Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018

Dresden, Technische Universität, Institut für Kunst und Musikwissenschaft, Raum ABS/E08/H, 26. – 27.10.2018 Gotik global – kolonial – postkolonial: Gotisierende Sakralarchitektur auf der Iberischen Halbinsel und in Lateinamerika vom 19. bis zum 21. Jahrhundert Tagung der Technischen Universität Dresden, Institut für Kunst- und Musikwissenschaft der Philosophischen Fakultät in Zusammenarbeit mit der Carl Justi-Vereinigung e.V. Immer wieder werden imContinue reading “Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018”

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CFP: “A Global Trecento: Objects, Artist, and Ideas Across Europe, the Mediterranean, and Beyond,” IMC Leeds, 2019 (Deadline 15 September 2018)

Looking at the Trecento through the lens of current global paradigms and concerns in historical and art historical studies might seem hazardous, or even paradoxical and provocative at best. Very few other labels have the power to evoke both the glories, achievements and limitations of traditional ‘Western’, and namely Eurocentric, art history. As a matterContinue reading “CFP: “A Global Trecento: Objects, Artist, and Ideas Across Europe, the Mediterranean, and Beyond,” IMC Leeds, 2019 (Deadline 15 September 2018)”

CFP: ‘The Italian South: Transcultural Perspectives 400-1500,’ CONVIVIUM journal

Call for Contributions: ‘The Italian South: Transcultural Perspectives 400-1500,’ CONVIVIUM. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean, special issue edited by Elisabetta Scirocco (Bibliotheca Hertziana – MPI) and Gerhard Wolf (Kunsthistorisches Institut in Florenz – MPI), published March 2018 Deadline for proposals: 20 September 2017 Deadline for article submission: 30 November 2017 This thematic issue ofContinue reading “CFP: ‘The Italian South: Transcultural Perspectives 400-1500,’ CONVIVIUM journal”