Koç University – Stavros Niarchos Foundation, Center For Late Antique and Byzantine Studies (CLABS) will grant two post-doctoral fellowships in Byzantine Art History and Archaeology.

Fellowships include accomodation, travel, field trips and stipend. Fellows will be able to  take advantage of the university facilities and the libraries connected to the university.

Fellowships will be for one year, renewable depending on the research project. CLABS fellowsare expected to devote themselves full time to their research projects, co-operate with the Center and to give a lecture and a written final report on their work.

The applications should be submitted to byzantinecenter@ku.edu.tr no later than March 1 and include a cover letter, a curriculum vitae with list of publications and other scholarly work, and a short proposal of their research project.

Medieval and Early Modern Student Association, Durham University

Ninth Annual Postgraduate Conference

15-17^th July 2015

“Darkness and Illumination: the Pursuit of Knowledge in the Medieval and Early Modern World”

The pursuit of knowledge has had an essential and constant influence upon the shaping of society. The means of its acquisition, interpretation, and dissemination informs the way in which people interact with the world around them, forming religious and cultural identities, scientific knowledge and gender roles among other things. This was as much true in the past as it is today.

This year’s Medieval and Early Modern Student Association conference will focus upon aspects of knowledge, learning, and control over information in the medieval and early modern periods and in doing so broaden perspectives not just about how people perceived their world, but also how they interpreted the past and the idea of progress.

We welcome abstract from postgraduates and early career researchers on all aspects of this topic in medieval and early modern archaeology, history, literature, theology, art, music, and culture. Presentation topics may include, but are not limited to:

• The ‘myths’ of the Dark Ages and the Renaissance
• The limits of archaeological, literary, and historical evidence
• The creation of the ‘primitive’ past
• Ideas of spiritual progression and improvement
• The growth of networks of learning
• Historical characterisations of race
• Scientific knowledge and discovery
• The expansion of the known and unknown world
• Gendered control of knowledge
• Urban and rural centres of learning
• Heretics, mystics, and conflicts over belief
• Publication, translation, and the availability of texts
• Artistic, musical, and cultural innovation

Postgraduate and postdoctoral students are welcome to apply for presentations. In addition to the panels, the conference will offer two keynote addresses (TBA). Tours of Durham Cathedral and Castle as well as a visit to Durham Museum and Heritage Centre are scheduled for any interested delegates.

Please send abstracts of 200-300 words to memsaconference2015@gmail.com for papers no longer than 20 minutes by Friday 17^th April 2015.

For more information, please visit our blog, website, or sponsor’s pages:

durhammemsa.wordpress.com * dur.ac.uk/imems/memsa * dur.ac.uk/imems

Arranged with the support of Durham University’s Institute of Medieval and Early Modern Studies

London, The Courtauld Institute of Art, March 13 – 14, 2015
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN

13.45 – 18.30, Friday 13 March 2015 (with registration from 13.15)
09.30 – 16.30, Saturday 14 March 2015 (with registration from 09.00)

Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN

From important research undertaken over the last three decades, it has become evident that the institutionalisation of late Medieval and Renaissance religious women developed under very different conditions from that of their male counterparts. Furthermore, monastic foundations for women rarely adhere to a set of norms. Architecturally, female religious settlements range from large complexes erected in the most fashionable styles of their time, to basic dwellings within converted secular buildings. Diversity can also be observed in the commissioning and use of works of art, from second-hand or inherited artworks to specially-commissioned, lavish monuments and vast cycles of wall paintings. In short, artworks in the female religious context escape generalisation.

This conference will compare, contrast and juxtapose recent scholarly approaches to the art of religious women from approximately 1250 to 1550. Its primary aim is to foster exchange between scholars working on different European regions, ranging from the German-speaking areas of Europe, across the Italian peninsula to the still heavily understudied material in England, Spain, Scandinavia and Eastern Europe. The speakers will examine female monastic art and architecture in terms of devotion and ritual, patronage, space, communal identity and artistic practice. This rich programme, chronologically bridging the gap between the Middle Ages and the Renaissance, seeks to initiate a broader scholarly conversation, which is long overdue.

Organised by Laura Llewellyn and Michaela Zöschg (The Courtauld Institute of Art).

Ticket/entry details: £26 (£16 students, Courtauld staff/students and concessions)

BOOK ONLINE: http://ci.tesseras.com/internet/shop Or send a cheque made payable to ‘The Courtauld Institute of Art’ to: Research Forum Events Co-ordinator, Research Forum, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, stating ‘Sister Act’. For further information, email ResearchForum@courtauld.ac.uk.

PROGRAMME

FRIDAY, 13 MARCH 2015 (DAY 1)

13.15 – 13.45
REGISTRATION

13.45 – 14.10
Introduction: Laura Llewellyn and Michaela Zöschg (The Courtauld Institute of Art)

14.10 – 15.30
SESSION I: In the Choir: Images, Prayer and Devotion (Chair TBC)

Jennifer Atwood (Museum of the Bible, Oklahoma City): ‘How Can I Find Words to Tell About the Burning Love With Which You Sought Him’: Understanding Female Devotion and Priorial Use in the Littlemore Anselm

Giuseppe Capriotti (University of Macerata): The Choir as machina memorialis. The Mystical Experience and the Artistic Patronage of Sister Battista da Varano

Daniela Rywiková (University of Ostrava): ‘Veni sponsa Christi…’. Female Monastic Spirituality and Art in Late Medieval Bohemia

Discussion

15.30 – 16.00
TEA/COFFEE BREAK (provided – Seminar room 1)

16.00 – 17.20
SESSION II: Beyond the Choir: Negotiating Gendered Space (Chair: Joanna Cannon)

Jonathan Kline (Temple University, Philadelphia): For the Clares, and for their Salvation: The Duecento Frescoes of Santa Maria inter Angelos in their Clarissan Context

Sue Sharp (Birkbeck College, University of London):The Lacock Abbey Crucifixion: Thirteenth-century Devotion and Patronage in an Augustinian Nunnery

Eva Lindquist Sandgren (Uppsala University): A Birgittine Nuns’ View. Books, Images and Space in the Monastery of Vadstena, Sweden, around 1500

Discussion

17.20 – 17.30
Break

17.30 – 18.30
KEYNOTE LECTURE

Carola Jäggi (University of Zurich): Acting as Sisters: Medieval Nunneries as Cultural Networks

18.30 – 19.30
RECEPTION

SATURDAY, 14 MARCH 2015 (DAY 2)

09.00 – 09.30
REGISTRATION

09.30 – 10.50
SESSION III: Visualising Community: Agency and Self-Representation (Chair: Susie Nash)

Christian Nikolaus Opitz (Independent Scholar): Enclosed on the Altar: Two Clarissan Altarpieces from Fifteenth-century Franconia

Angelica Federici (University of Cambridge): The Monastery of Sant’Agnese fuori le mura: Female Patronage and Political Prestige in late Medieval Rome

Alexandra Gajewski (CCHS/CSIC Madrid): Perceived Limitations, Visualized Possibilities: Activities and Agencies through Art in the Late Medieval Convent

Discussion

10.50 – 11.20
TEA/COFFEE BREAK (provided – Seminar room 1)

11.20 – 12.15
SESSION IV: Painting and Stitching: Artists in the Convent (Chair: Laura Llewellyn)

Fausta Navarro (Galleria Palatina & Museum of San Salvi, Florence): ‘Orate pro Pictora’ (Pray for the paintress). Suor Plautilla Nelli as a professional nun painter in Florence mid XVI century

Ingela Wahlberg (Uppsala University): In the Nun’s Style: A Discussion of Ornamentation and Technique in Birgittine Embroidery from Sweden and Finland in the Late Fifteenth Century.

Discussion

12.15 – 13.30
LUNCH (provided for the speakers only – Seminar room 1)

13.30 – 14.50
SESSION V: Family and Memoria: Royal and Aristocratic Patrons (Chair: Tom Nickson)

James D’Emilio (University of South Florida, Tampa): Aristocratic Women and Cistercian Nunneries in León: Family Politics and Religious Reform

Stefanie Seeberg (CCHS/CSIC, Madrid): Commemorative Function of Art in the Female Monastery of Altenberg under Gertrud of Thüringen (1227-1297)

Diana Lucía Gómez Chacón (University Complutense of Madrid): Servire a Dio è regnare. Queenship and Dominican Spirituality in Beatrice of Portugal’s Sepulchre

Discussion

14.50 – 15.20
TEA/COFFEE BREAK (provided – Seminar room 1)

15.20 – 16.15
SESSION VI: Nuns and the City: Female Monastic Communities in the Urban Fabric (Chair: Michaela Zöschg)

Veronique Bücken (Royal Museum of Fine Arts, Brussels): The Canonesses of Nivelles and the Processional Chariot of Saint Gertrude: Artistic Patronage and Propaganda

Saundra Weddle (Drury University, Springfield): Venetian Convent Architecture in Its Topographical Contexts

Discussion

16.15 – 16.30
Closing Remarks: Scott Nethersole (The Courtauld Institute of Art)