To celebrate the launch of the latest volume in the Courtauld Books Online series—Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext—this roundtable discussion will reflect on art history’s recent rush online in response to the COVID-19 pandemic.
This symposium will explore curatorial, practical and public engagement aspects of The Courtauld’s touring display of Islamic metalwork to four venues in the UK.
This talk explores the fragmentary twelfth-century mural depicting an elephant, situated in the lowermost zone, or dado, of the choir wall in the church of Notre-Dame-de-l’Assomption at Gourdon, a small village in the Charolais district of Burgundy.
This conference seeks to explore the ways in which women patronised and interacted with monasteries and religious houses during the late Middle Ages, how they commissioned devotional and commemorative art for monastic settings, and the ways in which these donations were received and understood by their intended audiences.
From the chalices that glisten behind glass museum cases to the ritual staging of powerful relics, from the architectural fragments of once towering cathedrals to fresco schemes designed to envelope the senses of the viewer, the display and location of medieval art and architecture matter.
Following the collapse of the late antique empire of Aksum, northern Ethiopia entered a “dark age” period, wherein little is known of the region. However, around the year 1000, a triad of cruciform churches were hewn out of rock in East Tigray, unparalleled in scale, form and the use of vaulting.
Professor Kathryn A. Smith’s talk brings together my early and more recent research on the manuscript that I call the Welles-Ros Bible (Paris Bibliothèque nationale de France MS fr. 1) — the most complete surviving witness and sole extant illuminated copy of the Anglo-Norman Bible, the “earliest full prose vernacular Bible produced in England” (Russell).
The Courtauld Gallery is pleased to announce rescheduled dates for its Precious and Rare touring exhibition of ten remarkable pieces of Islamic metalwork dating from the 13th to the 16th centuries.
How have images of blood shaped histories of gender from medieval manuscripts to contemporary art? The Courtauld’s Gender & Sexuality Research Group welcome Dr Hetta Howes (City University of London) and Dr Camilla Mørk Røstvik (St Andrews) to speak about their research into the bodily fluid (followed by a Q&A).
On Weds 21st November 2018, Lloyd de Beer, Naomi Speakman, and Oliver Cooke kindly allowed students and staff from the Courtauld Institute of Art and elsewhere into the horological storerooms of the British Museum, the latest in a series of handling sessions organised by Medieval Touch. Dr Jeanne Nuechterlein of the University of York led theContinue reading “Medieval Touch: Handling session at the British Museum on scientific instruments in medieval and Renaissance Europe”