Tag Archives: Books

New Books: ‘Il Maestro di Nola’ and ‘Medieval manuscripts: Ghent University Library’

Il Maestro di Nola. Un vertice impareggiabile del tardogotico a Napoli e in Campania, by EMANUELE ZAPPASOD

ISBN: 978-8874613465

Description:
En los últimos años se ha puesto de manifiesto, cada vez con más claridad, que el patrimonio artístico del sur de Italia puede compararse, por la calidad, importancia y carga poética, de igual a igual con las obras producidas por otros centros cuyo valor ha sido ponderado desde hace mucho tiempo por una larga tradición histórica.

La Galería Sarti siempre ha mantenido vivo el enfoque en el arte de esta tierra llena de creatividad, que en la época medieval y renacentista constituyó un animado cruce de diferentes culturas y el centro de una espesa circulación mediterránea que incluía Sicilia, Cerdeña, Liguria, pero también Francia y España. Una similar pluralidad de influencias que se mezclan con la tradición local ha fomentado el nacimiento de un lenguaje fascinante, rico de una abrumadora expresividad y, al mismo tiempo, de una elegancia refinada.

El libro -con el estudio específico de Emanuele Zappasodi y el de Virginia Caramico sobre el contexto artístico del Reino de Nápoles entre los siglos XIV y XV – presenta el redescubrimiento de una hermosa pintura, hasta ahora desconocida, del pintor conocido como Maestro di Nola, un raro artífice que, a juzgar por la alta calidad de sus obras, supuso realmente la cumbre incomparable del gótico tardío en Nápoles y Campania.

El volumen -destinado a ser en el futuro un valioso punto de referencia para futuros estudios- permite dibujar con mayor claridad la trayectoria del artista y arrojar nueva luz sobre algunos episodios importantes de la pintura a finales del gótico en Campania.

More information here.

 

Medieval manuscripts. Ghent University Library

Medieval manuscripts: Ghent University Library, by Albert Derolez
ISBN: 9789461613813 ISBN-13: 9789461613813

Description:

This is the first catalogue to provide metadata on all medieval manuscripts in the collection of Ghent University Library. The catalogue offers full descriptions of texts and provides codicological data for all handwritten books and archival documents on parchment or paper, including fragments, dating prior to c. 1530. Giving all the essential information in a nutshell and in a uniform way opens numerous ways to new research with these unique relics. Albert Derolez (1934) is Curator emeritus of Manuscripts and Early Printed Books at Ghent University Library. He taught for many years palaeography and codicology at the Free Universities of Brussels and at several American universities. President of the Comité International de Paléographie Latine 1995-2005. Editor-in-Chief of the series Corpus Catalogorum Belgii. The Medieval Booklists of the Southern Low Countries (1994-2016). Editor of the Liber Floridus of Lambert of Saint-Omer (1968), the Liber divinorum operum of Hildegard of Bingen (1996), and other medieval texts. Author of books on medieval libraries, codicology and palaeography.

More information here.

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Book roundup: New items in English, French, Dutch and Italian

Monstres-medievaux_couv_c-300x400DAMIEN KEMPF, MARIA KEMPF. Monstres médiévauxIntervalles, 2017, 95 p.
ISBN: 978-2369560616

Plus de 100 illustrations, dont de nombreuses inédites, tirées des fonds prodigieux de la British Library et du J. Paul Getty Museum.

Les monstres envahissent nos rêves : effrayants, laids, narquois ou sympathiques, ils peuplent notre inconscient. Même s’ils appartiennent à un monde différent, ils ne cessent de nous rendre visite, de se tenir à nos côtés.
L’engouement de plusieurs générations pour Star WarsHarry Potter ou pour toutes les épopées qui reviennent en force dans les romans, les films de science-fiction ou la bande dessinée témoigne que ces créatures qui ont donné lieu à des œuvres d’une richesse inouïe et d’une imagination débordante au Moyen Âge continuent à fasciner, à nourrir notre soif de fantastique.
Les manuscrits médiévaux regorgent d’enluminures prodigieuses où les artistes ont donné libre cours à leur créativité pour donner corps à ces êtres légendaires, dragons, hommes à tête de chiens, licornes, sirènes et autres démons. Ces œuvres nous apportent un éclairage précieux sur la société médiévale – sa conception de la nature et du monde, de la religion et des mœurs, et son imaginaire, dans lequel les monstres occupent un rôle de premier plan.
Il était grand temps de faire sortir de bibliothèques parfois inaccessibles au public toutes ces images de monstres qui ont fait partie intégrante de la culture médiévale, où se mêlaient crainte de Dieu, peur de l’enfer, mais aussi un goût pour le surnaturel et pour des mondes inconnus. Doit-on vraiment s’étonner que nombre d’entre eux nous paraissent étrangement familiers ?

 

foto01PIETER ROELOFS. Johan Maelwael, NAI Publishers, 2017, 126 p.
ISBN: 978-9462083790

Johan Maelwael (ca. 1370-1415) is de eerst bekende Nederlandse schilder. Ruim zeshonderd jaar geleden was hij een van de meest succesvolle kunstenaars in West-Europa. Maelwael groeide op in Nijmegen, de oudste stad van Nederland, gelegen in het hertogdom Gelre. Rond 1400 vierde hij zijn hoogtijdagen in Dijon, een belangrijk artistiek centrum in Europa. Als geliefd hofschilder en kamerdienaar van de machtige Bourgondische hertogen Filips de Stoute en Jan zonder Vrees bouwde hij daar aan een breed oeuvre. .

Deze publicatie beschrijft Maelwaels leven, zijn werk en zijn plaats in de geschiedenis en biedt hiermee een eerste introductie aan liefhebbers en nieuwe inzichten aan specialisten. De met Maelwael in verband gebrachte schilderijen worden getoond samen met een rijkdom aan laatmiddeleeuwse kunstschatten: schilderijen, rijkgedecoreerde handschriften, edelsmeedwerk en sculpturen van getalenteerde tijdgenoten onder wie zijn neven de gebroeders Van Limburg, Jean de Beaumetz, André Beauneveu, Henri Bellechose, Colart de Laon, Claes Sluter en Claes de Werve. Zo ontstaat een beeld van de veelzijdige artistieke praktijk waarbinnen Maelwael werkzaam was. De schoonheid en de mystieke betekenis van deze eeuwenoude objecten zullen de moderne lezer nog steeds verwonderen en intrigeren.

 

lorenzetti ambrogio mono_190A. BAGNOLI, R. BARTALINI. Ambrogio Lorenzetti. Catalogo della mostraSilvana, 2017, 512 p.
ISBN: 978-8836637287

Ambrogio Lorenzetti (Siena, notizie dal 1319 al 1348) fu uno degli artisti più importanti nell’intera Europa tardo-medievale e grazie ai Commentarii di Lorenzo Ghiberti divenne presto famoso presso gli scrittori d’arte.
È universalmente celebre in virtù degli affreschi nel Palazzo Pubblico di Siena, con le allegorie e gli effetti del Buono e del Cattivo Governo. Ma Ambrogio non è solo l’autore di quell’eccezionale capolavoro: gli si devono, infatti, anche straordinari dipinti su tavola e altri cicli di affreschi che non hanno goduto della stessa considerazione.
Il volume affronta l’intera vicenda artistica del pittore: le opere conservate e quelle perdute, il loro linguaggio figurativo e i programmi iconografici, la destinazione e la funzione dei dipinti, la loro conservazione, la loro fortuna storiografica.

 

CFP: Byzantine Heritage in the History and Spiritual Culture of Ukraine, 19 – 22 October 2017, Monastery of St Theodore Studites, Rome, Italy

Culture of Ukraine, October 19 – 22, 2017, Monastery of St Theodore Studites,
Rome, Italy.
Deadline: 25th August 2017.
The International Conference Byzantine heritage in the history and spiritual culture of
Ukraine aims to become a platform for the sharing of knowledge. The conference will
involve the systematic discussion and promotion of the following themes:
  • Byzantine spiritual heritage in the history of Ukraine-Rus’ and Eastern churches of the Kievan tradition
  • the role and influence of the Byzantine Empire in the formation of Ukrainian national identity
  • spiritual culture
  • publishing and literature
  • art
  • theological and philosophical thought
  • religious traditions
and more.
Suggested topics for the conference:
1. Byzantium – Kievan Rus: historical, spiritual and cultural interconnection.
2. Byzantine hesychasm in the tradition of monasticism, and in the culture and
spiritual life of Ukraine-Rus’.
3. The Byzantine Fathers of the Church and the distribution of their books in
Ukraine.
4. Byzantine heritage in literature, art, theological and philosophical
thought, in liturgical science and in the church tradition of Ukraine.
5. “Studion” and its role in reviving the Byzantine Stoudite tradition of the Greek
Catholic Church (contribution by Metropolitan Andrey Sheptytsky and Patriarch
Josyph Slipyj).
6. Byzantine heritage in the traditions of modern Ukrainian monasticism.
7. The current state of Byzantines in Ukraine.
Working languages of the conference: Ukrainian, English, Italian.
The organizers will provide free accommodation and meals for participants during
the conference. There are plans to publish the results of the conference in the
scientific collection Sofia of Kiev: Byzantium. Russia. Ukraine.
The conference will allow for full-time and part-time participation.
How to apply:

The submission should indicate title of paper and author information (name,
surname, academic degree, title or position, address, home or mobile phone, email,
etc.).

The e-mail address of the Organizing Committee is tnu-pres@ukr.net

WALKING TOUR OF THE MEDIEVAL BOOK TRADE OF PARIS

medieval ParisWALKING TOUR OF THE MEDIEVAL BOOK TRADE OF PARIS, led by Christopher de Hamel and Sandra Hindman

Saturday April 8, 2017 Walk at 10 AM

Advanced registration essential: Tel +33 (0)1 42 60 15 58 info@lesenluminures.com http://www.lesenluminures.com
The group will meet outside the west front of Notre-Dame, where the outlines of the former medieval street of the rue Neuve-Notre-Dame are marked on the paving. Right here was the absolute dawn of the book trade in Europe. Here the earliest professional booksellers had their shops from around 1200, together with parchment-sellers, illuminators, scribes and book-binders. The locations of their shops can often be located precisely from the medieval tax records. We will conjure up the businesses in this little street of Emery d’Orléans, libraire (d.1246); Nicholas Lombard, libraire 1248-76; and others. We will stand where the husband and wife team of Richard and Jeanne de Montbaston illuminated romances in the fourteenth century. We see the precise spots where the celebrated Jacques de Besançon illuminated manuscripts in 1472-94 and where Simon Vostre sold luxurious printed books in 1486-1518. We will cross the Petit Pont and walk up the rue St-Jacques, towards the site of the great Dominican convent and publishers of the works of Thomas Aquinas in the thirteenth century.

We will pass the locations of the shops of the booksellers Alain Spinefort, 1491-1506, Claude Jaumar 1493-1500, and others, turning right up the rue de la Parcheminerie, where many medieval scribes and illuminators had houses, including Ameline de Maffliers, a female illuminator in 1292-98, and from there into the little rue Erembourg de Brie (later rue des Enlumineurs). Many famous illuminators worked precisely here, including Honoré 1289-1312, Jean Pucelle (d.1334) and Jean le Noir (d. c.1380), illuminator of the Hours of Jeanne de Navarre and the Petites Heures of the duc de Berry. Finally, we will retrace our steps, back across the Ile de la Cité, over the Pont Notre-Dame, where the illuminator Maître François had his business on the left-hand side of the bridge in 1455-74, as later did the bookseller and printer Antoine Vérard (d.1513). We eventually reach Les Enluminures in the rue Jean-Jacques Rousseau, the libraire principal of manuscripts in modern Paris, for a light lunch and an opportunity to see and buy original manuscripts illuminated and sold in the city in the Middle Ages.

Advanced registration essential: Tel +33 (0)1 42 60 15 58 or info@lesenluminures.com

les-enluminures—press-release-walking-tour

Some good book offers from Brepols

On the occasion of Black Friday Brepols offersyou these 20 books for only € 20 each.

Place your order now as this offer is only valid from 25 to 27 November 2016 and only applicable for orders placed on the brepols webshop.

 

The Vatican Necropoles
Rome’s City of the Dead

  1. Liverani, G. Spinola, P. Zander

€ 95 > € 20

 

This is the first published summary of the entire complex of the great necropoles of Rome, which were situated on Vatican Hill.

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SPECULUM SERMONIS
Interdisciplinary Reflections on the Medieval Sermon

Edited by G. Donavin, C. J. Nederman, R. Utz

Series:  Disputatio

€ 60 > € 20

 

This anthology of essays reveals how sermons impact upon a range of disciplines, and how the methodologies of different disciplines inform sermons.

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LIVING IN THE CITY
Elites and their Residences, 1500-1900

Edited by P. Janssens, J. Dunne

Series:  Studies in European Urban History (1100-1800)

€ 65 > € 20

 

Focussing on the most basic aspect of urban living, this collection is concerned with the study of the places and types of residence of urban elites.

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Les actes comme expression du pouvoir au Haut Moyen Age
Actes de la Table Ronde de Nancy

Edited by M.-J. Gasse-Grandjean, B.-M. Tock

Series: Atelier de recherche sur les textes médiévaux

€ 50 > € 20

 

Actes de la Table Ronde de Nancy, 26-27 novembre 1999

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Illuminating the Law
Illuminated Legal Manuscripts in Cambridge Collections

  1. L’Engle, R. Gibbs

Series: Studies in Medieval and Early Renaissance Art History

€ 96 > € 20

 

This catalogue offers introductory essays on the making and the use of medieval legal manuscripts in Cambridge collections, in order to call attention to the illuminated legal texts as splendidly decorated medieval manuscripts.

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Making and breaking the rules: succession in medieval Europe, c. 1000-c.1600
Etablir et abolir les normes: La succession dans l’Europe médiévale, vers 1000-vers 1600
Edited by F. Lachaud, M. Penman

Series: Histoires de famille. La parenté au Moyen Age

€ 55 > € 20

 

Proceedings of the colloquium held on 6-7-8 April 2006. Actes de la conférence tenue les 6, 7 et 8 avril 2006, Institute of Historical Research (University of London).

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Les élites au haut moyen âge
Crises et renouvellements
Edited by F. Bougard, L. Feller, R. Le Jan

Series: Haut Moyen Âge

€ 65 > € 20

 

L’ouvrage propose un objet d’étude fascinant et paradoxal à la fois, celui des crises et du renouvellement des élites au haut Moyen Âge.

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The Order of the Golden Tree
The Gift-giving Objectives of Duke Philip The Bold of Burgundy

C.M. Chattaway

Series: Burgundica

€ 70 > € 20

 

“Chattaway’s study is a profound one and solidly grounded in archival research, which is why it has earned a place in the prestigious Burgundica series”. (Bas Jongenelen in Sixteenth Century Journal, XXXIX/1, 2008, pp. 326-327)

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Saints, Scholars, and Politicians
Gender as a Tool in Medieval Studies
Edited by M. van Dijk, R. I.A. Nip

Series: Medieval Church Studies

€ 45 > € 20

 

The essays within this volume critique and evaluate the use of gender as a major analytical tool in medieval studies.

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Kleine Schriften zu den Konzilsakten des 7. Jahrhunderts
R. Riedinger

Series: Instrumenta Patristica et Mediaevalia

€ 78,10 > € 20

 

A collection of 22 articles by the author published in widely differing outlets in the period 1976-1996.

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The Ways of Jewish Martyrdom
S. Goldin

Series: Cursor Mundi

€ 85 > € 20

 

“Enlisting a wealth of sources, the author attempts to explain the valorization of martyrdom as a cultural norm in medieval Jewish communities of Germany, France and England.” (Susan L. Einbinder, in: The Medieval Review, 09.02.06)

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Liberté et progrès chez Origène

  1. Lekkas

Series: Monothéismes et Philosophie

€ 60 > € 20

 

Le travail de Georges Lekkas est unique, en ce qu’il construit une thèse qui suit parfaitement le rythme de l’élaboration origénienne et qui décrit l’évolution progressive du réseau argumentatif.

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La Salle aux Trésors

Chefs-d’œuvre de l’art Roman et Mosan
Edited by C. Dumortier

Series: Royal Museums for Art and History, Brussels / French version

€ 55 > € 20

 

La Salle aux Trésors du Musée du Cinquantenaire présente des œuvres médiévales comptant parmi les plus belles, les plus précieuses et les plus rares conservées aux Musées Royaux d’Art et d’Histoire.

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Livres et lectures de femmes en Europe entre moyen âge et renaissance
Edited by A.-M. Legaré

€ 120 > € 20

 

“Un ouvrage sérieux, érudit et varié (…).”

(Aladin. Le magazine des chineurs, N° 240, juin 2008)

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A Catalogue Raisonné of Scientific Instruments from the Louvain School, 1530-1600

  1. Van Cleempoel
    Series: De Diversis Artibus

€ 75 > € 20

 

This object-based study concentrates on scientific instruments made in Louvain between c. 1530 and c. 1600, a period in which the university fell from the peak of its importance into a state of decline.

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Les Principautés dans l’Occident Médiéval
A l’origine des régions
Edited by B. Demotz

€ 61 > € 20

 

Cet ouvrage présente un panorama des fondations et de l’évolution des principautés afin d’évaluer une réalité historique encore trop sous-estimée, mais il se veut aussi une réflexion sur un des sujets fondamentaux de l’histoire politique.

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Images de musiciens (1350-1500)

Typologies, figurations et pratiques sociales

  1. Clouzot

Series: Epitome musical

€ 80 > € 20

 

“La force du livre, luxurieusement illustré, de Martine Clouzot est de montrer que les enluminures des manuscrits médiévaux, loin d’être une fenêtre ouverte sur le monde des musiciens, recodent une réalité déjà codée.” (L’Histoire, n° 329, mars 2008)

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Le château, autour et alentours (XIVe – XVIe siècles)

Paysage, parc, jardin & domaine
Edited by J.-M. Cauchies, J. Guisset

€ 73 > € 20

 

Un château, c’est d’abord une bâtisse. Il y a un faisceau de composantes qui mériteront de capter, à travers textes, images et objets, l’oeil de l’historien, de l’historien de l’art et de l’archéologue.

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Logica Morelli
Edited from the manuscripts with an introduction, notes and indices

  1. Spruyt

Series: Studia Artistarum

€ 50 > € 20

 

This volume contains the first critical edition of a Spanish textbook on logic, found in the libraries of Sevilla and Zaragoza.

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Manichaeism and Early Christianity

Edited by L. Cirillo, A. Van Tongerloo

Series: Manichaean Studies

€ 75 > € 20

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New Website: Walters Ex Libris (Walters Art Museum Manuscripts)

walters-to-deleteNew Website: Walters Ex Libris (Walters Art Museum Manuscripts) online at manuscripts.thewalters.org.

Featuring a user-friendly design, the site provides visitors with intuitive search options, including the ability to refine their search by date, geography, subject, culture, and more. It also gives users a chance to coordinate their own online collections by gathering, saving and sharing their favorite masterpieces.
Images include covers and flyleaves, and provided under a Creative Commons 3.0 license that allows visitors to download publication-quality pictures for free.

To date, the Walters has digitized 45 percent of its manuscripts collection.

The manuscripts site, an ongoing project, joins the museum’s growing network of online resources, including its general website, thewalters.org, and its online collection, art.thewalters.org.

 

 

CFPs: Bibliography Among the Disciplines Conference, Philadelphia, October 12-15, 2017

tumblr_nid8xdrz0n1soj7s4o4_500Call for Papers: Bibliography Among the Disciplines Conference, Philadelphia, October 12-15, 2017
Deadline: October 25, 2016

For more information on panels, round-tables, short presentations and working groups, and for submission guidelines, see: http://rarebookschool.org/bibliography-conference-2017/

Bibliography Among the Disciplines, a four-day international conference to be held in Philadelphia from 12 to 15 October 2017, will bring together scholarly professionals poised to address current problems pertaining to the study of textual artifacts that cross scholarly, pedagogical, professional, and curatorial domains. The conference will explore theories and methods common to the object-oriented disciplines, such as anthropology and archaeology, but new to bibliography. The Bibliography Among the Disciplines program, supported by the Andrew W. Mellon Foundation, aims to promote focused cross-disciplinary exchange and future scholarly collaborations. The conference sessions will include both traditional and innovative formats: plenary addresses, short presentations, roundtables, workshops, working groups, and site visits. Calls for Proposals and Participants (CFPs) are listed below. The project will culminate in 2019 with a volume of essays contributed by conference participants. The conference and subsequent volume will seek to build on the ongoing series of symposia conducted by Rare Book School’s Andrew W. Mellon Fellowship of Scholars in Critical Bibliography, established in 2012 through funding from the Foundation.

Call for Papers- Panels:

Graphic Representation: Illustration & Diagrams
Session Organizers: Claire Eager (University of Virginia), Jeannie Kenmotsu (University of Pennsylvania)

Textual Instruments
Session Organizer: Nick Wilding (Georgia State University)

Questions of Scale, Production & Labor
Session Organizer: Juliet Sperling (University of Pennsylvania)

Transmission & Transfer of Images
Session Organizer: Aaron Hyman (University of California, Berkeley

Degradation, Loss, Recovery & Fragmentation
Session Organizer: Jane Raisch (University of California, Berkeley)

Materiality of Digital Objects
Session Organizer: Ryan Cordell (Northeastern University)

The Social Life of Books: Uses of Text & Image Beyond Reading & Viewing
Session Organizers: Aaron Hyman (University of California, Berkeley), Hannah Marcus (Harvard University), Marissa Nicosia (Penn State University, Abington College)

Books as Agents of Contact
Session Organizers: Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)

Manuscript in the Age of Print
Session Organizers: Rachael King (University of California, Santa Barbara), Marissa Nicosia (Penn State University, Abington College)

Reading the Whole Book: Object Interpretation
Session Organizer: Lauren Jennings (University of North Carolina at Chapel Hill)

Comparative Histories of the Book
Session Organizers: Megan McNamee (Center for Advanced Study in the Visual Arts), Caroline Wigginton (University of Mississippi)

Reappraising the Redundant: The Value of Copies in the Study of Textual Artifacts
Session Organizer: Kappy Mintie (University of California, Berkeley)n and

Call for Papers – Roundtables:

Performance, Textuality & Orality
Session Organizer: Glenda Goodman (University of Pennsylvania)

Authorship
Session Organizers: András Kiséry (The City College of New York), Caroline Wigginton (University of Mississippi)

Digitization, Representation & Access
Session Organizer: Paul Fyfe (North Carolina State University)

Materiality as a Sustainable Humanistic Discourse
Session Organizers: Meghan Doherty (Berea College), Dahlia Porter (University of North Texas), Elizabeth Yale (University of Iowa)

Ethics & Responsibility in the Bibliosphere
Session Organizer: Claire Eager (University of Virginia)

 Call for papers – Short Presentations:

Tools for Data Analysis & Visualization
Session Organizer: Ryan Cordell (Northeastern University)

Innovative Pedagogy with Material Objects
Session Organizer: Elizabeth Yale (University of Iowa)

Teaching Global Book History
Session Organizers: Devin Fitzgerald (Harvard University) & Ben Nourse (University of Denver)

Dynamics of Digital Collections
Session Organizer: Paul Fyfe (North Carolina State University)

The Book and Its Time: Developing a ‘Period Eye’
Session Organizer: Marie-Stéphanie Delamaire (Winterthur Museum)

Call for Papers: Working Groups:

Globalizing Book History & Bibliography
Working Group Organizers: Hwisang Cho (Xavier University), Ben Nourse (University of Denver), Rachel Stein (Columbia University in the City of New York)

Resembling Science: The Unruly Object Across the Disciplines
Working Group Organizers: Meghan Doherty (Berea College), Dahlia Porter (University of North Texas), Courtney Roby (Cornell University)