This panel hopes to discuss questions such as: How was war remembered in the medieval period? Did remembering focus on the glory of the war leaders? How did medieval society record memories of war?
The British Archaeological Association are now welcoming paper proposals for BAA organised sessions at the 2021 International Medieval Congress at the University of Leeds (5 -8 July 2021).
Call for Papers for ‘ICMA Student Committee’ Session Proposal In keeping with this year’s theme at the Medieval Congress, this session aims to explore medieval objects and buildings created with an awareness of climate. Climate is intimately intertwined with nature and environments, with as much of a profound impact on medieval lives as on oursContinue reading “CFP: ‘Seeing Climate through Medieval Art & Architecture’, IMC Leeds (5–8 July 2021), deadline 25 September 2020”
This session seeks to explore the interaction between human beings and the meteorological manifestations of the weather. It focuses on the intervention of saints who either function as divine intercessors or whose meteorological powers control and influence the weather in order to reassure and reestablish the prosperity/security/protection of a given community.
You can register online for virtual IMC 2020 here. We are pleased to confirm that there will be no charge for the first 1,500 registrations thanks to a discount provided by our registration gateway provider. After this, it will cost £5.00 to register. This small fee covers the costs we incur for processing your registration via our registration provider.Continue reading “Register for vIMC: deadline 26 June 2020”
‘…the most impressive thing in the world [is] an armoured knight on horseback’ wrote Luis Zapata de Chaves in his late 16th-century treatise Del Justador. Recent flourishing of studies in horse history proves that horses not only at the core of pre-modern society but that they make an important part of medieval studies today.
Looking at the Trecento through the lens of current global paradigms and concerns in historical and art historical studies might seem hazardous, or even paradoxical and provocative at best. Very few other labels have the power to evoke both the glories, achievements and limitations of traditional ‘Western’, and namely Eurocentric, art history. As a matterContinue reading “CFP: “A Global Trecento: Objects, Artist, and Ideas Across Europe, the Mediterranean, and Beyond,” IMC Leeds, 2019 (Deadline 15 September 2018)”
The proposed session will discuss and debate on the various definitions and functions of the concept of “ugliness.” What is ugliness and how is it conceptualized? This session seeks original research which investigates debates on the concept of “ugliness” in various contexts.
After a successful outing to the Leeds IMC this summer where the BAA hosted two sessions, the BAA welcomes proposals for further BAA organised sessions next year (July 3rd -6th 2017). The IMC’s research theme for 2017 is “Otherness” which I think could be interpreted very successfully by the BAA’s members and relate well to research incorporating material culture.