CFP: Early Netherlandish Art in the Long 19th Century (Ghent, 24 – 26 May 18)

CFP: Early Netherlandish Art in the Long 19th Century (Ghent, 24 – 26 May 18), Ghent, May 24 – 26, 2018 Deadline: Jun 1, 2017 To submit a proposal for consideration, please send a 250 word abstract, a 100 word bio, and a 1-2 page CV to rediscoveryhna@gmail.com by June 1, 2017. Francis Haskell famously argued thatContinue reading “CFP: Early Netherlandish Art in the Long 19th Century (Ghent, 24 – 26 May 18)”

Conference: After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443-1517, St Anne’s College, Oxford, 28th June 2017 – 30th June 2017

Conference: After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443-1517, St Anne’s College, Oxford, 28th June 2017 – 30th June 2017 Fees: Standard Registration Fee – £160.00; graduate Registration Fee – £120.00; dinner – £60.00 Register by June 21 After Chichele adopts an investigative and interdisciplinary approach. The period has been chosen precisely because theContinue reading “Conference: After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443-1517, St Anne’s College, Oxford, 28th June 2017 – 30th June 2017”

CFP: Evidence of Power in the Ruler Portrait, 14th – 18th Cent. (1-2 Dec 17)

CFP: Evidence of Power in the Ruler Portrait, 14th – 18th Cent. (1-2 Dec 17), Munich / München, Zentralinstitut für Kunstgeschichte, 01. – 02.12.2017 Deadline: Apr 30, 2017 Applications for a lecture with an abstract of max. 3,000 characters can be sent until April 30 2017 to the following address Email: mattmuel@uni-mainz.de Head and Body: Evidence ofContinue reading “CFP: Evidence of Power in the Ruler Portrait, 14th – 18th Cent. (1-2 Dec 17)”

Conference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference, Christie’s Education London, 23 March 2017

This conference will explore the history of Ancient, Byzantine and Medieval collections, how they were originally formed, how objects survive and in what contexts, and how certain collections themselves live on. It will also address how the collections of the past may be reflected in the way that we approach collecting today, the theoretical and the historical framework of collections, how they are currently presented, as well as some of the controversies in the field. Equally, the problems and issues underlying the collecting of Ancient and Medieval art, and the knowledge required to authenticate them will be discussed.

Conference: The Profane within the Sacred in Medieval Art, Aguilar de Campoo, Sept 29th – Oct 1st 2017 (VII Colloquium Ars Mediaevalis)

Conference: The Profane within the Sacred in Medieval Art, Fundación Santa Maria la Real – Aguilar de Campo (SPAIN), Sept 29th – Oct 1st 2017. CFP for 20-minute ‘free papers’ open until 30 June 2017 How to apply: send an email with name, Academic institution, 1 page abstract and main bibliography to plhuerta@santamarialareal.org How toContinue reading “Conference: The Profane within the Sacred in Medieval Art, Aguilar de Campoo, Sept 29th – Oct 1st 2017 (VII Colloquium Ars Mediaevalis)”

Conference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference – 23 March 2017

Collecting Ancient and Medieval art attracts both academic and public curiosity because the objects (and structures) in question are not only often extremely rare, but also have fascinating histories. The ability to possess a piece of our past has allowed collectors throughout the centuries to create a continuity between that past and their present. ThisContinue reading “Conference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference – 23 March 2017”

At Close Quarters: Experiencing the Domestic, 1400-1600

This interdisciplinary conference examines late medieval and early modern experiences ‘at close quarters’. Building on recent research into the architecture and objects that shaped the pre-modern household, we examine the nooks and crannies, challenges and constructions of the domestic environment, and its interaction with art, literature and thought. Register here. Friday, 3rd March. York. BowlandContinue reading “At Close Quarters: Experiencing the Domestic, 1400-1600”

Conference: The Courtauld’s 22nd Annual Medieval Postgraduate Student Colloquium: Medieval Collaborations

Saturday 4 February 2017 10:00 am – 6:00 pm Kenneth Clark Lecture, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, The traditional art-historical concern of attribution of works of art to specific masters has given way to more nuanced approaches to the artistic production of the Middle Ages that focus on collaborativeContinue reading “Conference: The Courtauld’s 22nd Annual Medieval Postgraduate Student Colloquium: Medieval Collaborations”

Conf: Reconsidering the Concept of Decline and the Arts of the Palaiologan Era, University of Birmingham, 24-25 February 2017

Conference: Reconsidering the Concept of Decline and the Arts of the Palaiologan Era University of Birmingham 24-25 February 2017 This one day and a half conference combines a symposium and a workshop. The aim is to examine and contextualise the artistic and cultural production of the geopolitical centres that were controlled by or in contact withContinue reading “Conf: Reconsidering the Concept of Decline and the Arts of the Palaiologan Era, University of Birmingham, 24-25 February 2017”

Conference: “Santa Maria del Mar Revisitada” (IEC. Barcelona, 14-15 Nov. 2016)

INFORMACIÓ D’INTERÈS Totes les sessions són d’accés lliure i, per tant, són gratuïtes. Les conferències estan destinades a estudiants d’Història de l’Art, Arquitectura i, en general, a qualsevol persona interessada en patrimoni artístic i cultural de l’Edat Mitjana.   Les sessions se celebraran en l’Institut d’Estudis Catalans, sota la promoció de la filial Amics de l’Art Romànic, al Carrer del Carme, 24Continue reading “Conference: “Santa Maria del Mar Revisitada” (IEC. Barcelona, 14-15 Nov. 2016)”