New Publication: ‘Typical Venice? The Art of Commodities, 13th-16th Centuries’, edited by Ella Beaucamp and Philippe Cordez

Check out the new book edited by Ella Beaucamp and Philippe Cordez: ‘Typical Venice? The Art of Commodities, 13th-16th Centuries’

New Publication: ‘Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220’ edited by Gerardo Boto Varela, Marta Serrano Coll & John McNeill

Artistic production in Europe between the mid-12th and early 13th centuries is notoriously difficult to categorise. ‘Emerging Naturalism: Contexts and Narratives in the Architectural Sculpture of the Latin Church 1140-1220’ offers a number of different perspectives on this question, while offering a panoramic analysis of the period as expressed in the medium of stone sculpture.

New Publication: ‘The Portal of Glory: Architecture, Matter, and Vision’ Edited by Francisco Prado-Vilar

To celebrate the start of the Santiago de Compostela Jubilee Year (Xacobeo 2021), the Complutense Foundation publishes an open-access digital edition of the book ‘The Portal of Glory: Architecture, Matter, and Vision’.

New Publication: ‘Conversion to Islam in the Premodern Age: A Sourcebook’, eds. Nimrod Hurvitz, Christian C. Sahner, Uriel Simonsohn, and Luke Yarbrough

This groundbreaking collection of texts, translated from sources in a dozen languages from the seventh to the eighteenth centuries, presents the historical process of conversion to Islam in all its variety and unruly detail, through the eyes of both Muslim and non-Muslim observers.

New Publication: ‘A Companion to Late Medieval & Early Modern Siena’, edited by Santa Casciani & Heather Richardson Hayton

This multi-disciplinary book presents chapters by prominent scholars on the powerful commune that birthed a pope, sheltered saints, built banking institutions that have thrived for nearly 1000 years, and nurtured vibrant communities of artists and intellectuals.

New Publication: ‘Catalogue of Byzantine Seals at Dumbarton Oaks and in the Fogg Museum of Art, Volume 7’, ed. John A. Cotsonis

Dumbarton Oaks houses the largest collection of Byzantine lead seals in the world, with approximately 17,000 specimens. Volume 7 of the ongoing series of Dumbarton Oaks catalogues presents a distinct part of the collection: 572 anonymous seals bearing sacred images on both sides.

New Publication: ‘The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)’, edited by Therese Martin

The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages.

New Publication: ‘Picturing Death 1200–1600’, edited by Stephen Perkinson & Noa Turel

Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife.

New Publication: The Interaction of Art and Relics in Late Medieval and Early Modern Art, ed. Livia Stoenescu

The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance.

New Publication: Art et économie en France et en Italie au XIVe siècle: Prix, valeurs, carrières, ed. Nicolas Bock and Michele Tomasi

From Giotto to the Parisian goldsmith Jean le Braelier, from Avignon to Naples via Mallorca, by approaching paintings, funeral monuments, frescoes, precious wood panelling and even a royal faldistoire, the authors question the impact of economic factors on the artistic creation.