Category Archives: Exhibitions

EXHIBITION: COLLECTING MEDIEVAL MASTERS NOW

SPRING EXHIBITION: COLLECTING MEDIEVAL MASTERS NOW

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April 29 through June 10, 2017

Opening: MADISON AVENUE GALLERY WALK Saturday, April 29, 2017

The works presented here – manuscripts, miniatures, drawings, and rings – offer a meaningful counterpoint to more recent artistic productions and celebrate the legacy of thoughtful collecting from generations past and present. Highlights of the exhibition include a majestic two volume illustrated manuscript made in the court of King Charles V (reigned 1364-1380), a masterpiece of French Gothic manuscript illumination known as the “Soisson Missal”, a miniature attributed to a follower of Giovanni di Paolo from the collection of Lord Clark of Saltwood, and a Roman ring with message of friendship hidden in its intricate open-work.

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Exposition – Moyen Âge et publicité

Paris, Tour Jean sans Peur
29 mars – 31 décembre 2017

Comment diffuser la publicité commerciale, proclamer des festivités, faire savoir les condamnations en justice dans un monde où la majorité des gens ne sait pas lire et où les journaux n’existent pas ? C’est ce que donne à voir cette nouvelle exposition qui aborde également le Moyen Âge dans la publicité moderne, la période médiévale étant l’une des plus utilisées dans ce domaine.

L’exposition aborde deux sujets :

– la publicité au Moyen Âge : comment communiquer sur les événements
commerciaux, les festivités, les condamnations en justice dans un monde où
le petit peuple ne sait pas lire et où les journaux n’existent pas ?
– l’imagerie médiévale dans la publicité moderne : des fromages aux
centrales nucléaires en passant par la mort-aux-rats et les bretelles.

Tour Jean sans Peur

Conférences autour de l’exposition

Mercredi 19 avril à 19h00
Le langage de la publicité au Moyen Âge
par Danièle Alexandre-Bidon, commissaire de l’exposition

Mercredi 31 mai à 19h00
Armoiries médiévales et logos contemporains : ressemblances et dissemblances
par Michel Pastoureau, directeur d’études à l’EPHE

Mercredi 7 juin à 19h00
Le Moyen Âge, fils de la pub ? Les références médiévales dans la publicité contemporaine
par Yohann Chanoir, agrégé d’histoire, doctorant à l’EHESS

Mercredi 14 juin à 19h00
Les joyeuses entrées des ducs de Bourgogne : ordre et désordre du politique au XVe siècle
par Élodie Lecuppre-Desjardin, professeur d’histoire médiévale, à l’université de Lille 3
Cette conférence sera suivie d’une rencontre-dédicace avec Élodie Lecuppre-Desjardin
pour son livre Le royaume inachevé des ducs de Bourgogne (2016, éd. Belin)

Informations pratiques :
Commissaire de l’exposition : Danièle Alexandre-Bidon, CRH-EHESS
Coordination – communication : Rémi Rivière, Agnès Lavoye, Tour Jean sans Peur
Graphisme : Jean-Jacques Guillon, c-visuel

Tarif des conférences :
8€/pers. : 1re conférence
6€/pers. : conférences suivantes
Réservation indispensable :
sur contact@tourjeansanspeur.com
ou au 01 40 26 20 28

EXHIBITION: MADE IN PARIS: SPOTLIGHT ON THE MEDIEVAL BOOK TRADE

Books made in Paris are among the most important expressions of French medieval and Renaissance art. From c. 1200 into the sixteenth century, Paris was the greatest center for the production of illuminated manuscripts and illustrated books in Europe. The royal court, prestigious members of the church, and the learned men of the university of Paris together supported a thriving commercial book trade. Our exhibit brings together manuscripts, miniatures, and printed books copied and illuminated in the French capital from thirteenth-century Bibles, fifteenth-century illuminated Books of Hours, to precious examples of illustrated books by sixteenth-century French printers.

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Les Enluminures: Salon International du Livre Rare & de l’Objet d’Art de Paris (Stand C5) April 7 to 9, 2017

Poster Salon International du livre rare & de l'objet d'art

International Showroom of Rare Books and Artistic Objects

Les Enluminures warmly invites you to visit us at the

SALON INTERNATIONAL DU LIVRE RARE & DE L’OBJET D’ART STAND C5

where we will be exhibiting an exceptional selection of illuminated manuscripts, Books of Hours, Text Manuscripts and miniatures.

 

Highlights of the exhibition

Address:

Grand Palais

Avenue Winston Churchill
75008 Paris

PREVIEW
Thursday, April 6, 5 pm – 10 pm

OPENING HOURS
April 7 to 9, 2017
Daily, 11 am – 8 pm
Sunday, 11 am – 7 pm

1, rue Jean-Jacques Rousseau
75001 Paris
tel +33 1 42 60 15 58
info@lesenluminures.com

Exhibition: Master Mateo in the Museo del Prado (29.11.16-26.03.17)

unnamedOn display in Rooms 51 and 51B in the Museo del Prado’s Villanueva Building is an exhibition on Master Mateo and his work for the cathedral in Santiago de Compostela, co-organised with the Real Academia Gallega de Bellas Artes, and the Fundación Catedral de Santiago. The exhibition brings together an exceptional group of fourteen works that were removed in the past from their original location (the west façade and choir) and are now housed in the cathedral museum and in different institutions and private collections.
 
Notable among them are the recently restored sculptures of David and Solomon, and a Statue-column of a male figure holding a cartouche that was found last October inside the cathedral’s south tower, a discovery that represents an enormous advance in our knowledge of Master Mateo’s activities in the cathedral of Santiago de Compostela. The exhibition also offers visitors the chance to access material that provides a context for the works on display through the tablets made available thanks to sponsorship by Samsung as a technological collaborator of the Museum.

Exhibition: A Feast for the Senses: Art and Experience in Medieval Europe

October 16, 2016 through January 8, 2017

Walters Presents A Feast for the Senses: Art and Experience in Medieval Europe

Features more than 100 objects from world-renowned collections

Baltimore, MD – The Walters Art Museum presents A Feast for the Senses: Art and Experience in Medieval Europe, a major international loan exhibition that brings together more than 100 works including stained glass, precious metals, ivories, tapestries, paintings, prints, and illuminated manuscripts from 25 public and private collections in the U.S. and abroad, including the Walters’ extraordinary medieval collection. On view from October 16, 2016 through January 8, 2017A Feast for the Senses explores how medieval works of art spoke to all the senses. Luminous stained glass windows, tapestries depicting fragrant gardens, chalices used in the Eucharist—these objects were not only seen, but were also, and at the same time, touched, smelled, tasted, and heard. The Walters is first of only two venues to host this extraordinary exhibition. Admission is free.

During the late medieval period—roughly the 12th to 15th centuries—religious and secular life mingled to the point that the boundaries between them become hard to distinguish: the delights of life and anticipation of heavenly reward were closely intertwined. The arts of the time reflect a new interest in human experience, the enjoyment of nature, and the pursuit of pleasure by evoking and celebrating beauty through all of the senses. While such pleasures were not directed exclusively toward spiritual enlightenment, religious practices were also defined by rich sensory experiences.

The exhibition evokes these not only through the works of art on view but also through specially designed sensory experiences, ranging from smells of roses and incense to the sounds of church bells and gardens, and the tactility of rosary beads.

“In many museums today, visitors experience the artworks by viewing them from afar in silent galleries. A Feast for the Senses will push the boundaries of the art museum by inviting visitors to encounter art with more than just their eyes,” says exhibition curator Martina Bagnoli (former Walters’ curator of medieval art, who is now executive director of the Gallerie Estensi in Modena, Italy).

Loans and Support 

More than 25 museums and collections in the United States and abroad are lending works to the exhibition, including the British Museum, London; the Musée du Louvre, Paris; the Bibliothèque nationale de France, Paris; the Rijksmuseum, Amsterdam; the Victoria and Albert Museum, London; the Metropolitan Museum of Art, New York; and the J. Paul Getty Museum, Los Angeles. The exhibition also includes masterpieces from the Walters’ renowned collection of medieval art, one of the most important in the United States

A Feast for the Senses has been organized by the Walters Art Museum, Baltimore, in partnership with the John and Mable Ringling Museum of Art, Sarasota, and will be on view at the Ringling February 4 through April 20, 2017.

The exhibition received major funding from the National Endowment for the Humanities: Exploring the human endeavor; the Institute of Museum and Library Services; the National Endowment for the Arts; and anonymous donors, with additional support from the Gary Vikan Exhibition Fund, Nanci and Ned Feltham, and the Helen Hughes Trust. The accompanying catalogue was made possible by an anonymous donor. Any views, findings, conclusions, or recommendations expressed do not necessarily represent those of the National Endowment for the Humanities, the Institute of Museum and Library Services, or the National Endowment for the Arts.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Accompanying Publication

A generously illustrated catalogue presents new research in the developing field of sensory perception within art history. It includes essays by leading scholars exploring the themes of the exhibition through representations of religious practices, royal rituals, feasts and celebrations, and music and literature. Edited by exhibition curator Martina Bagnoli, the catalogue is published by the Walters Art Museum and distributed by Yale University Press. It is available for sale in the Walters Art Museum Store and online ($65, hardcover) beginning in mid-October.

Opening Day Event

A public opening day talk Symposium on the Senses in Medieval Culture will be held Sunday, October 16 at 1:30 p.m. Exhibition curator Martina Bagnoli, Walters’ in-house curator Joaneath Spicer, and other scholars will explore aspects of the role played by sensory perception in medieval culture that are both surprising and completely familiar to us today. A reception and book signing follow. Tickets are $10, and free for Walters members.

 

New Exhibition and Events: Opus Anglicanum, Masterpieces of English Medieval Embroidery, V&A Museum, 1 October 2016 – 5 February 2017

opus anglicanum to deleteNew Exhibition: Opus Anglicanum: Masterpieces of English Medieval Embroidery, Victoria and Albert Museum, 1 October 2016 – 5 February 2017

From the 12th to the 15th centuries, England enjoyed an international reputation for the quality of its luxury embroideries, and were frequently referred to as ‘Opus Anglicanum’ (English work). Often featuring complex imagery, and ambitious in their scale and intricacy, they were sought after by kings, queens, popes and cardinals across Europe. This exhibition is the first opportunity in over half a century to see an outstanding range of surviving examples in one place. Paintings, illuminated manuscripts, metalwork and stained glass will be shown alongside, to explore the world within which these exquisite works were created.

Luxury embroideries were made by professional craftsmen and women living in the City of London, some of whom we can still identify by name. London was a hub for commerce, and the embroiderers formed part of an international mercantile network. The rare survivals of this extraordinary period of English art are today scattered across Europe and North America. Some of the embroideries have not been seen in Britain since they were produced.

Book now: vam.ac.uk/opus


 

lossy-page1-1024px-web2c_grevens_sc3a4ngkammare-_detalj2c_grevens_sc3a4ng_-_skoklosters_slott_-_88043-tifEnglish Medieval Embroidery Unpicked, day course, The Lydia & Manfred Gorvy Lecture Theatre @V&A Museum, Saturday 12 November 2016

STUDY DAY: This study day explores the world of England’s Medieval luxury embroideries, known as Opus Anglicanum. We will examine their materials, techniques and design; the patrons and artists involved; and the extraordinary images depicted on them.

During the later Middle Ages, England enjoyed an international reputation for its luxury embroideries, produced for Europe’s greatest patrons including kings, queens, cardinals and popes. This study day will put embroideries in the exhibition Opus Anglicanum: Masters of Medieval Embroidery under the microscope, examining their materials, techniques and design; the patrons and artists involved; and exploring the extraordinary images depicted on them. Leading experts in the field will discuss these questions in what promises to be a fascinating afternoon.

With exhibition curators Glyn Davies and Sally Dormer.

14.00 – 16.30, Saturday 12 November 2016

£35 full, £30 concessions, £15 students


 20160719161621_170Opus Anglicanum: An Introduction to Silk & Gold Embroidery, Workshop, Art Studio @V&A Museum, Saturday 12 November, 10.30 – 16.30

WORKSHOP: Learn the secrets behind the beautiful embroidery techniques of Opus Anglicanum as seen in this exhibition. Sarah will guide you step by step through split stitch fillings, surface couching and underside couching with gold threads on an Opus Anglicanum inspired piece of your own, in this one day introduction to medieval embroidery. All materials included.

Saturday 12 November, 10.30 – 16.30

£92.00, £73.60 concessions

(Lead Image: The Steeple Aston Cope 1330-40 (detail). The Rector and Churchwardens of St Peter and St Paul, Steeple Aston, Oxfordshire. On long term loan to the Victoria and Albert Museum, London.)