Tag Archives: luxury

CFP: ‘Excess,’ 34th Annual Boston University Graduate Symposium in the History of Art and Architecture, Boston University, Boston, MA, 2-3 March 2018

fixedw_large_4xCall for Papers: Excess, 34th Annual Boston University Graduate Symposium in the History of Art and Architecture, Boston University, 2-3 March 2018
Deadline: December 1, 2017

Excess conjures the idea of the extractable, left over, too much, or “extra.” Looking closely at perceptions of the extraneous reveals excess to be a historically constructed category that marks shifting notions of cultural values. Deemed peripheral, abject, deviant, and tertiary due to factors such as geographic relationships or conceptions of power at a particular moment, excess is the focal point of the 34th Annual Boston University Graduate Symposium in the History of Art & Architecture.

We invite submissions that explore themes of excess. Topics may include but are not limited to the following: opulence; decoration; the grotesque; the carnivalesque; caricature; exuberance; indulgence; exaggeration; extremes of religious or social practice and ritual; extravagant lifestyle; expressions and critiques of abundance; so-called “luxury arts”; the overbuilt.

Papers must be original and previously unpublished. Please send an abstract (300 words or less), a paper title, and a CV to bugraduatesymposiumhaa@gmail.com. The deadline for submissions is December 1, 2017. Selected speakers will be notified by December 23, 2017, and are expected to accept or decline the offer within a week of notification. Papers should be 20 minutes in length and will be followed by a question and answer session.

The Symposium will be held Friday, March 2 – Saturday, March 3, 2018, with a keynote lecture (TBD) on Friday evening at the Boston University Art Gallery at the Stone Gallery and graduate presentations on Saturday at the Museum of Fine Arts, Boston.

This event is generously sponsored by the Boston University Center for the Humanities; the Boston University Department of History of Art & Architecture; the Museum of Fine Arts, Boston; the Boston University Graduate Student History of Art & Architecture Association; and the Boston University Art Gallery at the Stone Gallery.

For additional information, please visit:
http://www.bu.edu/ah/students/graduate-student-history-of-art-architecture-association/the-symposium/

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Conference: Art and Economy in France and Italy in the 14th century: new research

giottotodeleteConference: Art et économie en France et en Italie au XIVe siècle. Nouvelles enquêtes,Art et économie en France et en Italie au XIVe siècle. Nouvelles enquêtes, Université de Lausanne, 19-20 October 2017

 

 

Programme:

Jeudi 19 octobre 2017

Nicolas Bock, Michele Tomasi
Introduction

14h30 L’Italie au Trecento et au Quattrocento : da Giotto alla morte !

Damien Cerutti
Giotto & Cie. Réflexions sur le marché pictural florentin dans le deuxième quart du Trecento

Katalin Prajda
Finanze e attività imprenditoriale nelle industrie pittoriche, orafe e di carpenteria nella Firenze del primo Rinascimento. Come la seta divenne una specialità fiorentina

Fabio Marcelli
Arte, civiltà comunale ed economia nell’Appennino umbro-marchigiano

Giampaolo Ermini
Il cantiere del coro trecentesco del duomo di Orvieto: manovalanza, materiali, costi e finanziamenti

Paola Vitolo
Spese della morte: investimenti per l’aldilà (e per l’al di qua) e pratica artistica (Italia, XIII-XIV secolo)

 

Vendredi 20 octobre 2017

9h00 Les arts de luxe

Chiara Maggioni
Orfèvreries à Mantoue au XIVe siècle : frais, évaluations, valeurs de marché

Andrea Cravero
Vetri dorati e graffiti del basso medioevo: economia di una bottega assisiate e mercato fiorentino

Giampaolo Distefano
Le occasioni del mercato artistico parigino del Trecento e la carriera dell’orafo Jean le Braelier

11h30  Entre l’Italie et la France

Teodoro De Giorgio
La riorganizzazione del sistema fiscale della corte pontificia avignonese sotto Giovanni XXII (1316-1334) e il nuovo volto del mecenatismo artistico papale

Alain Salamagne
L’usage du bois précieux dans le château en France et en Bourgogne (1350-1450)

14h00 Perspectives méditerranéennes

Doron Bauer
Economic Fluctuations and Artistic Production in The Kingdom of Majorca

Francesco Ruvolo
Prima di Antonello. Nuovi culti, spazio sacro e potere economico, nella Messina tra Due e Trecento

15h00  En ouvrant encore les horizons

Étienne Anheim
L’économie du travail artistique au XIVe siècle en France et en Italie

Wim Blockmans
La spécificité du secteur de l’art dans l’économie du bas Moyen Âge
Conclusions

 

CFP: The Idea of Luxury and the Role of the Object, ICMS, Kalamazoo, May 2017

Call for Papers: The Idea of Luxury and the Role of the Object

International Congress on Medieval Studies, Kalamazoo, 11-14 May 2017

Organizers: Andrew Sears, University of California, Berkeley; Laura Tillery, University of Pennsylvania

As Christopher Berry has shown in The Idea of Luxury, the concept of luxury is determined by countless factors: it is situated by socio-economic forces, enacted politically, and both justified and critiqued by philosophy and theology. Luxury is also a difficult scholarly concept to contend with, requiring close engagement with these aforementioned fields as well as distance from our own modern judgments and conceptualizations.

Our panel seeks to integrate physical objects within such epistemological studies and consider anew the vital role of Art History. We hope to use artworks to reevaluate some fundamental questions: what is luxury, how is it manifested in physical terms, and what are its functions for patrons, makers, and beholders? We also hope to bring to the fore new questions about the role of luxury objects in shaping scholarly questions and Art History as a discipline, dealing with the nature of the canon, the extant corpus of objects, and the role of collecting practices through time. Indeed, in today’s economic climate, it seems time to consider luxury’s history, our relationship to it, and what art historical lines of inquiry can bring to bear on cultural commentary.

We welcome papers in various stages of research, and across geographic, temporal, and material contexts. Potential topics include: the aesthetics of luxury; material treatises and the physical makeup of luxury; unexpected luxuries; church treasuries; notions of excess, and objects that warn against, or perhaps embody, luxuria and avaritia; commissioning, owning, and displaying luxuries; history and historiography of luxury; luxury and domesticity; luxury and gender; collecting luxuries.

To propose a paper, please send an abstract, C.V., and completed Congress Participant Information Form (available on the Congress website) to Andrew Sears (asears@berkeley.edu) and Laura Tillery (tillery@sas.upenn.edu) no later than 15 September 2016.

 

 

CFP: The Economy of Dress and Textiles: Avenues of Trade, Production and Consumption in the Early Modern Period

medieval-textile-images0002Call for Papers: The Economy of Dress and Textiles:  Avenues of Trade, Production and
Consumption in the Early Modern Period
University of Bologna, Dipartimento di Storia Culture e Civiltà, San
Giovanni in Monte, Bologna, Italy, September 15, 2016
Deadline: Apr 30, 2016

The cloth and textile market is of central importance to the late
medieval and early modern economy. Trade routes, centres of production
and patterns of consumption were determining factors that stimulated
the influx of luxury cloth and textiles into established fashion and
textile markets, while second-hand garments developed their own
trajectory. Being sold at auctions and dealer shops, they sometimes
enjoyed a second life and were often refashioned. The entire cost
related to the fashioning of a garment, which comprised the purchase of
raw materials and tailoring expenses, is a reflection of the journey
and provenance of the relevant textiles, furs and haberdashery prior to
their shaping and consumption. In turn, the respective markets for both
low-end and high-end goods also played an important role in social and
cultural life, as the cost, display and representations of dress
emphasised the wealth and social and political status of the wearer.
The conference aims to generate a discussion about the economy of dress
and textiles in relation to the connection between trade, production,
consumption and the cost and status of low-end and high-end goods in
the late medieval and early modern periods.

PhD students and early career researchers are invited to speak about
the economy of dress and textiles from a variety of perspectives in
order to build a more complete picture of their journey both literal
and figurative from raw materials to fully fledged garments that
sometimes get refashioned.

Submission: potential speakers are invited to submit as a
single document: (1) a 300-word paper abstract, which should include
the main question of the research project, (2) a paper title, (3) a
brief curriculum vitae, (4) institutional affiliations and (5) contact
information to the Dressing the Early Modern Network at
info@dressingtheearlymodern.com

Each speaker will be allotted twenty minutes. The deadline for
submissions is 30 April 2016. Notification of the outcome will be
advised by e-mail on or before 15 May 2016.

Please note that funding is not provided for this event, so
participants will be required to fund and arrange their own travel and
accommodations.