CFP: Scaling the Middle Ages: Size and Scale in Medieval Art, 24th Annual Medieval Postgraduate Colloquium, The Courtauld Institute of Art, February 8, 2019

The Courtauld Institute of Art’s 24th Annual Medieval Postgraduate Colloquium invites speakers to consider issues and opportunities encountered by medieval artists and viewers in relation to size and scale. Deadline: 16 November 2018 From micro-architectural reliquaries and minute boxwood prayer beads to colossal sculpture and the built spaces of grand cathedrals and civic structures, size matteredContinue reading “CFP: Scaling the Middle Ages: Size and Scale in Medieval Art, 24th Annual Medieval Postgraduate Colloquium, The Courtauld Institute of Art, February 8, 2019”

Conference: New Dialogues in Art History, The Warburg Institute, London, September 26, 2018

This one day conference brings together the next generation of art history scholars to present and discuss their ongoing research. Papers will predominately focus on Italian and Northern Renaissance Art (c. 1400–1600) and will encompass diverse media including tapestry, painting, engraving and stained glass. The conference will comprise five sessions. In the first four, twoContinue reading “Conference: New Dialogues in Art History, The Warburg Institute, London, September 26, 2018”

Use of Models in Gothic Art (Geneva, 4-5 Nov 2016)

Call for Papers University of Geneva, November 4 – 05, 2016 Deadline: Dec 15, 2015 The University of Geneva’s Art History Unit and the University of Strasbourg’s Institute of Art History are organizing an international conference: Supposed Models, Identified Models: Their Uses in Gothic Art The topic of models, whose use is inherent to theContinue reading “Use of Models in Gothic Art (Geneva, 4-5 Nov 2016)”

Material Processes and Making In Medieval Art (Kalamazoo 2016 session)

The International Congress on Medieval Studies (ICMS) at Western Michigan University, Kalamazoo, MI, May 12 – 15, 2016 Deadline: Sep 15, 2015 Art historians traditionally focus on the finished work, yet attention to the creative process of making allows us to consider how medieval builders and artisans constructed monuments, made objects, and planned workflow for large-scale projects.Continue reading “Material Processes and Making In Medieval Art (Kalamazoo 2016 session)”

Call for Papers: ‘Shared Invention: From Antiquity to the 21st Century’ (Clermont-Ferrand, Aubusson and Limoges, 6–8 April 2016)

An international colloquium entitled ‘Shared Invention: From Antiquity to the 21st Century’ will be held 6–8 April 2016, and proposals for papers are now being accepted. The colloquium is being organized by Laurence Riviale and Jean-François Luneau, lecturers at Blaise Pascal University, Clermont-Ferrand (France), in partnership with Musée national Adrien Dubouché, Limoges (France) and CitéContinue reading “Call for Papers: ‘Shared Invention: From Antiquity to the 21st Century’ (Clermont-Ferrand, Aubusson and Limoges, 6–8 April 2016)”