Tag Archives: Romanesque

Lecture: Annual Corpus of Romanesque Sculpture in Britain & Ireland lecture (Courtauld Institute, 24/04/18, 5:30pm)

Prof-Malcolm-Thurlby

Lecture:  ‘English Romanesque Sculpture in its Architectural Context’, by Professor Malcolm Thurlby FSA

Annual Corpus of Romanesque Sculpture in Britain & Ireland lecture

Where: Kenneth Clark Lecture Theatre, Courtauld Institute

Date: 24th April 2018, 5:30pm

This year’s CRSBI annual public lecture, delivered by Professor Malcolm Thurlby of York University, Toronto, Canada, will consider English Romanesque sculpture in the context of its architectural matrix, focusing on specific carved elements such as portals, tympana, capitals, and figural reliefs. It will set out to demonstrate the fundamental importance of forensic visual analysis to our understanding of a Romanesque building and its ornament, most notably where documentary information is lacking. The diagnostic potential of a range of material evidence – painted decoration, the use of stucco, the work of 19th-century copyists – will be seen to support proposed dating sequences at a number of monuments, including the cathedrals of Worcester, Hereford and Ely and the abbey at Malmesbury, and at lesser churches such as Knook in Wiltshire, Leigh in Worcestershire, Milborne Port in Somerset, and Kirkburn in Yorkshire.

Malcolm Thurlby studied art history at the University of East Anglia. His PhD thesis on Transitional Sculpture in England 1150—1240 (1976) was supervised by Eric Fernie. He teaches art and architectural history at York University, Toronto. His research focuses on Romanesque and Gothic architecture and sculpture, and on 19th- and early 20th-century architecture in Canada. He concurs with Bishop John Medley (1804-92) that ‘some knowledge of Church Architecture ought, surely, to be a part of every liberal education.’

Entry to the lecture is free and open to all. The Courtauld would like all those wishing to attend to register beforehand: https://www.eventbrite.co.uk/e/english-romanesque-sculpture-in-its-architectural-context-tickets-44591422144

The Courtauld lecture theatre is accessed via the doors opposite the main gallery entrance. Ask at the reception desk on arrival for further directions.

For more information click here.

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Prize: Romanesque Research Award 2018 (Deadline 04/04/2018)

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The European Center of the Romanesque (Europäisches Romanik Zentrum, ERZ) awards outstanding international research works on the field of Romanesque art and architecture. The award is donated by the Stiftung Saalesparkasse (Halle) and Mr Gerhard Mauch (Ludwigshafen).

The award aims to promote, honour and encourage graduated junior researchers contributing to the study of Romanesque art, history, archaeology, Church history as well as history of the law.
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Call For Papers/Participation INTERDISZIPLINÄRER DOKTORANDENWORKSHOP ZU MITTELALTERLICHEN SAKRALRÄUMEN 01.–08. August 2018 in Leifers / Südtirol Deadline 30/03/2018

Cologne-Cathedral Medieval Sacral Architecture

Wir freuen uns nach den vergangenen drei erfolgreichen Jahren im August 2018 zum 4. Interdisziplinären Doktorandenworkshop zu mittelalterlicher Sakralarchitektur einladen zu können. Im Zentrumdes Workshops sollen Fragen zu mittelalterlicher Sakralarchitektur, ihrer Entstehung, Gestaltung,Rezeption und Nutzung sowie der damit verbundenen ortsfesten und mobilen Ausstattung stehen. Im Fokus steht dabei ein interdisziplinärer Ansatz, der neue Blickwinkel auf Bauten des 9. bis 14. Jahrhunderts ermöglicht. Im Rahmen einer Klausurtagung erhalten 12 Teilnehmende die Möglichkeit,
ihre aktuellen Forschungsthemen vorzustellen und intensiv zu diskutieren.

Abseits von Tagungen etablierter Wissenschaftler bietet der institutionell unabhängige WorkshopNachwuchswissenschaftlern die Möglichkeit, sich unbefangen auszutauschen. Die Vielfalt der Fragestellungen unterschiedlicher Disziplinen und Wissenschaftskulturen ermöglicht einen Diskurs über aktuelle Problemstellungen der eigenen Forschungen, der von den individuellen Erfahrungen der Teilnehmenden profitiert. So wird der Blick nicht nur über den inhaltlichen, sondern auch über den
methodischen Tellerrand hinaus geweitet.

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CRSBI lecture at Cardiff Archaeological Society, 19 October 2017 | CRSBI Training Session, Llandlaff Cathedral, 20 October 2017

Lecture: The Corpus of Romanesque Sculpture in Britain and Ireland: Achievements and Aspirations, Dr Ron Baxter FSA and Dr David Robinson FSA, Main Building, Cardiff University, Park Place, Cardiff CF10 3AT, Thursday 19 October 2017, 7.15pm

This lecture will review CRSBI’s achievements to date, and outline aspirations for Wales, looking at Romanesque sculpture from across the country.

Training Session: The following Friday, 20 October, Ron Baxter and David Robinson will be running a training session at Llandlaff Cathedral, from 10.00am to 3.00pm. The day is open to all who may be interested in becoming a fieldworker for the Corpus, or in simply finding out more about our work.

Dr Ron Baxter is the Research Director of CRSBI

Dr David Robinson is an independent historian and writer

 

TODAY: Leeds IMC, Corpus of Romanesque Sculpture in Britain and Ireland, Session 703

The Corpus of Romanesque Sculpture in Britain and Ireland will be running its first conference session this year at the Leeds International Medieval Congress.

Session 703 – Tuesday 4 July 2017 – 14.15 to 15.45

The following papers will be delivered:

Ron Baxter (Corpus of Romanesque Sculpture in Britain & Ireland, London) – The Corpus of Romanesque Sculpture and the Medieval Workshop (paper 703-a);

James King (The Corpus of Romanesque Sculpture in Britain & Ireland, London) – The Romanesque Sculpture of Dunfermline Abbey and Its Influence: Evidence and Some Questions (paper 703-b);

Agata Gomółka (Department of Art History & World Art Studies, University of East Anglia) – Carving Romanesque Bodies (paper 703-a).

Abtstract

Romanesque art and architecture was transnational in a European context.
The architectural sculpture produced in the British Isles and Ireland during the late
11th and 12th centuries demonstrates the visceral connection between these off-
shore islands and mainland Europe at that time. In its inaugural session at the IMC,
the Corpus of Romanesque Sculpture in Britain & Ireland (CRSBI) is seen to reveal
some of the ways in which its searchable and fully illustrated database enables art
historians to build an understanding of Romanesque stone carving by identifying
authorship, tracing the diffusion of carved ornament, recreating workshop practice,
and reimagining aesthetic criteria. Launched in 1987 by Professor George Zarnecki
with British Academy support and now affiliated also to King’s College London, the
CRSBI is an Open Access website comprising illustrated records of the Romanesque
sculpture at some five thousand sites in Britain and Ireland.

CRSBI – Annual lecture – Tuesday 25th April 2017 – 5.30pm

Ouroboros, single and in pairs at Kilpeck, England

Ouroboros, single and in pairs at Kilpeck, England

North and South of the Loire: The Culture of Copying and the Rebirth of Sculpture
by Professor Deborah Kahn
Tuesday 25th April 2017 at 5.30pm at the Courtauld Institute of Art, London.
 
Abstract
 
From his thesis of 1950 on “Regional Schools of English Sculpture” to his later writings, Professor George Zarnecki, deputy director of the Courtauld Institute of Art from 1961 – 74, showed himself to be a master of visual comparison.  In one of his last articles (written in 1992), he surveyed the iconographic kinship between the earliest Romanesque sculptures at Saint-Benoit-sur-Loîre, Bayeux and Toulouse.  These far-flung similarities revealed a culture of copying that led to what may be regarded as a rebirth of architectural sculpture in these regions.  The article still serves as the basis for further exploration of the visual relationships between the earliest monumental architectural sculpture and the role of copybooks and loose sketches in the transmission of motifs and iconography.   George speculated that the likely source of all these relationships was the monastery and library at Saint-Benoit-sur-Loîre — as indeed has turned out to be the case.   Moreover, the emergent taste for monumental architectural sculpture on the great new ashlar buildings of the first half of the 11th century appears to reflect not only the preoccupations of the abbot of Saint-Benoit, Gauzlin (1004-1030), but also those of his half brother Robert II (972-1031), whose foundations at Saint-Germain-des-Prés and Saint-Aignan at Orléans were richly carved in the 1020s as well.   The rebirth of monumental architectural sculpture in the early eleventh century thus turns out to have been given impetus by the ascendant Capetian dynasty.  These connections amplify the links set forth by George and confirm not only his extraordinary ability to trace previously unnoticed formal lineages but also his role in laying the ground for future studies in the field of Romanesque art.
Invitation is attached.  Seating is unreserved and booking is not necessary but please RSVP to this e-mail address: crsbiconnect@gmail.com

The European Center of the Romanesque (Europäisches Romanik Zentrum, ERZ) Award

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The European Center of the Romanesque (Europäisches Romanik Zentrum, ERZ) Award
Deadline: April 10th, 2016

The European Center of the Romanesque (Europäisches Romanik Zentrum,
ERZ) awards outstanding international research works on the field of
Romanesque art and architecture. The award is donated by the Stiftung
Saalesparkasse (Halle) and Mr Gerhard Mauch (Ludwigshafen).

The award aims to promote, honor and encourage graduated junior
researchers contributing to the study of Romanesque art, history,
archaeology, Church history as well as history of the law.
Only unpublished research will be considered (PhD thesis). The
award is supposed to promote graduates. It is valued at 2000 Euro. The
ERZ’s international board of advisors will co-judge the selection of
the awardee. Accepting the award, the winner is encouraged to give a
public lecture at the ERZ.

Submission: Until April 10th 2016, the application (CV, certificates, references,
list of publications), one piece of his/her digitized research works
(PDF) including an abstract and the academic evaluation is to be sent
at:
Direktor des Instituts Europäisches Romanik Zentrum
Domplatz 7
06217 Merseburg
Germany