Berlin, Freie Universität, May 19 – 20, 2017 Revisiting the Transcultural Paradigm in Art and Art History Over the last six years, the Research Unit “Transcultural Negotiations in the Ambits of Art“ has analysed the production of art and its discourses in transcultural contexts brought about by trade, travel, migration, or globalization. The research group served as a framework for projectsContinue reading “Revisiting the Transcultural Paradigm in Art History (Berlin, 19-20 May 17)”
Category Archives: Upcoming Events
Conference: Le don mis en scene (Louvain, 20-21 Apr 17)
Université catholique de Louvain April 20 – 21, 2017 Le don mis en scène. Représentations visuelles et textuelles de l’acte de donation dans les arts de la première modernité Colloque organisée par le GEMCA (Université catholique de Louvain) Cette rencontre ambitionne d’étudier l’acte de donation au cours de la première modernité, un acte que l’on envisagera commeContinue reading “Conference: Le don mis en scene (Louvain, 20-21 Apr 17)”
Conference: The Courtauld’s 22nd Annual Medieval Postgraduate Student Colloquium: Medieval Collaborations
Saturday 4 February 2017 10:00 am – 6:00 pm Kenneth Clark Lecture, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, The traditional art-historical concern of attribution of works of art to specific masters has given way to more nuanced approaches to the artistic production of the Middle Ages that focus on collaborativeContinue reading “Conference: The Courtauld’s 22nd Annual Medieval Postgraduate Student Colloquium: Medieval Collaborations”
New Exhibition & Events: Opus Anglicanum, Masterpieces of English Medieval Embroidery, V&A Museum, 1 October 2016 – 5 February 2017
From the 12th to the 15th centuries, England enjoyed an international reputation for the quality of its luxury embroideries, and were frequently referred to as ‘Opus Anglicanum’ (English work). Often featuring complex imagery, and ambitious in their scale and intricacy, they were sought after by kings, queens, popes and cardinals across Europe.
CFP: Light and Darkness in Medieval Art, 1200–1450, ICMS, Kalamazoo, May 2017
Call for Papers: Light and Darkness in Medieval Art, 1200–1450 (I–II) International Congress on Medieval Studies, Kalamazoo, 11-14 May 2017 Sponsored by the International Center of Medieval Art (Convenors: Stefania Gerevini and Tom Nickson) Light has occupied an increasingly prominent role in medieval studies in recent years. Its perceptual and epistemic significance in the period 1200-1450Continue reading “CFP: Light and Darkness in Medieval Art, 1200–1450, ICMS, Kalamazoo, May 2017”
Event: ICMA Study Days in New York and Baltimore
Date: Sunday 20 November 2016 – Tuesday 22 November 2016 In collaboration with Gerhard Lutz and Forum Medieval Art from Germany, the ICMA is co-sponsoring study days in New York and Baltimore in connection with these two exhibitions: Jerusalem 1000–1400: Every People Under Heaven New York: Metropolitan Museum of Art A Sense of Beauty: MedievalContinue reading “Event: ICMA Study Days in New York and Baltimore”
Event: Postgraduate Open Day at the Library of Society of Antiquaries of London, 14 October 2016
The Society of Antiquaries of London has the largest antiquarian library in the country, with a collection spanning items from the 10th century to present day, reflecting 300 years of research and scholarship into the history and material remains of Great Britain and other countries. Join us for our Open Day to learn about the resources thatContinue reading “Event: Postgraduate Open Day at the Library of Society of Antiquaries of London, 14 October 2016”
Lecture: The Arts & Science in Early Islamic Spain (15 June, Courtauld Institute of Art)
Wednesday 15 June 2016 – 3:30 pm – 5:00 pm Research Forum Seminar Room, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R 0RN There is a symbiotic relationship between design, art and visual culture, and the exact sciences, which is attested in early scientific objects from al-Andalus and in medieval Arabic texts. InContinue reading “Lecture: The Arts & Science in Early Islamic Spain (15 June, Courtauld Institute of Art)”
Call for Papers: Re/Generate – Medieval materiality and reuse (St Andrews, 6-7 May 2016)
Deadline for submissions: 1 February 2016 The University of St Andrews School of Art History in collaboration with the St Andrews Institute of Medieval Studies (SAIMS) present Re/generate: Materiality and the Afterlives of Things in the Middle Ages, 500-1500 an interdisciplinary conference on reuse and recycling in medieval Europe taking place on 6-7th May 2016. In recent years, theContinue reading “Call for Papers: Re/Generate – Medieval materiality and reuse (St Andrews, 6-7 May 2016)”
Conference cycle: Visibility and presence of the iamge in the ecclesiastical space: Byzantium and the Western Middle Ages. Paris, 18 February – 16 June 2016
Institut National d’Histoire de l’Art, salle Vasari, 2 rue Vivienne, 75002 Paris, February 18, 2016, February 18 – June 16, 2016 Cycle de conférences Visibilité et présence de l’image dans l’espace ecclésial. Byzance et Moyen Age occidental Les jeudis 18 février, 24 mars, 19 mai et 16 juin 2016 INHA, salle Vasari (salle Jullian le 16 juinContinue reading “Conference cycle: Visibility and presence of the iamge in the ecclesiastical space: Byzantium and the Western Middle Ages. Paris, 18 February – 16 June 2016”
Medieval Art Research 