Oxford University Byzantine Society invites applications for their 23rd International Graduate Conference in 2021.
A three-part workshop that intends to bring together doctoral students studying the Christian East to discuss how the events of 2020, from the intensified conservations about systemic racism and economic inequality stemming acts of police violence on Black men and women in the United States to the dramatic changes to life and work brought about by the coronavirus pandemic, have impacted their research with a diverse group of colleagues and senior specialists in the field.
Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe.
The International scientific symposium “Days of Justinian I” is an annual interdisciplinary scholarly forum aimed at the presentation of the latest research followed by discussions on various aspects of Byzantine and Medieval Studies before 1500; this includes the treatment and interpretation of cultural, historical and spiritual heritage in contemporary modern Europe.
This thematic issue of Cahiers Balkaniques (INALCO), which appears in 2019, celebrates the Byzantine tradition of Church embroidery and its various afterlives. It aims at investigating its evolution within the sphere of Byzantium’s cultural influence and beyond, with a chronological scope which begins from the Late Middle Ages and stretches until the 19th century, when artisanal productions begin to decline.
CFP: Venice, Materiality, and the Byzantine World, Sponsored by the Italian Art Society, 53rd International Congress on Medieval Studies, May 10-13, 2018, Western Michigan University Deadline: 15 September 2017 The Dumbarton Oaks Byzantine Symposium leading to the 2010 publication of San Marco, Byzantium, and the Myths of Venice introduced new perspectives on Byzantine and VenetianContinue reading “CFP: Venice, Materiality, and the Byzantine World, Sponsored by the Italian Art Society, 53rd International Congress on Medieval Studies, May 10-13, 2018, Western Michigan University”
Call for Papers: Byzantine Heritage in the History and Spiritual Culture of Ukraine, October 19 – 22, 2017, Monastery of St Theodore Studites, Rome, Italy. Deadline: 25th August 2017. The International Conference Byzantine heritage in the history and spiritual culture of Ukraine aims to become a platform for the sharing of knowledge. The conference willContinue reading “CFP: Byzantine Heritage in the History and Spiritual Culture of Ukraine, 19 – 22 October 2017, Monastery of St Theodore Studites, Rome, Italy”
Call for Papers: Moving People, Shifting Frontiers: Re-contextualising the Thirteenth Century in the Wider Mediterranean, International Congress of Medieval Studies, Kalamazoo, May 10-13 2018 Deadline: 10 September 2017 Organizers: Katerina Ragkou (University of Cologne) and Maria Alessia Rossi (The Courtauld Institute of Art) Every day we witness people moving, with them objects and skills, knowledgeContinue reading “CFP: Moving People, Shifting Frontiers: Re-contextualising the Thirteenth Century in the Wider Mediterranean”
Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle par Didier Martens, historien de l’art et germaniste, professeur à l’Université libre de Bruxelles, auteur de nombreux ouvrages dont Peinture flamande et goût ibérique XVème-XVIème siècles (Le Livre Timperman, Bruxelles, 2010) Lieu : Académie royale de BelgiqueContinue reading “Conférence – Didier Martens, «Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle»”
Prof Liz James (University of Sussex): ‘Light and colour; dark and shadow’ Light and colour, darkness and shadow, are all fundamental aspects of works of art in a practical way (can we see the work?), a formal fashion (what colours are used?) and conceptually (why these colours? Why this light or this lighting?). But theyContinue reading “Lecture, Prof Liz James: ‘Light and colour; dark and shadow’, 5.30pm,Tues 11th October, Courtauld Institute, London”