Tag Archives: collaboration

Funding: 2019–20 Shohet Scholars Grant Program, Research on the Ancient Mediterranean

dsc2596-1Application deadline: Jan 15, 2019

The Shohet Scholars Grant Program of the International Catacomb Society is now accepting applications to the Shohet Scholars cohort of 2019–20. Submission deadline is January 15, 2019 (11:59 p.m. EST).

This annual grant program funds research on the Ancient Mediterranean from the Hellenistic Era to the Early Middle Ages. Shohet Scholars may do their research in the fields of archeology, art history, classical studies, history, comparative religions, or related subjects. Of special interest are interdisciplinary projects that approach traditional topics from new perspectives.

One or more Shohet Scholars will be selected each year. The primary intent of the grant is to support significant, innovative research that can be completed and reported upon within and shortly after the award period. Grants may be made to seed innovative approaches and new ideas or to cover specific expenses or phases of a larger project under the direction of the applicant. At this time, awards in the range of $2,000 to $30,000 will be made. A complete history of past and present Shohet Scholars awards is available on the ICS webpage, www.catacombsociety.org.

Eligibility
Scholars of all institutional affiliations and independent scholars may apply for Shohet Scholar funding if they are individual or institutional members of the ICS at the time of the application submission deadline of January 15, 2019 and in possession of a doctoral degree or the equivalent.

Non-U.S. citizens may apply if a co-applicant is a legal permanent resident (i.e. already in possession of “green card” or Form I-551) or native or naturalized citizen of the U.S.A., meets all eligibility requirements, and has a genuinely collaborative and credited leadership role in the proposal. Co-applicants must submit as individuals all the necessary forms except for the research proposal, list of permissions, and budget proposal, which may be filed jointly.

Deadlines and Decisions
The application deadline for the 2018-2019 academic year is January 15, 2019. The award announcement for the 2019-2020 academic year will be made by May 1, 2019, for funding to be disbursed on 15 July 2019. Please note: starting in 2018, all funding is awarded directly to the USA-based awardee, for distribution among project co-applicants and collaborators. The ICS will no longer wire or transfer money to bank accounts outside of the USA.

Click here for application forms and instructions and here for assistance.

Questions ?
If you have any questions about the suitability of proposed projects, application procedures, or any other matters related to the Shohet Scholars Program, please consult our FAQ page or contact us at shohetscholars (at) catacombsociety.org.

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Conference: The Courtauld’s 22nd Annual Medieval Postgraduate Student Colloquium: Medieval Collaborations

cfp-imageSaturday 4 February 2017
10:00 am – 6:00 pm
Kenneth Clark Lecture, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN,

The traditional art-historical concern of attribution of works of art to specific masters has given way to more nuanced approaches to the artistic production of the Middle Ages that focus on collaborative working practices. Collaborations like that of Simone Martini and Lippo Memmi, the illuminators of the Winchester Bible, or the creators of Opus Anglicanum reveal a complex picture of artistic co-operation. Notions of the single commanding master have been replaced with collaborative artisan activity across disparate media, from the early-medieval cloister to the increasing specialisation of the late-medieval shop.

The Courtauld Institute’s 22nd Annual Medieval Postgraduate Colloquium invites speakers to consider new approaches to artistic collaborations of the Middle Ages, and how conceptions of collaboration have impacted on the study of these works.

The Medieval Postgraduate Colloquium offers the opportunity for research students at all levels from universities across the UK and abroad to present and promote their research.

Organised by Meg Bernstein (The Courtauld Institute of Art Kress Fellow 2015-7 / University of California, Los Angeles) and Imogen Tedbury (The Courtauld Institute of Art / National Gallery) with the generous support of The Sackler Research Forum.

Programme
09.30 – 10.00 Registration

10.00 – 10.10 Welcome

Session 1: Networks in collaboration. Chaired by Sophie Kelly (University of Kent)

10.10 – 10.30
Maeve O’Donnell-Morales, The Courtauld Institute of Art
It Took a Village: Collaborations at the Medieval Altar between Donors, Artists and Clerics

10.30 – 10.50
Aude Chevalier, Paris Nanterre Université
Collaborations in medieval copperware craftsmanship: the case study of French copper alloy censers (11th-17th centuries)

10.50 – 11.10
Maggie S. Crosland, The Courtauld Institute of Art
Commission as Collaboration: Untangling Agency in the Book of Hours of Philip the Bold

11.10 – 11.30
Discussion

11.30 – 12.00
TEA / COFFEE BREAK

Session 2: Artists in collaboration. Chaired by Lydia Hansell

12.00 – 12.20
Eowyn Kerr-Di Carlo, The Courtauld Institute of Art
Santa Maria degli Angeli or not? Considering Florentine artistic networks and the painter-illuminators of Fitzwilliam MS 30

12.20 – 12.40
Eleonora Cagol, Technische Universität Dresden
The workshop of Jörg Arzt and Jörg Feiss: winged altarpieces as evidence of artistic collaboration in South Tyrol at the end of the Middle Ages

12.40 – 13.00
Bryan C. Keene, The J. Paul Getty Museum / The Courtauld Institute of Art
Pacino / Pacinesque: Collaborative Choir Book Commissions in Early Trecento Florence

13.00 – 13.20

Discussion

13.20 – 14.30

LUNCH (speakers only)

Session 3: Collaborating across media. Chaired by Teresa Lane

14.30 – 14.50
Ella Beaucamp, Ludwig-Maximilians-University Munich
A joint venture from Venice: Medieval rock-crystal miniatures

14.50 – 15.10
Marie Quillent, University of Picardy Jules Verne
Artistic Collaboration in Medieval Funeral Sculpture in the North of France: the Tomb of Adrien de Hénencourt in the Cathedral of Amiens

15.10 – 15.30
Amanda Hilliam, National Gallery / Oxford Brookes University
Carlo Crivelli and the Goldsmith’s Art: shared aesthetics and technologies

15.30 – 15.50

Discussion

15.50 – 16.20

BREAK

Session 4: Collaborating across time. Chaired by Miguel Ayres DeCampos

16.20 – 16.40
Esther Dorado-Ladera, Independent Scholar
Reuse of Hispanic Muslim architecture during the Middle Ages: Christian interventions in the Aljaferia Palace

16.40 – 17.00
Oliver Mitchell, The Courtauld Institute of Art
Collaboration and conflict in Hugo de Folieto’s Liber de rotae religionis et simulationis

17.00 – 17.20
Costanza Beltrami, The Courtauld Institute of Art
Building and rebuilding the cloister of Segovia Cathedral (1436-1530): collaborations across space and time

17.20 – 17.50

Discussion

17.50 – 18.00
Closing remarks: Joanna Cannon (The Courtauld Institute of Art)

18.00
RECEPTION

View conference programme here.