Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures.
Jeffrey F. Hamburger is the Kuno Francke Professor of German Art & Culture at Harvard University and an internationally renowned expert on sacred art of the high and late Middle Ages, in particular on the function of images in theology, mysticism and piety, as well as for manuscript illumination.
Honoring the scholarship of Richard K. Emmerson, this collection interrogates the concept of interdisciplinarity through a set of essays that traverse the traditional boundaries of various fields in medieval studies.
Hearing is a far-reaching concern, to judge by printed and online efforts to improve it in business, law, medicine, higher education, and other areas. American democracy itself has been jeopardized by failures to listen, some have recently argued. Centuries ago, when anxieties ran high about people not hearing what they were ‘supposed’ to hear, remediesContinue reading “New Publication: Monumental Sounds: Art and Listening Before Dante by Matthew G. Shoaf”
Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same.
This collection provides students and scholars with carefully selected, introduced, and annotated materials from non-Islamic sources dating to the early years of Islam. These can be read alone or alongside the Qur’an and later Islamic materials.
Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage.
Developed out of a joint exhibition and conference held in the autumn of 2016, this collection of papers delivers ‘a broad overview of the history of patronage and book production over the course of the High and late Middle Ages, to the extent that the eclectic holdings of Boston-area institutions permitted’.
Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imageryContinue reading “New Publication: Right and Left in Early Christian and Medieval Art by Robert Couzin”
This groundbreaking collection of texts, translated from sources in a dozen languages from the seventh to the eighteenth centuries, presents the historical process of conversion to Islam in all its variety and unruly detail, through the eyes of both Muslim and non-Muslim observers.