Books roundup: New Publications in Art

GABRIELE KOSTER, UTA SIEBRECHT. Der Magdeburger Reiter, Schnell & Steiner, 2017, 368 p. ISBN: 978-3795432027 Der Band versammelt Beiträge namhafter Experten aus den Bereichen Restaurierung, Kunstgeschichte, Geschichte und Rechtsgeschichte, die den aktuellen Forschungsstand zum Magdeburger Reiter als bedeutende Skulptur der mittelalterlichen Kunst- und Kulturgeschichte aus unterschiedlichen Perspektiven präsentieren. Der Magdeburger Reiter, entstanden um 1240, giltContinue reading “Books roundup: New Publications in Art”

CONF: Riemenschneider In Situ (Rothenburg/Wuerzburg, 21-24 Jun 17)

Rothenburg and Würzburg, 21. – 24.06.2017 Conference Program In 1980, Michael Baxandall introduced the sculptor Tilman Riemenschneider and his artistic milieu to English-speaking art historians — specialists and non-experts alike — with his book The Limewood Sculptors of Renaissance Germany. This publication appeared just a year prior to the first major exhibition of Riemenschneider’s early works in Würzburg’s Mainfränkisches Museum (1981). InContinue reading “CONF: Riemenschneider In Situ (Rothenburg/Wuerzburg, 21-24 Jun 17)”

Lecture: North and South of the Loire: The Culture of Copying and the Rebirth of Sculpture, Professor Deborah Kahn, Courtauld Institute of Art, 25 April 2017 5.30pm

From his thesis of 1950 on “Regional Schools of English Sculpture” to his later writings, Professor George Zarnecki, deputy director of the Courtauld Institute of Art from 1961 – 74, showed himself to be a master of visual comparison. In one of his last articles (written in 1992), he surveyed the iconographic kinship between the earliest Romanesque sculptures at Saint-Benoit-sur-Loîre, Bayeux and Toulouse.

CFP: Final Conference of the BMBF Project “Portals as Places of Transformation” Bamberg, January 11 – 14, 2018

CFP: Final Conference of the BMBF Project “Portals as Places of Transformation” Bamberg, January 11 – 14, 2018 Deadline: 15 June 2017. The medieval church portal is in many respects a place of transformation. At the threshold of a church, various spheres converge and meet: secular – ecclesiastic, corporeal – spiritual, earthly – divine. IconographyContinue reading “CFP: Final Conference of the BMBF Project “Portals as Places of Transformation” Bamberg, January 11 – 14, 2018”

ANN: Summer Course: Study of the Arts in Flanders (Leuven, 18-29 June 2017)

  Leuven, Belgium, June 18 – 28, 2017 Deadline: Nov 30, 2016     Several Flemish research centres, universities and art museums collaboratively organise the third edition of the Summer Course for the Study of the Arts in Flanders in the summer of 2017. After the success of the two previous editions with a focus on Jan van EyckContinue reading “ANN: Summer Course: Study of the Arts in Flanders (Leuven, 18-29 June 2017)”

CFP: AAH Session, Ritual and Sensory Experience in Medieval Sculpture

AAH 2017 43rd Annual Conference & Art Book Fair Loughborough University 6th to 8th April 2017 Call for Papers: Ritual and Sensory Experience in Medieval Sculpture Fixed to the facades of great buildings, or nestled within an elaborate architectural surround, medieval sculpture has a reputation as being static, immovable and durable. This session seeks to challengeContinue reading “CFP: AAH Session, Ritual and Sensory Experience in Medieval Sculpture”

Edinburgh College of Art Trecento seminar, Artist and Authorship (6 May 2016)

6th May 2016 10:00 – 17:00 Hunter Lecture Theatre, Edinburgh College of Art, 74, Lauriston Place , Edinburgh Convened by Claudia Bolgia and Luca Palozzi from the School of History of Art This one-day international research seminar on ‘Artist and Authorship’ is designed to take stock of the field, showcase award-winning, original research and discussContinue reading “Edinburgh College of Art Trecento seminar, Artist and Authorship (6 May 2016)”

Conference: Medieval Tombs and their Spatial Contexts. Strategies of Commemoration in Christianity and Islam, University of Tubingen (18-20 February 2016)

Medieval Tombs and their Spatial Contexts. Strategies of Commemoration in Christianity and Islam University of Tubingen, Kunsthistorisches Institut, Alte Burse, Bursagasse 1, Raum X, 72070 Tübingen, Germany, Conference: February 18 – 20, 2016. Registration deadline: Feb 15, 2016 The idea that the shaping of tombs and funeral places goes beyond aspects of personal welfare and mirrors social functions and meanings of commemorationContinue reading “Conference: Medieval Tombs and their Spatial Contexts. Strategies of Commemoration in Christianity and Islam, University of Tubingen (18-20 February 2016)”

Book round up: L’aventure des cathédrales, Le cloître de Saint-Génis-des-Fontaines, La scultura in Valnerina tra i secoli XIV e XVI: Scoperte e nuove proposte, Cisterciensi: Arte e storia & Byzantine Art and Italian Panel Painting: The Virgin and Child Hodegetria and the Art of Chrysography

Five recent publications that may be of interest to our readers: GÉRARD DENIZEAU.  L’aventure des cathédrales, Larousse, 2015, 128 p. ISBN: 978-2035923455 The story of cathedral construction, told through the involvement of the artisans (carpenters, blacksmiths, masons, masters of stained glass and more).       DIEGO MATTEI. La scultura in Valnerina tra i secoli XIV e XVI: Scoperte e nuoveContinue reading “Book round up: L’aventure des cathédrales, Le cloître de Saint-Génis-des-Fontaines, La scultura in Valnerina tra i secoli XIV e XVI: Scoperte e nuove proposte, Cisterciensi: Arte e storia & Byzantine Art and Italian Panel Painting: The Virgin and Child Hodegetria and the Art of Chrysography”

New publications: L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche AND L’arte di Francesco. Capolavori d’arte italiana e terre d’Asia dal XIII al XV secolo

PAOLO PIVA (ed.). L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche, Jaca Book, 2015, 450 p. ISBN: 978-8816371255 El amplio abanico configurado por las contribuciones que conforman este volumen, donde se analizan funciones, temas y técnicas, incluyendo discusiones sobre personalidades artísticas, cronología y estilo, pone de manifiesto los fuertes raíces históricas del arte medieval, en su contexto. Sin unContinue reading “New publications: L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche AND L’arte di Francesco. Capolavori d’arte italiana e terre d’Asia dal XIII al XV secolo”