Essays illuminate specific material contexts that similarly witness western Europe’s, and particularly England’s, engagement with the material culture of the eastern Mediterranean, including ceramics, textiles, relics and reliquaries, metalwork, coins, sculpture, and ivories.
Tracing the medieval reliquary’s “pre-history”, this volume examines boxes bearing Christian images and patterns made between the fourth to the sixth century CE.
In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation.
Frankish Manuscripts covers the earliest period in this series devoted to manuscripts illuminated in France.
In the context of the origin and evolution of the two Mendicant Orders, this book traces the history of these thirteenth-century Dominican and Franciscan foundations, focussing on their location in Rome, the history of each site, their architecture, and the medieval works of art connected with them.
This second volume in the series Studies in English Medieval Embroidery is dedicated to the Opus Anglicanum Cope of St Domenico, Bologna now housed in the Museo Civico Medievale.
A detailed analysis of the chroniclers’ texts and their words provides access to the representations and reveals the practices, expectations and hierarchies of the French elites in the 14th and 15th centuries.
Using altarpieces by the famed medieval artist Tilman Riemenschneider as touchstones for her argument, Boivin explores how artwork in Germany’s preeminent medieval city, Rothenburg ob der Tauber, deliberately propagated civic ideals.
With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.
The ten diverse essays contained within this open-access volume explore the art and architecture of parish churches through a variety of lenses, methodologies, and perspectives, ranging from (re)considerations of the very definition of the parish church to phenomenological explorations of their component parts, as well as case studies of their decorative schemes.