Monthly Archives: March 2017

Conference: After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443-1517, St Anne’s College, Oxford, 28th June 2017 – 30th June 2017

238d-5c94-4eb4-bd92-3202Conference: After Chichele: Intellectual and Cultural Dynamics of the English Church, 1443-1517, St Anne’s College, Oxford, 28th June 2017 – 30th June 2017
Fees: Standard Registration Fee – £160.00; graduate Registration Fee – £120.00; dinner – £60.00
Register by June 21

After Chichele adopts an investigative and interdisciplinary approach. The period has been chosen precisely because the inner workings of English intellectual and religious life during these years have proved challengingly resistant to the formation of grand critical narratives. What are the chief currents driving the intellectual and cultural life of the church in England during this period? What happened to intellectual questioning during the period, and where did the church’s cultural life express itself most vividly? What significant parochial, regional, national and international influences were brought to bear on English literate practices? In order to address these questions, the conference will adopt an interdisciplinary focus, inviting contributions from historians, literary scholars, and scholars working on the theology, ecclesiastical history, music and art of the period.

 

CFP: 4th INTERNATIONAL CONFERENCE THE MIDDLE AGES: A GLOBAL CONTEXT?, 13-15 DECEMBER, 2017, PORTUGAL, LISBON (MEDIEVAL EUROPE IN MOTION RESEARCH GROUP)

025e8b1a81204117a2e5930a561cabe8CFP: 4th INTERNATIONAL CONFERENCE THE MIDDLE AGES: A GLOBAL CONTEXT?, 13-15 DECEMBER, 2017, PORTUGAL, LISBON (MEDIEVAL EUROPE IN MOTION RESEARCH GROUP)
How to Apply: Proposals for either 3-paper sessions or individual papers will be equally welcome. Individual papers should be 20 minutes in length. Please submit an abstract of no more that 250 words and a brief CV to mem2017@fcsh.unl.pt
Deadline: 15 June 2017.

NB: Conference Registration Fees:
Participation with Paper: 75€ (Registration fee includes documentation and coffee-breaks);
• Attendance: 30€ for the general public and 25€ for students;
• Gala Dinner: 35€.

In December, as the third year of its six-year Strategic Project draws to a close, the Institute for Medieval Studies – whose research groups have been working around our main theme, “People and Knowledge in Motion: Medieval Portugal in Trans-European Networks” – is hosting a Conference aimed at bringing together scholars from around the world in order to discuss and reassess the research undertaken in the Institute and in the wider academic world on mobility, the circulation of models, and phenomena of a global nature during the Middle Ages. In the course of the last three years, researchers specialising in the areas of History, History of Art, Archaeology and Literature, have developed their research with a strong emphasis on the question of the circulation of men and women, ideas, models and artefacts as mirrors of a medieval reality in which
mental, symbolic and physical mobility seems to correspond less and less to the ancient perceptions and stereotypes of Medieval Men and Society as characterized by stillness and immutability. Furthermore, work in the Institute has raised additional questions and problems intimately connected with the topics being studied, but also very much in line with current historiographical trends. For this reason, the organizers of the 4th International Conference on Medieval Europe in Motion deemed it appropriate to take our principal concern a step further and propose as its main subject the question whether or not it is possible to speak of a Global Middle Ages.
The Conference will seek to provide a forum for scholars from all disciplines who are willing to examine this topic. We invite participation from graduate students, early-career researchers and senior scholars. Papers are warmly welcome whether in English, Portuguese, Spanish, French or Italian.
The three sections of the Conference will be:
1. Debating the Global Middle Ages: Theoretical and Historiographical Approaches;
2. Texts, Images and Representations;
3. Territories and Powers: a “Glocal” Perspective.
Possible topics may include, but are by no means restricted to, the following:
• approaches to sub-global, semi-global and pan-global concepts and the discussion of contact,
exchange, interaction, circulation, integration and exclusion;
• analysis of concepts and case studies concerning diffusion, outreach, dispersal and expansion;
• approaches to concepts of impact, reception, acceptance, transformation and reform.
Selected proceedings will be edited by the Institute of Medieval Studies, as a peer-reviewed e-book, during the course of 2018.

 

Workshop: Arts and Court Cultures in the Iberian World (1400-1650)

horizontalWorkshop: Arts and Court Cultures in the Iberian World (1400-1650), Real Colegio Complutense at Harvard University (RCC Conference Room, 26 Trowbridge St., Cambridge MA), April 28, 2017

Visual strategies of legitimization became increasingly important for
Iberian monarchies during the late medieval and early modern periods.
Mediterranean dynastic, diplomatic, and military endeavors called for
effective propaganda, both in the metropolis and in viceregal
territories, such as southern Italy. Such efforts include architecture,
both ephemeral and permanent, the decoration of palaces, court
portraiture, and historiography. The advent of a Monarchia Hispanica
under Habsburg rule required careful elaborations of national,
religious, racial, and gender identities, across a mosaic of
multilingual and multiethnic populations. This workshop aims to
highlight some of these strategies, and to create a forum for
discussion of further research avenues, under the guidance of scholars
from Spanish and American universities. It is made possible thanks to
the collaboration of the Real Colegio Complutense at Harvard
University, and the University of Valencia, with additional support
from the Fulbright Commission and the BBVA Foundation.

09.00
Registration

09.15
Welcome & opening remarks

09.30
Viceregal Palaces in the Dominions of the Crown of Aragon: Charting a
Mediterranean Architecture
Prof. Mercedes Gómez-Ferrer (Universitat de València)

10.45
Icons of Dynastic Authority. Sofonisba Anguissola at Her Majesty’s
Service
Prof. Jorge Sebastián (Universitat de València)

12.00
Lunch

13.30
Facing the Infidel Other: Visual Battle Narratives and Royal Entries by
Spanish Habsburg Monarchs
Dr. Borja Franco (UNED, Madrid)

14.45
The Triumph of Tunis in Viceregal Palermo, Messina, and Naples
Prof. Cristelle Baskins (Tufts University)

16.00
Final remarks and roundtable discussion
with Prof. Felipe Pereda (Harvard University).

17.00
End of workshop

Each lecture to be followed by Q & A

SAH/Mellon Author Awards, Deadline 1 June 2017

akdims1o_400x400SAH/Mellon Author Awards
Deadline: Jun 1, 2017

These awards are designed to provide financial relief to scholars who
are publishing their first monograph on the history of the built
environment, and who are responsible for paying for rights and
permissions for images or for commissioning maps, charts or line
drawings in their publications. The publication of a monograph
continues to be the most valued demonstration of scholarly competence
for career advancement and recognition in the humanities.
Unfortunately, many authors today must provide both a fully realized
text and the financial resources for its image program. The cost for
image rights and licensing, especially for digital publications, can be
prohibitively expensive. Through this grant, SAH will provide awards to
scholars to help defray the high costs of image licensing,
reproduction, and creation of original drawings and maps for monographs
on the history of the built environment. This grant is intended as a
seed grant to assist authors to pay for these costs and to secure other
applicable grants. See website for award criteria and applications
instructions.

http://www.sah.org/jobs-and-careers/sah-fellowships-and-grants/sah-mellon-author-awards

Job (permanent): Properties Historian at English Heritage, deadline 15 April 2017

EHEnglish Heritage is looking for a Properties Historian for a permanent post based in London. Salary c. £30,000. They’re especially keen to find a specialist on castles, or a medievalist. Deadline 15 April 2017. Further details here

 

 

(From the EH site) We are looking for a historian, archaeologist or architectural historian to carry out research into our 420 historic monuments, buildings and sites. You will be part of a small team of historians working collaboratively with colleagues from across English Heritage to deliver innovative and engaging interpretation schemes for visitors to our sites.

Under the direction of a Senior Properties Historian you will be responsible for undertaking and managing research into our sites, and for the dissemination of this research to a wide audience. Working on projects with Curatorial Department colleagues, you will formulate and implement research programmes, providing content and supporting materials for high-quality new presentation schemes. You will also make research publicly available through publication in a variety of media including guidebooks, scholarly journals, the English Heritage website and Members’ Magazine.

We are looking for someone who can work independently, often to very tight deadlines, engaging constructively with a wide range of stakeholders, including curators, interpreters, visitor operations staff and external specialists. You will need to be confident in documentary and archaeological research, and able to synthesise material of different types, ranging from oral history to web-based sources. Your work will include sites from all periods in England’s history, though a specialism in the study of castles and their landscapes and/or post-medieval fortifications would be a distinct advantage.

We bring the story of England to life for over 10 million visitors each year. No matter what they do and where they do it, our people play their part in protecting and presenting some of the greatest places in England for the benefit and enjoyment of our visitors.

We offer a wide benefits package to our employees including a competitive pension scheme, 25 days holiday and free entry into English Heritage sites.

Closing date: 15/04/2017 23:59:59

CFP: Evidence of Power in the Ruler Portrait, 14th – 18th Cent. (1-2 Dec 17)

08c_boldCFP: Evidence of Power in the Ruler Portrait, 14th – 18th
Cent. (1-2 Dec 17), Munich / München, Zentralinstitut für Kunstgeschichte, 01. – 02.12.2017
Deadline: Apr 30, 2017
Applications for a lecture with an abstract of max. 3,000 characters
can be sent until April 30 2017 to the following address
Email: mattmuel@uni-mainz.de

Head and Body: Evidence of Power in the Ruler Portrait Between the 14th
and 18th Centuries

Kopf und Körper: Evidenzen der Macht im Herrscherporträt des 14.-18
Jahrhunderts

What meanings do head and body convey in the medieval and early modern
ruler portrait? How do its mimetic schemes and visual projections of
power relate to each other? How are conceptually abstract norms and
values of rulership transposed to categories of looking, how do images
of bodies concretize these norms and values, and what modes of
representation do they cultivate? Research on the history of portraits
has relegated these questions to the margins; we presently lack a
systematic analysis. Nevertheless, head and body forged central
attributes and categories for physical manifestations of rulership in
the Middle Ages and early modern period. The specific conditions of
their visual portrayal is therefore of particular interest. Unlike in
republican or democratic political systems, where the presence and
legitimation of ruling power is supported by an elected government or a
constitution, in principalities and monarchies the prince or king
himself guaranteed the legitimacy of his own rule. He did this above
all else through his physical body, whose visually and haptically
experienced presence first lent the necessary evidence for his
sovereignty.
The conference should comprehensively thematize the different
normative, material, medial, functional, and aesthetic aspects of the
corporeal and material presence of rulership in painted and printed
ruler portraits from the fourteenth to the eighteenth centuries.

Scientific Management:
Prof. Dr. Matthias Müller (Johannes Gutenberg-Universität Mainz)
Prof. Dr. Ulrich Pfisterer (Ludwig Maximilians-Universität München),
Dr. Elke Anna Werner (Freie Universität Berlin)

Conference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference, Christie’s Education London, 23 March 2017

Collecting400crop.jpegConference: Collections and Collecting Ancient, Byzantine and Medieval Art Conference, Christie’s Education London, 23 March 2017

Collecting Ancient and Medieval art attracts both academic and public curiosity because the objects (and structures) in question are not only often extremely rare, but also have fascinating histories. The ability to possess a piece of our past has allowed collectors throughout the centuries to create a continuity between that past and their present. This conference will explore the history of Ancient, Byzantine and Medieval collections, how they were originally formed, how objects survive and in what contexts, and how certain collections themselves live on. It will also address how the collections of the past may be reflected in the way that we approach collecting today, the theoretical and the historical framework of collections, how they are currently presented, as well as some of the controversies in the field. Equally, the problems and issues underlying the collecting of Ancient and Medieval art, and the knowledge required to authenticate them will be discussed.

PROGRAMME

9:30 – 10:00 Registration & Coffee
10:00 – 10:10 Welcome
SECTION I: Ancient and Medieval Collections

(Chair: Cecily Hennessy, Christie’s Education)

10:15 – 10:40 Collecting liturgical objects in thirteenth and fourteenth-century Castile

Maeve O’Donnell-Morales (Courtauld Institute of Art)

10:40 – 11:05 The saint-king’s collection: The treasure of grande châsse in the Sainte-Chapelle

Emily Guerry (University of Kent)

11:05 – 11:30 ‘Through me rulers rule’: A Curious History of Imperial Coronation Regalia

Zoë Opačić (Birkbeck, University of London)

11:30 – 11:55 E.P. Warren, Greek art and the Pan Painter

Amy Smith (University of Reading)

11:55 – 12:10 Discussion
12:10 – 13:40 LUNCH
SECTION II: New Approaches to Collections

(Chair: Sadie Pickup, Christie’s Education) 

13:45 – 14:10 The Digital Pilgrim Project: approaching large collections of miniature art

Amy Jeffs (University of Cambridge)

14:10 – 14:35 From Monastic Libraries to Computer Screens: Collecting Late Antique Illumination through the Centuries

Peter Toth (British Library)

14:35 – 15:00 Collections, Controversies and the Copts: Deciphering the Late Antique Textiles of Egypt

Anna Kelley (University of Birmingham)

15:00 – 15:15 Discussion
15:15 – 15:45 COFFEE & TEA
SECTION III: Private and Public Collections

(Chair: Jana Gajdošová, Christie’s Education)

15:50 – 16:15 The intersection between collecting and scholarship: some personal experience

Michael Carter (English Heritage)

16:15 – 16:40 Exploring the Collection of George R Harding

Naomi Speakman (British Museum)

16:40 – 17:05 Title to be Confirmed

Claudio Corsi (Christie’s, London)

17:05 – 17:15 Discussion
17:15 – 17:30 Closing Remarks
18:00 Drinks Reception