This collection provides students and scholars with carefully selected, introduced, and annotated materials from non-Islamic sources dating to the early years of Islam. These can be read alone or alongside the Qur’an and later Islamic materials.
Tag Archives: New Publications
New Publication: Right and Left in Early Christian and Medieval Art by Robert Couzin
Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage.
New Publication: ‘Conversion to Islam in the Premodern Age: A Sourcebook’, eds. Nimrod Hurvitz, Christian C. Sahner, Uriel Simonsohn, and Luke Yarbrough
This groundbreaking collection of texts, translated from sources in a dozen languages from the seventh to the eighteenth centuries, presents the historical process of conversion to Islam in all its variety and unruly detail, through the eyes of both Muslim and non-Muslim observers.
New Publication: ‘Catalogue of Byzantine Seals at Dumbarton Oaks and in the Fogg Museum of Art, Volume 7’, ed. John A. Cotsonis
Dumbarton Oaks houses the largest collection of Byzantine lead seals in the world, with approximately 17,000 specimens. Volume 7 of the ongoing series of Dumbarton Oaks catalogues presents a distinct part of the collection: 572 anonymous seals bearing sacred images on both sides.
New Publication: The Interaction of Art and Relics in Late Medieval and Early Modern Art, ed. Livia Stoenescu
The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance.
New Publication: Art et économie en France et en Italie au XIVe siècle: Prix, valeurs, carrières, ed. Nicolas Bock and Michele Tomasi
From Giotto to the Parisian goldsmith Jean le Braelier, from Avignon to Naples via Mallorca, by approaching paintings, funeral monuments, frescoes, precious wood panelling and even a royal faldistoire, the authors question the impact of economic factors on the artistic creation.
New Publication: Bridging the Past – Life in Medieval and Post-Medieval Southwark: Excavations along the route of Thameslink Borough Viaduct and at London Bridge Station by Amelia Fairman, Steven Teague and Jonathan Butler
Excavations for the Thameslink project at Borough Viaduct and London Bridge Station have provided important new insights into the development of Southwark from the Saxon period up to the 19th century. The landscape of islands and waterways that characterised Roman Southwark was transformed through the 1st and 2nd millennia AD, as new areas were reclaimedContinue reading “New Publication: Bridging the Past – Life in Medieval and Post-Medieval Southwark: Excavations along the route of Thameslink Borough Viaduct and at London Bridge Station by Amelia Fairman, Steven Teague and Jonathan Butler”
Virtual Book Launch: ‘From Granada to Berlin: The Alhambra Cupola’ by Anna McSweeney, Wednesday 30 September 6pm (GMT)
Presented by The Royal Asiatic Society, The Islamic Art Circle and the Friends of the Museum for Islamic Art in the Pergamon Museum.
New Publications: The Religious Figural Imagery of Byzantine Lead Seals I and II, by John A. Cotsonis
These two volumes are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century.
New Publication & Call for Manuscripts: Eastern European Visual Culture and Byzantium (13th – 17th C.), edited by Maria Alessia Rossi & Alice Isabella Sullivan
This series explores the art, architecture, and visual culture of regions of the Balkan Peninsula, the Carpathian Mountains, as well as early-modern Russia and Ruthenia between the thirteenth and seventeenth centuries. Through historically grounded examinations of the visual and cultural productions of these Eastern European territories, this series highlights the prismatic relationships between local traditions, the Byzantine heritage, and cultural forms adopted from other models.
