Tag Archives: Erwin Panofsky

(Updated) Conference Programme: Fifty Years after Panofsky’s Tomb Sculpture (London, 21 June 2014)

(Updated) Conference Programme:
Fifty Years after Panofsky’s Tomb Sculpture.
New Approaches, New Perspectives, New Material

Saturday 21 June 2014, 10.00 – 18.00 (with registration from 09.30)
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN

Tomb Sculpture will remain….among the basic works which determine turning points in the history of our discipline’. (Review in Art Bulletin, 1967).

The Courtauld Institute will be holding a one-day conference in 2014 to mark the 50th anniversary of the publication of Erwin Panofsky’s Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, comprising the lectures delivered originally in the fall of 1956 at the Institute of Fine Arts, New York. Panofsky’s lectures represented a new attempt to consider funerary monuments as artistic objects, charting developments in their iconography, style, form and function within the broader chronology of art history. Panofsky also emphasised the importance of tombs as evidence for changing (and sometimes contradictory) attitudes towards the deceased.

Examining monuments across Europe, from the Medieval to Early Modern periods, this conference will explore the legacy of Panofsky’s work as well as showcase the developments in research techniques and approaches that have led to new insights into tomb sculpture.

Ticket/Entry Details: £16 (£11 students, Courtauld staff/students, concessions). Please note that online booking for this event has now closed. However, limited places will be available on the day on a first come, first served basis (cash payment only).

For further information: http://www.courtauld.ac.uk/researchforum/calendar.shtml

Organised by Professor Susie Nash, Ann Adams and Jessica Barker (The Courtauld Institute of Art).
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PROGRAMME

09.30 – 10.00 Registration

10.00 – 10.40 Professor Susie Nash (The Courtauld Institute of Art)
Welcome and Introduction: Erwin Panofsky’s Tomb Sculpture. Four lectures on its changing aspects from Ancient Egypt to Bernini (1964).

10.40 – 11.00 Break for refreshments (provided – Seminar Room 1)

SESSION 1: Reassessing Panofsky (Chair: Ann Adams)

11.00 – 11.25 Shirin Fozi (University of Pittsburgh): ‘From the ‘pictorial’ to the ‘statuesque’: Rudolf of Swabia, Widukind of Saxony, and the Problem of Plastic Form

11.25 – 11.50 Geoff Nuttall (Independent Scholar): ‘Delicate to the point of evanescence’: Panofsky, Ilaria del Carretto and Jacopo della Quercia

11.50 – 12.15 Jessica Barker (The Courtauld Institute of Art): Prospective and Retrospective: Joint Memorials in the Middle Ages

12.15 – 12.30 Panel questions

12.30 – 13.30 Lunch (not provided)

SESSION 2: New Approaches, New Perspectives, New Material (Chair: Michaela Zöschg)

13.30 – 13.55 Luca Palozzi (Edinburgh College of Art): ‘To Carve a Living Person out of Stone’: Petrarch, Pandolfo Malatesta, and the Origins of the Renaissance Humanist Tomb in Fourteenth-Century Italy

13.55 – 14.20 Christina Welch (University of Winchester): Cadaver monuments in England

14.20 – 14.45 James Cameron (The Courtauld Institute of Art): Competing for ‘dextro cornu magnum altaris’: Tombs and Liturgical Seating in English Churches

14.45 – 15.00 Panel questions

15.00 – 15.30 Break for refreshments (provided – Seminar Room 1)

SESSION 3: Reconstruction, Materials and Conservation (Chair: Kim Woods)

15.30 – 15.45 Kim Woods (The Open University): Introduction on materials

15.45 – 16.10 Martha Dunkelman (Canisius College): Deconstructing Donatello’s Brancacci Chapel

16.10 – 16.35 Marisa Costa (University of Lisbon): Does technical investigation fully answer art history questions? The case study of a Portuguese copper tomb from the early fifteenth century.

16.35 – 16.50 Panel questions

16.50 – 17.00 Summary: Ann Adams & Jessica Barker

17.00 – 18.00 Dr Phillip Lindley (University of Leicester)
Keynote: Taking leave of Panofsky

18.00 RECEPTION (Front Hall)

 

Conference: Fifty Years After Panofsky’s Tomb Sculpture. New Approaches, new Perspectives, New Material, London

TombofKingJohnIandQueenPhilippa_Batalha_000The Courtauld Institute of Art is holding this one-day conference in 2014 to mark the 50th anniversary of the publication of Erwin Panofsky’s Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, comprising the lectures delivered originally in the fall of 1956 at the Institute of Fine Arts, New York. Panofsky’s lectures represented a new attempt to consider funerary monuments as artistic objects, charting developments in their iconography, style, form and function within the broader chronology of art history. Panofsky also emphasised the importance of tombs as evidence for changing (and sometimes contradictory) attitudes towards the deceased.

Examining monuments across Europe, from the Medieval to Early Modern periods, this conference will explore the legacy of Panofsky’s work as well as showcase the developments in research techniques and approaches that have led to new insights into tomb sculpture.

Saturday, 21 June 2014 10.00 – 18.00 (with registration from 09.30), Kenneth Clark Lecture Theatre

Speaker(s): Jessica Barker (The Courtauld Institute of Art), Marisa Costa (University of Lisbon), Martha Dunkelman (Canisius College), Shirin Fozi (University of Pittsburgh), Dr Phillip Lindley (University of Leicester), Professor Susie Nash (The Courtauld Institute of Art), Geoff Nuttall (Independent Scholar), Luca Palozzi (Edinburgh College of Art), Joana Ramôa Melo (New University of Lisbon), Christina Welch (University of Winchester), Kim Woods (The Open University)

http://www.courtauld.ac.uk/researchforum/events/2014/summer/jun21_FiftyYearsAfterPanofsky.shtml

 

Call for Papers: Fifty years after Panofsky’s Tomb Sculpture (London 2014)

Call for Papers:
Fifty years after Panofsky’s Tomb Sculpture: New Approaches, New Perspectives, New Material
London, The Courtauld Institute of Art, 21 June 2014
Deadline: 16 February 2014

‘Tomb Sculpture will remain….among the basic works which determine turning points in the history of our discipline’. (Review in Art Bulletin, 1967)

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The Courtauld Institute will be holding a one-day conference in 2014 to mark the 50th anniversary of the publication of Erwin Panofsky’s Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, comprising the lectures delivered originally in the fall of 1956 at the Institute of Fine Arts, New York. Panofsky’s lectures represented a new attempt to consider funerary monuments as artistic objects, charting developments in their iconography, style, form and function within the broader chronology of art history.  Panofsky also emphasised the importance of tombs as evidence for changing (and sometimes contradictory) attitudes towards the deceased.

The aim of this conference is to showcase the developments in research techniques and approaches that have led to new insights into tomb sculpture. The core period covered by the conference will be Medieval to Early Modern, but papers up to the current day will be considered. The core geographic focus will be Europe.

Topics may include, but are not limited to:

  • Panofsky’s approach to funerary sculpture and the legacy of his work
  • Iconography of tombs
  • Materials and their symbolic importance
  • Audience and reception
  • Monuments and the liturgy
  • Function of tombs- prospective/retrospective, devotional, legal, etc.
  • Inscriptions, epitaphs, heraldry
  • Technical investigation
  • Components of monuments with a low survival rate, e.g. covers, testers, railings
  • Brasses

Logistics:

  • Length of paper: 20 minutes
  • Expenses: funds are not available to cover participants’ expenses

This is an opportunity for doctoral and early career scholars to share their research. We plan to publish a collection of edited essays arising from the conference. Please send proposals of no more than 250 words and a brief biography to tombsculpture@gmail.com no later than Sunday 16 February 2014.

Organised by Professor Susie Nash, Ann Adams and Jessica Barker (The Courtauld Institute of Art).