01. – 02.09.2017 Registration deadline: Aug 15, 2017 Das Buch als Medium – Mittelalterliche Handschriften und ihre Funktionen Interdisziplinäre Graduiertentagung Universität Wien Institut für Kunstgeschichte Altes AKH Spitalgasse 2, Hof 9 1090 Wien While participation is free we ask that delegates register via this link by 15. August 2017: tagung.buchfunktion.kunstgeschichte@univie.ac.at PROGRAMM Freitag, 01. September 2017 08:30 –Continue reading “Conf: The Book as Medium: Medieval Manuscripts & their Functions, VIENNA (1st – 2nd Sep 2017)”
Category Archives: Upcoming Events
TODAY: Leeds IMC, Corpus of Romanesque Sculpture in Britain and Ireland, Session 703
The Corpus of Romanesque Sculpture in Britain and Ireland will be running its first conference session this year at the Leeds International Medieval Congress. Session 703 – Tuesday 4 July 2017 – 14.15 to 15.45 The following papers will be delivered: Ron Baxter (Corpus of Romanesque Sculpture in Britain & Ireland, London) – The Corpus of Romanesque Sculpture and the Medieval Workshop (paper 703-a);Continue reading “TODAY: Leeds IMC, Corpus of Romanesque Sculpture in Britain and Ireland, Session 703”
Conf: IV Forum for the Art of the Middle Ages, Berlin & Brandenburg, 20-23rd Sep 2017
Berlin, Brandenburg an der Havel, 20. – 23.09.2017 IV. FORUM KUNST DES MITTELALTERS BERLIN UND BRANDENBURG 360° – VERORTUNG, ENTGRENZUNG, GLOBALISIERUNG 20.–23. SEPTEMBER 2017 veranstaltet vom Deutschen Verein für Kunstwissenschaft e.V. mit der Humboldt-Universität zu Berlin, der Freien Universität Berlin und dem Leibniz-Institut für Geschichte und Kultur des östlichen Europa Das vierte Forum Kunst des Mittelalters widmetContinue reading “Conf: IV Forum for the Art of the Middle Ages, Berlin & Brandenburg, 20-23rd Sep 2017”
CfP: New Directions in the Study of Medieval Sculpture, Leeds, 16-17 Mar 2018
Henry Moore Institute, Leeds, March 16 – 17, 2018 Deadline: Sep 30, 2017 New Directions in the Study of Medieval Sculpture Focusing on the materiality of medieval sculpture has proven crucial to its study and has expanded our historical understanding of sculpture itself. Whether monumental relief sculpture in stone, wooden sculptures in the round, sculpted altarpieces, ivoryContinue reading “CfP: New Directions in the Study of Medieval Sculpture, Leeds, 16-17 Mar 2018”
Conférence – Didier Martens, «Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle»
Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle par Didier Martens, historien de l’art et germaniste, professeur à l’Université libre de Bruxelles, auteur de nombreux ouvrages dont Peinture flamande et goût ibérique XVème-XVIème siècles (Le Livre Timperman, Bruxelles, 2010) Lieu : Académie royale de BelgiqueContinue reading “Conférence – Didier Martens, «Byzance dans le Nord : icônes de saint Luc dans la peinture flamande du XVe au XVIIe siècle»”
CONF: WerkStattWissen – The Work of Art (Bern, 31 May – 2 Jun 17)
The Work of Art – Material and Technology in Sources and Workshop Practice The variety of traditional sources poses a challenge to accessing practical knowledge in historical workshops. Texts and pictorial representations provide information on the production of materials and art works, but are not always reliable. What was their audience and purpose? Does the source result from hands-on experience, doesContinue reading “CONF: WerkStattWissen – The Work of Art (Bern, 31 May – 2 Jun 17)”
Colloque – Les marges
Le jeudi 18 mai 2017 se tiendra la journée thématique annuelle de l’IRHT consacrée aux marges. Ce thème, qui se trouve au carrefour des sciences du texte, rassemble toutes les sections du laboratoire, en ce qu’il touche aussi bien à la philologie, la lexicographie, l’histoire, la paléographie, qu’à la codicologie. Autour du texte, dimension essentielleContinue reading “Colloque – Les marges”
CONF: Riemenschneider In Situ (Rothenburg/Wuerzburg, 21-24 Jun 17)
Rothenburg and Würzburg, 21. – 24.06.2017 Conference Program In 1980, Michael Baxandall introduced the sculptor Tilman Riemenschneider and his artistic milieu to English-speaking art historians — specialists and non-experts alike — with his book The Limewood Sculptors of Renaissance Germany. This publication appeared just a year prior to the first major exhibition of Riemenschneider’s early works in Würzburg’s Mainfränkisches Museum (1981). InContinue reading “CONF: Riemenschneider In Situ (Rothenburg/Wuerzburg, 21-24 Jun 17)”
CONF: Chivalry Reimagined (Cambridge, 22 May 17)
The Fitzwilliam Museum, University of Cambridge, May 22, 2017 Armour Study Day University of Cambridge, 22 May 2017 “Chivalry Reimagined: Collecting and Displaying Renaissance Armour in the Late 19th Century” When: Monday, 22 May 2017, 9:00-4:30pm Where: Museum Seminar Room, Fitzwilliam Museum, University of Cambridge Who: Open to all, £25 registration fee (includes lunch and tea/coffee) InContinue reading “CONF: Chivalry Reimagined (Cambridge, 22 May 17)”
Panel discussion: Transforming Art History
THU 15 JUN, 2017Giotto’s Circle The Courtauld Institute of Art, Somerset House, Strand, London Engaging with the Trecento Speaker Caroline Campbell: Head of the Curatorial Department and Curator of Italian Paintings before 1500, National Gallery Eloise Donnelly: University of Cambridge/British Museum collaborative doctorate; formerly Art Fund Curatorial Trainee, National Gallery/York Art Gallery Anna Koopstra: SimonContinue reading “Panel discussion: Transforming Art History”
Medieval Art Research 