Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia.
Tag Archives: call for papers
CFP: Communal Identity at Borders of Faith, Leeds IMC 2020, deadline 20 September 2019
Call for papers: Horse History Sessions, International Medieval Congress, deadline: 1 September 2019
‘…the most impressive thing in the world [is] an armoured knight on horseback’ wrote Luis Zapata de Chaves in his late 16th-century treatise Del Justador. Recent flourishing of studies in horse history proves that horses not only at the core of pre-modern society but that they make an important part of medieval studies today.
CFP: CAA session, ‘Buildings in Bloom: Foliage and Architecture in the Global Middle Ages’ (sponsored by the ICMA), deadline 23 July 2019
This panel seeks to explore foliate forms in a cross-cultural context across geographies and cultural traditions from roughly 300 to 1500 CE.
CFP: Rethinking the Canon: Models, Categories and Prestige in Spanish Medieval Art, Universidad Complutense, Madrid, deadline 20 June 2019
CFP: British Archaeological Association, Hildesheim Romanesque Conference (14-16 April 2020), Deadline: 15 May 2019
The British Archaeological Association will hold the sixth in its series of biennial International Romanesque conferences in association with the Dommuseum in Hildesheim on 14-16 April, 2020. The theme is Romanesque and the Year 1000, and the aim is to examine transformation in art and architecture in the years to either side of the millennium.
CFP: St Andrews Institute of Medieval Studies Graduate Conference, deadline 31 March 2019
St Andrews Institute of Medieval Studies Graduate Conference 6 – 8 June, 2019 Deadline: 31 March, 2019 We are announcing a call for papers for the second St Andrews Institute of Medieval Studies (SAIMS) Graduate Conference. This three-day conference is aimed at graduate students and early career researchers in any area of Medieval Studies. The secondContinue reading “CFP: St Andrews Institute of Medieval Studies Graduate Conference, deadline 31 March 2019”
CFP: Medieval and Early Modern Spaces and Places: Experiencing the Court,Trinity Laban Conservatoire, London, April 3 – 04, 2019
Deadline: Nov 15, 2018 Medieval and Early Modern Spaces and Places: Experiencing the Court, 2019 The early modern court adopted and developed exemplary cultural practices where objects and spaces became central to propagating power as well as places for exchange with other powers. This combination of images, objects, and sounds confronted the senses, making aContinue reading “CFP: Medieval and Early Modern Spaces and Places: Experiencing the Court,Trinity Laban Conservatoire, London, April 3 – 04, 2019”
CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019
Almost every Medieval church had one or more sculptures of saints, many of which were placed on altars, in wall niches or in so-called tabernacle-altarpieces. This last category refers to three-dimensional, canopied structures, embellished with bright colours and equipped with movable wings that housed cult images of the Virgin and Child or saints. This early type of altarpieceContinue reading “CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019”
CFP: ‘Moving Materials: Medium, Meanings, & Technique in Transit’, ICMA sponsored session, Leeds International Medieval Congress (1–4 July 2019), deadline 21 September 2018
This panel aims to engage with materials and techniques in transit, as well as the (trans)regionality of their meanings and significations, by asking: are we still able to trace the ‘origin’ and ‘originality’ of certain materials, techniques, and their meanings?
Medieval Art Research 