Originally posted on ARTES:
Myths of Medieval Spain. Symposium, Research Forum, Courtauld Institute of Art, 2-6.30, Weds 11 March 2015. Attendance is free, but spaces are limited so you must register Four papers offer new ideas on a group of well-known sculptures and manuscripts from twelfth- and thirteenth-century Spain, exploring tensions between local and international…
Tag Archives: Courtauld Institute of Art
Conference: Fifty Years After Panofsky’s Tomb Sculpture. New Approaches, new Perspectives, New Material, London
The Courtauld Institute of Art is holding this one-day conference in 2014 to mark the 50th anniversary of the publication of Erwin Panofsky’s Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, comprising the lectures delivered originally in the fall of 1956 at the Institute of Fine Arts, New York. Panofsky’sContinue reading “Conference: Fifty Years After Panofsky’s Tomb Sculpture. New Approaches, new Perspectives, New Material, London”
Lecture: Romanesque Sculpture: Contexts and Perceptions from Lincoln and Pavia to Moissac and Saint-Genis-des-Fontaines, Courtauld
The Corpus of Romanesque Sculpture in Britain and Ireland requests the pleasure of your company at its Annual Lecture on Tuesday 29th April 2014 at 5.30 p.m. at the Courtauld Institute of Art. The lecture is divided into two parts, concerning form and content respectively. The first discusses what is special about Romanesque sculpture and how itContinue reading “Lecture: Romanesque Sculpture: Contexts and Perceptions from Lincoln and Pavia to Moissac and Saint-Genis-des-Fontaines, Courtauld”
THE 2014 COURTAULD INSTITUTE OF ART POSTGRADUATE SYMPOSIUM
Showcasing New Research! Thursday 6 and Friday, 7 March 2014 Thursday, 6 March: 10.00 – 18.15 Friday, 7 March: 12.00 – 17.35 Kenneth Clark Lecture Theatre, Courtauld Institute of Art Click here for full programme Speaker(s): include Thomas Ardill, James Alexander Cameron, Jessica Barker, Marie Collier, Nicola Jennings, Anna Koopstra, Anya Matthews, Irene Noy, Gosia Osinska,Continue reading “THE 2014 COURTAULD INSTITUTE OF ART POSTGRADUATE SYMPOSIUM”
Medieval Reading Group, Courtauld Institute
6-8pm in Seminar Room 3 on Thursday 13 March at the Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN The principal text we’ve selected for the Reading Group is the introduction and first chapter of Joanna Cannon’s new book Religious Poverty, Visual Riches (London, 2013). As this reading is somewhat focused, if the material is unfamiliar it mightContinue reading “Medieval Reading Group, Courtauld Institute”
Call for Papers: Gothic Ivories: Content and Context
Gothic Ivories: Content and Context, which will take place on Saturday 5 July at The Courtauld Institute of Art, and Sunday 6 July 2014 at The British Museum. Proposals are invited for papers to be presented at this two-day conference in July 2014, jointly organised by the British Museum and the Courtauld Gothic Ivories Project. The papers will be presentedContinue reading “Call for Papers: Gothic Ivories: Content and Context”
Conference: Boundaries in Art & Architecture, 19th Annual Medieval Postgraduate Student Colloquium, Courtauld Institute of Art, 1 February 2014
10.00-17:30, Saturday 1 February 2014 (with registration from 09.30) Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN Ticket/Entry details: Admission free, all welcome. No booking is necessary. Medieval art and architecture are often misconceived as being governed by categories and boundaries, be it geographical, social, or artistic. ThisContinue reading “Conference: Boundaries in Art & Architecture, 19th Annual Medieval Postgraduate Student Colloquium, Courtauld Institute of Art, 1 February 2014”
Workshop Reflections: British Museum handling session: Objects with apotropaic inscriptions
The Courtauld has a reputation for getting up close to objects, sometimes to the concern of nearby gallery attendants. However, a number of handling sessions for postgraduate students to indulge in pawing exhibits without rebuke have been arranged at the British Museum with the kind assistance of Lloyd DeBeer and Naomi Speakman, both in progressContinue reading “Workshop Reflections: British Museum handling session: Objects with apotropaic inscriptions”
Call for Papers: Fifty years after Panofsky’s Tomb Sculpture (London 2014)
Call for Papers: Fifty years after Panofsky’s Tomb Sculpture: New Approaches, New Perspectives, New Material London, The Courtauld Institute of Art, 21 June 2014 Deadline: 16 February 2014 ‘Tomb Sculpture will remain….among the basic works which determine turning points in the history of our discipline’. (Review in Art Bulletin, 1967) The Courtauld Institute will beContinue reading “Call for Papers: Fifty years after Panofsky’s Tomb Sculpture (London 2014)”
Publication News: New Issue of Journal of the Warburg and Courtauld Institutes
Journal of the Warburg and Courtauld Institutes – Volume LXXVI (2013) This volume was issued online in two parts: Part I (October) and Part II (November), to be followed by the print edition as a complete volume (expected publication date 18 December 2013). For further information, see the journal’s website. Part I Xenophon and the Barberini:Continue reading “Publication News: New Issue of Journal of the Warburg and Courtauld Institutes”
Medieval Art Research 