LGBT Charter; http://www.st-andrews.ac.uk/hr/edi/diversityawards/.

We encourage applicants to apply online at www.vacancies.st-andrews.ac.uk/welcome.aspx, however if you are unable to do this, please call +44 (0)1334 462571 for an application pack.

Closing Date: 24 April 2017

Please quote ref: AC2042AC

Further Particulars: AC2042AC FPs.doc

Apply: http://www.jobs.ac.uk/job/AYE601/lecturer-in-art-history-ac2042ac/

Vacancy: Lecturer in Museum and Gallery Studies, University of St Andrews

St AndrewsLecturer in Art History – AC2041AC

University of St Andrews – School of Art History

Start: As soon as possible.

We wish to appoint a Lecturer in Museum and Gallery Studies within the School of Art History. You will be a scholar with a growing international research reputation in museology or a related field and a commitment to delivering high quality teaching within the broad field of museum and gallery studies. The successful candidate will be expected to have a range of interests, to be active in research publication that strengthens or complements those in the School and to be capable of teaching the subject to taught postgraduate students from a wide range of backgrounds.

Candidates should hold a PhD in a cognate discipline. Excellent teaching skills and an interest in promoting knowledge exchange are essential. You should also have some familiarity with grant seeking processes in relation to research councils and other sources.

Informal enquiries can be directed to the Head of the School of Art history, Dr Julian Luxford (jml5@st-andrews.ac.uk)

The University of St Andrews is committed to promoting equality of opportunity for all, which is further demonstrated through its working on the Gender and Race Equality Charters and being awarded the Athena SWAN award for women in science, HR Excellence in Research Award and the LGBT Charter;  http://www.st-andrews.ac.uk/hr/edi/diversityawards/.

Closing Date: 24 April 2017

Please quote ref: AC2041AC

Further Particulars: AC2041AC FPs.doc

Apply: http://www.jobs.ac.uk/job/AYD787/lecturer-in-art-history-ac2041ac/

Job (permanent): Properties Historian at English Heritage, deadline 15 April 2017

EHEnglish Heritage is looking for a Properties Historian for a permanent post based in London. Salary c. £30,000. They’re especially keen to find a specialist on castles, or a medievalist. Deadline 15 April 2017. Further details here

 

 

(From the EH site) We are looking for a historian, archaeologist or architectural historian to carry out research into our 420 historic monuments, buildings and sites. You will be part of a small team of historians working collaboratively with colleagues from across English Heritage to deliver innovative and engaging interpretation schemes for visitors to our sites.

Under the direction of a Senior Properties Historian you will be responsible for undertaking and managing research into our sites, and for the dissemination of this research to a wide audience. Working on projects with Curatorial Department colleagues, you will formulate and implement research programmes, providing content and supporting materials for high-quality new presentation schemes. You will also make research publicly available through publication in a variety of media including guidebooks, scholarly journals, the English Heritage website and Members’ Magazine.

We are looking for someone who can work independently, often to very tight deadlines, engaging constructively with a wide range of stakeholders, including curators, interpreters, visitor operations staff and external specialists. You will need to be confident in documentary and archaeological research, and able to synthesise material of different types, ranging from oral history to web-based sources. Your work will include sites from all periods in England’s history, though a specialism in the study of castles and their landscapes and/or post-medieval fortifications would be a distinct advantage.

We bring the story of England to life for over 10 million visitors each year. No matter what they do and where they do it, our people play their part in protecting and presenting some of the greatest places in England for the benefit and enjoyment of our visitors.

We offer a wide benefits package to our employees including a competitive pension scheme, 25 days holiday and free entry into English Heritage sites.

Closing date: 15/04/2017 23:59:59

Early Career Lectureship in Medieval Art at The Courtauld, 3 years, from September 2017

The Courtauld Institute of Art seeks to appoint an Early Career Lecturer in Medieval Art (fixed-term; 3 years from 1 September 2017) to support and deliver teaching in the Department of Art History.

Salary: £35,798 pa (Inc. London Allowance)

courtauld-exterior_new_small-jpg-500x240

 

The Courtauld Institute of Art is the UK’s leading institution for teaching and research in Art History and the conservation of paintings; it is also home to one of the finest small art museums in the world.

Closing date: Monday 13 March 2017

Further details: https://jobs.courtauld.ac.uk/Vacancy.aspx?ref=121

Locating Becket

How can the life and cult of Thomas Becket be traced through material culture? This was the question at the heart of the ‘Locating Becket’ workshop, sponsored by CHASE, and held at the British Library, British Museum and Courtauld Institute of Art on Tuesday 6th December 2016. Curators and scholars gathered first at the British Library to examine a number of manuscripts connected to Becket’s life and cult, including Cotton Claudius B II, with the earliest representation of Becket’s martyrdom (below). This fairly stable iconography  could be followed in later manuscripts, including the (very bloody) Huth Psalter (Add MS 38116 ), a 15th-century Book of Hours from Rouen (Harley 1251), and in two seals attached to Ch. 17353 and Harley Ch. 44 C 33.

martyrdom-thomas-becket-a80136-48

Becket’s martyrdom, from Alan of Tewkesbury’s letters, British Library Cotton MS Claudius B II, late 12th century. Image in the public domain.

An early collection of Becket’s miracles was also examined (Egerton MS 2818), as well as the early fourteenth-century ‘memorandum book’  of Prior Henry Eastry (Cotton Galba E. iv), which includes an inventory of Prior Eastry’s interventions, an extensive inventory of the sacristy, and an inventory of the library. Finally, we looked at the early fifteenth-century customary of Becket’s shrine (Additional 59616), with extensive instructions  for the celebration of his feast days, which is bound together with two copies of his lives which seem to have been kept at the shrine and read to pilgrims.

The afternoon was spent looking at the British Museum’s extraordinary collection of pilgrims’ badges, ampullae, reliquaries and other objects related to Becket, including the impression of the 15th-century seal of the Mercers Company (below), which shows Becket on a ship, returning from exile.

becket

Impression of a Mercers’ company seal matrix, after 1462

 

Below is a full list of the objects consulted at the British Museum:

Badges
1836,0610.32, ca. 1320-1450, Becket bust, purchased from Cureton.

1855,0804.70, ca. 1250-1350, Becket contained within a T, found Thames 1845, previous owner Chaffers, then Cureton.

1855,0724.5, head of Becket between two raised swords contained within an octofoil frame, ca. 1320-1450. Purchased from William Edwards.

1856,0701.2036, ca. 1300-1350, bust of Becket between a nine point star, inscription SANCTVS.THOMAS, found 22nd August 1850, purchased Charles Roach Smith.

1856,0701.2031 and 2032, two badges in the form of Becket’s bust, ca. 1320-1450, purchased Charles Roach Smith.

1856,0701.2039, ca. 1350-1400, four embossed fleur-de-lis in the form of a quatrefoil around a central boss, inscription SANTE.THOMA.OR.P.M., purchased Charles Roach Smith, previous collection Edward Wigan.

1868,0904.39, badge in the form of a kind of ship known as a cog, ca.1350-1400, donated by Franks.

2001,0702.1, Becket’s bust reliquary, ca. 1320-1375, found Billingsgate.

OA.1817, decorative sword sheath (referring to the relic of the sword tip) with Fitz Urse coat of arms, ca. 1350-1450.

2001,0702.2, Becket riding  a peacock, ca. 1250-1350, found Thames Exchange.

dec-2016-bm-handling-session

Ampullae

1891,0418.21, ampulla with circular openwork tracery. The obverse of the ampulla is embossed with the standing figure of St Thomas Becket in a bishop’s mitre and chasuble, with an equal-armed cross standing out from his breast. The reverse bears a representation of his martyrdom with Becket kneeling in the centre, inscription OPTIMUS EGRORVM.MEDICVS.FIT.THOMA.BONORVM, ‘May Thomas be the best doctor of the worthy sick’, ca. 1220-1420.

1896,0501.69, the front of the ampulla  depicts the standing figure of St Thomas Becket in mitre and chasuble,  making a gesture of benediction and holding a crosier. The reverse shows the  scene of his martyrdom with one knight faced by a kneeling Becket. The  frame is filled with openwork decoration of symmetrical sexfoil and fleur-de- lis motifs and a representation of the front- and back-view of a seated  Becket, depicted in episcopal garb, enclosed within a roundel. Inscription, REGENAKDVS.FILIVS HVRS:THOMAS:MARTIRIVM:FECE:FR., ‘Reginald Fitz Urse brought to pass the Martyrdom of Thomas’, donated by Franks.

2001,0702.3, chasse shaped ampulla, ca. 1250-1350, found Billingsgate.

2001,0702.6, ship-shaped ampulla (referring to Becket’s return from exile) with a high relief representation of Becket, ?ca. 1170-1250, found Billingsgate.

 

Seals

1880,0624.1, impression of Mercer’s company seal matrix, showing a  half-figure of St Thomas of Canterbury in a ship, inscriptions, ‘sigillu : anglicor in flandria : brabancia : hollandria: zeeladia : m’cat’ and ‘s. thomas catuar’, after 1462, found Harrow.

1913,1105.3, Langdon Priory seal matrices. On the obverse is a Virgin and Child seated in a canopied niche on a corbel. On the reverse is a scene of the  Martyrdom of St Thomas in Canterbury Cathedral. 13th century. Inscriptions, ‘SIGILL’ . COMMVNE MONASTERII: ECCE: DE MARIE: DE: LANGEDON’ and ‘CAVSA: DOMVS: XPI: MORTEM: SIC: IRTVLIT ISTI’.

1981,1103.1, Seal-matrix: Warden of Greyfriars at Canterbury. Inscription, ‘SIG GARDIANI FRUM MINORU CANTUARIE’. Ca. 1330-1350.

casket-interior

Reliquaries and other objects

AF.2765, Reliquary pendant showing on the observes John the Baptist and possibly Thomas Becket on the reverse. Inscription, ‘A MON + dERREYNE’. Late 15th century, found Devizes.

1878,1101.3, Chasse depicting the martyrdom of Becket, ca. 1210, donated by Meyrick, previous collection Douce.

1852,0327.1, Henry of Blois plaques, made possibly in England, ca. 1150-1171. Inscriptions:
+ MVNERA GRATA DEO PREMISSVS VERNA FIGVRAT. ANGELVS AD  CELVM RAPIAT POST DONA DATOREM;. NE TAMEN ACCELERET NE  SVSCITET ANGLIA LVCTVS, CVI PXA VEL BELLVM MOTVSVE  QVIESVE PER ILLUM (= ‘The aforementioned slave shapes gifts pleasing to God.  May the angel take  the giver to Heaven after his gifts, but not just yet, lest England groan for it,  since on him it depends for peace or war, agitation or rest.’) + ARS AVRO GEMMISQ (UE) PRIOR, PRIOR OMNIBVS AVTOR.  DONA  DAT HENRICVS VIVVS IN ERE DEO, MENTE PAREM MVSIS (ET)  MARCO VOCE PRIOREM.  FAME VIRIS, MORES CONCILIANT  SUPERIS.  Also inscribed within the scene, HENRICUS EPISCOP  (‘Art comes before gold and gems, the author before everything.  Henry, alive in bronze, gives gifts to God.  Henry, whose fame commends him to  men, whose character commends him to the heavens, a man equal in mind to  the Muses and in eloquence higher than Marcus [that is, Cicero].’)

1854,0411.2, enamelled casket depicting the murder of Becket, 13th century, purchased from William Forrest.

1890,0809.1, alabaster panel showing the murder of Thomas Becket,

 

Prints and Drawings

1973,0512.3.2, Ecclesiae Anglicanae Trophaea, Plate 2: the Trinity surrounded by angels in the upper section; two bishops in  brocaded cloaks in the lower section, after Niccolò Circignani, etching.

1973,0512.3.25, Ecclesiae Anglicanae Trophaea, Plate 25: the martyrdom of St Thomas, archbishop of Canterbury, the saint  kneeling before the altar, about to be martyred by a group of soldiers with  swords; scene separated from the background by a balustrade with balusters;  St Thomas named archbishop by Henry II at far left; saint kneeling before  Pope Alexander III seated on a throne, accompanied by two male attendants  at far right, etching.

illustration-to-bowyers-edition-of-humes-history-of-england-1793

Illustration to Bowyer’s edition of Hume’s History of England, 1793

1853,1210.383, Illustration to Bowyer’s edition of Hume’s History of England; the  assassination of Thomas Becket, wrestled to his knees by a gang of four  knights, one raising a bludgeon above him, his mitre and staff fallen at left.   1793, etching and engraving.

1856,0607.15, Portrait of Thomas Becket, head and shoulders to left, with hands joined in  prayer, wearing ecclesiastical robes, a sword wedged in his skull.  1647, etching.

The day concluded with a lecture at The Courtauld by Cynthia Hahn, ‘Like life-giving seeds: The Multiplication and Dissemination of Relics and Reliquaries‘.

This event was made possible through a CHASE Network Development Grant, with additional support from the University of Kent and The Courtauld.

Some good book offers from Brepols

On the occasion of Black Friday Brepols offersyou these 20 books for only € 20 each.

Place your order now as this offer is only valid from 25 to 27 November 2016 and only applicable for orders placed on the brepols webshop.

 

The Vatican Necropoles
Rome’s City of the Dead

  1. Liverani, G. Spinola, P. Zander

€ 95 > € 20

 

This is the first published summary of the entire complex of the great necropoles of Rome, which were situated on Vatican Hill.

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SPECULUM SERMONIS
Interdisciplinary Reflections on the Medieval Sermon

Edited by G. Donavin, C. J. Nederman, R. Utz

Series:  Disputatio

€ 60 > € 20

 

This anthology of essays reveals how sermons impact upon a range of disciplines, and how the methodologies of different disciplines inform sermons.

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LIVING IN THE CITY
Elites and their Residences, 1500-1900

Edited by P. Janssens, J. Dunne

Series:  Studies in European Urban History (1100-1800)

€ 65 > € 20

 

Focussing on the most basic aspect of urban living, this collection is concerned with the study of the places and types of residence of urban elites.

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Les actes comme expression du pouvoir au Haut Moyen Age
Actes de la Table Ronde de Nancy

Edited by M.-J. Gasse-Grandjean, B.-M. Tock

Series: Atelier de recherche sur les textes médiévaux

€ 50 > € 20

 

Actes de la Table Ronde de Nancy, 26-27 novembre 1999

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Illuminating the Law
Illuminated Legal Manuscripts in Cambridge Collections

  1. L’Engle, R. Gibbs

Series: Studies in Medieval and Early Renaissance Art History

€ 96 > € 20

 

This catalogue offers introductory essays on the making and the use of medieval legal manuscripts in Cambridge collections, in order to call attention to the illuminated legal texts as splendidly decorated medieval manuscripts.

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Making and breaking the rules: succession in medieval Europe, c. 1000-c.1600
Etablir et abolir les normes: La succession dans l’Europe médiévale, vers 1000-vers 1600
Edited by F. Lachaud, M. Penman

Series: Histoires de famille. La parenté au Moyen Age

€ 55 > € 20

 

Proceedings of the colloquium held on 6-7-8 April 2006. Actes de la conférence tenue les 6, 7 et 8 avril 2006, Institute of Historical Research (University of London).

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Les élites au haut moyen âge
Crises et renouvellements
Edited by F. Bougard, L. Feller, R. Le Jan

Series: Haut Moyen Âge

€ 65 > € 20

 

L’ouvrage propose un objet d’étude fascinant et paradoxal à la fois, celui des crises et du renouvellement des élites au haut Moyen Âge.

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The Order of the Golden Tree
The Gift-giving Objectives of Duke Philip The Bold of Burgundy

C.M. Chattaway

Series: Burgundica

€ 70 > € 20

 

“Chattaway’s study is a profound one and solidly grounded in archival research, which is why it has earned a place in the prestigious Burgundica series”. (Bas Jongenelen in Sixteenth Century Journal, XXXIX/1, 2008, pp. 326-327)

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Saints, Scholars, and Politicians
Gender as a Tool in Medieval Studies
Edited by M. van Dijk, R. I.A. Nip

Series: Medieval Church Studies

€ 45 > € 20

 

The essays within this volume critique and evaluate the use of gender as a major analytical tool in medieval studies.

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Kleine Schriften zu den Konzilsakten des 7. Jahrhunderts
R. Riedinger

Series: Instrumenta Patristica et Mediaevalia

€ 78,10 > € 20

 

A collection of 22 articles by the author published in widely differing outlets in the period 1976-1996.

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The Ways of Jewish Martyrdom
S. Goldin

Series: Cursor Mundi

€ 85 > € 20

 

“Enlisting a wealth of sources, the author attempts to explain the valorization of martyrdom as a cultural norm in medieval Jewish communities of Germany, France and England.” (Susan L. Einbinder, in: The Medieval Review, 09.02.06)

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Liberté et progrès chez Origène

  1. Lekkas

Series: Monothéismes et Philosophie

€ 60 > € 20

 

Le travail de Georges Lekkas est unique, en ce qu’il construit une thèse qui suit parfaitement le rythme de l’élaboration origénienne et qui décrit l’évolution progressive du réseau argumentatif.

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La Salle aux Trésors

Chefs-d’œuvre de l’art Roman et Mosan
Edited by C. Dumortier

Series: Royal Museums for Art and History, Brussels / French version

€ 55 > € 20

 

La Salle aux Trésors du Musée du Cinquantenaire présente des œuvres médiévales comptant parmi les plus belles, les plus précieuses et les plus rares conservées aux Musées Royaux d’Art et d’Histoire.

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Livres et lectures de femmes en Europe entre moyen âge et renaissance
Edited by A.-M. Legaré

€ 120 > € 20

 

“Un ouvrage sérieux, érudit et varié (…).”

(Aladin. Le magazine des chineurs, N° 240, juin 2008)

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A Catalogue Raisonné of Scientific Instruments from the Louvain School, 1530-1600

  1. Van Cleempoel
    Series: De Diversis Artibus

€ 75 > € 20

 

This object-based study concentrates on scientific instruments made in Louvain between c. 1530 and c. 1600, a period in which the university fell from the peak of its importance into a state of decline.

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Les Principautés dans l’Occident Médiéval
A l’origine des régions
Edited by B. Demotz

€ 61 > € 20

 

Cet ouvrage présente un panorama des fondations et de l’évolution des principautés afin d’évaluer une réalité historique encore trop sous-estimée, mais il se veut aussi une réflexion sur un des sujets fondamentaux de l’histoire politique.

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Images de musiciens (1350-1500)

Typologies, figurations et pratiques sociales

  1. Clouzot

Series: Epitome musical

€ 80 > € 20

 

“La force du livre, luxurieusement illustré, de Martine Clouzot est de montrer que les enluminures des manuscrits médiévaux, loin d’être une fenêtre ouverte sur le monde des musiciens, recodent une réalité déjà codée.” (L’Histoire, n° 329, mars 2008)

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Le château, autour et alentours (XIVe – XVIe siècles)

Paysage, parc, jardin & domaine
Edited by J.-M. Cauchies, J. Guisset

€ 73 > € 20

 

Un château, c’est d’abord une bâtisse. Il y a un faisceau de composantes qui mériteront de capter, à travers textes, images et objets, l’oeil de l’historien, de l’historien de l’art et de l’archéologue.

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Logica Morelli
Edited from the manuscripts with an introduction, notes and indices

  1. Spruyt

Series: Studia Artistarum

€ 50 > € 20

 

This volume contains the first critical edition of a Spanish textbook on logic, found in the libraries of Sevilla and Zaragoza.

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Manichaeism and Early Christianity

Edited by L. Cirillo, A. Van Tongerloo

Series: Manichaean Studies

€ 75 > € 20

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British Museum Handling Session: Medieval Light

candlestock-bmOn 23rd November 2016 Lloyd de Beer and Naomi Speakman from the British Museum once again kindly allowed staff and students from The Courtauld to look at objects from the museum’s store rooms, focused on the theme of light.

We looked at a number of objects associated with the production of light, including a Byzantine brass lamp and polycandelon. This led to a long discussion about the kinds of shadows such objects would produce, and the use of olive oil for lamps across the Mediterranean. How would other objects on the altar be affected by the light from candles or lamps, we wondered, especially in relation to transparent reliquaries such as this late 13th- or early 14th-century example.

We then examined a number of candlesticks, including this bronze base for a candestick, probably made in 13th-century England; a Limoges pricket candlestick, of a kind found across medieval Europe; and a 15th-century silver candlestick, one of a set of altar implements from the church of Vera Cruz in Medina del Pomar (Spain). We wondered about the relative costs of olive oil vs wax, and the potential for collection and reuse of dripped wax.

We also discussed the custom of lighting candles around cult images, as implied by this 13th-century seal from York, and the story of St Blaise and the two wax candles, as shown in this 16th-century French seal. Finally, we spent a long time puzzling over the BM’s extraordinary candle-stock. This is one of a pair (the other is in Jesus College, Cambridge), but is otherwise a unique survival. It is made of wax and is tapered like a candle, but is richly decorated and completely hollow, so could never function like a candle. Instead it seems to have been a kind of disguised support for a candle, one that would give the impression that very large (and expensive) candles were being burnt.

We were accompanied in this handling session by Dr Mikkel Bille, an anthropologist from the University of Roskilde, who gave a lecture the previous evening as part of The Courtauld’s 2016 Frank Davies Lecture Series on Light and Darkness, organised by Tom Nickson and Stefania Gerevini. We were also joined by two artists from Lumen Studios. This was the latest in a series of workshops organised through the ‘Medieval Touch‘ research group.

light-handling-session