Tag Archives: byzantium

Conférence – Didier Martens, «Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle»

iconByzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle

par Didier Martens, historien de l’art et germaniste, professeur à l’Université libre de Bruxelles, auteur de nombreux ouvrages dont Peinture flamande et goût ibérique XVème-XVIème siècles (Le Livre Timperman, Bruxelles, 2010)

Lieu : Académie royale de Belgique
Palais des Académies, 1 rue Ducale, 1000 Bruxelles (Espace Baudouin)
Date : Jeudi 4 mai 2017 à 18h00
Inscriptions : info@koregos.org

Programme (Académie royale de Belgique) :

18h00 Accueil
18h15 Mot d’accueil par Monsieur Marc Seminckx
Président du Conseil d’administration de Koregos
18h25 Conférence
Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle
par Monsieur Didier Martens

À partir du XVe siècle, des représentations de la Vierge à l’Enfant attribuées à l’évangéliste Luc vont commencer à circuler dans le nord-ouest de l’Europe, sous la forme de copies plus ou moins fidèles venues d’Italie.

Ces images, procédant de modèles byzantins, seront considérées comme des témoignages véridiques, ayant valeur de documents quant à l’aspect physique du Christ et de sa Mère. Elles susciteront dès les années 1490 de nombreux miracles et donneront lieu à des pèlerinages. L’engouement du public pour ces représentations estimées authentiques amènera à son tour, dans les anciens Pays-Bas, une importante production de copies.

Avant le XVIIe siècle, le modèle byzantin fut le plus souvent adapté aux traditions artistiques locales : l’icône fut sans autre forme de procès convertie en un panneau de Primitif flamand.

À partir du XVIIe siècle, les copistes s’efforceront en revanche d’imiter le plus fidèlement possible leurs modèles et créeront ainsi un étonnant style néo-byzantin. En réalité, il est clair que l’art de Byzance plaisait peu aux peintres des XVe, XVIe et XVIIe siècles et que la valorisation des icônes pour des raisons d’ordre religieux a donné naissance à un véritable conflit entre esthétique et dévotion, goût et authenticité.

C’est à ce conflit et à la difficile gestion de la différence artistique durant trois siècles d’art flamand que sera consacrée la présente conférence.

Entrée gratuite. Inscription souhaitée avant le 2 mai à l’adresse : info@koregos.org

Lecture, Prof Liz James: ‘Light and colour; dark and shadow’, 5.30pm,Tues 11th October, Courtauld Institute, London

church-of-the-theotokos-pammakaristos

Church of the Theotokos Pammakaristos (Liz James)

Prof Liz James (University of Sussex): ‘Light and colour; dark and shadow’

Light and colour, darkness and shadow, are all fundamental aspects of works of art in a practical way (can we see the work?), a formal fashion (what colours are used?) and conceptually (why these colours? Why this light or this lighting?). But they are also elements of the work of art that have tended to have a secondary place within the history of art. Through a discussion of Byzantine monumental mosaics, this lecture will consider some of the ways in which light, dark, colour and shade are fundamental elements in the appearance, effectiveness and function of images. 

Liz James is Professor of Art History at the University of Sussex and a Byzantinist. She has been interested in light and colour for a long time, writing her doctoral thesis on colour in Byzantium. She has just finished writing a book about medieval mosaics (provisionally entitled ‘A short history of medieval mosaics’).

Ticket / entry details:

Tuesday 11 October 2016
5:30 pm – 6:30 pm

Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R 0RN

This lecture launches the Frank Davis Memorial Series on Light/Darkness

Open to all, free admission

Conference Programme: Minority Influences in Medieval Society, St Catharine’s College, Cambridge, November 25-26, 2016

tumblr_mpkos7mo2o1ssmm02o1_1280Conference Programme: Minority Influences in Medieval Society, St Catharine’s College, Cambridge, November 25-26, 2016.

Friday 25 November

9.45 Welcome (Nora Berend)

Session 1. 10-11.15

Nikolas Jaspert (Heidelberg) Influences of mudejar spirituality on majority Christian religious life

Teresa Shawcross (Princeton) Ethno-religious Minorities and the Shaping of Byzantine Society during the Crusades

COFFEE

Session 2. 11.30-12.45

Annette Kehnel (Mannheim) Minority language, minority culture, minority tradition: Who exactly cares?

Amira Bennison (Cambridge) The Berber imprint on the medieval Maghrib

LUNCH

Session 3.  14.15-15.30

Ana Echevarría (Madrid) Reinventing law codes under foreign conditions: influence, adaptation or endurance in the Iberian peninsula

Eduard Mühle (Münster)  Real and perceived influence of minority groups in medieval Poland (12th-13th c)

COFFEE

Session 4. 16-18 Eva Haverkamp (München) Jews in the high medieval economy: how to evaluate their role

István Petrovics (Szeged) The Role of “Latin”  Guests in the Economic Life and Urban Development of Medieval Hungary

James Barrett (Cambridge) Northern Peoples and Medieval European Trade: Locating Agency

 

Saturday 26 November

Session 1. 9.30-10.45

Przemysław Wiszewski (Wrocław) Cultural turn in 12th-14th c. Silesia: how the German-speaking minority became the cultural majority

Luciano Gallinari (Cagliari) Catalans in Sardinia and the transformation of Sardinians into a political minority

COFFEE

Session 2. 11.15-12.30

Matthias Hardt (Leipzig) Western immigrants in High Medieval Bohemia

Katalin Szende (Budapest) Iure Theutonico? German settlers, local rulers, and legal frameworks for immigration to medieval East Central Europe  LUNCH

Supported by the DAAD Cambridge Research Hub with funds from the German
Federal Foreign Office (FFO)

How to register: To register for the conference, please email Dr Nora Berend, nb213@cam.ac.uk and send a cheque for £ 7 (or the appropriate cost for one day; an optional charge for lunch can also be added, see below) to her to St Catharine’s College, Cambridge CB2 1RL. Cheques must be made payable to St Catharine’s College. Places are limited and will be allocated on a first come, first served basis.

Registration is £4 for Friday and £3 for Saturday; this is to cover the cost of refreshments during the day. Coffe, tea and biscuits will be available.

Lunch will ONLY be provided for those who order and pay £12 by 10 November, but it will be possible instead to leave during the lunch break to get some food in town.

 

CFP: Reconsidering the Concept of Decline and the Arts of the Palaiologan Era

palaiologos-to-deleteCFP: Reconsidering the Concept of Decline and the Arts of the Palaiologan Era, One day and a half Symposium & Worshop, University of Birmingham, February, 24-25, 2017.
Deadline: 30 September 2016

 

Organisers: Andrea Mattiello – University of Birmingham
Maria Alessia Rossi – The Courtauld Institute of Art

Keynote Speakers: Niels Gaul – University of Edinburgh
Cecily Hilsdale – McGill University
Angeliki Lymberopoulou – The Open University

This one day and a half conference combines a symposium and a workshop. The aim is to examine and contextualise the artistic and cultural production of the geopolitical centres that were controlled by or in contact with the late Byzantine Empire, such as the Adriatic and Balkan regions, the major islands of Cyprus and Crete, and the regions surrounding the cities of Constantinople, Thessaloniki, and Mystras. This conference will explore the many intellectual implications that are encoded in the innovative artistic production of the Palaiologan Era often simplified by a rigid understanding of what is Byzantine and what is not.

In its last centuries, the political entity of the Empire of the Romaioi released cultural and artistic energies migrating towards new frontiers of intellectual achievements. The intent is to counter-balance the innovation of these works of art with the notion of decline and the narrative of decay frequently acknowledged for this period; and to promote an understanding of transformation where previous cultural heritages were integrated into new socio-political orders.

The Symposium – hosted on the afternoon of the 24 and the morning of the 25 February – will bring together established scholars, early-career scholars, and postgraduate students. Three keynotes will provide the methodological framework for the discussion; while the selected papers will focus solely on the visual expressions and cultural trajectories of the artworks produced during the late Palaiologan Era.

The Workshop, hosted on the afternoon of the 25 February, will offer the opportunity to further the discussion in a more informal setting and for a selected number of Master students to interact and offer brief presentations.

Postgraduate students and early-career scholars are invited to submit proposals for twenty-minute papers on art and architecture history, material culture and archaeology, visual aspects of palaeography and codicology, and gender studies.

Topics may include but are not limited to:

 

– Gift exchange in view of diplomatic missions or dynastic marriages both within the Empire and with its neighbours

– Visual evidence of the interaction between the Emperor and the Patriarch

– Innovations in the visual agenda of the Palaiologan dynasty

– Aspects of religious iconography and visual representations of theological controversies, i.e. Hesychasm

– Artistic patronage and manuscript production as the outcome of dynastic and institutional interactions

– Visual and material production as the outcome of political and social circumstances, i.e. the Zealot uprising or the Unionist policy

– Evidence of artistic exchanges in the depictions of women, men, and children during the Palaiologan Era

 

How to submit: Titles of proposed papers, abstracts of 250 words, and a short CV should be sent to Maria Alessia Rossi – m.alessiarossi@icloud.com and Andrea Mattiello – axm570@bham.ac.uk by 30 September 2016.

 

Call for Sessions: Mary Jaharis Center Sponsored Panel, 4th Forum Medieval Art

mjc-logo-lrgCall for Sessions: Mary Jaharis Center Sponsored Panel at the 4th Forum Medieval Art, Berlin and Brandenburg, September 20–23, 2017.
Deadline: May 9, 2016

The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 4th Forum Medieval Art, Berlin and Brandenburg, September 20–23, 2017. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.
The theme for the 4th Forum Medieval Art is 360° – Places, Boundaries, Global Perspectives. It will focus on research at the geographical and methodological boundaries of classical medieval studies. The various venues in Berlin and Brandenburg with their medieval heritage and their rich collections of Byzantine and Middle Eastern will be taken as a starting point. Accordingly, the conference will highlight the interaction of Central European medieval art and artistic production with other regions ranging from Eastern Europe, Byzantium, the Middle East, the Caucasus and the Mediterranean to the British Isles and the Baltic region. Thus research areas such as Byzantine Studies or Islamic Art History will be brought into the focus and consciousness of medieval studies, particularly in the context of the endangered artistic and architectural monuments of the Middle East. Especially welcome are topics discussing phenomena such as migration, media transformation and changing cultural paradigms. By asking for culturally formative regions at the borders of “Europe” and transcultural contact zones, definitions of the Middle Ages can be put up for debate. As a counterpart to this panorama, research about the region of Brandenburg and Berlin will also be presented. This includes subjects of museum studies and the history of art of and in Berlin, where the development of areas of cultural exchange has a long tradition.
We invite session proposals that fit within the 360° – Places, Boundaries, Global Perspectives theme and are relevant to Byzantine studies.
How to submit: Session proposals must be submitted through the Mary Jaharis Center website (http://www.maryjahariscenter.org/sponsored-sessions/4th-forum-medieval-art). The deadline for submission is May 9, 2016. Proposals should include:
*Title
*Session abstract (500 words)
*Proposed list of session participants (presenters and session chair)
*CV
Applicants will be notified of the status of their proposal by May 16, 2016. The organizer of the selected session is responsible for submitting the session proposal to the Forum by June 1, 2016.
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and chair) up to $300 maximum for residents of Germany, up to $600 maximum for EU residents, and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

Conference: II INTERNATIONAL MEETING MAGISTRI CATALONIAE: Art and Ceremony in the Latin West and the Byzantine East, Universitat Autònoma of Barcelona, 27 April 2016

granmagistricataloniae4Conference: II INTERNATIONAL MEETING MAGISTRI CATALONIAEArt and Ceremony in the Latin West and the Byzantine East, Universitat Autònoma of Barcelona, 27 April 2016.

The II INTERNATIONAL MEETING MAGISTRI CATALONIAE will be held next 27 April 2016 at the Facultat de Filosofia i Lletres of the Universitat Autònoma de Barcelona (UAB). This meeting has been organized by the Research Group (GdR UAB) MAGISTRI CATALONIAE and the Research Project “Mobility and Artistic Transfer in Medieval Mediterranean (1187-1388): artists, objects and models-MAGISTRI MEDITERRANEI”, in collaboration with Facultat de Filosofia i Lletres (UAB).

Scientific Coordinators: Manuel Castiñeiras and Verónica Abenza

The aim of the II INTERNATIONAL MEETING MAGISTRI CATALONIAE: “Art and Ceremony in the Latin West and the Byzantine East”, is to explore the relationship between civil and religious ceremonies and the art and architecture of both Western and Byzantine traditions over the long centuries since the earliest Christian worship to the Late Middle Ages.

Further to the main purposes of this meeting, papers will address two diverse issues: the reinforcement of ritual practices through imagery and the way how drastic reformations of liturgy and civil observances as well as fashion changes often resulted in the modification of architectural arrangements and ceremonial furnishings.

Programme:
Presentation
Manuel Castiñeiras, Universitat Autònoma de Barcelona.

The Byzantine Imperial Coronation Depicted in Art and a New Interpretation of the Assembly of the Archangels inside a Secular Context
Anastasios Papadopoulos, Aristotle University of Thessaloniki.

Court ceremonies and rituals of power in Sicily (1187-1222)
Verónica Abenza, Universitat Autònoma de Barcelona.

Bishop Bernward and St. Michael of Hildesheim – A Donator and his Inscription-bearing Artworks
Wilfried Keil, Universität Heidelberg.

Jerusalén en procesión
Avital Heyman, Independent Scholar.

La imagen del profeta Daniel en las ceremonias de coronación. El caso de San Michele de Pavía
Juan Antonio Olañeta, Universitat de Barcelona.

 

Edinburgh College of Art Trecento seminar, Artist and Authorship (6 May 2016)

Scultore, Firenze, Museo Bardini3 (1)6th May 2016
10:00 – 17:00
Hunter Lecture Theatre, Edinburgh College of Art, 74, Lauriston Place , Edinburgh

Convened by Claudia Bolgia and Luca Palozzi from the School of History of Art

This one-day international research seminar on ‘Artist and Authorship’ is designed to take stock of the field, showcase award-winning, original research and discuss different methodologies, thus charting new avenues for future research. While the research seminar’s main focus of attention is the Italian Trecento, contributions reach well beyond it to investigate different geographical areas – both East and West (Portugal, France, Spain, Byzantium) – across a broader timespan, including contemporary perspectives on the topic.

FREE AND OPEN TO ALL.

BOOK YOUR FREE TICKET(S) HERE. LIMITED CAPACITY

Programme

10.00 – 10.15 Luca Palozzi (Edinburgh College of Art), Introduction

Session 1: Visual Networks and Artistic Flows

Chair: Luca Palozzi (Edinburgh College of Art)

10.15 – 10.40 Emanuele Lugli (University of York), ‘Inventing the Network: Linking Figures and Connecting Knowledge in Trecento Italy’

10.40 – 11.05 Carla Varela Fernandes (Universidade Nova de Lisboa, Portugal), ‘France-Catalonia-Portugal: artistic flows in the Trecento. Some examples from the Digital Index of Magistri Cataloniae’

11.05 – 11.20 Q&A

11.20 – 11.40 Coffee break

Session 2: Authorship and Self-Representation: East and West

Chair: Claudia Bolgia (Edinburgh College of Art)

11.40 – 12.05 Maria Lidova (British Museum, University of Oxford), ‘Manifestations of Authorship: Artists’ Signatures in Byzantium’

12.05 – 12.30 Giampaolo Ermini (Scuola Normale Superiore, Italy), ‘The Opere firmate nell’arte italiana / Medioevo Project : some notes on Sienese metalworkers’ signatures: goldsmiths, locksmiths, bell makers’

12.30 – 12.55 Donal Cooper (University of Cambridge), ‘The Authorship and Audience of the Meditations of the Life of Christ’

12.55 – 13.10 Q&A

13.10 – 14.00 Lunch

Session 3: Self-awareness and Reception

Chair: Claudia Bolgia (Edinburgh College of Art)

14.00 – 14.25 Luca Palozzi (Edinburgh College of Art), ‘Before the Paragone: Trecento Visual Intelligence and the Critical Misfortune of Sculptors’

14.25 – 14.50 Corin Sworn (Artist and Lecturer, Ruskin School of Art, Oxford), ‘The Mobile Screen and the Early Modern Stage: A contemporary artist’s take on borrowing from the past’

14.50 – 15.00 Q&A

15.00 – 15.20 Coffee break

Session 4: Postgraduate Research Showcase, Discussion and Conclusions

Chairs: Claudia Bolgia (Edinburgh College of Art), Robert Gibbs (University of Glasgow), John Richards (University of Glasgow), Luca Palozzi (Edinburgh College of Art)

15.20 – 15.50 Research Showcase with History of Art PhD candidates at the University of Edinburgh

Maria Gordusenko, ‘Magester Ursus and his self-representation in the church of Santi Pietro e Paolo in Ferentillo’
Amelia Hope-Jones, ‘The Elusive Artist: A Thirteenth-Century Tabernacle in the National Gallery of Scotland’
Fabian Bojkovsky, ‘A Jewish Convert as Artist: The Shrine of San Vicente, Sabina and Cristeta at the Intersection between Legend, Historicity and Propaganda’
15.50 – 16.20 Discussion

16.20 Claudia Bolgia (Edinburgh College of Art), Conclusions

For all enquiries, please email: luca.palozzi@ed.ac.uk.