Tag Archives: International Center of Medieval Art

Grant: ICMA Student Committee conference grant (due 1 February)

26231252_10210523721265685_5643383303839642598_nThe ICMA is pleased to offer grants for graduate students to present their research at conferences. Two awards will be made this year, at $600 each, to help defray the cost of travel. Applicants must be ICMA members and currently enrolled in a graduate program. These funds are available only to students delivering papers.

Applicants must submit:
1) A abstract of the paper that will be delivered in 300 words or less.
2) A short statement outlining the importance of the conference for academic or professional development
3) A budget proposal

Applications are due by 1 February 2018. Please submit materials as PDF attachments to Ryan Frisinger at awards@medievalart.org.

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ICMA Student Committee seeks new members

Woman_teaching_geometryThe International Center of Medieval Art (ICMA) Student Committee is currently seeking new members for two-year (renewable) terms. We welcome applications from current graduate students (MA, MPhil, PhD) who anticipate being in higher education for at least two more years. The Student Committee has a diverse portfolio that includes organizing panels at international conferences (Leeds and Kalamazoo), contributing to the ICMA Newsletter, promoting opportunities for students in our field, and creating fora for students in medieval art to meet colleagues, and share research (in person, through social media, and in print), and actively participate in the ICMA. Potential future initiatives include an oral history project, establishing a mentorship program, and creating a network and lists of resources for medieval art history students researching abroad.

Potential members should submit the following to meg.bernstein@gmail.com and asears@berkeley.edu for consideration by February 15: current c.v., and a cover letter detailing interest in participating, relevant experience, current and future initiatives of interest. Applicants are welcome (but not required to) include ideas for future ICMA SC activities.

Call for Papers: Moving Women, Moving Objects 300-1500 (Kalamazoo 2015)

Call for Papers:
Moving Women, Moving Objects 300-1500 
ICMA-sponsored session at the International Congress on Medieval Studies
Kalamazoo, Michigan, 14-17 May 2015
Deadline: 15 September 2014

As we examine medieval works of art like manuscripts, reliquaries, and jewels, today anchored and spotlighted in their museum vitrines, it is easy to imagine these sumptuous objects at rest in the hands of their original owners. But, in truth, they were in constant motion, and women were especially responsible for the movement of these works of art.
Isabeau_de_Baviere3This panel seeks to enrich the discussion of women and their relationships with their objects that, in the area of non-book arts, remains relatively unexplored. Luscious objects were gifts that traveled lesser and greater distances, some imported in brides’ nuptial coffers and many more commissioned and used to unite women separated by their politically advantageous marriages. Sisters and mothers, grandmothers and aunts, daughters and cousins, as well as friends and allies, all exchanged works of art with shared stories and iconographies. These pieces were the tokens that served as tribute, the centerpieces of rituals and ceremonies, the precious keepsakes enjoyed in intimate places, and the markers of architectural spaces often also founded or endowed by these women.

Theories of feminism, anthropology, sociology, and geography, among others, can all aid in the interpretation of the movement of works of art by women. New technologies such as GIS mapping and digital modeling enable us to visualize the international trajectories of works of art, as well as the movement and placement of them within architectural space. Proposals for this panel could include papers concerning women living between 300-1500. While proposals discussing European examples are anticipated, those analyzing any culture are encouraged. Papers might discuss women moving their objects in ritual space; the international, cross-cultural fertilization of the arts resulting from women’s gifts; the mapping of women’s identity through placement of objects; or class and women’s movement of their objects.

Please email the session chairs a one-page abstract of your paper, with images of the works of art you will discuss, and the Participant Information Form (available athttp://www.wmich.edu/medieval/congress/submissions/#PIF)

Contact: Tracy Chapman Hamilton, Sweet Briar College, thamilton@sbc.edu; Mariah Proctor-Tiffany, California State University, Long Beach, mariah.proctor@csulb.edu

Proposals due: September 15, 2014

Call for ICMA Sponsored Session Proposals (CAA 2016)

Call for ICMA Sponsored Session Proposals 
College Art Association, Washington DC, 3-6 February 2016
Deadline: 15 August 2014

icmaThe International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2016 at the annual College Art Association. Session organizers and speakers must be ICMA members. Proposals for ICMA sponsorship should consist of a title, an abstract, and a CV.  Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of sponsored session speakers. Please direct all session proposals and inquiries by Aug. 15, 2014 to the Chair of the Programs Committee: Elina Gertsman, Department of Art History and Art, Case Western Reserve University, email: elina.gertsman@case.edu.

See also http://www.medievalart.org

CFP: The Cross in Medieval Art (Kalamazoo 2015)

Call for Papers: The Cross in Medieval Art
International Center of Medieval Art Sponsored Session (Kalamazoo 2015)
Deadline: 15 September 2014

croce_dipintaRecent art-historical research has brought us new understandings of the central symbol of Christianity, the Cross, in different places, at different times, in different media, and with different theoretical and conceptual foci. The Cross, its representations and significations, and the appearance and materiality of those representations, features in many areas of current research, but not often as a central subject to be dealt with thematically and comparatively. This session invites considerations of images depicting, representing or referring to the Cross in any media, and across the middle ages, from early to late. The aim of the session is to consider what can be gained at this particular moment in scholarship from a common concentration on the theme of the Cross. Therefore, proposers are invited especially to consider their subject matter in light of theoretical perspectives that have been prominent in recent art-historical scholarship, such as (but not limited to) affect, emotion, movement, medium and materiality.

Please send paper proposals (consisting of a abstract of up to one page, and a completed Participant Information Form (http://www.wmich.edu/medieval/congress/submissions/index.html#Paper)) to Beth Williamson, University of Bristol (Beth.Williamson@bristol.ac.uk), by September 15, 2014.

Byzantine Studies Conference Proposals Vancouver

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Propose a session for the upcoming BSC in Vancouver this fall (November 6-9, 2014), and, with ICMA sponsorship, be able to pay travel expenses for your speakers, even if they come from abroad!

Thanks to the generosity of the Kress Foundation, the International Center of Medieval Art (ICMA: medievalart.org) is able to provide travel and hotel funds for the speakers at such a session up to a maximum of $500 for US residents, and up to $1000 for speakers coming from abroad.  Every speaker must be an ICMA member at the time of application.

To be properly considered, the proposed session should relate to both art history and Byzantine studies. The BSC warmly welcomes the participation of western and Islamic art historians.

The proposed session will need to pass two hurdles. The procedure is the following:

  1. Submit a proposal for an organized session, with a title, an abstract, a CV of the organizer and the names of 4-5 speakers, to the Programs and Lectures Committee of the ICMA for its approval.
  2. The ICMA committee will decide whether to sponsor the proposed session.  It will notify the organizer, who will then submit the approved proposal to the Program Committee of the BSC, which will make the final decision.

The deadlines are these:

1 March

Submit the session proposal to the ICMA by sending it to Prof. Elina Gertsman at Case Western Reserve University, Chair, ICMA Programs and Lectures Committee (exg152@case.edu). Guidelines are available on the ICMA website, under Membership/Kress Research and Travel Awards. Please note that speakers ALONE are eligible for these funds: session organizers, chairs or discussants are not. Successful applicants will be notified in mid March.

1 April

Submit the approved session proposal to the BSC, following the guidelines that are posted on the Byzantine Studies Association of North America website: bsana.net. An abstract for each of the individual papers will be required at this time. Abstracts are reviewed blindly; speakers and session organizers are usually notified by mid May.

ICMA: Graduate Student Essay Prize 2014

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Graduate Student Essay Prize 2014

Deadline: March 1st 2014

The International Center of Medieval Art wishes to announce its annual Graduate Student Essay Award for the best essay by a student member of the ICMA. The theme or subject of the essay may be any aspect of medieval art, and can be drawn from current research. The work must be original and should not have been published elsewhere. The winner will receive a prize of $400.

Thanks to the generosity of one of our members, we are now be able to offer a second prize as well, of $200. The donor of this prize has suggested that “special consideration be given to those papers that incorporate some discussion of the interconnections among medieval science, technology, and art.” Although the prize will by no means be restricted to papers that address this theme, papers that do so will be given special attention by the selection committee.

Applicants are requested to submit an article-length paper (maximum 30 pages, not including footnotes) following the editorial guidelines of our journal Gesta. Each submission must also include a 250-word abstract written in English regardless of the language of the rest of the paper.

Applicants are also required to submit their curriculum vitae and must be current members of the ICMA for their essays to be considered. All submissions are to be sent electronically to the Operations Manager of the ICMA, Ryan Frisinger, at ryan@medievalart.org. The winning essay will be chosen by members of the ICMA Grants and Awards Committee, which is chaired by our Vice-President.

The deadline for submission is March 1st, 2014, and the winner will be announced at the ICMA meeting in Kalamazoo in May.

The winners will be given the opportunity to have their papers posted on the ICMA website, if they so wish.