Tag Archives: Embroidery

CFP: The Byzantine tradition of Church embroidery in the Mediterranean and the Slavic World (1200-1800), thematic issue of Cahiers Balkaniques (INALCO)

OLYMPUS DIGITAL CAMERACall for Submissions: The Byzantine tradition of Church embroidery in the Mediterranean and the Slavic World (1200-1800)
Deadline: 28 February 2018

This thematic issue of Cahiers Balkaniques (INALCO), which appears in 2019, celebrates the Byzantine tradition of Church embroidery and its various afterlives. It aims at investigating its evolution within the sphere of Byzantium’s cultural influence and beyond, with a chronological scope which begins from the Late Middle Ages and stretches until the 19thcentury, when artisanal productions begin to decline.

We welcome proposals on the following subjects:

– The different aspects of Byzantine ecclesiastical embroidery and its artistic and technical evolutions.
– Embroidery techniques and iconographies transmitted from West and/or East.
– The relationship between Byzantine/post-Byzantine productions and the Christian Orient (ex. Armenia, Georgia).
– The management of Byzantine heritage in the Slavic World.
– Italian-Greek borderland productions (ex. the Ionian Islands).
– The circulation of Byzantine embroideries overseas (Italy, Eastern Europe and beyond).
– Christian embroidery in Egypt and the Levant.

Proposals by junior and senior researchers will be equally considered with priority being given to original research, whether based on technical analysis, iconographical interpretation or textual evidence. Subjects which favor interdisciplinarity are particularly welcome. The volume will be bilingual (French and English) and will appear in print in 2019.

Please submit abstracts of no more than 300 words to epapastavrou@yahoo.gr; mariellereber@bluewin.ch

Guest editors:
Elena Papastavrou
Marielle Martiniani-Reber

New Exhibition and Events: Opus Anglicanum, Masterpieces of English Medieval Embroidery, V&A Museum, 1 October 2016 – 5 February 2017

opus anglicanum to deleteNew Exhibition: Opus Anglicanum: Masterpieces of English Medieval Embroidery, Victoria and Albert Museum, 1 October 2016 – 5 February 2017

From the 12th to the 15th centuries, England enjoyed an international reputation for the quality of its luxury embroideries, and were frequently referred to as ‘Opus Anglicanum’ (English work). Often featuring complex imagery, and ambitious in their scale and intricacy, they were sought after by kings, queens, popes and cardinals across Europe. This exhibition is the first opportunity in over half a century to see an outstanding range of surviving examples in one place. Paintings, illuminated manuscripts, metalwork and stained glass will be shown alongside, to explore the world within which these exquisite works were created.

Luxury embroideries were made by professional craftsmen and women living in the City of London, some of whom we can still identify by name. London was a hub for commerce, and the embroiderers formed part of an international mercantile network. The rare survivals of this extraordinary period of English art are today scattered across Europe and North America. Some of the embroideries have not been seen in Britain since they were produced.

Book now: vam.ac.uk/opus


 

lossy-page1-1024px-web2c_grevens_sc3a4ngkammare-_detalj2c_grevens_sc3a4ng_-_skoklosters_slott_-_88043-tifEnglish Medieval Embroidery Unpicked, day course, The Lydia & Manfred Gorvy Lecture Theatre @V&A Museum, Saturday 12 November 2016

STUDY DAY: This study day explores the world of England’s Medieval luxury embroideries, known as Opus Anglicanum. We will examine their materials, techniques and design; the patrons and artists involved; and the extraordinary images depicted on them.

During the later Middle Ages, England enjoyed an international reputation for its luxury embroideries, produced for Europe’s greatest patrons including kings, queens, cardinals and popes. This study day will put embroideries in the exhibition Opus Anglicanum: Masters of Medieval Embroidery under the microscope, examining their materials, techniques and design; the patrons and artists involved; and exploring the extraordinary images depicted on them. Leading experts in the field will discuss these questions in what promises to be a fascinating afternoon.

With exhibition curators Glyn Davies and Sally Dormer.

14.00 – 16.30, Saturday 12 November 2016

£35 full, £30 concessions, £15 students


 20160719161621_170Opus Anglicanum: An Introduction to Silk & Gold Embroidery, Workshop, Art Studio @V&A Museum, Saturday 12 November, 10.30 – 16.30

WORKSHOP: Learn the secrets behind the beautiful embroidery techniques of Opus Anglicanum as seen in this exhibition. Sarah will guide you step by step through split stitch fillings, surface couching and underside couching with gold threads on an Opus Anglicanum inspired piece of your own, in this one day introduction to medieval embroidery. All materials included.

Saturday 12 November, 10.30 – 16.30

£92.00, £73.60 concessions

(Lead Image: The Steeple Aston Cope 1330-40 (detail). The Rector and Churchwardens of St Peter and St Paul, Steeple Aston, Oxfordshire. On long term loan to the Victoria and Albert Museum, London.)

BAA Study Day: Opus Anglicanum (26 Nov 2015)

embroidery_610[1]In the course of the later middle ages, embroiderers in England produced some of the masterpieces of the age. Incredibly detailed and painstakingly created their work was sumptuous and expensive. Often created as church vestments and commissioned by both ecclesiastical and secular patrons, the base textiles were embellished with gold and silver thread, a myriad of coloured silks, pearls and jewels. In advance of an exhibition devoted to this subject matter, and due to open at the Victoria and Albert Museum in 2016, the BAA Study Day will examine some of the surviving treasures of Opus Anglicanum in store and on display at the Museum.  The day will begin at The Clothworkers Centre for the Study and Conservation of Textiles and Fashion at Blythe House (Kensington Olympia) and will continue in the Medieval and Renaissance Galleries at South Kensington.

Thursday, 26 November 2015
Blythe House

10.00am Welcome and coffee

10.30am Intro of pieces on show (Glyn Davies)

11am Techniques of making

11.30am Close looking and discussion

12.30am Lunch (independent – South Kensington)

V&A

2.00pm Reconvene at the V&A

2.15pm Embroidery displays in the Medieval & Renaissance Galleries (Glyn Davies leading)

3.15pm. Collecting Opus Anglicanum in post-Reformation and Victorian England (Emma Rogers)

3.45pm Discussion

4.15pm End/Tea in the Café

The cost of the day will be £20 for members. The event is free for students, for whom travel grants (to a maximum of £50) are also available.

 Places are limited to 20, of which up to 10 are reserved for students.

 To apply please e-mail Lloyd de Beer – ldebeer@thebritishmuseum.ac.uk –  by Thursday 12th November – either enclosing a cheque for £20 payable to the  ‘British Archaeological Association’ or stating that you are a student. In the event that a greater number of applications are received than there are places available a ballot will be held. Successful candidates will be contacted by email on Monday 16th November.