Looking at the Trecento through the lens of current global paradigms and concerns in historical and art historical studies might seem hazardous, or even paradoxical and provocative at best. Very few other labels have the power to evoke both the glories, achievements and limitations of traditional ‘Western’, and namely Eurocentric, art history. As a matterContinue reading “CFP: “A Global Trecento: Objects, Artist, and Ideas Across Europe, the Mediterranean, and Beyond,” IMC Leeds, 2019 (Deadline 15 September 2018)”
6th May 2016 10:00 – 17:00 Hunter Lecture Theatre, Edinburgh College of Art, 74, Lauriston Place , Edinburgh Convened by Claudia Bolgia and Luca Palozzi from the School of History of Art This one-day international research seminar on ‘Artist and Authorship’ is designed to take stock of the field, showcase award-winning, original research and discussContinue reading “Edinburgh College of Art Trecento seminar, Artist and Authorship (6 May 2016)”
In the spirit of the tradition forged by the late Andrew Ladis and his colleagues at the University of Georgia, an international congress of Trecento specialists will congregate at Tulane University to share their research formally and informally in New Orleans, LA.
Announcing that No. 35 of PREDELLA is online at http://www.predella.it/index.php/current-issue/index.html EDITORIALE / EDITORIAL Gerardo de Simone, Emanuele Pellegrini2001-2015: Odissea di distruzione MONOGRAFIA / MONOGRAPH The Survival of the Trecento in the Fifteenth Century Louise Bourdua Introduction Zuleika Murat Trecento Receptions in Early Renaissance Paduan Art. The Ovetari Chapel and its Models: Revival or Persistence? Paolo di SimoneContinue reading “Publication: Predella, No. 35 – The Survival of the Trecento in the Fifteenth Century”