Tag Archives: byzantine

Conference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference, Christie’s Education London, 23 March 2017

Collecting400crop.jpegConference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference, Christie’s Education London, 23 March 2017

Collecting Ancient and Medieval art attracts both academic and public curiosity because the objects (and structures) in question are not only often extremely rare, but also have fascinating histories. The ability to possess a piece of our past has allowed collectors throughout the centuries to create a continuity between that past and their present. This conference will explore the history of Ancient, Byzantine and Medieval collections, how they were originally formed, how objects survive and in what contexts, and how certain collections themselves live on. It will also address how the collections of the past may be reflected in the way that we approach collecting today, the theoretical and the historical framework of collections, how they are currently presented, as well as some of the controversies in the field. Equally, the problems and issues underlying the collecting of Ancient and Medieval art, and the knowledge required to authenticate them will be discussed.

PROGRAMME

9:30 – 10:00 Registration & Coffee
10:00 – 10:10 Welcome
SECTION I: Ancient and Medieval Collections

(Chair: Cecily Hennessy, Christie’s Education)

10:15 – 10:40 Collecting liturgical objects in thirteenth and fourteenth-century Castile

Maeve O’Donnell-Morales (Courtauld Institute of Art)

10:40 – 11:05 The saint-king’s collection: The treasure of grande châsse in the Sainte-Chapelle

Emily Guerry (University of Kent)

11:05 – 11:30 ‘Through me rulers rule’: A Curious History of Imperial Coronation Regalia

Zoë Opačić (Birkbeck, University of London)

11:30 – 11:55 E.P. Warren, Greek art and the Pan Painter

Amy Smith (University of Reading)

11:55 – 12:10 Discussion
12:10 – 13:40 LUNCH
SECTION II: New Approaches to Collections

(Chair: Sadie Pickup, Christie’s Education) 

13:45 – 14:10 The Digital Pilgrim Project: approaching large collections of miniature art

Amy Jeffs (University of Cambridge)

14:10 – 14:35 From Monastic Libraries to Computer Screens: Collecting Late Antique Illumination through the Centuries

Peter Toth (British Library)

14:35 – 15:00 Collections, Controversies and the Copts: Deciphering the Late Antique Textiles of Egypt

Anna Kelley (University of Birmingham)

15:00 – 15:15 Discussion
15:15 – 15:45 COFFEE & TEA
SECTION III: Private and Public Collections

(Chair: Jana Gajdošová, Christie’s Education)

15:50 – 16:15 The intersection between collecting and scholarship: some personal experience

Michael Carter (English Heritage)

16:15 – 16:40 Exploring the Collection of George R Harding

Naomi Speakman (British Museum)

16:40 – 17:05 Title to be Confirmed

Claudio Corsi (Christie’s, London)

17:05 – 17:15 Discussion
17:15 – 17:30 Closing Remarks
18:00 Drinks Reception

Conference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference – 23 March 2017

collectingCollecting Ancient and Medieval art attracts both academic and public curiosity because the objects (and structures) in question are not only often extremely rare, but also have fascinating histories. The ability to possess a piece of our past has allowed collectors throughout the centuries to create a continuity between that past and their present. This conference will explore the history of Ancient, Byzantine and Medieval collections, how they were originally formed, how objects survive and in what contexts, and how certain collections themselves live on. It will also address how the collections of the past may be reflected in the way that we approach collecting today, the theoretical and the historical framework of collections, how they are currently presented, as well as some of the controversies in the field. Equally, the problems and issues underlying the collecting of Ancient and Medieval art, and the knowledge required to authenticate them will be discussed. Speakers include: Maeve O’Donnell-Morales, Zoe Opacic, Emily Guerry, Amy Smith, Peter Toth, Amy Jeffs, Anna Kelley, Michael Carter, Naomi Speakman, and Claudio Corsi.

For full programme and tickets, see here.

Mary Jaharis Center Sponsored Panel, 43rd Annual Byzantine Studies Conference

hosios-loukas-experiorAs part of its ongoing commitment to Byzantine studies, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 43rd Annual Byzantine Studies Conference to be held at the University of Minnesota, Twin Cities, Minneapolis, MN, October 5–8, 2017. We invite session proposals on any topic relevant to Byzantine studies.
Session proposals must be submitted through the Mary Jaharis Center website site (https://maryjahariscenter.org/sponsored-sessions/43rd-annual-byzantine-studies-conference). The deadline for submission is February 15, 2017. Proposals should include:
—Proposed session title
—CV of session organizer
—300-word session summary, which includes a summary of the overall topic, the format for the panel (such as a debate, papers followed by a discussion, or a traditional session of papers), and the reasons for covering the topic as a prearranged, whole session
—Session chair and academic affiliation. Please note: Session chairs cannot present a paper in the session
—Information about the four papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 500-word abstract. Please note: Presenters must be members of BSANA in good standing
Session organizers may present a paper in the session or chair the session. If a co-organzier is proposed for the session, the co-organizer must also give a paper in the session or chair the session.
Applicants will be notified by February 20, 2017. The organizer of the selected session is responsible for submitting the session to the BSC by March 1, 2017. Instructions for submitting the panel proposal are included in the BSC Call for Papers (https://maryjahariscenter.org/assets/sponsored-sessions/2017_BSANA_Call_for_Papers_FINAL.pdf).
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and chair, if the proposed chair is selected by the BSC program committee) up to $600 maximum for North American residents and up to $1200 maximum for those coming from abroad. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

Lectureship in Classics (Roman Art) (Including Late Antique/Early Byzantine art to c. 700 AD), School of Human Environment, University College Cork, Ireland

logo-web-englishJob: Lectureship in Classics (Roman Art), Including Late Antique/Early Byzantine art to c. 700 AD), School of Human Environment, University College Cork, Ireland
Deadline: 5pm, 01 November 2016

Contract Type: Permanent Whole-Time
Job Type: Academic
Salary: €31,821 – €56,967/€62,353 – €76,942

UCC wishes to appoint an experienced academic to the role of Lecturer in Classics (Roman Art).  Reporting to the Head of the Department of Classics, the Lecturer in Classics (Roman Art) will have a specialist interest in Roman Art, broadly understood to include Late Antique Art. The successful applicant will be required to deliver foundation and advanced teaching on aspects of Roman Art from the early Republican to the Late Antique periods, with an emphasis on art of the Imperial period. An ability to teach a classical language (Greek or Latin) is desirable, but not essential. The successful candidate may be required to teach in other areas of classical culture or history according to changing departmental needs. Candidates must hold a doctoral qualification in an area of Roman, or Late Antique, Art from a recognised University at the time of application. The holder of this post will be expected to promote student research at masters and doctoral level on different aspects of Roman Art. S/he will also be required to contribute to the academic administration of the department and college, and to engage with external bodies in areas relating to Classics.

Please note that Garda vetting and/or an international police clearance check may form part of the selection process.

How to apply: For an information package including full details of the post, selection criteria and application process see www.ucc.ie/hr/vacancies.  The University, at its discretion, may undertake to make an additional appointment(s) from this competition following the conclusion of the process.

Informal enquiries can be made in confidence to Dr. David Woods, Tel: 0035321-4903491, Email: d.woods@ucc.ie.  Further information on the Department is available at: http://www.ucc.ie/en/classics/.

Appointment may be made on the Lectureship Salary Scale: €31,821 – €56,967/€62,353 – €76,942.

To Apply:

Candidates should apply, in confidence, before 5pm on Tuesday 1st November 2016 by emailing a completed application form to recruitment@ucc.ie.

 

 

CFP: 1st Annual Conference of Byzantine and Medieval Studies (CBMS), Nicosia, Cyprus, January 13-14

hagios-sozomenos-wikipediaCall for Papers: 1st Annual Conference of Byzantine and Medieval Studies (CBMS), Nicosia, Cyprus, January 13-14
Deadline for abstracts: October 1, 2016
The Byzantinist Society of Cyprus (ΒΕΚ: Βυζαντινολογική Εταιρεία Κύπρου) invites papers to be presented at the First Conference of Byzantine and Medieval Studies, to be held in Nicosia, Cyprus, on Friday, 13 and Saturday, 14 of January 2017.
Honorary President: Athanasios Papageorghiou, Director Emeritus, Dept. of Antiquities.
Keynote Speaker: Ioli Kalavrezou, Professor, Harvard University.
Scholars, researchers and students are encouraged to present their ongoing research, work-in-progress or fieldwork report on any aspect of the history, archaeology, art, architecture, literature, philosophy and religion of Cyprus and the Eastern Mediterranean during the Byzantine, Medieval and Ottoman periods.
The languages of the conference will be Greek, English, French and German.
Programme Committee: Nikolas Bakirtzis (Chair), Stavros Georgiou, Maria Parani, Ourania Perdiki, Andreas Foulias.
Organizing Committee: Doria Nicolaou, Christina Kakkoura, Andriani Georgiou, Despoina Papacharalampous.
_________________________
How to Submit:
1. A cover sheet detailing the paper’s title, author’s details and session information (if applicable; see below)
2. An abstract between 300 and 500 words in English and/or Greek summarizing the presented research, report or work-in-progress and indicating its original contribution.
3. A second copy of the paper abstract in a separate page without the author’s details.
Submit your proposal as an email attachment to the address: abstractCBMS@ byzantinistsociety.org.cy
Sessions of up to five papers can be submitted together as separate attachments by the session organizer.
Paper proposals will be reviewed based on their abstract and accepted on merit by the conference’s Programme Committee. This review will be anonymous.
Notification of paper review will be send by email or fax by the end of October, 2016. Papers will be grouped in sessions according to their topic and theme.
Each participant may deliver only one paper limited to 20 minutes. Accepted paper abstracts will be published in the conference’s ‘Book of Abstracts’.

Graduate Paper Award: The best graduate student paper will be selected by the Programme Committee and awarded upon the conclusion of the conference.

Student bursaries: A small number of bursaries will be available, upon application, to assist graduate students’ travel and participation.

The conference is organized in conjunction with the annual meeting of the members of the Byzantinist Society of Cyprus. For membership information please visit the society’s website: http://www.byzantinistsociety.org.cy
For inquiries send email to: secretary@byzantinistsociety.org.cy
_________________________
Paper proposal preparation instructions

Prepare the 3-page paper proposal as a single Microsoft WORD document. Font: Times New Roman, 12 point. Line spacing: single.
Cover Sheet
Include the following information in the listed order. Please align text left and allow a blank line between each information detail:
Name, position or graduate status and academic affiliation (i.e. PhD Candidate, University of…), address, phone, email address, title of paper, indication of proposed session (if any). Graduate students must also indicate their interest to be considered for the Graduate Prize Competition and/or travel bursary (see above).
Abstract
Title line: Title in capitals. No more than two lines. Boldface and centered. Skip one line.
Author line: Author’s name followed by institutional affiliation in parentheses or, for independent scholars their city. No titles or degrees (i.e. Prof., Dr, PhD). Boldface and centered. Lower case, capitalize first letters of words. Skip two lines.
Abstract text: Justify text. No intend in the first line of paragraphs. Skip one line between paragraphs. Foreign language words transliterated and italicized. No footnotes or images.

Call for Sessions: Mary Jaharis Center Sponsored Panel, 4th Forum Medieval Art

mjc-logo-lrgCall for Sessions: Mary Jaharis Center Sponsored Panel at the 4th Forum Medieval Art, Berlin and Brandenburg, September 20–23, 2017.
Deadline: May 9, 2016

The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 4th Forum Medieval Art, Berlin and Brandenburg, September 20–23, 2017. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.
The theme for the 4th Forum Medieval Art is 360° – Places, Boundaries, Global Perspectives. It will focus on research at the geographical and methodological boundaries of classical medieval studies. The various venues in Berlin and Brandenburg with their medieval heritage and their rich collections of Byzantine and Middle Eastern will be taken as a starting point. Accordingly, the conference will highlight the interaction of Central European medieval art and artistic production with other regions ranging from Eastern Europe, Byzantium, the Middle East, the Caucasus and the Mediterranean to the British Isles and the Baltic region. Thus research areas such as Byzantine Studies or Islamic Art History will be brought into the focus and consciousness of medieval studies, particularly in the context of the endangered artistic and architectural monuments of the Middle East. Especially welcome are topics discussing phenomena such as migration, media transformation and changing cultural paradigms. By asking for culturally formative regions at the borders of “Europe” and transcultural contact zones, definitions of the Middle Ages can be put up for debate. As a counterpart to this panorama, research about the region of Brandenburg and Berlin will also be presented. This includes subjects of museum studies and the history of art of and in Berlin, where the development of areas of cultural exchange has a long tradition.
We invite session proposals that fit within the 360° – Places, Boundaries, Global Perspectives theme and are relevant to Byzantine studies.
How to submit: Session proposals must be submitted through the Mary Jaharis Center website (http://www.maryjahariscenter.org/sponsored-sessions/4th-forum-medieval-art). The deadline for submission is May 9, 2016. Proposals should include:
*Title
*Session abstract (500 words)
*Proposed list of session participants (presenters and session chair)
*CV
Applicants will be notified of the status of their proposal by May 16, 2016. The organizer of the selected session is responsible for submitting the session proposal to the Forum by June 1, 2016.
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and chair) up to $300 maximum for residents of Germany, up to $600 maximum for EU residents, and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

Trading Places: Byzantium and the Mediterranean World in the Later Middle Ages (Harvard University and First Church in Cambridge, 16-17 April 2015)

The Mediterranean basin has long been a zone of cultural, economic, and artistic encounter and exchange. This was particularly true in the Middle Ages (c. 500-1500 CE), as the three great religious traditions of Late Antiquity (Christianity, Judaism, and Islam) battled, bartered with, and borrowed from one another in a variety of political and cultural contexts. Focusing on the centuries from 1200 to 1500, Trading Places: Byzantium and the Mediterranean World in the Later Middle Ages will explore the Mediterranean world as a “trading place” between Byzantine, Islamic, Jewish, and Western societies.
The symposium includes a keynote lecture by David Abulafia (Cambridge University), three multidisciplinary panels addressing the economic, artistic, and material contours of medieval cultural exchange, presentations on recent work in the digital humanities, a medieval coins and seals workshop, and a concert celebrating the rich musical heritage of the medieval Mediterranean world, with performances by Holy Cross St. Romanos the Melodist Byzantine Choir, Natasha Roule, and Voice of the Turtle.
All events are free and open to the public.
Please visit the conference website (http://tradingplacesconference.org/) for a full description of events and to RSVP.
Space for the workshops is limited. To reserve a place, please contact Dana Ciccotello (dana_ciccotello@harvard.edu) by April 10.
Organizers
Eurydice Georganteli, Department of History of Art and Architecture, Harvard University; Brandie Ratliff, Mary Jaharis Center for Byzantine Art and Culture, Hellenic College Holy Cross; Nicholas Watson, Department of English and Committee on Medieval Studies, Harvard University; Sean Gilsdorf, Committee on Medieval Studies, Harvard University
Sponsors
Dumbarton Oaks Research Library and Collection; European Commission, Research & Innovation, Marie Skłodowska-Curie Actions; Harvard Art Museums; Harvard University Department of History of Art + Architecture; Harvard University Provostial Fund for the Arts and Humanities; Harvard University Standing Committee on Medieval Studies; Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross
For information about the event, please contact Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture (mjcbac@hchc.edu).