Tag Archives: byzantine

CFP: CAA session, Buildings in Bloom: Foliage and Architecture in the Global Middle Ages (sponsored by the ICMA)

Buildings in Bloom: Foliage and Architecture in the Global Middle Ages

College Art Association Annual Conference
Chicago, February 12-15, 2020

Session sponsored by the International Center of Medieval Art

CFP Deadline: July 23, 2019

This panel seeks to explore foliate forms in a cross-cultural context across geographies and cultural traditions from roughly 300 to 1500 CE. Foliate forms can be found in many types of buildings from the medieval period, displayed in prominent locations or hidden from the casual viewer’s gaze. From the Gothic cathedrals of western Europe to the Hindu temples of south Asia, builders and artisans filled their structures with flowers, leaves, fruits, and vines. These organic interventions took many forms and adorned architectonic elements in sometimes unexpected ways. They were also executed in a variety of media: sculpture, glass, mosaic, ceramics, and painting. The study of foliate forms has the potential to enliven discussions of artistic production and authorship in medieval architecture. A generation of new scholarship has richly re-integrated the decorative into architectural discourse; vegetal forms need not be filed neatly under “architecture” or “decoration,” as foliage often occupies a liminal space that defies such categorization. Furthermore, the ecological turn has reinvigorated debates concerning liveliness, between-ness, and nature in art, and this research presents a promising opportunity to apply new thinking to previously overlooked aspects of medieval monuments on a global scale while examining one of the most fundamental relationships in the history of architecture, that of nature and the built environment.

We seek papers from scholars working in any cultural context (including Western Medieval, Pre-Columbian, Byzantine, Islamic, African, South Asian, East Asian, etc.) and any building typology (sacred architecture, palace architecture, commemorative monuments, vernacular architecture). Potential questions may include but are not limited to:

-What role or roles do vegetal motifs play in articulating space, creating meaning, or mitigating identity?
-How do these forms connect to the broader cultural context?
-As historians of medieval art, how should we approach this aniconic imagery methodologically?
-What new methodologies or technologies can be employed in studying a large corpus of foliate decoration?
-What lessons might be learned from examining foliate forms across traditional cultural boundaries?

We invite interested applicants to submit a 250 word abstract and c.v. to Emogene Cataldo (emogene.cataldo@columbia.edu) and Meg Bernstein (megbernstein@ucla.edu) by July 23, 2019.

Accepted speakers may be eligible to apply for ICMA Kress Travel Grants to support travel to and from Chicago. For more information, see: http://www.medievalart.org/kress-travel-grant.

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CONFERENCE: Pantokrator 900: Cultural Memories of a Byzantine Complex (August 7-10 2018), ANAMED Istanbul

CONFERENCE: Pantokrator 900: Cultural Memories of a Byzantine Complex, 7-10 August 2018, ANAMED Istanbul

The Christ Pantokrator Complex (Zeyrek Camii, a UNESCO World Heritage Site) that included the mausoleum of the imperial dynasty, a monastery, a hospital, an orphanage, a home of the elderly and a poorhouse was founded in 1118 by Empress Piroska-Eirene and Emperor John II Komnenos. The second largest Byzantine church still standing in Istanbul after the Hagia Sophia, the Pantokrator was the most ambitious project of the Komnenian renaissance and the most impressive construction of twelfth-century Byzantine architecture. To commemorate the nine hundred years of the Pantokrator Complex, the Department of Medieval Studies at CEU Budapest and the Hungarian Hagiography Society organize, in collaboration with LABEX RESMED of Sorbonne-Paris, Ludwig-Maximilians University, Munich, and the Hungarian Institute in Istanbul an international conference that brings together scholars from diverse scholarly traditions to discuss the social, architectural and spiritual meanings of this outstanding monument.

Tuesday, August 7

9- 9:30 Marianne Sághy (CEU and ELTE Budapest), Gábor Fodor, director of the Hungarian Cultural Istitute in Istanbul – welcome and opening of the workshop
9:30-10 Albrecht Berger (Ludwig-Maximilians University, Munich) – Celebrating foundations: from the Pantokrator to Zeyrek Camii
10:30-11 coffee break
11-11:30 Béatrice Caseau (Université Paris IV, Sorbonne) — Spiritual and physical healing at the Pantokrator Monastery
11:30-12:30 Roundtable Discussion: Monuments and New Trends in Byzantine Studies
12:30 -2 pm lunch break
2 pm-2:30 pm Floris Bernard (University of Ghent – CEU Budapest) – Empress Eirene in Komnenian Poetry: Perceptions of Gender, Empire and Space
3-3:30 coffee
3:30-4 Zoltán Szegvári (PhD student, University of Szeged) The Image of the Latins in Late Byzantine Epistolography
4:30-5 Etele Kiss (Hungarian National Museum, Budapest) –  Visual and Spiritual Portraits of Eirene, the Co-Founder of the Pantokrator
5:30-6 Cicek Dereli (PhD student, CEU Budapest) Cultural Heritage in Istanbul –  Monasteries in Focus

Wednesday, August 8On-the-Spot: Monument and museum visits guided by David Hendrix and Şerif Yenen

Thursday, August 9

10-10:30 Marianne Sághy Greek Culture in Early Árpádian Hungary
11-11:30 Coffee break
11:30-12 Béla Zsolt Szakács (Pázmány Péter Catholic University, Budapest) – Between Byzantium and Italy: the Art of Twelfth-Century Hungary
12:30-2 pm lunch break
2-2:30 pm Márton Rózsa (PhD student, ELTE University of Budapest) — The Byzantine Second-Tier Élite in the Komnenian Period
3-3:30 Lioba Theis (University of Vienna) – Light Symbolism in the Pantokrator
4-4:30 coffee break
4:30-5 Hâluk Çetinkaya (Mimar Sinan University, Istanbul) Funeral Spaces in the Pantokrator Monastery
5:30-6 Etele Kiss (Hungarian National Museum, Budapest) Cosmology between Byzantium and the Occident in the Twelfth Century: Piroska-Eirene and the Opus Sectile Floor of the Pantokrator Monastery
6-6:30 Discussion and conclusions

Friday, August 10

On-the-Spot: Byzantine City Walks guided by David Hendrix and Şerif Yenen

CFP: ‘Hurt and healing: people, texts, and material culture in the Eastern Mediterranean’ – 19th Postgraduate Colloquium of the Centre for Byzantine, Ottoman and Modern Greek Studies (University of Birmingham) (deadline 21st April 2018)

Hurt and Healing: people, texts, and material culture in the Eastern Mediterranean’.

The 19th Annual CBOMGS Postgraduate Colloquium

2nd June 2018

The Committee is pleased to announce the Call for Papers for the 19th Postgraduate Colloquium of the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham, UK.

The concepts of hurt, trauma and healing cross between the different disciplines that deal with Eastern Mediterranean. The colloquium aims to explore transformations and multifarious dimensions of the notions of trauma and wreckage, and their opposition, healing, from the Late Antiquity to the Present.

Whilst serving as antitheses to one another they are also complementary. After destruction and breakage, comes the need for repair. However, when a broken textile’s ripped edges are joined again, the visible seam signifies the damage that has happened. Trauma and healing are key concepts in medicine, psychology, and sociology. However, political ideology has constantly used them in order to justify the rising and the existence of authoritarian regimes. In the past, medicine, saints, and magic offered different ways for healing the body and the soul. The current aim of restoration practices is to heal remnants of cultural heritage after damage and to prevent damage with appropriate conservation strategies.

Suggested topics include, but are not limited to:

  • Healing power of saints and healing people in society;
  • Medicine and magic;
  • Cultural heritage and material culture: restoration and preservation practices, as well as preventive actions for the preservation;
  • The individual aspects of trauma, especially in relation to the politics of gender, sexuality, class, race, and identity (sexual abuse, domestic violence, shame and fear, death and mourning or melancholia);
  • Collective experiences of trauma (war, genocide, terrorism, victims and perpetrators, practices of memory and oblivion);
  • Migration from the Late Antiquity to the current migration crisis and harrowing events in refugee camps;
  • Public health and medical, therapeutic approaches to illnesses and trauma;
  • Texts and images related to medical practices

Papers of approximately 20 minutes related to any of the fields covered by Byzantine, Ottoman and Modern Greek Studies are welcome. Please submit abstracts of no more than 250 words no later than Saturday 21st April 2018 to 2018cbomgscolloquium@gmail.com.  Applicants will be notified of selection by 28th April 2018.

 

For more information click here: https://cbomgs2018colloquium.wordpress.com/

Job Opportunity Icon Museum Recklinghausen Deadline 12/03/2018

Recklinghausen Job Opportunity

Recklinghausen
Application deadline: Mar 12, 2018

 Museumsleitung
für das Ikonen-Museum

Das 1956 eröffnete Ikonen-Museum Recklinghausen gilt als bedeutendstes Museum ostkirchlicher Kunst außerhalb der orthodoxen Länder. Über 3.500 Ikonen, Goldstickereien, Miniaturen, Holz- und Metallarbeiten aus Russland, Griechenland, den Balkanländern und Äthiopien vermitteln einen um-fassenden Überblick über die vielfältigen Themen und die stilistische Entwicklung der Ikonenmalerei und der Kleinkunst im christlichen Osten. Die koptische Abteilung des Ikonen-Museums dokumentiert den Übergang von der heidnischen Spätantike zum frühen Christentum in Ägypten mit hervor-ragenden Werken wie Steinreliefs, Geweben, Gegenständen aus Bronze und Ton sowie einigen Mumienporträts.

Die Ruhrfestspielstadt Recklinghausen mit rund 120.000 Einwohnern ist das Kultur-, Einkaufs- und Verwaltungszentrum des Kreises Recklinghausen zwischen Ruhrgebiet und Münsterland mit besten Verkehrsanbindungen, Wohn-, Erholungs- und Bildungsmöglichkeiten. Sie bietet ihren Bürgerinnen und Bürgern u.a. eine Vielzahl von attraktiven, kulturellen Angeboten.

Der Fachbereich Kultur, Wissenschaft und Stadtgeschichte sucht im Rahmen einer Nachfolgerege-lung zum 01.12.2018 eine

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Call for Papers Journal of Icon Studies Deadline 01/06/2018

Vladimir Icon

The Journal of Icon Studies is now accepting submissions for its second issue, scheduled for online publication in December 2018. We welcome contributions from scholars working across a wide disciplinary range, including art history, literature and film, religious studies, gender and cultural studies, history and anthropology, conservation and museum studies.

The Journal of Icon Studies is an online, peer-reviewed publication dedicated to the interdisciplinary study of icons around the globe, from the Byzantine period to the modern era. It serves as an international forum for new scholarship on the theoretical, theological and historical significance of icons, their place within a broad cultural and artistic context, as well as their conservation, collecting, and exhibiting. The journal includes reviews of books and exhibitions, archival discoveries, and translations of primary documents.

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CONF: Il Pallio di San Lorenzo (Florence, 1-2 Feb 18)

Florence, Opificio delle Pietre Dure / Kunsthistorisches Institut in Florenz – Max-Planck-Institut, February 1 – 02, 2018

Il Pallio di San Lorenzo: Dopo il restauro e prima del suo ritorno a Genova
Workshop

pallio.jpgThis workshop focuses on the so-called ‘Pallio di San Lorenzo’, a thirteenth-century Byzantine textile given to the Cathedral of San Lorenzo in Genoa within the framework of diplomatic relations between Genoa and the Byzantine court. The bright red samite embroidered with various coloured silk threads, as well threads in silver and gold, represents the Lives of St. Lawrence, St. Sixtus, and St. Hippolytus, accompanied by Latin inscriptions, and a depiction of Michael VIII Palaiologos visiting the cathedral of Genoa. The textile’s actual state of preservation after many years of meticulous restoration and the results of the recent analyses of the dye, the stitching technique, and the precious metal threads provides insight into  its unique materiality. Furthermore, its specific iconography, Latin paleography, and possible functions offer various points of departure for a comprehensive reconsideration of the Pallio. This work epitomizes the transcultural encounters in the Mediterranean. This interdisciplinary workshop, organized in collaboration with the textile restoration experts of the Opificio delle Pietre Dure and the Museo Sant’Agostino, Genoa, is an extraordinary occasion to discuss the results of the restoration of the ‘Pallio di San Lorenzo’ before its return to Genoa.

A collaboration between the Opificio delle Pietre Dure, Firenze, the Museo di Sant’Agostino, Genova and the Kunsthistorisches Institut in Florenz – Max-Planck-Institut
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