Tuesday 24 November 2015 – 4:00 pm – 5:30 pm The Sackler Research Forum Seminar Room, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R 0RN Open to all, no booking required! In this talk Robert Bork will consider Gothic architectural drawings as vehicles for the transmission of geometrical information, placing their development inContinue reading “Lecture: Professor Robert Bork, “Drawings and the Transmission of Geometrical Knowledge across Time, Space, and Media””
Tag Archives: Gothic
New publications: L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche AND L’arte di Francesco. Capolavori d’arte italiana e terre d’Asia dal XIII al XV secolo
PAOLO PIVA (ed.). L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche, Jaca Book, 2015, 450 p. ISBN: 978-8816371255 El amplio abanico configurado por las contribuciones que conforman este volumen, donde se analizan funciones, temas y técnicas, incluyendo discusiones sobre personalidades artísticas, cronología y estilo, pone de manifiesto los fuertes raíces históricas del arte medieval, en su contexto. Sin unContinue reading “New publications: L’arte medievale nel contesto 300-1300. Funzioni, iconografia, tecniche AND L’arte di Francesco. Capolavori d’arte italiana e terre d’Asia dal XIII al XV secolo”
Use of Models in Gothic Art (Geneva, 4-5 Nov 2016)
Call for Papers University of Geneva, November 4 – 05, 2016 Deadline: Dec 15, 2015 The University of Geneva’s Art History Unit and the University of Strasbourg’s Institute of Art History are organizing an international conference: Supposed Models, Identified Models: Their Uses in Gothic Art The topic of models, whose use is inherent to theContinue reading “Use of Models in Gothic Art (Geneva, 4-5 Nov 2016)”
Myths of Medieval Spain. Symposium, Courtauld Institute, 11 March
Originally posted on ARTES:
Myths of Medieval Spain. Symposium, Research Forum, Courtauld Institute of Art, 2-6.30, Weds 11 March 2015. Attendance is free, but spaces are limited so you must register Four papers offer new ideas on a group of well-known sculptures and manuscripts from twelfth- and thirteenth-century Spain, exploring tensions between local and international…
CFP: Gotische Skulptur um 1300 (Berlin, 7-8 May 2015), deadline 8 June 2014
Gotische Skulptur um 1300 in Frankreich und Deutschland Tagung der Staatlichen Museen zu Berlin im Bode-Museum Die in den Jahrzehnten um 1300 in Frankreich und den angrenzenden Territorien des Deutschen Reichs entstandene, deutlich von wechselseitigen Bezügen geprägte gotische Skulptur wurde lange kontrovers diskutiert. Ziel der meisten Debatten war die Erstellung einer Chronologie der wichtigsten ObjekteContinue reading “CFP: Gotische Skulptur um 1300 (Berlin, 7-8 May 2015), deadline 8 June 2014”
Call for Papers: II International Conference. Sevilla, 1514: Arquitectos tardogóticos en la encrucijada
Call for Papers II International Conference. Sevilla, 1514: Arquitectos tardogóticos en la encrucijada Seville, November 12-15, 2014 Deadline: 31 May 2014 After the I International Conference Arquitectura tardogótica en la Corona de Castilla held in Santander in 2010, the II International Conference. Sevilla, 1514: Arquitectos Tardogóticos en la encrucijada, aims to serve as a forumContinue reading “Call for Papers: II International Conference. Sevilla, 1514: Arquitectos tardogóticos en la encrucijada”
Conference: Orfèvrerie gothique en Europe (Lausanne, 26-28 March 2014)
Lausanne University, 26. – 28.03.2014 Orfèvrerie gothique en Europe. Production et réception. Université de Lausanne – Site de Dorigny Bâtiment Amphimax, salle 414 26-28 mars 2014 PROGRAMME Mercredi 26 mars 2014 14h00 Accueil des participant-e-s Ouverture des travaux, par Élisabeth Antoine-König (Musée du Louvre, Paris) et Michele Tomasi (Université de Lausanne) Entre villes et cours 14h30 Sophie Cassagnes-Brouquet (Université deContinue reading “Conference: Orfèvrerie gothique en Europe (Lausanne, 26-28 March 2014)”
Updates to the Courtauld Gothic Ivories Project
The Gothic Ivories team is delighted to announce that 700 ‘new’ ivory carvings from over 60 different collections are now available online as part of the Gothic Ivories website! (www.gothicivories.courtauld.ac.uk) Highlights include the Musei Vaticani in Rome, the Schnütgen Museum in Cologne, The Burrell Collection in Glasgow, the Bonnefanten Museum in Maastricht, important collections inContinue reading “Updates to the Courtauld Gothic Ivories Project”
Medieval Art Research 